Matthew Locke was born 400 years ago in 1622, and while he is often ranked as one of England’s finest composers, he is still unaccountably neglected: his music may not be as immediately appealing as his immediate successor, Henry Purcell, nor as wide- ranging as William Byrd, yet his forceful musical personality and luxuriant technique place him in the first echelon of English composers, with his works described by Richard Boothby of Fretwork as having a “quixotic, capricious restlessness that is constantly challenging the listener to follow his argument … a thrilling musical ride”. Accompanying Fretwork on continuo for this recording are David Miller (archlute and theorbo) and Silas Wollston (harpsichord).
The cover of the album bares an inscription in the walls by the choir stall of Exeter Cathedral, thought to have been carved by the composer during his time as a member of the choir there.
In 2021, Fretwork celebrated its 35th anniversary. In the past three and a half decades they have explored the core repertory of great English consort music, from Taverner to Purcell, and made classic recordings against which others are judged. Their recent critically- praised releases with Signum include If and Lamento – both with counter-tenor Iestyn Davies – and In Nomine 2 (★★★★★ BBC Music Magazine).
★★★★★ “Written for friends to play, this richly imaginative music is unaccountably rarely performed which makes this satisfying disc from Fretwork so welcome…All the music receives terrific performances from the players, and they really manage to evoke the atmosphere of those friends playing together in the 17th century Hereford” – Planet Hugill
★★★★ Performance, ★★★★ Recording “Fretwork captures the brooding quality of the minor-mode suites particularly well, and their sinewy playing points up Locke’s vigorous counterpoint and robust rhythms. The main bonus of the new disc, though, is it’s inclusion of three other suites from the surprisingly neglected “Flat Consort”” – BBC Music Magazine
Favourite Classical Albums of 2022 “Fretwork play gorgeously” – Gramophone