• In Chains of Gold Vol. 2

    £8.00£14.00
    Leading performers of 17th-century music the Magdalena Consort, Fretwork and His Majestys Sagbutts and Cornetts combine forces under the artistic direction of William Hunt for their second release exploring the English Pre-Restoration Verse Anthem – Psalms and Royal Anthems, particularly those of William Byrd. More than any composer before him, William Byrd catered prolifically to a wide variety of musicians. Connoisseurs of Latin motets at home and abroad, troupes of boy actors with their viols and their unbroken voices, solo keyboard players, the choirs of the established English church, and the underground ensembles of Catholic households where mass was celebrated in secret— performers of all these kinds could look to Byrd for quantities, in some cases vast, of music of the highest excellence.   All downloads include booklets.
  • This is a musical trip from the mid-sixteenth century to around 1700, involving music in Late Renaissance style, carrying Spanish Catholicism across the Atlantic to supplant an indigenous culture. Once the invasion had taken root with the conquest of Tenochtitlán and its transformation to Mexico City, the country became the target of fervent friars and preachers. Franciscans were first in 1523, then Dominicans, all fired with Christian zeal to convert the native population. From the outset they used music to great effect. The accounts that survive show how successful they were in teaching singing and playing, training choirs to perform liturgical music. By the mid-century it was claimed that standards had reached that of Charles V’s chapel. Churches and cathedrals were established throughout the rapidly expanding New Spain. Conquest and Christianity imposed an almost exact replica of Old Spain. Liturgical books, prints of plainchant and polyphony were shipped in throughout the century. In this recording the singers present music by eight composers. Four of them never went to the New World; their music did. Three of them were born in Spain and were trained in music there; they held appointments in Spain and later emigrated to the new colonial cities. One more became the first composer-choirmaster to be born there of Spanish parents, thus criollo.   All downloads include booklets.
  • Rupert Gough and The Choir of Royal Holloway release a new single with soprano Laura Wright, raising awareness of mental health and encouraging people to seek support and donate to mental health charities if they feel able to. The track, written by composer Thomas Hewitt Jones and lyricist Matt Harvey, speaks of the loneliness and despair felt by many around the world during the COVID-19 pandemic. All of the musicians involved gave their services for free and hope that the song can be an anthem for kindness, bringing hope all around the world to those suffering with their mental health. Proceeds from the single will be donated to a number of UK-based mental health charities. The music video for Can You Hear Me? can be found HERE.
  • Sturm und Drang Volume 1

    £8.00£14.00
    This is the first project in a seven-volume series exploring the ‘Sturm und Drang’ movement, which swept through all art forms in the between the early 1760s and 1780s. The purpose of this movement were to frighten and perturb through the use of wild and subjective emotional means of expression. This series of ‘Sturm und Drang’ recordings incorporates iconic compositions by Mozart, Gluck and, above all, Joseph Haydn, but it also includes largely forgotten or neglected works by less familiar names. The music featured on this disc was all composed in the 1760s. It includes ballet and opera as well as symphonies, but is drawn together by the hallmarks of the remarkably visceral and dynamic style of music that we now call ‘Sturm und Drang’.   All downloads include booklets.
  • Extra Time

    £8.00£14.00
    This recording by La Serenissima began life when the ensemble were recording for an earlier release. An issue with budget for a previous release meant these gems had to be left out. Since that release in 2015, La Serenissima have firmly established themselves as one of the leading performing ensembles of Italian Baroque. Following on from their highly acclaimed ‘The Godfather;’ released on Signum last year, this release shows the class act that they are, with these recordings making for one incredible album. La Serenissima was formed in 1994 for a performance of Antonio Vivaldi’s La Sena festeggiante and has now firmly established itself as one of the leading exponents of the music of eighteenth-century Venice and connected composers. The entire repertoire of La Serenissima is edited by director Adrian Chandler from manuscript or contemporary printed sources, a testament to its vision to enrich life by sharing its passion for Italian baroque music.   All downloads include booklets.
  • Tamsin Waley-Cohen and Huw Watkins return with the start of a Beethoven Violin Sonata Cycle - here recording the 1st, 5th and 8th sonatas. Gramophone Magazine said “The heart gives a little leap at the prospect of...a duo as engaging and intelligent as Tamsin Waley-Cohen and Huw Watkins.” This cycle is sure to be one of the highlights of Signum’s year, as well as of Beethoven 250. Beethoven’s ten violin sonatas add up to a comprehensive exploration of the possibilities and potential of writing for the two instruments on equal terms – possibilities that he was ideally placed to understand. The three sonatas on this recording are waypoints on a journey, crafted by a composer who was both violinist and pianist, and who never ceased exploring the practical possibilities of the instruments for which he wrote.   All downloads include booklets.
  • The Sacred Veil

    £8.00£14.00
    The Sacred Veil - a project led by Eric Whitacre and Charles Anthony Silvestri - was created following the passing of Charles’ wife, Julia in 2005. It represents a journey towards the answer for many questions, including whether departed loved ones are truly gone, and how can we mourn those we have lost whilst still moving forward? In Charles’ own words, the project became “a significant part of my journey toward healing and wholeness after great loss.” Poet, author, composer, and speaker Charles Anthony Silvestri has worked with other artists from all over the world to create texts tailor-made for their commissions and specific artistic needs. He enjoys the challenge of solving these creative problems and has provided custom choral texts, opera libretti, program notes and other writing for composers including Eric Whitacre, Ola Gjeilo, Kim Arnesen, and Dan Forrest, and for ensembles ranging from high schools to the Houston Grand Opera, from the King’s Singers to the San Francisco Gay Men’s Chorus, from Westminster Choir College to Westminster Abbey. Grammy® Award-winning composer and conductor Eric Whitacre is one of the world’s most performed living composers. His works have been programmed worldwide by millions of amateur and professional performers, while his ground-breaking Virtual Choirs have united singers from over 120 different countries. Eric, a graduate of the prestigious Juilliard School of Music, is presently Artist in Residence with the Los Angeles Master Chorale, following five years as Composer in Residence at the University of Cambridge, UK.As conductor of the Eric Whitacre Singers, he has released such chart-topping albums including Light and Gold and Water Night. In high demand as guest conductor, he has drawn capacity audiences to concerts with the Netherlands Radio Choir, London Symphony Orchestra, Flemish Radio Choir, and Minnesota Orchestra.   All downloads include booklets.
  • Michael Finnissy was born in Tulse Hill in 1946. He studied at the Royal College of Music with Bernard Stevens and Humphrey Seale, and in Italy with Roman Vlad. Much of his early work was first performed in France and the Netherlands, while he was working as a freelance repetiteur and pianist for dance-classes. He taught at the Royal Academy of Music, at the universities of Sussex and Southampton, and at the Katholiek Universiteit in Leuven. He has also given summer courses at Dartington, and been resident artist at the Victorian College of the Arts in Melbourne (Australia). He has been featured composer at the Huddersfield Festival several times, at the Sydney Gay and Lesbian Mardi Gras, and many other places across the world, most recently at SICPP in Boston USA. Here, The Choir of St. John’s College, Cambridge perform Finnissy’s deep, rich and fulfilling music in what has been a four year process. It has taken Conductor and Director Andrew Nethsingha, four years to gradually become acquainted with the pieces on this recording. He says it “has been a deeply enriching experience which I want others to share”.   All downloads include booklets.
  • Gabriel Prokofiev’s famous first Concerto for Turntables reached a global audience when performed by Mr. Switch at the 2011 BBC Proms, under the baton of Vladimir Jurowski. It has since been performed 55 times worldwide, with the 5th movement being performed 20 times as part of the BBC’s Ten Piece’s project. The aim of the piece is demonstrate the main DJing techniques, with each movement showing off a specific one. Prokofiev’s Cello Concerto was composed in 2012 and is the third concerto he composed. It was the most conventional of his concertos, with the other two (at that point) being for Bass Drum and Turntables. Despite this, Prokofiev still manages to explore influences of electronic and dance music in the concerto, whilst also exploring the traditional lyrical side of the cello.   All downloads include booklets. 
  • Christopher Gunning returns with recordings of his Violin Concerto, Cello Concerto and Birdflight. Not composed until 2011, Gunning's Violin Concerto was composed after inspiration whilst the composer was out hiking in Wales. The violin is supposed to represent ducking and weaving, rather like the insects and animals found in the Welsh hills and valleys. However, despite this positive venture for the composer, the emotions of sadness and melancholy are never far from this music - feelings which never seem far from Gunning's music. The Cello Concerto is quite different. Although composed hard on the heels of the Violin Concerto, it is generally darker though equally expressive. The third piece, Birdflight, is for the orchestra alone; a kind of tone poem. At the opening and close there is some quiet night music with spacious strings. The birds take flight but encounter a problem; a hawk is on their tail. The birds manage to hide and there is a pause. Then, when danger has passed, they take off and once again enjoy the sheer pleasure of flying.   All downloads include booklets.
  • The King’s Singers release an EP consisting of six tracks recorded during the Coronavirus lockdown. Featuring classic arrangements of well-loved songs that are an integral part of their repertoire, these tracks were recorded remotely and showcase their versatility and talent at producing superlative music, particularly during these difficult moments in history. The King’s Singers also released videos of each of the tracks on this EP on social media during the lockdown period, racking up millions of views, allowing the group to continue performing, despite the cancellation of their tour for their recent Signum album, Finding Harmony.
  • Swan Lake

    £8.00£14.00
    In the 2019/20 season Santtu-Matias Rouvali continued as Chief Conductor of Gothenburg Symphony and as Principal Conductor Designate of the Philharmonia Orchestra, where he succeeds Esa-Pekka Salonen as Principal Conductor in 2021/22. Alongside these posts he retains his longstanding position as Chief Conductor with Tampere Philharmonic Orchestra, close to his home in Finland. His international profile continues to flourish. He debuted the season with the New York Philharmonic, Berlin Philharmonic and Royal Concertgebouw orchestras in wide-ranging repertoire. He conducted the New York premiere of Bryce Dessner’s Wires, and at the Concertgebouw he conducted the world premiere of Ariadne by Theo Verbey, as well as Stravinsky’s Oedipus Rex. He has built a loyal following internationally after successful tour concerts last season with Gothenburg Symphony in Vienna, where he returned in December to conduct the Wiener Symphoniker and Nicola Benedetti. In 2019/20 he returned to several orchestras across Europe, including the Orchestre Philharmonique de Radio France and Deutsches Symphonie-Orchester Berlin. A self-critical composer, Tchaikovsky once said “‘I listened to the Delibes ballet Sylvia... what charm, what elegance, what wealth of melody, rhythm, and harmony. I was ashamed, for if I had known of this music then, I would not have written Swan Lake.” It's ironic that Tchaikovsky's words apply also to Swan Lake itself; “what charm, what elegance, what wealth of melody, rhythm, and harmony.”   All downloads include booklets.
  • David Goode continues his new series of the complete organ works of Johann Sebastian Bach, played on the Metzler Söhne organ of Trinity College Chapel, Cambridge. This fourteenth volume includes ‘Clavier Ubung III: Prelude (“St Anne”), BWV 552a’ and the ‘Clavier Ubung III: Allein Gott in der Höh sei Ehr (Fughetta), BWV 677.’ This digital-only recording is available from all major download stores and streaming services in MP3, CD Quality and Studio Quality/24-bit audio, and includes an extensive note on the works by George Parsons. It is also available to buy as a disc on demand – made to order with a printed booklet and inlay.   All downloads include booklets.
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth received the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change.  
  • Beowulf

    £8.00£14.00
    The story of Beowulf, although thousands of years old, is still loved by many all over the world. This recording of a new musical telling of the story, composed by Toby Young, blurs traditional sense of the genre of classical music by merging it with folk and popular music. This fusion is what makes Beowulf a fantastic story. The greatest versions of the story are not the simple good verses bad, but the ones which involve slight ambiguous points; ones which allow the reader/listener to mkae his/her mind up about what is exactly going on. The combination of Toby Young’s score and Jennifer Thorp’s libretto create this ambiguity perfectly.   All downloads include booklets.
  • On Thursday, August 20, Signum Classics will begin releasing the COVID-19 Sessions. Recorded on March 17, 19, and 20 at Westminster Presbyterian Church in Minneapolis, Minnesota, the COVID-19 sessions came together quickly as society began to shut down amidst the growing outbreak in the United States.  Recorded on March 17, 19, and 20 at Westminster Presbyterian Church in Minneapolis, Minnesota, the COVID-19 sessions came together quickly as society began to shut down amidst the growing outbreak in the United States.  “Cantus tour dates and home concerts were being canceled and it was clear there would be only a limited window in which to sing together before the world went on pause,” says Paul Scholtz, tenor.  “What would social distancing and prohibitions on large gatherings mean for vocal music, our communities, and the world at large?” continues Scholtz. “Cantus’ vision is to give voice to shared human experiences and what better way than to offer these performances amidst this great turmoil and uncertainty. We hope you can find yourself and your experience reflected somewhere in these sessions. The pieces you will hear span a great breadth of emotion, from joy to sorrow to wonder to pain. We hope you will find the performances themselves informed by the emotional states in which they were recorded — heightened at different times in different ways.” 
  • Flare (Digital Only)

    £8.00£9.75
    Described in The Guardian (2019) as one of today’s leading composers for voice, Joanna Marsh is a British composer who since 2007 has divided her time between Dubai and the UK. Her life in the Middle East has lead to many unique musical opportunities including writing an orchestral work to celebrate the building of the Burj Khalifa. Most recently she was commissioned by Dubai Opera to write an orchestral work for the first BBC Proms in Dubai in March 2017. This lead to her writing the 6 minute work Flare, for the BBC Symphony Orchestra, based on a short story called Oil Field, by Saudi writer Mohammed Hasan Alwan. Joanna has been Composer in Residence, at Sidney Sussex College, Cambridge from 2015 through to 2020 and during that time has written a number of choral works for the college choir and the college organ. She is a Co-Founder of ChoirFest Middle East in Dubai, an annual celebration of the region’s choral music scene which is reached its eighth edition in March 2020. She is also Founder and Artistic Director of the Dubai Opera Festival Chorus a large body of singers that was set up for the BBC Proms in Dubai and continues to undertake concert performances of various types across the UAE.   Available as a disc on demand from Presto Classical.
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth received the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change. This third instalment of this series features Beethoven’s mighty 5th piano concerto as well as his ever popular triple concerto, featuring Duncan Riddell on violin and Richard Harwood on cello.   All downloads include booklets.
  • “In a word I feel myself the most unhappy and wretched creature in the world. Imagine a man whose health will never be right again, and who in sheer despair over this ever makes things worse and worse instead of better ...but I have tried my hand at several instrumental things ... in fact, I intend to pave the way towards a grand symphony in this manner.” These extracts from a letter of 1824 epitomise to me the paradox of Schubert, the manic-depressive composer. On the one hand his music has that world-weary element of profound grief – ‘the most wretched creature in the world’ – and on the other a life-affirming exuberance bordering on the manic that characterises the Wanderer-Fantasie and parts of the D major sonata D.850. Here, Llyr Williams plays a collection of Schubert solo piano works across a series of releases, once again showing why he is one of the most diverse and extraordinary pianists performing today.   All downloads include booklets.