• The cello concertos of Elgar and Myaskovsky written in 1919 and 1944 respectively, engender few similarities these days but make an exciting coupling due not only to the disparate nature of the composers’ lives and situations, but also to the common ground they tread; both composers were in their early sixties when writing their main work for the instrument. A stunning performance by Jamie Walton, accompanied by the magnificent Philharmonia Orchestra. Jamie has enjoyed success as a rising international soloist and has given concerts in some of the most prestigious concert halls in the world. He appears regularly at the Wigmore Hall and Symphony Hall, Birmingham and has performed with leading orchestras such as the Vienna Chamber Orchestra and the Philharmonia Orchestra. ★★★★★ One of the finest recordings of the Elgar.  Jamie Walton has a formidable technique; his playing in the scherzo and the finale is beyond compare; and he captures the autumnal melancholy without loss of vitality.  His pianissimos in the finale coda are a wonder.  He has like-minded collaborators in the Philharmonia and Alexander Briger, who also support him in Myaskovsky's sombre concerto of 1945 - The Telegraph Magazine ★★★★★ Despite living in such disparate lands and situations, [Elgar and Myaskovsky] shared a similar spiritual-musical world. Walton, with the Philharmonia Orchestra under Alexander Briger, deserves credit for making the point so sympathetically - The Financial Times ★★★★ Both composers were wringing their hands over death, destruction and innocence lost. Since Myaskovsky finds more peace than Elgar, we end the disc with some gentle uplift - The Times This is probably the best performance of the Elgar Cello Concerto that I have heard. Walton cannot be beaten. I shall treasure this recording - The Elgar Society Journal
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, this being their fifth disc with Signum. This disc combines the Philharmonia’s renowned sound with the leadership of Maestro Davis, who’s recording and performing career spans through all the great orchestras of the world. This disc features Elgar’s best known orchestral works; The Enigma Variations depict twelve of Elgar’s family and friends in fourteen variations built on the original Enigma theme, one of Elgar’s earliest and still most frequently played orchestral works, Serenade for Strings, and In the South, Elgar’s Concert Overture written for the Elgar festival in 1904. A reading clearly born of true affection for, and deep knowledge of this rich and ever-wonderful score… any Elgarian seeking these three pieces together will not remotely be disappointedInternational Record Review Three fine interpretations, that also has the excitement of public performance, by a conductor who loves this repertoire and knows it like the back of his handBBC Music Magazine A highly impressive recording - Classic FM Magazine
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, this being their ninth release with Signum Records. This disc combines the Philharmonia’s renowned sound with the leadership of Maestro Davis, whose recording and performing career spans through all the great orchestras of the world.
  • Emmanuel Despax is a rising star on the UK and international piano scene, who has performed at the Wigmore and Cadogan Halls in London, the Salle Gaveau and Louvre Auditorium in Paris, and with orchestras including the CBSO. His debut concerto recording, with the Orpheus Sinfonia under Thomas Carroll, features the premiere recording of Stephen Goss's Piano Concerto, inspired by the designs of Thomas Heatherwick (the work’s premiere performance was the first classical concert in which audiences were invited to bring their ipads and tablets, to watch an interactive display designed to accompany the music). The work is accompanied by two similarly expressive and characterful works, Saint-Saëns’ ever-popular Piano Concerto No.2 and Franck’s Variations symphoniques. Emmanuel Despax is a formidable talent, fleet of finger, elegant of phrase and a true keyboard colourist...a noteworthy achievement - Gramophone Despax displays fine power and urgency with some brilliant piano playing...brings just the right combination of charm, brilliance and depth to the playing - Planet Hugill    
  • Performances of Debussy's orchestral classics, performed by the Philharmonia Orchestra under the baton of Geoffrey Simon.
  • Extra Time

    £8.00£14.00
    This recording by La Serenissima began life when the ensemble were recording for an earlier release. An issue with budget for a previous release meant these gems had to be left out. Since that release in 2015, La Serenissima have firmly established themselves as one of the leading performing ensembles of Italian Baroque. Following on from their highly acclaimed ‘The Godfather;’ released on Signum last year, this release shows the class act that they are, with these recordings making for one incredible album. La Serenissima was formed in 1994 for a performance of Antonio Vivaldi’s La Sena festeggiante and has now firmly established itself as one of the leading exponents of the music of eighteenth-century Venice and connected composers. The entire repertoire of La Serenissima is edited by director Adrian Chandler from manuscript or contemporary printed sources, a testament to its vision to enrich life by sharing its passion for Italian baroque music.   All downloads include booklets.
  • In recent years, Patrick Hawes has emerged as one of the country’s most popular and inspirational composers. Born in Lincolnhire, he studied music as an organ scholar at Durham University, and soon went on to make an impact in the world of choral music. ★★★★★ Patrick Hawes has carved out a niche as a contemporary composer who writes melodic, atmospheric and, frankly, beautiful music - Gramophone Hawes’s admirers will find much here to confirm their warm response to his music’s quiet strength and individuality... The excellent performances feature the tawny loveliness of Julian Lloyd Webber’s cello-playing, plus two fine solo singers - Classic FM Magazine
  • Flare (Digital Only)

    £8.00£9.75
    Described in The Guardian (2019) as one of today’s leading composers for voice, Joanna Marsh is a British composer who since 2007 has divided her time between Dubai and the UK. Her life in the Middle East has lead to many unique musical opportunities including writing an orchestral work to celebrate the building of the Burj Khalifa. Most recently she was commissioned by Dubai Opera to write an orchestral work for the first BBC Proms in Dubai in March 2017. This lead to her writing the 6 minute work Flare, for the BBC Symphony Orchestra, based on a short story called Oil Field, by Saudi writer Mohammed Hasan Alwan. Joanna has been Composer in Residence, at Sidney Sussex College, Cambridge from 2015 through to 2020 and during that time has written a number of choral works for the college choir and the college organ. She is a Co-Founder of ChoirFest Middle East in Dubai, an annual celebration of the region’s choral music scene which is reached its eighth edition in March 2020. She is also Founder and Artistic Director of the Dubai Opera Festival Chorus a large body of singers that was set up for the BBC Proms in Dubai and continues to undertake concert performances of various types across the UAE.   Available as a disc on demand from Presto Classical.
  • Flight

    £12.00
    Flight is the stunning new album of works from British composer Oliver Davis (b.1972), composed for and in collaboration with violinist Kerenza Peacock. Flight captures the spirit of movement and energy present in many of Davis’s compositions, which have led to frequent collaborations with groups such as the Royal Ballet and a great number of TV commissions. On disc these works are performed by Kerenza alongside the London Symphony Orchestra under conductor Paul Bateman. [These] exuberant works are performed with charisma and sensitivity by Kerenza Peacock and the LSO - BBC Music Magazine The music is full over movement and energy. It's spirited, lively, and at times reminiscent of the music of Michael Nyman. Kerenza Peacock plays with great panache and verve - Classic FM No quibbles as to Peacock's commitment or panache, while Paul Bateman gets a disciplined response from the London Symphony Orchestra - Gramophone
  • For You

    £18.00
    For You is a new opera that brings together the music of composer and BBC Radio 3 presenter Michael Berkeley and Booker-prize winning author Ian McEwan. This gripping tale of love, lust and obsession centers on the composer and prodigious womanizer Charles Frieth (Alan Opie), and the tragic consequences that his selfish actions cause him and those around. Although essentially dark, there are moments of irony, wit, and humour throughout the opera. Soaring vocal lines, intricate ensemble pieces, and imaginative instrumental writing make this an electrifying work. Masterly performed by Music Theatre Wales, directed by Michael Rafferty.
    The music, conducted here by Michael Rafferty, is energetic, deftly coloured and carefully balanced, allowing the excellent voices, including Alan Opie’s Frieth, to make their due markThe Sunday Times It bristles with wit and lyricism, while giving other composers and librettists a lesson in how to drape operativ tradition in modern clothesThe Financial Times Berkeley’s score is lively, abrasive and strongly crafted … the performance (recorded live) is focused, with excellent orchestral playing and a strong central performance by Alan Opie -  The Daily Telegraph
  • Originating as a sexy dance in South America, the ‘chacona’ crossed the Atlantic and established itself in Spain as an irresistible temptation. In 1615, it was banned from Spanish theatres for being ‘lascivious, dishonest, offensive to pious ears’, but the attractions of the chaconne held sway. From the Ground Up traces its allure from early Spanish chaconnes, through the worlds of Purcell and Piccinini, to Bach’s magisterial example for solo violin. Reanimating the ‘lascivious’, Purcell’s ground basses furnish a harmonic groove for readings from Shakespeare by British actor Samuel West, accompanied by New York rapper Baba Israel.
  • In his new Saxophone Concerto, Gabriel Prokofiev explores a side of classical music usually seen as forbidden by modern contemporary composers: melody. This aspect was incorporated at the request of the soloist, Branford Marsalis, allowing Prokofiev to revisit characteristics of the classical tradition not usually heard in contemporary music, giving the saxophone an open canvas. Prokofiev’s Bass Drum Concerto shows the versatility of the instrument, despite only being used in a very basic fashion in classical music as a whole. Prokofiev experiments with how the bass drum is struck, where it is struck, and what it is struck with throughout the piece, producing a variety of sounds, colours and textures. 
  • Star British cellist Jamie Walton returns to disc on Signum with a programme Russian repertoire by composers Glazunov, Prokofiev and Tchaikovsky. Joined by the Royal Philharmonic Orchestra under Okko Kamu, the disc includes the original version of Tchaikovsky’s Variations on a Rococo Theme. Jamie Walton's outstanding programme of Russian classics captures the music's soaring lyricism with impassioned eloquence and interpretative flair - The Strad Walton embraces Glazunov's tenderness with the warmth and suppleness of his tone...Walton interprets [the Prokofiev] with impressive, seamless sweeps and refined dynamic shading - The Daily Telegraph Seamless lyricism and glorious tone - Gramophone [Walton] delivers a particularly eloquent and virtuosic account of the work - BBC Music Magazine
  • Christina Rossetti’s 19th Century poem Goblin Market has long divided and bemused readers as to its meaning and intent. The story of two sisters and their encounters with the sinister Goblin men and their ‘forbidden’ fruit, has been variously interpreted as an allegory of proto-feminism, a critique on the rise of advertising in pre-capitalist England, and an exploration of feminine sexuality in relation to the Victorian world. This multitude of interpretations only adds to the poems mystique and imagery, captured here by the Pulitzer Prize winning composer Aaron Jay Kernis. Performed by London-based ensemble The New Professionals under Rebecca Miller, the work is a unique concoction of music, mime and masks that delves into the overripe and at times grotesque and shocking imagery of Christina Rossetti’s poem. Goblin Market explores both the Victorian repression coded into its text as well as its parallels with contemporary social issues. An inventive treatment of music theatre - The Guardian This should be heard … not a moment that's not ear-catching - International Record Review It is no exaggeration to say that Goblin Market is one of the great musical works of art for theatre of the 20th century - MusicWeb International Well-balanced sound as well as detailed annotations add to the attractions of this worthwhile release - Gramophone
  • Percy Grainger was one of the great “originals” of 20th century music. Australian-born, he studied with his mother while a boy and later went to Germany where his career as a virtuoso pianist began. As a composer he was largely self-taught and strongly influenced by the folk music of Great Britain and Ireland, Many of his “miniatures”-such titles as Country Gardens, Handel in the Strand and Molly on the Shore - established his composing credentials very early on. But Grainger was also an inveterate innovator and experimenter in music, and the kaleidoscopic aspects of his compositional creativity-evident in highly imaginative works often with unprecedented rhythms, harmonies and scoring-are fully represented in the programme heard on this recording. The music was digitally recorded with the Melbourne Symphony Orchestra in February 1989, at the acoustically excellent South Melbourne Town Hall. The album was originally released in Australia by ABC Classics and elsewhere by Koch International. Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra.
  • Around the time The King’s Singers was starting up, one of the most productive periods of song- writing in history was coming to a close in America, starting with composers such as Gershwin, Kern, Berlin and Porter in the early 1920s, and continuing through to the early 1960s.

    In this new 2-CD studio recording – featuring brand new a cappella arrangements by jazz composer and arranger Alexander L’Estrange, and swing-orchestra performances with the South Jutland Symphony Orchestra – The King’s Singers bring their own unique performance style to this wonderful music. The King’s Singers bring their unique style to some of the most beloved hits from the golden era of songwritingThe Lady
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