• Tamsin Waley-Cohen and Huw Watkins continue their duo partnership with a new recording of works by two trailblazing composers from France and Poland respectively - Reynaldo Hahn and Karol Szymanowski. Waley-Cohen's playing is radiant and soaring, and Watkins's pianism a model as always of sensitivity - The Sunday Times An intelligent recital disk...all played with verve and style - The Guardian It is the sheer melting beauty in the opening pages of the final movement that makes Hahn's sonata so affecting, especially with Waley-Cohen's hushed tone... an enjoyable recital - BBC Music Magazine Tamsin Waley-Cohen produces a beautiful, soft, creamy tone in the lyrical passages, and throughout the recital we're treated to a remarkable palette of tone colours. Huw Watkins is able to match this range most effectively - Gramophone [Waley-Cohen] has a potent rhetorical style, moving neatly from dramatic flourishes and cadenzas into gentle lyricism... a fine performance - The Strad
  • A trio of leading British solists perform a sumptuous selection of chamber music by the Romantic composers Brahms, Chopin, Schubert, Schumann and Strauss. The programme is centred around Schubert’s iconic The Shepherd on the Rock – written for the esteemed soprano Anna Milder- Hauptmann, it was to become virtually the final complete work that Schubert composed before his tragic death at 31.
    ★★★★ There are some lovely performances on this disc, with Tynan, Bliss and Glynn combining to make some real magic in the Schubert and Strauss - Planet Hugill
  • Soprano Gillian Keith joins the acclaimed Baroque ensemble Armonico Consort under Christopher Monks for the first release in a three disc series featuring the solo cantatas of Johann Sebastian Bach. Bach’s cantatas hold a special place amongst performers and devotees of his music. Whether sacred or secular, these works provide incredible variety for listeners and players alike. Some contain elements of storytelling similar to arias and recitatives from his great Passions; many have instrumental movements and solo passages that rival any of his concerti, and are indeed borrowed directly from some of the most famous. Not surprisingly, Bach’s cantatas are often incredibly virtuosic, demanding as much technical ability, style and understanding of the music as any of his other works. This first release features the cantatas nos. 82a, 202 (the famous “Wedding Cantata”) and 210.
  • A prolific composer and organist, Naji Hakim is truly one of the most versatile performer-composers working today, garnering praise from his numerous organ and composition competition prizes as well as an award from Pope Benedict XVI for his musical work in benefit of the church.This new recording continues Signum’s series of discs with Naji Hakim with a new selection of his chamber works, featuring performances by Rima Tawil, Magali Mosnier, Claire Foison, Quatuor de la Chapelle Royale (with Renaud Bary) as well as by the composer. These works draw on a wide range of influences: Phèdre sets the words of Jean Racine’s tragic work of the same name to music; Caprice en Rondeau is a sprightly piece featuring themes by Rameau; and the Diptyque combines folk tunes through the tonal pallate of the basque flute the txistu. The premiere recording of the Concerto for Piano is a tour-de-force for soloist Claire Foison, accompanied in this version for String Quintet by the Quatuor de la Chapelle Royale and Renaud Bary.
  • Husband and wife duo David Kenedy and Rianka Bouwmeester partner for the first time in a new recording of two late works by Chopin and Schubert. In this very personal recital, Kenedy explores his own musical history and connection with the songs of Schubert: The Arpeggione Sonata is one of Schubert’s most lyrical instrumental works, almost a song cycle in itself, whilst Chopin’s passionate Sonata brims with feeling, as well as quoting musically from Schubert’s Winterreise in several places.
  • Even though Jonathan Dove is best known as a vocal or choral composer, with operas and works for children forming the backbone of his output, his chamber music reveals similar predilections for narrative, drama, atmosphere and a sense of the personal.
    His new commission from the Sacconi Quartet In Damascus was inspired by the violinist Hannah Dawson’s suggestion for a work that should reflect aspects of the conflict in Syria; not because music can offer any political solution, but simply as an expression of empathy, sorrow, even outrage at those terrible events. Featuring a performance by tenor Mark Padmore, the text is taken from prose-poems by Ali Safar that draw on his first- hand experiences in Syria, eloquently translated by Anne-Marie McManus.
    The Sacconi’s present this new work alongside his string quartet work Out of Time, and his Piano Quintet – performed with pianist Charles Owen.
    ★★★★ Jonathan Dove’s In Damascus proves a powerful, passionate and above all humane commentary on that country’s current plight… impeccable playing from the Sacconi Quartet - Classical Ear ★★★★ The beauty of the piece, for tenor and string quartet, is its restraint. It doesn’t sensationalise, get maudlin, moralise or politicise. The words are direct and the music respects that. The performance does, too: focused playing from the Sacconi Quartet and lucid, unswerving narrative from tenor Mark Padmore - The Guardian Mark Padmore uses his voice with such emotional intelligence… the string playing is by turn both dark and passionate - BBC Radio 3 Record Review  
  • Bohemia

    £12.00
    Tamsin Waley Cohen is joined by pianist Huw Watkins for a new disc exploring folk- inspired Bohemia from before the First World War – featuring works by Antonin Dvořák, Josef Suk and Leoš Janáček. Waley-Cohen captures the score’s spirit of infectious bonhomie to perfection… this gifted duo refreshingly exchanges the percussive tendency and angular introspection of some recent accounts for a spiritually intense espressivo reminiscent of Yehudi Menuhin in his primeThe Strad Just fresh, thoughtful and committed interpretations shot through with poetry and alertnessGramophone The performances are all well prepared, well integrated, well-conceived and beautifully played. Altogether a cherishable discMusicWeb International
  • Voyages

    £12.00
    Soprano Mary Bevan and pianist Jopseph Middleton perform a programme exploring the genius of Baudelaire and Goethe, and how texts by them unlocked very speci c musical landscapes in settings by Debussy, Duparc, Chausson, de Bréville, Séverac, Fauré and Schubert. Praised by Opera for her “dramatic wit and vocal control” in stand out performances on opera and concert platforms, Mary Bevan is a winner of the Royal Philharmonic Society’s Young Artist award and UK Critics’ Circle Award for Exceptional Young Talent
    Pianist Joseph Middleton specialises in the art of song accompaniment and chamber music and has been highly acclaimed within this eld. Described in the BBC Music Magazine as “one of the brightest stars in the world of song and Lieder”, he has also been labeled “the cream of the new generation” by The Times and “a perfect accompanist” by Opera Now. ★★★★ A beautiful programme… they include plenty of intriguing and little-known songs that more than deserve these excellent interpretations - Primephonic Bevan’s purity of tone and discreet yet telling way with words can be by turns unnerving and alluring in the Baudelaire settings… Middleton, as one might expect, is marvellously insightful, playing throughout with weight as well as grace and subtlety - Gramophone
  • The Sacconi Quartet record the string quartets of British composer Graham Fitkin, The Composer writes in the introduction to this disc: “ The string quartet medium seems to me to thrive in contexts of both poignant intimacy or extrovert forceful information overload. (And indeed all those delicate shades in between.) I feel it has a strength of purpose that I relish, an honest homogeneity to it, a good wide pitch range and quite frankly the ability to play decent long sustained notes or short pizzicati. It’s been all too tempting.” Composed between 1992 and 2007, this disc compiles Fitkin’s complete works for String Quartet, performed by one of the UK’s most dynamic and versatile string quartets. The Sacconi Quartet, for whom the medium-length String was composed, play throughout with élan and what sounds like a complete understanding of the ebb and flow of each of these quite diverse pieces… A terrific disc that I encourage everyone to buyGramophone All weaved with his trademark rhythmic complexity - Northern Echo
  • John Jenkins (1592-1678) is perhaps the most popular English composer of the great golden era of music for multiple viols, ranging from William Cornyshe in 1520 through to Henry Purcell in 1680. The reason why is not hard to fathom: a rare melodic gift is married to an exceptionally deep understanding of harmony and modulation, and effortless counterpoint gives each part an equal voice in the musical conversation. Fretwork perform Jenkins’ complete consort works for four-part viol ensemble, in a new recording that showcases this composer’s rich and diverse compositions. A recital of sumptuous music superbly played. In a word: sublimeClassical Ear A new recording that showcases the composer’s rich and diverse compositionsNorthern Echo Contemplative, spirited, mellifluous and free from overt drama, they offer apolitical, zen-like balmThe Observer When played well, as in the case of these beautiful performances, John Jenkins’ work can be deeply satisfying and deserves to be heard more widely. Highly recommended - iClassical Mellifluous and engaging, with a real sense of communication, this is delightful music, delightfully performedPlanet Hugill  
  • For Lewis Wright's debut recording he is joined by British piano virtuoso Kit Downes for a disc of his own works: “There is limited material for vibraphone and piano (especially for improvising musicians), which has the potential to be so rhythmically interesting and polyphonically grand. I set out to compose pieces that showcase the instruments and are built around the language of the musicians. The right pianist, who can speak in this particular dialect of improvisation and has similar taste in the moment, was an obvious choice. Kit and I have known each other and played together since childhood and we share many influences, musical and otherwise.” Lewis Wright, 2018 Lewis Wright is an award-winning British vibraphonist, composer and drummer based in London. As a vibraphonist, he was nominated for Rising Star in the 2016 Downbeat International Critics Poll, and was awarded Ensemble of the Year in the 2016 Parliamentary Jazz Awards with Empirical and the Worshipful Company of Musicians prize in 2011. He has performed at venues such as the Sydney Opera House and the Royal Albert Hall, and has been a featured soloist with Wynton Marsalis and the Jazz at Lincoln Centre Orchestra. A set of exquisitely conceived pieces that highlight both the natural range and colouration of the two instruments, but also the improvisational instincts of the two performers - Jazz Journal The sense of unity and clarity of piano and vibes resonates throughout this highly impressive and musical debutJazzwise
  • Celebrated soloists Roderick Wiliams and Christopher Glynn perform a new English translation Franz Schubert’s Winterreise. Composed in 1827 whilst in the grip of the illness that would ultimately kill him, Schubert’s setting of Wilhelm Muller’s poetry takes on an added tragic interpretation as it follows the narrative of a spurned lover travelling through a cold and barren landscape. This disc is the first in a series of three English language programmes of Schubert’s song cycles. Future releases include The Shepherd on the Rock (Der Hirt auf dem Felsen) and The Fair Maid of the Mill (Die schöne Müllerin). The immediacy of the storytelling is immaculate - The Sunday Times The biggest gain is Roderick Williams’s fabulous delivery and his beautiful creamy voice which I can never get too much of, and supported beautifully again by Chris Glynn, so musically it’s great - BBC Radio 3 Record Review It's exceptionally effective, and mandatory listening if, like me, you're not a fluent German speakerThe Arts Desk This is an amazing disc, not the Winterreise to end all Winterreises but an essential complement to them. I gather that Glynn and Signum have recordings the other two cycles up their sleeve, which is good news indeedPlanet Hugill Those who have been longing for an English version of Winterreise need not hesitate, and avid collectors of this song cycle – like myself – will find that this is a valuable addition to their collectionMusic Web International
  • Following her debut release of Baroque works by Vivaldi and Handel earlier this year, Grace Davidson returns to disc on Signum with an intimate disc of Dowland’s first book of lute songs, accompanied by David Miller. Blending melancholy with wit in his writing for both lute and voice, John Dowland’s songs have continued to enchant audiences and singers for nearly 400 years. The ‘First Booke’ includes some of Dowland’s less well-known works, and was recorded in the sensitive acoustic of Ascot Priory in Berkshire, UK.

    Performance ★★★★ Recording ★★★★★ Dowland's [works] find elegant interpreters here in Grace Davidson and David Miller - BBC Music Magazine These are beautiful, musical performances - Gramophone
  • Christopher Glynn continues his series of late Schubert song cycles in English, joined by celebrated soloists Sir John Tomlinson, Sophie Bevan, Julian Bliss and Alec Frank-Gemmill.

    Titled by the works first publisher following Schubert’s death, Swansong (Schwanengesang) D 957 sets sets the words of poets Ludwig Rellstab, Heinrich Heine and Johann Gabriel Seidl in songs that cover a variety of different emotional states. The lighthearted Love Message (Liebesbotschaft), with its rippling accompaniment, addresses a murmuring brook with the hope of true love. The bone-chilling Doppelgänger with its stark, slowly tolling chords, finds the protagonist crazed with a nocturnal vision of himself agonizing at the empty doorstep of his lost love. Renowned for his clear diction and powerful voice, Sir John Tomlinson brings his insight and nuance to these profound works.

    Reminiscent of the scoring for The Shepherd on the Rock and composed in the same year, On the River (Auf dem Strom) combines soprano and horn in a setting of a poem by Ludwig Rellstab. Originally given to Beethoven who did not live long enough to set it, Schubert took up the words in a work that is a subtle homage to the composer.

    The 1828 work The Shepherd on the Rock (Der Hirt auf dem Felsen) sets words by Wilhelm Müller and German playwright Helmina von Chézy, and was composed in gratitude to the soprano Anna Milder-Hauptmann. Here performed by Sophie Bevan and Julian Bliss, it tells the story of a shepherd lamenting the distance between him and his beloved before a reflection on loneliness and grief. The final section celebrates the arrival of spring in a hopeful conclusion.

    The creamy clarity of both Alec Frank-Gemmill’s horn and Julian Bliss’s clarinet sound is a perfect foil for Sophie Bevan’s exquisite, rounded legato - BBC Music Magazine

    Christopher Glynn’s playing is excellent throughout - Gramophone

  • Formed in 2016, the Albion Quartet brings together four of the UK’s exceptional young string players who are establishing themselves rapidly on the international stage. This disc marks the first release in a new Dvořák cycle with Signum Records, as well as future releases of Walton and Britten plus the premiere recording of Richard Blackford’s Kalon with the Czech Philharmonic Orchestra later in 2019. Having made their debuts last season at the Concertgebouw Amsterdam as well as the Auditorium du Louvre in Paris, the 2018/19 season sees the Albion Quartet’s debuts at the Wigmore Hall and at Town Hall/Symphony Hall Birmingham. They also continue their residency at London’s Kings Place, become quartet-in residence at the Stratford Festival of Words and Music and perform at the Oxford Lieder Festival. 'Their attention to the smallest detail reaps dividends' - Gramophone
  • Originating as a sexy dance in South America, the ‘chacona’ crossed the Atlantic and established itself in Spain as an irresistible temptation. In 1615, it was banned from Spanish theatres for being ‘lascivious, dishonest, offensive to pious ears’, but the attractions of the chaconne held sway. From the Ground Up traces its allure from early Spanish chaconnes, through the worlds of Purcell and Piccinini, to Bach’s magisterial example for solo violin. Reanimating the ‘lascivious’, Purcell’s ground basses furnish a harmonic groove for readings from Shakespeare by British actor Samuel West, accompanied by New York rapper Baba Israel.