• The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue.
    Susan Gritton's delivery of the three arias has an exquisite balance of grace and intensity befitting their spurned heroines - The Independent
  • Paths of Song is a new collection of works by leading Welsh contemporary composer John Metcalf. They explore a variety of engaging themes and ideas, with the works Paths of Song and Mapping Wales based on concepts of travel and journey in and around the composer’s homeland.

    As well as contributions from a number of talented performers and ensembles, these works feature a key role for harpist Eleanor Turner (soloist and member of 4 girls 4 harps), who provides some truly standout performances.

    The music is lyrical, melodic, good-natured and benign. That might suggest it’s all charm without challenge, but it would be a mistake to assume that. There is some really fine, accessible writing here - The Observer

    Benefiting from an agile and assured performance by harpist Eleanor Turner, who shines throughout the recording, Metcalf’s lyricism is at its most expressive when such musical journeys are heard to return home - Gramophone

  • The LCO return to disc on Signum with a new programme of French orchestral works by Ravel, Fauré, Poulenc and Ibert. Their ‘LCO Live’ series captures the vibrant, exciting performances they give at their London home of St. John’s, Smith Square.

    Here's a recording guaranteed to put a smile on your face! Enthusiastic and fun, yet with touching, tender moments and a clever awareness of the music's irony, the London Chamber Orchestra delivers a witty, exuberant collection - Classic FM Magazine

    Spry, clipped music-making, and a lovely French programme, capped by Roge's ebullient account of Poulenc's mercurial, flamboyant Piano Concerto - BBC Music Magazine

  • This premiere recording of John Tavener's Towards Silence, written for four string quartets and a large Tibetan bowl, explores the nature of consciousness and the process of dying. Tavener had long wanted to write the work and persuaded Professor Paul Robertson (leader of the Medici Quartet and Co-Founder of the Music Mind Spirit Trust) to perform it. However, shortly after the manuscript was completed both men became critically ill and close to death themselves.

    By August 2008 Robertson had recovered sufficiently to resuscitate the project, which had now taken on a profound significance for himself and for Tavener. The members of the Medici Quartet immediately agreed to reform and identified young professional string quartets with whom to perform and to act as musical mentors.

    Tavener's vision was for all four quartets to be positioned high up in the cathedral dome, invisible to the audience, and arranged in the shape of a cross, bringing the Christian, Bhuddist and Hindu religions together. This sense of space has been captured in the recording, which is an SACD hybrid that can also be enjoyed on a surround sound setup.

    John Tavener continues to produce some of the most distinctive music in our timeThe Observer

    The 'silence' of the title is that of death, although the music eschews morbidity: its keynote is rather one of otherness and mystery … the effect on the listener is anything bur formulaic in this palpably committed premiere recordingBBC Music Magazine

    SACD sound was made for this. Enormously powerful - International Record Review
  • Flux

    £12.00
    Formed in 2002, the award winning Lunar Saxophone Quartet has developed a reputation for their commitment to composer/performer collaborations, leading to dozens of commissions from a variety of different composers. Performances have spanned a wide range of occasions, from Bryn Terfel's 'Faenol Festival' and the Welsh BBC Proms, to live broadcasts on BBC TV and Radio. This new disc features a programme of newly commissioned works by some of Wales's youngest and most gifted composers together with those of more established figures. James Williamson’s In Memoriam is achingly contemplative, while the title of Lucy Pankhurst’s Diaphanousphere suggests the delicate webs of sound created by the quartet - The Independent Phenomenally talented saxophonists - Clarinet and Saxophone Society Magazine
  • Formed in 2002, the award winning Lunar Saxophone Quartet has developed a reputation for their commitment to composer/performer collaborations, leading to dozens of commissions from a variety of different composers. Performances have spanned a wide range of occasions, from Bryn Terfel's 'Faenol Festival' and the Welsh BBC Proms, to live broadcasts on BBC TV and Radio.

    This new disc features a programme of newly commissioned works by some of Wales's youngest and most gifted composers together with those of more established figures.

    Tann’s Some Of The Silence is inspired by a haiku [and] presents a world of calm and solitudeThe Independent

    This is lyrical ensemble playing at its very bestGramophone

    Phenomenally talented saxophonists … As quartet performances go the ones captured here would be very difficult indeed to beatClarinet and Saxophone Society Magazine

  • Bernard Herrmann was perhaps one of the greatest musical all-rounders of the 20th Century. Although he is best known for his scores to perhaps some of the most iconic films ever made ('Vertigo', 'Citizen Kane', 'Psycho'), he was also a talented composer for the concert hall, with an early career marked out by his skill as a conductor - praised by Stravinsky amongst others, who autographed Hermann's score for his Symphony in 3 Movements with "To the excellent musician and conductor, Bernard Herrmann. Cordially, I. Stravinsky." The Tippett Quartet capture the energy and musical finesse of Herrmann's works in this recording, accompanied for Souvernirs de Voyage by the clarinetist Julian Bliss and featuring a new arrangement of his score for 'Psycho'. Chillingly delivered … it is impossible to imagine more expert renditions than these - Gramophone

    Clarinettist Julian Bliss plays with exquisite restraint, as though wanting not to disturb the intimate conversations of the Tippett QuartetThe Independent

    SplendidThe Sunday Telegraph

  • Dance

    £12.00
    The Smith Quartet return on Signum with a new album of commissions and world premiere recordings, all centered on the theme of ‘Dance’. The featured programme is a veritable ‘whos-who’ of contemporary composition, including works from Michael Nyman, Graham Fitkin, Jon Lord, Michael Finnissy and Django Bates.  ★★★★★ Infectious enthusiasm and spirited playing - Classic FM Magazine An exuberant collection of 14 short pieces, each by a different composer. All are played with vim and technical brillianceThe Times Editor's Choice: A diverse collection of 14 works is bound together by quality of composition and performance … like a box of excellent chocolates, inviting frequent tastingClassical Music Magazine
  • Iain Burnside and Ailish Tynan return to Signum with their second disc of Irish Songs and arrangements – this time from a range of different 20th Century composers. Although all of the sung texts stem from Irelands rich heritage of literature (including poems from W.B. Yeats, Thomas Moore and James Joyce), the composers featured here have a more transatlantic feel, with works by John Cage and Samuel Barber programmed alongside others by Benjamin Britten and Herbert Hughes.
    Ailish Tynan’s singing [is] totally compellingBBC Radio 3 Record Review
    Editor's Choice: The disc is full of interest. There are lovely, unknown tunes, seductively sung and hauntingly harmonised. It has pathos and wild joy in equal measure. An excellent recital -  Classic FM Magazine
    Iain Burnside is a dream of an accompanistLa Scena Musicale
  • Naji Hakim has established himself as a performer and composer whose works are indelibly tied to his Christian faith. Recognised with a papal medal for his activities, these pieces are drawn from the span of his compositional career, combining organ music with string quartet and solo soprano.
  • “This curious conglomeration of concertos is a celebration of contrasts”. Thus begins Kah-Ming Ng's introduction to this collection of works from the 18th century. Although none of the composers featured may be familiar, each work has been picked for it's fine technical skill and illuminating sound, taking inspiration from the 18th century definition of 'curious'' as being 'rare, excellent and fine'. Includes works by Paradis, Reichenauer, Berlin, Pepusch, Hertel, Croft and Baldassari. For those who know Pachelbel only through the Canon, this disc will be revelatory ... Each piece is beautifully served by the ensembleThe Sunday Times
    The title of the ensemble and their new disc are both pertinent, it’s an agreeable collection full of curiosities … Ng’s notes do a decent job of describing the impact of Vivaldi and his fellow Italians on the music scene in EnglandBBC Radio 3 Record Review The highlight is Pietro Domenico Paradies' aptly-titled A Favourite Concerto, a delightful harpsichord piece that affords the ensemble's director Kah-Ming Ng full rein to display his keyboard prowessThe Independent This is a disc for adventurous music-lovers who like to extend their horizon and are not satisfied with listening to the same masterpieces over and over again. Charivari Agréable deserve our congratulations with this 20th volume in their impressive discography. May many more followMusicWeb International
  • Two works from very different composers: Chopin’s works for cello were few and far between, but these two straddle his compositional life: the Introduction and Polonaise was written in 1829 when he was just 19, and the cello sonata in (1845-6) is his last work published during his lifetime (all latter works with opus numbers being published posthumously, against his wishes). In contrast, Saint-Saëns published a great many works for the cello (as well as works in almost every genre of the classical canon), with the Cello Sonata No.2 composed during his travels in Biskra, Algeria. Jamie Walton and Daniel Grimwood are performers who have proven themselves in both concert and recordings such as these to be formidable and enthralling interpreters of the classical canon.
    ★★★★★ There’s a combination of youthful energy and well-seasoned musicality that Jamie Walton and Daniel Grimwood thrive on here and it’s a real partnership ... Fine playing - BBC Radio 3 Record Review ★★★★★  Jamie Walton's new coupling of Saint-Saens' Second Cello Sonata and Chopin's only sonata for the instrument restores faith in a too often maligned composerNew Zealand Herald Jamie Walton’s mature cello timbre and perceptiveness in matters of interpretation and winningly applied to this coupling of two 19th-century sonatas … Finely honed stylistic judgment here goes hand in hand with re-creative panacheThe Daily Telegraph
  • Tide Harmonic is a new work for small ensemble by the contemporary British composer Joby Talbot. With a compositional aesthetic that threads through his classical and concert works, this disc was born out of a collaboration with choreographer Carolyn Carlson originally entitled Eau. A piece for small ensemble of string quartet, percussion, harp and keyboards (celesta, piano and harmonium), Tide Harmonic is described by its composer as: “… a kind of water symphony that, rather than constructing a poetic or narrative programme inspired by man’s relationship with water, instead focuses on the substance itself, the forces that act upon it, and the energy that flows through and from it”. ★★★★ An engrossing concept album about water, evoked in its various elemental states across a five-part suite bookended with a brief orchestral torrent supplanted by the resonant ringing of Tibetan temple bowls - The Independent Talbot’s reputation as an accessible and enjoyable composer will certainly take no hits from this latest recording. It’s the antithesis of Boulez - MusicWeb International
  • The grammy-award winning artist Hila Plitmann is known worldwide for her astonishing musicianship, light and beautiful voice, and the ability to perform challenging new works. On this disc she brings together a very personal programme that draws on her familial roots in Jewish culture and song; from traditional folk music (Five Yiddish Songs), to contemporary compositions (Bridges of Love, Tehilim and I Never Saw Another Butterfly). The disc also features the Five Hebrew Love Songs, with poetry by Plitmann set to music by the composer Eric Whitacre. Performance ★★★★ Recording ★★★★ Plitmann's selection is carefully chosen for maximum variety ofexpression and instrumentation [and] Julian Bliss proves a sensitive partner to the charismatic Plitmann BBC Music Magazine Julian Bliss threatens to steal the show on clarinet, but there’s beauty in the voice and enough variety in the works to keep the ears attentiveLa Scena Musicale
  • Recreating the exciting sound of swing from the 30’s and 40’s, Julian Bliss’s dynamic virtuosity leads his sextet through some of the great tunes of the swing era, staying true to the authentic feel but naturally with a modern twist. Julian Bliss says: "I decided in the summer of 2010 that I wanted to start my own Jazz group. I enlisted the help of Neal Thornton (Piano) to help make this dream a reality. We spent months listening to every version of each tune we could find, and putting together our own versions while still being mindful of the light and fun feel Goodman captured all those years ago. We then had the task of putting the rest of the band together. We were specifically looking for musicians that had a great interest in the Swing era, and I must say we couldn’t have picked a better set of players."  
  • The Armonico Consort return to disc on Signum (following their highly-regarded Naked Byrd CD series) with a new disc celebrating the glorious combination of soprano and trumpet in baroque music – featuring the soaring talents of Elin Manahan Thomas and Crispian Steele-Perkins. Widely-praised for their imaginative and inventive programming, this disc features works by JS Bach (Jauchzet Gott in allen Landen), GP Telemann (Trumpet Concerto in D major), Alessandro Scarlatti (Su le sponde del Tebro) and a special compilation of works by Handel devised by Crispian Steele-Perkins. The tone is immediately set by Crispian Steele-Perkins' trilling trumpet on Bach's Jauchzet Gott in alien Landen, which also features quite thrilling counterpoints between him and soprano Elin Manahan ThomasThe Independent
    The whole thing seems suffused with light reflected from Manahan Thomas’ voice, and Steele-Perkins’ effortlessly projected trumpetBBC Radio 3 Record Review
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