• “In a word I feel myself the most unhappy and wretched creature in the world. Imagine a man whose health will never be right again, and who in sheer despair over this ever makes things worse and worse instead of better …but I have tried my hand at several instrumental things … in fact, I intend to pave the way towards a grand symphony in this manner.” These extracts from a letter of 1824 epitomise to me the paradox of Schubert, the manic depressive composer. On the one hand his music has that world-weary element of profound grief – ‘the most wretched creature in the world’ – and on the other a life-affirming exuberance bordering on the manic that characterises the Wanderer-Fantasie and parts of the D major sonata D.850. While Schubert’s later piano music has a range of emotions that rivals Beethoven’s last sonatas, in the beginning of his career he perhaps lacked the assurance of the older composer, and he was less fastidious about destroying sketches and fragments. As a result there are a large number of unfinished works and, therefore, the pianist has to make a decision about where to start the Schubert odyssey. Schubert himself made no effort to try and publish any of his sonatas before the great A minor D.845 of 1825. I decided to start slightly earlier with the B major of 1817 where one senses an assurance and boldness of tonal experiment not found before in his piano music. In this series, Llŷr Williams explores Schubert’s solo piano repertoire in exquisite detail, producing some truly unique performances of some of the most romantic music ever composed.   All downloads include booklets.
  • “In a word I feel myself the most unhappy and wretched creature in the world. Imagine a man whose health will never be right again, and who in sheer despair over this ever makes things worse and worse instead of better ...but I have tried my hand at several instrumental things ... in fact, I intend to pave the way towards a grand symphony in this manner.” These extracts from a letter of 1824 epitomise to me the paradox of Schubert, the manic-depressive composer. On the one hand his music has that world-weary element of profound grief – ‘the most wretched creature in the world’ – and on the other a life-affirming exuberance bordering on the manic that characterises the Wanderer-Fantasie and parts of the D major sonata D.850. Here, Llyr Williams plays a collection of Schubert solo piano works across a series of releases, once again showing why he is one of the most diverse and extraordinary pianists performing today.   All downloads include booklets.
  • Disc on Demand available from Presto Classical "In a word I feel myself the most unhappy and wretched creature in the world. Imagine a man whose health will never be right again, and who in sheer despair over this ever makes things worse and worse instead of better ...but I have tried my hand at several instrumental things ... in fact, I intend to pave the way towards a grand symphony in this manner.” These extracts from a letter of 1824 epitomise to me the paradox of Schubert, the manic depressive composer. On the one hand his music has that world-weary element of profound grief – 'the most wretched creature in the world' – and on the other a life-affirming exuberance bordering on the manic that characterises the Wanderer-Fantasie and parts of the D major sonata D.850. While Schubert's later piano music has a range of emotions that rivals Beethoven's last sonatas, in the beginning of his career he perhaps lacked the assurance of the older composer, and he was less fastidious about destroying sketches and fragments. As a result there are a large number of unfinished works and, therefore, the pianist has to make a decision about where to start the Schubert odyssey. Schubert himself made no effort to try and publish any of his sonatas before the great A minor D.845 of 1825. I decided to start slightly earlier with the B major of 1817 where one senses an assurance and boldness of tonal experiment not found before in his piano music. In this series, Llŷr Williams explores Schubert's solo piano repertoire in exquisite detail, producing some truly unique performances of some of the most romantic music ever composed.   All downloads include booklets.
  • Disc on Demand available from Presto Classical "In a word I feel myself the most unhappy and wretched creature in the world. Imagine a man whose health will never be right again, and who in sheer despair over this ever makes things worse and worse instead of better ...but I have tried my hand at several instrumental things ... in fact, I intend to pave the way towards a grand symphony in this manner.” These extracts from a letter of 1824 epitomise to me the paradox of Schubert, the manic depressive composer. On the one hand his music has that world-weary element of profound grief – 'the most wretched creature in the world' – and on the other a life-affirming exuberance bordering on the manic that characterises the Wanderer-Fantasie and parts of the D major sonata D.850. While Schubert's later piano music has a range of emotions that rivals Beethoven's last sonatas, in the beginning of his career he perhaps lacked the assurance of the older composer, and he was less fastidious about destroying sketches and fragments. As a result there are a large number of unfinished works and, therefore, the pianist has to make a decision about where to start the Schubert odyssey. Schubert himself made no effort to try and publish any of his sonatas before the great A minor D.845 of 1825. I decided to start slightly earlier with the B major of 1817 where one senses an assurance and boldness of tonal experiment not found before in his piano music. In this series, Llŷr Williams explores Schubert's solo piano repertoire in exquisite detail, producing some truly unique performances of some of the most romantic music ever composed.   All download include booklets.
  • Husband and wife duo David Kenedy and Rianka Bouwmeester partner for the first time in a new recording of two late works by Chopin and Schubert. In this very personal recital, Kenedy explores his own musical history and connection with the songs of Schubert: The Arpeggione Sonata is one of Schubert’s most lyrical instrumental works, almost a song cycle in itself, whilst Chopin’s passionate Sonata brims with feeling, as well as quoting musically from Schubert’s Winterreise in several places.
  • Alexander’s music has become known for its striking beauty and originality. Described by Positive News as “not jazz, not classical, not improvised, but a glimpse of something new”, and by ClassicFM as “refreshingly original”, it isn’t easily described or placed into a genre. Born into a family of artists, Alexander moved at the age of nineteen to northern Scotland and the windswept shores of the Moray Firth, where he completed his debut collection for solo piano, Sketches Of Light. Discovered by ClassicFM in 2013 and placed as Album of the Week, the Sketches became instantly popular and have since been aired extensively across the station. The album was re-released by Decca Records in 2014 and has featured widely across TV and Radio. In 2016 he released Portraits of Earth, his second collection for solo piano, ‘dedicated’, in Alexander’s own words, ‘to the beautiful place we all share; the living world we call Earth’. This was followed in April 2018 by the release of his third album Journey to Nidaros, composed during a 650km solitary pilgrimage across Norway and written down when he returned home. Offering a remarkable musical journal of his experiences, the album went to No.1 in the UK Specialist Classical Charts, and No.5 in the ClassicFM chart.   Alexander now lives and composes in the North-East Highlands of Scotland.
  • Between the Clouds

    £8.00£14.00
    Internationally-acclaimed violinist Charlie Siem and pianist Itamar Golan release their debut album on Signum including works by Kreisler, Sarasate, Paganini, Elgar and Wieniawski, showcasing Siem’s versatility and virtuosity in an intimate Parisian-style ‘salon’ programme. Siem has appeared with many of the world’s finest orchestras and chamber ensembles, including: the Bergen Philharmonic, the Camerata Salzburg, the Czech National Symphony, the Israel Philharmonic, the London Symphony, the Moscow Philharmonic, the Oslo Philharmonic, the Rotterdam Philharmonic and the Royal Philharmonic Orchestra. He plays the 1735 Guarneri del Gesù violin, known as the “D’Egvill”.
  • Babel

    £8.00£14.00
    A compilation of quartets by Schumann, Shostakovich and Caroline Shaw from the acclaimed American string quartet, Calidore String Quartet, exploring the visceral forms of expression that exist at the intersection of music and language. For this recording the Calidore String Quartet gathered music which transmits ideas by imitating language; its rhythms, cadences and intentions. But it also explores what happens when music substitutes for language. When it fills the void of forbidden speech or even how it carries on when language has been exhausted. The Calidore String Quartet has been praised by The New York Times for its “deep reserves of virtuosity and irrepressible dramatic instinct” and the Los Angeles Times for its balance of “intellect and expression.” Recipient of a 2018 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists, the Calidore String Quartet first made international headlines as winner of the inaugural $100,000 Grand Prize of the 2016 M-Prize Chamber Arts Competition. The quartet was the first North American ensemble to win the Borletti-Buitoni Trust Fellowship, a BBC Radio 3 New Generation Artist, and is currently in residence with the Chamber Music Society of Lincoln Center’s Bowers Program (formerly CMS Two).   All downloads include booklets.
  • Flare (Digital Only)

    £8.00£9.75
    Described in The Guardian (2019) as one of today’s leading composers for voice, Joanna Marsh is a British composer who since 2007 has divided her time between Dubai and the UK. Her life in the Middle East has lead to many unique musical opportunities including writing an orchestral work to celebrate the building of the Burj Khalifa. Most recently she was commissioned by Dubai Opera to write an orchestral work for the first BBC Proms in Dubai in March 2017. This lead to her writing the 6 minute work Flare, for the BBC Symphony Orchestra, based on a short story called Oil Field, by Saudi writer Mohammed Hasan Alwan. Joanna has been Composer in Residence, at Sidney Sussex College, Cambridge from 2015 through to 2020 and during that time has written a number of choral works for the college choir and the college organ. She is a Co-Founder of ChoirFest Middle East in Dubai, an annual celebration of the region’s choral music scene which is reached its eighth edition in March 2020. She is also Founder and Artistic Director of the Dubai Opera Festival Chorus a large body of singers that was set up for the BBC Proms in Dubai and continues to undertake concert performances of various types across the UAE.   Available as a disc on demand from Presto Classical.
  • Eric Whitacre, normally known for his choral compositions and arrangements, personally requested Joby Burgess arrange some of his well-known works for Marimba quartet. This unique recording shows the warm, earthly tones of the marimba, beautifully playing the lush harmonies of Whitacre's choral works.   All download include booklets.
  • Tamsin Waley-Cohen and Huw Watkins return with the start of a Beethoven Violin Sonata Cycle - here recording the 1st, 5th and 8th sonatas. Gramophone Magazine said “The heart gives a little leap at the prospect of...a duo as engaging and intelligent as Tamsin Waley-Cohen and Huw Watkins.” This cycle is sure to be one of the highlights of Signum’s year, as well as of Beethoven 250. Beethoven’s ten violin sonatas add up to a comprehensive exploration of the possibilities and potential of writing for the two instruments on equal terms – possibilities that he was ideally placed to understand. The three sonatas on this recording are waypoints on a journey, crafted by a composer who was both violinist and pianist, and who never ceased exploring the practical possibilities of the instruments for which he wrote.   All downloads include booklets.
  • Love Lives Beyond the Tomb

    £8.00£14.00
    Ian Venables studied composition with Richard Arnell at Trinity College of Music, London and later with John Joubert, Andrew Downes and John Mayer at the Royal Birmingham Conservatoire. His works encompass many genres and he has added significantly to the canon of English art song. Described as ‘Britain’s greatest living composer of art song’ (Musical Opinion) and ‘a song composer as fine as Finzi and Gurney’ (BBC Music Magazine), Ian Venables has written over 80 works in this genre, including nine song-cycles. As the title suggests, the works on this disc are predominantly reflective in mood although this does not preclude the use of faster-moving music whenever the poetry requires it. Its subject matter celebrates the timelessness of love through the poetry of James Joyce, John Drinkwater, Edward Thomas, John Clare, Robert Nichols and the modern poet Jennifer Andrews; the celebration and commemoration of Queen Elizabeth, The Queen Mother, in Sir Andrew Motion’s remarkable narrative poem Remember This and the collective remembrance of those who died in the First World War: the poetry of Wilfred Owen, Isaac Rosenberg, Siegfried Sassoon, Geoffrey Studdert Kennedy and the less well-known Francis St. Vincent Morris providing the impetus for one of Ian Venables’ most dramatic and profoundly moving cycles.   All downloads include booklets.
  • Italian Inspirations

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    Alessio Bax plays an Italian inspired programme, picking his favourite pieces taken from a rich history of music from one of the most romantic countries in the world. He opens the programme with a J.S. Bach transcription of a oboe concerto by Venetian composer Alessandro Marcello, which reveals a deep insight into Bach’s mind. This is followed by Rachmaninov’s last ever work for solo piano, which is incredibly eloquent, introspective and personal. The Dallapiccola continues this eloquent theme, showing some beautifully crafted dodecaphonism. The recording is rounded off with two pieces of Liszt, which take the listener on a multi-legged journey through hell, purgatory and heaven, with beauty and drama along the way.   All downloads include booklets.
  • The Divine Muse

    £8.00£14.00
    After the success of their debut release, Voyages, Mary Bevan and Joseph Middleton present their second recital disc exploring Lieder in German and Italian by Schubert, Haydn and Wolf. The programme is woven around songs inspired by the ‘muses’ of the day, both mythological and divine. It begins with Schubert’s dramatic and reverential settings of sacred German poetry, set alongside his lush emotional portrayals of female characters in the Italian settings. The central section of the disc is then devoted to Haydn’s epic ‘scena’ depicting the famously cruel abandonment of Arianna by her lover Teseo, ‘Arianna a Naxos’. Haydn’s beautiful prayer ‘Geistliches Lied’ takes us back into the world of German poetry and the religious fervour that arose from the collective belief in Christianity which pervaded most art forms of the age. The disc then moves into works by Hugo Wolf, whose stunning settings of devotional texts take the listener right to the heart of the characters; a few of these songs were in fact inspired by paintings. The early moments of Jesus Christ’s life are vividly portrayed here, particularly in songs such as ‘Die ihr Schwebet’, ‘Auf ein Altes Bild’ and ‘Schlafendes Jesuskind’, while the haunting ‘Gesang Weylas’ invites the listener into the world of the mysterious goddes Weyla who wistfully dreams of the shores of her distant homeland. From Ganymed to Christ, Dido to the Virgin Mary, Arianna to St Peter, this recital disc richly illustrates the lives and events surrounding the ‘divine muses’ who inspired these composers.   All downloads include booklets.
  • The Godfather

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    The musical world of eighteenth-century Europe was a small one. Despite the problems presented by contemporary standards of transport, it was quite normal for composers in one part of Europe to be entirely au fait with what was happening elsewhere. This is borne out by the closeness of three German composers: Telemann, godfather to C.P.E. Bach; Pisendel; and J.S. Bach, who admired both his compatriots and composed some astoundingly difficult music for the violinist Pisendel. This programme celebrates their music as well as the music of those who contributed to their musical heritage. Included alongside the German triumvirate are works by Vivaldi who physically helped with the composition of Pisendel’s A minor concerto movement, Fasch who was a great friend of Pisendel and Telemann, and Brescianello, an Italian who helped the dissemination of Italian instrumental music throughout the German-speaking lands and whose concertos were played in Dresden by Pisendel.   All downloads include booklets.
  • Its title song-cycle, scored for folk-imbued ensemble and recorded with the acclaimed Nora Fischer, treats various aspects of the natural world as human characteristics. The Consolation of Rain is a moving reflection on loss and the restorative power of nature, while Cymbeline draws on ancient religious attitudes to the sun. Written for mandolin virtuoso Avi Avital, the work takes its name from an old Celtic word meaning ‘Lord of the Sun.’ Bruce has achieved global recognition as a composer, celebrated for his richly colourful, poetic, and joyful music. Recent commissions include the BBC Proms, Carnegie Hall, Covent Garden, and Glyndebourne. 
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