• Between the Clouds

    £12.00 Available November 20, 2020.
    Internationally-acclaimed violinist Charlie Siem and pianist Itamar Golan release their debut album on Signum including works by Kreisler, Sarasate, Paganini, Elgar and Wieniawski, showcasing Siem’s versatility and virtuosity in an intimate Parisian-style ‘salon’ programme. Siem has appeared with many of the world’s finest orchestras and chamber ensembles, including: the Bergen Philharmonic, the Camerata Salzburg, the Czech National Symphony, the Israel Philharmonic, the London Symphony, the Moscow Philharmonic, the Oslo Philharmonic, the Rotterdam Philharmonic and the Royal Philharmonic Orchestra. He plays the 1735 Guarneri del Gesù violin, known as the “D’Egvill”.
  • Borodin: Requiem

    £8.00£12.00
    Together with familiar music from Prince Igor, this CD features the world premiere recording of the unusual Requiem, (which is based on “Chopsticks”), and Glazunov’s orchestration of the charming Petite Suite. Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra. The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia’s younger conductors, the most important to its development was Herbert von Karajan, who though never formally chief conductor was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London’s five symphony orchestras in its first two decades.   All downloads include booklets.
  • Contrapunctus concludes its exploration of the music preserved in John Baldwin’s partbooks with a third album dedicated to this remarkable treasure house of English sacred music, the richest single source of Tudor polyphony to survive. This third recording opens a window on a striking aspect of the history of the English motet, and one that has been neglected: the penchant in England for setting Latin psalms as motets, the so-called ‘psalm motet’. These texts offered rich opportunity for vivid musical response, given their nature as personal and impassioned addresses to God, and led to Richard Sampson – Dean of the English Chapel Royal under Henry VIII – describing the psalms as ‘the sweetest songs’. The principal English composers born between the 1510s and the 1530s all contributed to this genre of motet, but to a significant extent this fascinating repertory has lain in obscurity and remains unfamiliar to modern audiences. More than half of the works on this album are premiere recordings, and they include such glorious motets as Robert White’s Domine, non est exaltatum, William Mundy’s Memor esto verbi tui, and John Sheppard’s Confitebor tibi Domine. Contrapunctus’s trademark combination of ground-breaking scholarship and performances that are ‘revelatory and even visionary’ (BBC Music Magazine) here brings to light and to life some of the finest musical survivals of the Tudor age.
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