• 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this Art Song collection we bring together performances from across Signum's catalouge by singers including John Mark Ainsley, Sarah Connolly, Philip Langridge, Felicity Lott, Mark Padmore, Andrew Kennedy, Roderick Williams, Ailish Tynan and Hila Plitmann. This generous culling of 25 songs from 20 albums released in the past 15 years has a delectable cast of British and Irish voices in songs from Beethoven to Weir - BBC Music Magazine
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this A Cappella collection, you can hear a wide rage of works by The King's Singers, The Swingle Singers, BBC Singers, Tenebrae, Voces8 and many more all on one disc - all selected from titles across the Signum catalogue. The repertoire stretches from Monteverdi to Michael Jackson and is dispatched with consummate ease by all involved -  Choir & Organ
  • Julie Andrews frolicked across the Alps singing it in The Sound of Music and generations of children have learnt their musical scales by remembering it. Now Do-Re-Mi has been traced back more than 2000 years to one of the greatest poets of ancient Rome. According to a book to be published next month, the origins of the song lie far from the female deer and ray of golden sun in the Rodgers and Hammerstein version sung by Andrews to the von Trapp children. Instead it was penned as a mnemonic by a medieval Italian monk who drew on a melody which accompanied Horace's Ode to Phyllis, written in the 1st century BC. The research has been carried out by Stuart Lyons, who won a classics scholarship to King's College, Cambridge. "The monk who invented Do-Re-Mi told a lie about it because he didn't want to go to the stake (for heresy)," Lyons said. "The melody truly belonged to the Ode," said Lyons. "It is the most exciting thing that has ever happened to me in academic discovery. It is incredible to solve a mystery that is 1,000 years old. " A fascinating and highly recommended CD of the Ode’s first performance in modern times, performed by King’s Singer Christopher Gabbitas and lutenist David Miller - Musical Opinion Pleasantly performed by Christopher Gabbitas- of the King's Singers - and the excellent lutenist David Miller, the results are pleasant and intriguing listening - MusicWeb International  
  • Described by The Times as a group that has “stayed in character over four decades, yet returned itself to the times” and by Gramophone as “enchanting the ear from first to last note” The King’s Singers are truly remarkable They continue to be one of the most sought-after and critcally acclaimed vocal ensembles in the world, performing a rich and varied repertoire from Gesualso to György lIgeti and Michael Bublé. With a discography of over 100 recordings The King’s Singers have garnered both awards and significant critical acclaim. Their recent studio album Simple Gifts was awarded a Grammy in 2009. The coming year will see the release in the UK of The King’s Singers new album Swimming Over London, a disc that crosses genre borders in a way similar to Simple Gifts, using smooth jazz as the inspiration for new pieces and arrangements with the King’s Singers signature style and standards. The King's Singers have, as their many fans will testify, astonishing technical facility, and bring artistry to much of the music in their wide-ranging repertoire - BBC Music Magazine They've been going for over 40 years but they still sound as fresh as when they started. Some lovely arrangements, including Leonard Cohen's Hallelujah and [John Brunning's] Pie Jesu - Classic FM Magazine
  • Signum Records presents a world first – a CD single, from a new edition of the magnificent 40-part Thomas Tallis motet Spem in Alium and the English version Sing and Glorify. Spem in alium is surely not just the greatest of all Thomas Tallis’ musical achievements, but one of the great musical compositions of all time. Writing for 40 independent voices, Thomas Tallis created a noble and imaginative masterpiece. The earliest surviving manuscript of this great work, the Egerton manuscript, is laid out with an English rendition, Sing and glorify heaven’s high majesty. The English words are not a translation of the Latin, but a new poem written as a syllable-for-syllable replacement. A fine recording as well, beautifully captured in the wide open spaces of All Hallows Church - BBC Radio 3 Record Review Their interpretation at times almost touches the visionary - Gramophone Not only does Alistair Dixon shape the music beautifully, but he has a first-rate team of singers who respond to the music’s every nuance - Goldberg
  • SIX

    £5.00
    Signum Records present a special CD release from the King’s Singers, celebrating over 35 years of popular repertoire that has left audiences delighted across the globe. Formed in 1968 by six Choral Scholars from King’s College, Cambridge, the King’s Singers quickly became a prominent musical force in the UK. The rest of the world soon followed so that today the group’s engagements are spread throughout the four corners of the globe. The ensemble are renowned for their commitment to blend balance and intonation in their performances, but above all it is their simple enjoyment of what they do that has captured the imagination of the public, and kept the King’s Singers at the top of their game for over three and a half decades. This album presents six pieces performed by the six vocalists over the years. The titles were selected to span the life of the group so far: After the explosive rock decade of the 1960s in which the group was founded, you can almost hear the hair lengthen in Neil Young’s 1970 song After the Goldrush. This was originally sung by the group with Nana Mouskouri on her BBC TV show, and has remained popular ever since; Irving Berlin’s much-loved jazz classic Blue Skies is here sung in a cool and reflective arrangement by Richard Rodney Bennett; the Beatle’s Blackbird is one of the most requested encores happily sung to ecstatic audiences, and Daryl Runswick’s arrangement perfectly maintains the feel of the original song. The remaining three tracks are all newly recorded pieces from the 21st century. Down to the River to Pray, a spiritual, appeared in the Coen brothers movie “O Brother Where art Thou?”; Billy Joel’s Lullaby Goodnight My Angel is an example of the songwriter at his lyric best. Finally, The Wishing Tree was commissioned by the King’s Singers and the BBC for the 2002 Proms, celebrating the present Queen’s Golden Jubilee. Joby Talbot, formerly of The Divine Comedy, was asked to compose a work in which to reflect Queen Elizabeth II’s life, as well as incorporating a 16th century madrigal-element, in reference to the reign of the first Queen Elizabeth. Six new tracks from the lads with the voices of spun gold. The irresistible verve of this much-changed group's mid-1970s peak is less evident, but for sheer polish and style these singers are truly 'kings' - BBC Music Magazine Think gorgeous close harmony, think crossover-with-integrity, and enjoy - Classic FM Magazine  
  • The King's Singershave combined one of the greatest vocal compositions of all time with modern recording technology and customary style to produce a truly stunning recording of Thomas Tallis' Spem in alium. This is a unique opportunity to hear every part in Spem sung and recorded to perfection, with the six King's Singers dividing the forty parts of Spem in alium between them, in this multi-track recording the disc is in full surround sound, and is a CD/SACD hybrid. This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. A bold and fascinating performance - Classic FM So impressive - Choir & Organ
  • Gaudete

    £5.00
    Arranged by Classic FM's Hall of Fame 2004 'top-ten-composer' Karl Jenkins, sung by crack professional choir - Tenebrae - Gaudete is released on SignumClassics both with drums and percussion and as a pure, unadulterated, a cappella version Founded as recently as 2001, Tenebrae has been embraced by the public and critics alike as one of the most innovative and gifted groups in Britain. Tenebrae’s motto is “passion and precision”, but they also believe in accessibility, performing various different types of music as long as it’s good music, sung well. Gaudete (“rejoice”) is an anonymous composition that was first published in 1582 in a collection of carols and other religious songs called Piae Cantiones. This collection, made by a Scandinavian called Peter Nyland, included a huge number of other Christmas melodies that have since become ‘standards’, but it only gives music for the chorus of Gaudete; the verses, which tell of the wonder of God’s arrival on earth in human form, have been taken from a Czech medieval song about the Virgin Mary, Ezechielis Porta.
  • On Thursday, August 20, Signum Classics will begin releasing the COVID-19 Sessions. Recorded on March 17, 19, and 20 at Westminster Presbyterian Church in Minneapolis, Minnesota, the COVID-19 sessions came together quickly as society began to shut down amidst the growing outbreak in the United States.  Recorded on March 17, 19, and 20 at Westminster Presbyterian Church in Minneapolis, Minnesota, the COVID-19 sessions came together quickly as society began to shut down amidst the growing outbreak in the United States.  “Cantus tour dates and home concerts were being canceled and it was clear there would be only a limited window in which to sing together before the world went on pause,” says Paul Scholtz, tenor.  “What would social distancing and prohibitions on large gatherings mean for vocal music, our communities, and the world at large?” continues Scholtz. “Cantus’ vision is to give voice to shared human experiences and what better way than to offer these performances amidst this great turmoil and uncertainty. We hope you can find yourself and your experience reflected somewhere in these sessions. The pieces you will hear span a great breadth of emotion, from joy to sorrow to wonder to pain. We hope you will find the performances themselves informed by the emotional states in which they were recorded — heightened at different times in different ways.” 
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