• Piangete

    £12.00

    Signum Records is delighted to announce that the ensemble Concerto delle Donne will release their first disc on Signum Records in 2003. The disc will feature the cantatas and motets of Giacomo Carissimi.

    Carissimi is sometimes thought of as a "one-work composer" known to the average music-lover only for his oratorio Jephte. Choral Societies looking for 17th century music earlier than Purcell are therefore likely to choose Jephte.

    Alastair Ross first became interested in Carissimi’s music for the 3-soprano Concerto delle Donne line-up when he was asked to prepare a programme “Handel and his predecessors in Italy” for the 1977 Göttingen Festival. A review of Carissimi's oeuvre showed that there were several pieces by Carissimi in the library of Christ Church Oxford just waiting to be performed by the group! He chose the cantata Siam tre miseri piangenti which has become a regular item in their concerts and which is central to this recording. It’s a marvellous piece, full of pain, suffering and anger. The three voices really are equal in the way they intertwine and react to one another. Donna Deam’s solo Piangete and Gill Ross' and Elin Thomas’s duet Ahi, non torna are similar in mood. Maybe in our cynical 21st century we find it difficult to relate to these highly emotional, self-obsessed, texts, but there’s no denying that they inspired some wonderful music! Va dimanda al mio pensiero’ and Si dia bando, alla speranza are lighter in mood – both attractive, tuneful pieces.

    There is plenty of variety in the church music as well. Cum reverteretur David, which begins the CD, is brilliant and virtuosic, a dramatic account of the rivalry between David and Saul. The duet Exulta, gaude, filia Sion is a joyful celebration of Christmas. In Benedictus Deus et Pater the voices weave rich dissonances to convey the suffering of the text; there’s something of the mood of Allegri’s Miserere here.

    In addition to the vocal pieces the disc includes a set of variations by Frescobaldi and Michelangelo Rossi’s flamboyant and chromatic Toccata Settima for harpsichord, together with Kapspereger’s charming improvisations for chittarone.

    We believe that only one of the Carissimi pieces on this CD, Exulta, gaude, filia Sion, has been recorded before, so the disc will be an important event in the recorded-music world, and one which we hope will revive interest in this unjustly neglected composer.

    ★★★★ An impressive release - Choir & Organ An important and rewarding release - Early Music Review
  • Poetry Serenade brings together four top british singers to perform the newest masterpieces from Brian Knowles, based on the work of poets including William Wordsworth, Thomas Hood and Christina Georgina Rossetti. The eighteen songs on Poetry Serenade have been chosen to give the listener an eclectic array of the differing texts and contrasting styles of composition. A disc marvelled with talent, not only from the principle voices but also the RSVP Voices, the Brighton Festival Youth Choir and the City of Prague Philharmonic Orchestra.

    Elin Manahan Thomas Juliette Pochin
    Jon Christos Nick Garrett
    FOREWORD by ALAN TITCHMARSH
    Brian Knowles is that rare thing - a composer of great originality who can also write good tunes! This CD is a terrific example of his work in setting some of the nation’s favourite poems to music. Having enjoyed Brian’s work myself for many years now, I’m happy to think that this CD will ensure it of a wider audience. His is a talent that deserves greater recognition and I congratulate him on a tremendous achievement.
    Alan Titchmarsh MBE
  • Postcards

    £12.00
    The King’s Singers explore the folk songs and melodies of the world in a new programme entitled Postcards. In their own words: “In our travels we have amassed a wonderful collection of folksongs and popular songs from numerous countries, many of which we use as encores when we visit. The influences and sources are extraordinarily far-ranging, and each song has its own local characteristics. To celebrate the diversity of music that we perform and the numerous countries we visit each concert season, we have recorded an album of some of our favourite folksongs from around the world.”  Typically immaculate performances of songs collected by the King's Singers on their global travels, and used as encores. Velvet vocal blending is a given, and mellifluous arrangementsBBC Music Magazine
  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalisation, Poulenc set his music to a wide range of French poetry – both ancient and modern, and from the serious to the surreal.

    This release marks the first in a new series charting the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau. Future releases will feature several works that have never before been recorded.

    This disc includes the vocal works: Cocardes, Metamorphoses, Chansons gaillardes, À sa guitare, Épitaphe sur un texte de Malherbe, Trois Poèmes de Louise de Vilmorin, Bleuet, Dernier poème, Rosemonde, Fiançailles, Parisiana and La Courte Paille.

  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal.

    This second release in a new series charts the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.

    Praise for the first disc includes:
    "Lisa Milne performs wonderfully throughout this Poulenc disc. She really sings the French as to the Manoir born … A nicely balanced and arranged recital for all of these voices, so a promising start to this new Poulenc series."

     

    Hilary Finch and Andrew McGregor, CD Review, BBC Radio 3

     

     

  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal. This is the third release in our series that will build to encompass the complete songs of Francis Poulenc – performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.

    Praise for the first disc includes:
    "Lisa Milne performs wonderfully throughout this Poulenc disc. She really sings the French as to the Manoir born … A nicely balanced and arranged recital for all of these voices, so a promising start to this new Poulenc series."
    Hilary Finch and Andrew McGregor, CD Review, BBC Radio 3

     
     
  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal. This is the fourth release in our series that will build to encompass the complete songs of Francis Poulenc – performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.

  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal. The final disc in Signum’s series of The Complete Songs of Francis Poulenc features a cast of the finest singers of our generation, accompanied by Malcolm Martineau as well as additional instrumental soloists for Poulenc’s larger-ensemble settings of his songs.

    Featured works in this final volume include Rapsodie Negre, Le Bestiaire, Quatre poe?mes de Max Jacob, Vocalise, Quatre poemes d’Apollinaire, Banalite?s and Le Bal Masque?.

  • Sir Michael Tippett's great masterpieces - Boyhood's End and The Heart's Assurance - are coupled here with some of his editions of songs by Henry Purcell, and Benjamin Britten's companion piece to Boyhood's End - Canticle 1. Superbly performed by John Mark Ainsley and Iain Burnside, an added treat is the performance of Tippett and Bergman's edition of Pelham Humfrey's setting of John Donne's A Hymn to God the Father.

    John Mark Ainsley is one of the world's leading tenors. He has worked with the Berlin Philharmonic, New York Philharmonic and the Vienna Philharmonic, and has appeared with the San Fransisco Opera, and as Der Daemon in the world premiere of Henze's L'Upupa.

    Iain Burnside has performed with artists including Dame Margaret Price and Susan Chilcott. As a broadcaster he has recently won a Sony Radio Award.

    Remember Your Lovers
    Sir Michael Tippett
    John Mark Ainsley Tenor
    Iain Burnside Piano

  • If it were not for the operas of Gioachino Rossini, the operatic repetory of the mezzo soprano would lack some of its most interesting characters and music. Silvia Tro Santafé proves herself a true ‘Rossini Mezzo’ in this collection of scenes and arias, accompanied by the excellent Orquesta Sinfónica de Narvarra and Lluís Vich Vocalis. This voice is one fine instrument, at times as luxuriant as rippling grey silk, at others glinting like flexible metal, always thoroughly enjoyable as pure sound - Opera Magazine A most impressive recital - The Gramophone Tro Santafé's unique vocal qualities illuminate the music with fresh colors and interpretive accents … this is an excellent disc that more than stands up to the competition - MusicalCriticism.com
  • The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue.
    Susan Gritton's delivery of the three arias has an exquisite balance of grace and intensity befitting their spurned heroines - The Independent
  • On a new disc to celebrate the 2012 Diamond Jubilee, The King's Singers present a selection of works from the past 500 years written in honour of the great Monarchs of Britain. Starting with works for (and in some cases by) Henry VIII, the programme covers the Elizabethan 'Triumphs of Oriana' by composers such as Gibbons, Mundy and Dowland; a very Victorian selection of dedicatory works by Elgar, Parry and Parratt; choral arrangements from the opera 'Glorianna' by Benjamin Britten; and a new piece by Paul Drayton that comically pens 'A Rough Guide to the Royal Succession'. Drayton is perhaps best known to fans of The King's Singers as the composer of their much-loved encore work Masterpiece. A notably intelligent, enjoyable Jubilee offering - BBC Music Magazine Premier English a cappella group provides its own celebrations in Jubilee Year - New Zealand Herald
  • Signum Classics are proud to release the King's Singers fifth disc on Signum; Sacred Bridges. For thousands of years, the biblical Psalter has been the liturgical “heart” of the three main book religions: Judaism, Christianity and Islam. The Psalms announce the word of God and, simultaneously, contain the full range of human experience. Jews, Christians and Muslims sing and listen to the same songs of lament and joy, confessions of sin, hymns of praise and adoration. In this project of the King’s Singers and Sarband, psalm settings by composers from three religions give an example of how psalms can be a source of spirituality, a political instrument, a link between tradition and modernity and, above all, a bridge connecting human beings. Immaculate blend, perfect tuning and crystal diction ... Superb performances across the cultural divide show that great art transcends political differences - The Times A fascinating, attractive, beautifully performed-album - Gramophone Perfectly judged and beautifully blended sound - Classic FM Magazine An intriguing disc, and far more than a curiosity - Early Music Review A real gift to ... music lovers that need a special musical holiday gift - Mid West Record Recap
  • There was a craze for the music of Josquin Desprez in sixteenth-century Spain. All three of the greatest Spanish composers of the age – Morales, Guerrero, and Victoria – were directly inspired by one particular rhetorical effect developed by Josquin: ostinato, the repetition throughout a piece of a musical motto. This album explores Josquin’s legacy as manifest in the motets of Morales, Guerrero, and Victoria, and in Victoria’s great six-voice Missa Gaudeamus. In the hands of such composers the use of ostinato produces results that are dynamic, compelling, and striking in expressive impact. These work show the Spanish composers not just emulating Josquin but also competing to out do him in inventiveness.
  • Christopher Glynn continues his series of late Schubert song cycles in English, joined by celebrated soloists Sir John Tomlinson, Sophie Bevan, Julian Bliss and Alec Frank-Gemmill.

    Titled by the works first publisher following Schubert’s death, Swansong (Schwanengesang) D 957 sets sets the words of poets Ludwig Rellstab, Heinrich Heine and Johann Gabriel Seidl in songs that cover a variety of different emotional states. The lighthearted Love Message (Liebesbotschaft), with its rippling accompaniment, addresses a murmuring brook with the hope of true love. The bone-chilling Doppelgänger with its stark, slowly tolling chords, finds the protagonist crazed with a nocturnal vision of himself agonizing at the empty doorstep of his lost love. Renowned for his clear diction and powerful voice, Sir John Tomlinson brings his insight and nuance to these profound works.

    Reminiscent of the scoring for The Shepherd on the Rock and composed in the same year, On the River (Auf dem Strom) combines soprano and horn in a setting of a poem by Ludwig Rellstab. Originally given to Beethoven who did not live long enough to set it, Schubert took up the words in a work that is a subtle homage to the composer.

    The 1828 work The Shepherd on the Rock (Der Hirt auf dem Felsen) sets words by Wilhelm Müller and German playwright Helmina von Chézy, and was composed in gratitude to the soprano Anna Milder-Hauptmann. Here performed by Sophie Bevan and Julian Bliss, it tells the story of a shepherd lamenting the distance between him and his beloved before a reflection on loneliness and grief. The final section celebrates the arrival of spring in a hopeful conclusion.

    The creamy clarity of both Alec Frank-Gemmill’s horn and Julian Bliss’s clarinet sound is a perfect foil for Sophie Bevan’s exquisite, rounded legato - BBC Music Magazine

    Christopher Glynn’s playing is excellent throughout - Gramophone

  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist, Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres, featuring a number of world-class artists including:
    • A Cappella and Choral Music (The King's Singers, Tenebrae, VOCES8, The Swingle Singers, Rodolfus Choir)
    • Orchestral and Chamber Music (Philharmonia Orchestra, London Sinfonietta, Gabrieli Consort & Players, OAE, LCO, Smith Quartet),
    • Instrumental Soloist Recitals (Jamie Walton, Alessio Bax, Matthew Barley, Llyr Williams, James Rhodes)
    • Art song and Lieder (Iain Burnside, Malcolm Martineau, John Mark Ainsley, Mark Padmore, Ailish Tynan, Felicity Lott, Sarah Connolly, Jonathan Lemalu)
    In our new anniversary series we have drawn on this extensive catalogue to form six collectable releases, assembled around the themes of A Cappella, Early Music, Organ Music, Choral Music, Art Song, and Piano Music. Buy all 6 together for just £20