• The music contained in this CD represents a selection of Vespers movements written by the organist Johann Pachelbel. They have in common the distinctively sonorous scoring of four or five-part choir, accompanied by a six-part string orchestra to which is added, at the composer’s express request, a bassoon.

    ‘Charivari Agréable is one of the most versatile Early Music groups around at the moment; under its benign director, Kah-Ming Ng, it appears to be infinitely adaptable, finding musicians who can fit into any of its many and varied programmes’ International Record Review. They represent ‘a new and very exciting phase of the early music revival, one that enriches the existing repertory and can bring us ever closer to the spirit of the original music’ Gramophone.

    Described by The Times as a group that has “stayed in character over four decades, yet retuned itself to the times” and by Gramophone as “enchanting the ear from first to last note” The King’s Singers are truly remarkable. They continue to be one of the most sought-after and critically acclaimed vocal ensembles in the world, performing a rich and varied repertoire from Gesualdo to György Ligeti and Michael Bublé. Internationally recognised for their work in the classical field, they retain the sparkle that delights so many fans when they perform much loved numbers from the lighter end of the repertoire. Whatever the music The King’s Singers are instantly recognisable for their spot-on intonation, their impeccable vocal blend, the flawless articulation of the text and incisive timing.

  • Signum Records is delighted to announce the completion of Chapelle du Roi's recordings of the complete works of Thomas Tallis. This major project has taken seven years to complete. It was the brain child of Alistair Dixon and brought to fruition jointly by Chapelle du Roi and the engineering and production company Floating Earth.
  • Gesualdo

    £12.00
    Signum Records is proud to announce the release of the latest recording by The King's Singers: Gesualdo's Tenebrae Responsories for Maundy Thursday. The Italian Prince, Carlos Gesualdo, is probably most famous for the obsessive double murder of his first wife along with her lover, but his music is not always accredited with the same sense of celebrity. Gesualdo is known in traditional history books as an amateur composer. His music is characterised by wild gesticulation and abrupt starts and stops, particular to a composer who just didn’t know what he was doing. However, the 20th century has now uncovered our composer’s place in history as part of a larger movement of Neapolitan artists, and as perhaps the most forward-thinking, expressive and sensual composer of his time. The King’s Singers were fascinated by the naked honesty that is heard within this 400 year old music. It is so startling that it keeps its freshness of surprise even on many repeated hearings. The music portrays a desperate and wretched, but also passionate and loving person who is set on composing "further out" than anyone else. Gesualdo moved in the highest circles of Italy and was extremely wealthy. His decadent lifestyle allowed him to do and write exactly as he pleased, and at the tender age of 19 it brought him into close contact with one of the most attractive and admired women in Naples. Maria d’Avalos was twice widowed by the age of 25. Her marriage to Gesualdo was initially promising. However, Maria’s rich social life soon dominated the relationship and a profound and constant jealousy took possession of the young and highly sensitive composer. After four years of turmoil he hired professional murderers to assist him in killing wife and lover while they were in bed together. The violence and rage of the act is well-documented. After the murder of Maria, Gesualdo suffered from severe and increasing feelings of guilt. Penitence never left him and he was moved to compose church music of a most black and self-reproachful nature. The programme on this CD represents part of the liturgy for the Matins Offices on the final three days of Holy Week, the Triduum Sacrum. Each of the Matins services is divided into three nocturns, each containing psalmody, three lessons and three responsaries. The attention given to word-painting is exemplary - The Times A no holds barred, immaculately sung performance from the King's Singers. Unmissable - Classic FM Magazine
  • A must-have for choral-aficionados everywhere that sees perhaps the world’s finest a cappella ensemble The King’s Singers join forces with The Concordia Choir – one of the USA’s best collegiate groups – to perform works by choral composers Eric Whitacre, Bob Chilcott and Morten Lauridsen.

    One of the world’s most celebrated ensembles, The King’s Singers have a packed schedule of concerts, recordings, media and education work that spans the globe. Championing the work of young and established composers, they remain consummate entertainers; a class-act with a delightfully British wit. From Gesualdo and György Ligeti to Michael Bublé, The King’s Singers are instantly recognisable for their spot-on intonation, their impeccable vocal blend, the flawless articulation of the text and incisive timing.

     

    The Concordia Choir of Moorhead, Minnesota is one of America’s finest a cappella choirs. Since 1920, the 72-voice choir has performed in nearly every major hall including Carnegie Hall and Kennedy Center and has taken numerous international tours. The Choir is broadcast throughout the United States on public radio stations and on television via its Emmy-award winning Concordia Christmas Concert.

    Includes the world premiere recordings of Alone by Eric Whitacre, and High Flightanyone lived in a pretty how town and Days by Bob Chilcott

     

     

     

     

  • Ian Venables studied composition with Richard Arnell at Trinity College of Music, London and later with John Joubert, Andrew Downes and John Mayer at the Royal Birmingham Conservatoire. His works encompass many genres and he has added significantly to the canon of English art song. Described as ‘Britain’s greatest living composer of art song’ (Musical Opinion) and ‘a song composer as fine as Finzi and Gurney’ (BBC Music Magazine), Ian Venables has written over 80 works in this genre, including nine song-cycles. As the title suggests, the works on this disc are predominantly reflective in mood although this does not preclude the use of faster-moving music whenever the poetry requires it. Its subject matter celebrates the timelessness of love through the poetry of James Joyce, John Drinkwater, Edward Thomas, John Clare, Robert Nichols and the modern poet Jennifer Andrews; the celebration and commemoration of Queen Elizabeth, The Queen Mother, in Sir Andrew Motion’s remarkable narrative poem Remember This and the collective remembrance of those who died in the First World War: the poetry of Wilfred Owen, Isaac Rosenberg, Siegfried Sassoon, Geoffrey Studdert Kennedy and the less well-known Francis St. Vincent Morris providing the impetus for one of Ian Venables’ most dramatic and profoundly moving cycles.
  • Pianist Malcolm Martineau brings together some of the UK’s finest singers for the third release in his series charting the complete songs of French composer Gabriel Fauré. This series follows Martineau’s well-received 5-CD series of The Complete Songs of Francis Poulenc.
  • Voyages

    £12.00
    Soprano Mary Bevan and pianist Jopseph Middleton perform a programme exploring the genius of Baudelaire and Goethe, and how texts by them unlocked very speci c musical landscapes in settings by Debussy, Duparc, Chausson, de Bréville, Séverac, Fauré and Schubert. Praised by Opera for her “dramatic wit and vocal control” in stand out performances on opera and concert platforms, Mary Bevan is a winner of the Royal Philharmonic Society’s Young Artist award and UK Critics’ Circle Award for Exceptional Young Talent
    Pianist Joseph Middleton specialises in the art of song accompaniment and chamber music and has been highly acclaimed within this eld. Described in the BBC Music Magazine as “one of the brightest stars in the world of song and Lieder”, he has also been labeled “the cream of the new generation” by The Times and “a perfect accompanist” by Opera Now. ★★★★ A beautiful programme… they include plenty of intriguing and little-known songs that more than deserve these excellent interpretations - Primephonic Bevan’s purity of tone and discreet yet telling way with words can be by turns unnerving and alluring in the Baudelaire settings… Middleton, as one might expect, is marvellously insightful, playing throughout with weight as well as grace and subtlety - Gramophone
  • London Early Opera continue their new series of Handel’s works with the second volume of pieces composed in Italy. Both volumes of Handel in Italy explore the young composer’s Italian years through his cantatas, sacred pieces, operatic works and instrumental compositions. Handel wrote prolifically during his stay in Italy, his output includes oratorios, operas, sonatas, instrumental works and sacred vocal masterpieces including over 100 cantatas. Featuring performances from internationally acclaimed soloists, the sopranos Sophie Bevan and Mary Bevan with their uncle, baritone Benjamin Bevan conducted and conceived by Bridget Cunningham.
  • Classical Opera explore a wealth of arias by Handel and his contemporaries William Boyce, John Christopher Smith and Thomas Arne, all of which were composed for the celebrated 18th-century tenor John Beard (1716-1791). For this recording Allan Clayton steps ably into this role, performing alongside the Orchestra of Classical Opera under Ian Page. The disc also features a duet with Mary Bevan, from Handel’s L’Allegro, il Penseroso ed il Moderato.
    ★★★★ Rousing renditions - The Times A must for early music devoteesGramophone A delight... I cannot recommend it too highly - Classic FM The outstanding young tenor [John Beard] fulfils his early promise - The Sunday Times
  • VOCES8 and Les Inventions shine a light on a hidden musical treasure in these world-premiere recordings of Charles Avison’s 1757 adaptation of Benedetto Marcello’s Estro-poetico armonico. A fresh and original collection, Marcello’s Psalm settings were composed in Venice and quickly found fame across Europe after their publication between 1724 and 1726. ★★★★★ The results are wholly delightful and absorbing, and the intimate forces of VOCES8 and Les Inventions are completely at home in this repertoire - Choir & Organ ★★★★ With their vivid word-setting and lively declamation, the English texts give a slightly homespun quality to the enterprise. Well sung, there's a striking triple canon with Latin text to finish - The Observer ★★★★ Marcello's masterpiece receives...world premiere recording here by VOCES8, accompanied by the organ, recorder and strings of French early-music ensemble Les Inventions - The Independent Very polished - BBC Radio 3 CD Review A nice variety of vocal colours and a lovely blend make for a convincing representation of Marcello's largely unknown masterpiece Estro poetico-armonico. More please - Early Music Review
  • London Early Opera perform a unique programme of Handel’s Italian-inspired works, devised by conductor Bridget Cunningham and featuring a unique family collaboration from from world-renowned soprano sisters Sophie Bevan and Mary Bevan alongside their uncle, bass Benjamin Bevan. Editor's Pick: This is as polished an account as any on account of Sophie Bevan's unerring sense of decorum for what each movement requires Gramophone The quality of the musicianship is highBBC Music Magazine A dazzling disc from the Bevan siblingsThe Observer An enjoyable showcase for Mary, Sophie and Benjamin Bevan - The Sunday Times A pleasant compilation, showcasing the considerable vocal talents of three of the Bevan familyEarly Music Review
  • The Gabrieli’s first Handel recording in over a decade is particularly special, recreating in painstaking detail the very first performance of L’Allegro, il Penseroso ed il Moderato, given in 1740, with additional instrumental repertoire including a Handel organ concerto and two concerti grossi. With a reputation as peerless Handelians, Paul McCreesh and the Gabrieli Consort & players bring meticulous research to every performance and recording project, and are joined on this disc by a stunning selection of soloists.
    ★★★★★ This is quite simply life-enhancing music making, a glorious achievement in every respect - Early Music Today ★★★★★ McCreesh finds all the expressive opportunities in a blissful production, at times breathtakingly beautiful - Choir & Organ ★★★★★ The choral elements are scrupulously handled by the Gabrieli Consort - BBC Music Magazine McCreesh's superb Gabrieli Consort and Players present all this...with flair, a pristine sense of style and infectious energy - The Times Handel's ravishing score [is] realised to perfection by Paul McCreesh and Gabrieli... A glorious recording - The Observer
  • The King’s Singers perform the complete Italian madrigal collection Il Trionfo di Dori. Commissioned by Venetian nobleman Leonardo Sanudo in 1592, the collection features 29 works, each written by a different composer and poet, and set for nine voices. Among them are Vecchi, Gabrieli, Marenzio, de Monte, Striggio, Anerio, Gastoldi, Porta and Palestrina.
    ★★★★★ The King's Singers bring this great monument of Italian music history to striding life - Sinfini Music ★★★★★ The King’s Singers are on top form, singing with a sunny freshness appropriate to this happy music, blending beautifully, and moving as one into crescendos and decrescendos, ranging in dynamic from a whispering pianissimo to declamatory episodes of high drama - Early Music Review It is hard to imagine a group with greater potential to do justice to this music of love and mythology than they - Gramophone The King's Singers turn out their characteristic, highly polished finish: diction is razor-sharp, ensemble and intonation are well-nigh flawless - BBC Music Magazine A masterclass in delicate phrasing, elegant lines, exemplary Italian and effortless madrigalian expression with standards of intonation to languish after...delizioso - Choir & Organ If you have to make a single choice The King's Singers will appeal more and it's also beautifully recorded in a venue, which is at least new to this reviewer - Music Web International
  • A song recital which commemorates World War One brings to mind works by the poets and composers who fought valiantly for their country. But the affliction of the War was not restricted to the battlefields. As well as those who fought, there were those interned, those who stayed to defend their home, and those who were forced from their homes by the advancing armies.

    This recital draws its inspiration from those lives upturned by the Great War, whether friend or foe, soldier or civilian. Some survived the conflict to produce great catalogues of works. Others never made it home, penning their final songs in the mud of the trenches.

    Alongside established works, this recital programme introduces some little known songs to portray the humanity of those caught up in the torrent of The Great War.

    2CD Set, Price of a Single CD

  • Dreamscape

    £12.00
    A unique programme of works by father and daughter. Sir Andrzej Panufnik was a leading Polish composer of the 20th Century, and his daughter Roxanna has made a name for herself in her own right as a contemporary composer in the 21st. This disc, programmed by Roxanna to combine works by both her and her father, explores the parallels between their two musical languages and forms a touching tribute to Andrzej from his daughter.
    This is intensely personal music-making, beautifully performedThe Observer
  • As 2014 heralds the composer’s 80th year, Harrison Birtwistle remains one of the most popular voices in contemporary composition in the UK and beyond. This new collection of premiere recordings draws together recent commissions with older works to mark the occasion, with characteristically flawless performances from the BBC Singers under Nicholas Kok. They are joined on this disc by the Nash Ensemble and baritone Roderick Williams.

    Best Classical CDs of 2014 The Guardian ★★★★★ Recorded after a memorable Proms UK premiere last year, The Moth Requiem is one of Birtwistle's most austerely beautiful works ... The Ring Dance of the Nazarene, featuring a standout contribution from Williams, is similarly striking, as are performances and recording - Classical Music Magazine Birtwistle’s characteristic melodic angularity and rhythmic complexity are duly represented in six pieces written between 1965 and 2012, including two strikingly evocative recent triumphs — the buoyantly mystic Ring Dance of the Nazarene and the shadowy, haunting Moth Requiem — with all of it sung supremely well - The New York Times Birtwistle is scaling new heights just now, and the elegiacMoth Requiem transports us to a sonic world of beguiling mystery. These singers have his music in their bones, presenting it with precision and sensitivity, be it the stark, monumental Carmen Paschale, a glistening gem of a Lullaby or the dynamic Ring Dance of the Nazarene- BBC Music Magazine