• Poetry Serenade brings together four top british singers to perform the newest masterpieces from Brian Knowles, based on the work of poets including William Wordsworth, Thomas Hood and Christina Georgina Rossetti. The eighteen songs on Poetry Serenade have been chosen to give the listener an eclectic array of the differing texts and contrasting styles of composition. A disc marvelled with talent, not only from the principle voices but also the RSVP Voices, the Brighton Festival Youth Choir and the City of Prague Philharmonic Orchestra.

    Elin Manahan Thomas Juliette Pochin
    Jon Christos Nick Garrett
    FOREWORD by ALAN TITCHMARSH
    Brian Knowles is that rare thing - a composer of great originality who can also write good tunes! This CD is a terrific example of his work in setting some of the nation’s favourite poems to music. Having enjoyed Brian’s work myself for many years now, I’m happy to think that this CD will ensure it of a wider audience. His is a talent that deserves greater recognition and I congratulate him on a tremendous achievement.
    Alan Titchmarsh MBE
  • The first in a two part set of Beethoven's Lieder und Gesänge. Beethoven himself was not a keen song writer, yet despite this almost half of his total works call for a voice. This disc includes some of the best of those compositions. Ann Murray has appeared with some of the world's greatest orchestras and conductors, her discography reflects both her broad concert and operatic repertoire and also her great operatic roles. Roderick Williams is active in the opera house, on the concert platform and in recital, encompassing a repertoire from baroque to world premieres. He has performed with all BBC orchestras and other acclaimed ensembles internationally. Iain Burnside enjoys a unique reputation as pianist and broadcaster and is most recognised for his collaborations with leading international singers. This will be Iain's sixth disc with Signum Classics. ★★★★ Williams’s subtle baritone adapts to each challenge. Joining him, the rich toned mezzo, Ann Murray, is also fine, particularly in the four subtly different versions of Goethe’s Sehnsucht - The Times ★★★★ Iain Burnside provides vivid accompaniments - BBC Music Magazine  
  • Emilia

    £12.00
    Emilia is one of the most promising new talents of her generation, and in her short career has already performed before illustrious figures such as Princess Anne and Archbishop Desmond Tutu. Aged 11 when this disc was recorded, Emilia is one of Signum Record’s youngest artists. Emilia made her debut singing Rule Britannia at The Sail for Gold Ball 2004 when she was just nine. Since then she has completed a full-time chorister post at Salisbury Cathedral, leaving in July 2008 with a music scholarship. During this period she has sung in Venice (San Marco), performing in many of the Great Cathedrals of Tuscany and a tour of Vienna and Salzburg. The young soprano sings a selection of traditional folk tunes including The Last Rose of Summer and Steal Away, alongside Handel’s Laschia ch’io Pianga and IF by Michael Nyman, who proclaimed Emilia’s technique and sound as being “absolutely gorgeous”.
  • The second in a two part set of Beethoven's Lieder und Gesänge, with the luminous collaboration between the tenor, John Mark Ainsley and his accompanist Iain Burnside. Beethoven himself was not a keen song writer, yet despite this almost half of his total works call for a voice. This disc includes some of the best of those compositions. John Mark Ainsley is accomplished as both a concert and operatic vocalist, performing at some of the most well renowned venues in the world. As well as having great experience and success as a live artist he also benefits from an extensive discography which covers repertoire from Bach to Stravinsky. Iain Burnside enjoys a unique reputation as pianist and broadcaster and is most recognised for his collaborations with leading international singers. This will be Iain's seventh disc with Signum Classics. There is something monumental about John Mark Ainsley’s Beethoven. Iain Burnside’s fluid playing is delightful, while Ainsley’s artistry is fascinating - The Independent John Mark Ainsley’s instinctive musicianship at its best, perhaps, in ‘An Die Ferne Geliebte’, ‘To A Distant Beloved’, or as the poetic translation in the booklet would have it,’ To My Dear Girl, So Far Away’ - BBC Radio 3 Record Review John Mark Ainsley’s delivery is faultless, his masterly control of the line revealing profound emotion in these often under-estimated gems; Burnside’s piano parts are beautifully judged, too. This joins the Goerne as one of the finest lieder recordings I have heard in years. Put them at the top of your list - Klassisk Musikkmagasin
  • Since her American debut in the early nineties, Silvia Tro Santafé has become one of the most sought after coloratura mezzos of her generation. On this disc we hear the proof of her operatic talents, performing some of the greatest and most passionate arias of any operatic mezzo soprano. Though Silvia Tro Santafé is no newcomer in the recording stakes this was my first encounter with her and this recital has definitely whetted the appetite for more - MusicWeb International
  • Tolstoy's Anna Karenina is a masterwork of 19th Century literature; a parable on the struggle for personal freedom against the conventions of a hostile society, played out in a tragic love-story. With a libretto by the distinguished director Colin Graham after the novel by Leo Tolstoy, David Carlson's opera vividly captures the drama and message of the original work. This double-disc set is a world premiere recording of the opera, with commanding performances from members of the Opera Theatre of Saint Louis and the Saint Louis Symphony Orchestra conducted by Stewart Robertson. There is a lot to admire in this dramatic, expressive scoreOpera Now Magazine
  • Whether from his years touring Europe as a virtuoso pianist or from his later émigré life in Paris and Weimar, Franz Liszt reflects in his song texts his ‘polyglot’ attraction to 19th-Century culture, shown in these setting of French, German, Italian, English, Russian and Hungarian words.

     

     

  • Erich Korngold is perhaps best known as the pioneering émigré composer whose grand orchestral scores defined the sound of film during the golden age of Hollywood. As well as this though, his output for voice in the form of Lieder and Song highlighted the strong bond that Korngold forever held with his homeland and the city of Vienna, a place inextricably linked to the High-Romantic style that Korngold so ably perfected. This collection of songs and lieder are beautifully performed by Sarah Connolly (mezzo-soprano) and William Dazeley (baritone), accompanied by renowned pianist and broadcaster Iain Burnside. In a feature for BBC Music Magazine in June 2013, Sarah Connolly picked this disc as her favourite recording, saying: "We recorded this in the lovely Potton Hall in East Anglia. I was in very fresh voice, and the producer John West was very encouraging and left me to my own devices. But when listened to the playback I couldn't believe how closely miked I sounded - you could hear the formation of consonantseverythingJohn said 'Don't worry, we've got it in hand, we'll make it sound right.' When listened to the final recording I couldn't believe how clean it sounded. I now use it as an example of how I'd like my voice to sound."
  • The 20th Century composers Peter Warlock, Herbert Howells, Michael Howard and Betty Roe were all inspired by the music of their country, both in the words they set in song and the music they composed. Tim Travers Brown, accompanied by Jeremy Filsell, explore the counter-tenor's role in British songwriting. Whilst Roe and Howard wrote specifically with the counter-tenor voice in mind, Warlock and Howells did not, providing the counter-tenor with a fantastic opportunity to highlight some of their best works in a new perspective.

    This programme forms a delicate balance between modern styles and historical influences featuring the songs 'My Little Sweet Darling' and 'The Night' by Peter Warlock, 'The Painted Rose' by Michael Howard, 'When the Dew is Falling' by Herbert Howells and 'Noble Numbers' by Betty Roe.

     
  • If it were not for the operas of Gioachino Rossini, the operatic repetory of the mezzo soprano would lack some of its most interesting characters and music. Silvia Tro Santafé proves herself a true ‘Rossini Mezzo’ in this collection of scenes and arias, accompanied by the excellent Orquesta Sinfónica de Narvarra and Lluís Vich Vocalis. This voice is one fine instrument, at times as luxuriant as rippling grey silk, at others glinting like flexible metal, always thoroughly enjoyable as pure sound - Opera Magazine A most impressive recital - The Gramophone Tro Santafé's unique vocal qualities illuminate the music with fresh colors and interpretive accents … this is an excellent disc that more than stands up to the competition - MusicalCriticism.com
  • Described by The Times as a group that has “stayed in character over four decades, yet returned itself to the times” and by Gramophone as “enchanting the ear from first to last note” The King’s Singers are truly remarkable They continue to be one of the most sought-after and critcally acclaimed vocal ensembles in the world, performing a rich and varied repertoire from Gesualso to György lIgeti and Michael Bublé. With a discography of over 100 recordings The King’s Singers have garnered both awards and significant critical acclaim. Their recent studio album Simple Gifts was awarded a Grammy in 2009. The coming year will see the release in the UK of The King’s Singers new album Swimming Over London, a disc that crosses genre borders in a way similar to Simple Gifts, using smooth jazz as the inspiration for new pieces and arrangements with the King’s Singers signature style and standards. The King's Singers have, as their many fans will testify, astonishing technical facility, and bring artistry to much of the music in their wide-ranging repertoire - BBC Music Magazine They've been going for over 40 years but they still sound as fresh as when they started. Some lovely arrangements, including Leonard Cohen's Hallelujah and [John Brunning's] Pie Jesu - Classic FM Magazine
  • In recent years, Patrick Hawes has emerged as one of the country’s most popular and inspirational composers. Born in Lincolnhire, he studied music as an organ scholar at Durham University, and soon went on to make an impact in the world of choral music. ★★★★★ Patrick Hawes has carved out a niche as a contemporary composer who writes melodic, atmospheric and, frankly, beautiful music - Gramophone Hawes’s admirers will find much here to confirm their warm response to his music’s quiet strength and individuality... The excellent performances feature the tawny loveliness of Julian Lloyd Webber’s cello-playing, plus two fine solo singers - Classic FM Magazine
  • Aces High

    £12.00
    The international award-winning octet VOCES8 has established itself as the foremost young British a cappella group. Performing a repertoire ranging from Renaissance polyphony to unique Jazz and Pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. ACES HIGH is an album that flows like a fine cocktail - delicious from start to finish! It evokes the story of a perfect night out, transporting you to the glamorous world of high society, passion and daring intrigue.
  • Star tenor Andrew Kennedy is accompanied by Southbank Sinfonia in this collection of arias by three unique Classical-era composers. This disc showcases some of the best in young British musical talent, with rising star tenor Andrew Kennedy and Southbank Sinfonia, conducted by Simon Over. Their programme explores three phases of the Classical era, with early arias from Gluck, later classical works by Mozart, and the beginnings of Romanticism with Berlioz. Performance ★★★★ Recording ★★★★ The promise shown by Andrew Kennedy has been confirmed by his rapidly developing international career. His voice has grown in strength, well beyond the stereotypical 'English tenor' bleat - BBC Music Magazine Kennedy’s bright, firm tenor is equal to the demands of Gluck’s haute-contre parts. [Moreover], Simon Over and the Southbank Sinfonia are crystal-clear accompanists and the overture to Tito is splendid - The Times The Southbank Sinfonia plays vivaciously under Simon Over - The Daily Telegraph [Kennedy's voice] is always clear in definition and often, as in Pylades' aria and Tito's three solos, gracefully poised - Gramophone
  • Swimming Over London is a new studio?album of jazz?inspired hits and recent commissions performed by The King’s Singers, and is a follow up to their Grammy Award?winning crossover album Simple Gifts.

    This album covers a huge range of pop and jazz?inspired influences – from old favourites (Nat King Cole’s Straighten up and fly right, Arlen & Gershwin’s It’s a New World and Hogey Carmichael’s Lazy Bones) to modern hits (Michael Bublé’s Home, Jason Mraz’s I’m Yours and Imogen Heaps Hide and Seek). Commissions especially for the album come from Bob Chilcott, Mia Makaroff, Ysaye M. Barnwell and Roger Treece.

    A special King’s Singers arrangement of Mika’s By the time is also featured, inspired by their performance with him for the 2009 Mencap Little Noise sessions at the Union Chapel.

    “They are always breathtakingly impressive in their vocal virtuosity, blend and pinpoint intonation.”
    American Record Guide

    “They are still unmatched for their sheer musicality and ability to entertain.”
    The Times

    “...a musical group of the very highest order.”
    Gramophone

    David Hurley countertenor
    Timothy Wayne-Wright countertenor
    Paul Phoenix tenor
    Philip Lawson baritone
    Christopher Gabbitas baritone
    Stephen Connolly bass

  • The music contained in this CD represents a selection of Vespers movements written by the organist Johann Pachelbel. They have in common the distinctively sonorous scoring of four or five-part choir, accompanied by a six-part string orchestra to which is added, at the composer’s express request, a bassoon.

    ‘Charivari Agréable is one of the most versatile Early Music groups around at the moment; under its benign director, Kah-Ming Ng, it appears to be infinitely adaptable, finding musicians who can fit into any of its many and varied programmes’ International Record Review. They represent ‘a new and very exciting phase of the early music revival, one that enriches the existing repertory and can bring us ever closer to the spirit of the original music’ Gramophone.

    Described by The Times as a group that has “stayed in character over four decades, yet retuned itself to the times” and by Gramophone as “enchanting the ear from first to last note” The King’s Singers are truly remarkable. They continue to be one of the most sought-after and critically acclaimed vocal ensembles in the world, performing a rich and varied repertoire from Gesualdo to György Ligeti and Michael Bublé. Internationally recognised for their work in the classical field, they retain the sparkle that delights so many fans when they perform much loved numbers from the lighter end of the repertoire. Whatever the music The King’s Singers are instantly recognisable for their spot-on intonation, their impeccable vocal blend, the flawless articulation of the text and incisive timing.

  • The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue.
    Susan Gritton's delivery of the three arias has an exquisite balance of grace and intensity befitting their spurned heroines - The Independent
  • Described as “one of the finest song composers of his generation”, Ian Venables’ music for voice and string quartet draws on a wealth of literary and musical sources, in particular from the 19th Century romantic tradition. Performances on this disc come from British tenor Andrew Kennedy and the award winning Dante Quartet. Stylish and graceful melodic invention, vividly realised in Andrew Kennedy's plangent tenor and the keenly judged playing of the Dantes - The Observer In his writing for strings, the instruments sing - one could almost fancy they had words written into their parts - Gramophone This is a distinguished and eloquent set of songs - MusicWeb International
  • For You

    £18.00
    For You is a new opera that brings together the music of composer and BBC Radio 3 presenter Michael Berkeley and Booker-prize winning author Ian McEwan. This gripping tale of love, lust and obsession centers on the composer and prodigious womanizer Charles Frieth (Alan Opie), and the tragic consequences that his selfish actions cause him and those around. Although essentially dark, there are moments of irony, wit, and humour throughout the opera. Soaring vocal lines, intricate ensemble pieces, and imaginative instrumental writing make this an electrifying work. Masterly performed by Music Theatre Wales, directed by Michael Rafferty.
    The music, conducted here by Michael Rafferty, is energetic, deftly coloured and carefully balanced, allowing the excellent voices, including Alan Opie’s Frieth, to make their due markThe Sunday Times It bristles with wit and lyricism, while giving other composers and librettists a lesson in how to drape operativ tradition in modern clothesThe Financial Times Berkeley’s score is lively, abrasive and strongly crafted … the performance (recorded live) is focused, with excellent orchestral playing and a strong central performance by Alan Opie -  The Daily Telegraph
  • Voces8 return to disc with this new recording of J.S.Bach's Motets, BWV 225-230. Joined by the Senesino Players, this young group prove their versatility and skill in performing some of Bach's most challenging and engaging compositions. The singing is crisp and accurate … The period performance movement has demonstrated how to bring life and energy back to Bach's choral textures, but none of the big names have produced anything that is quite as much fun as this - MusicWeb International One can only marvel at the group's remarkable collective skill and cohesion - Fanfare Magazine
  • Cantabile (also known as ‘The London Quartet’) have been wowing audiences across the world since the 1980s with their shows that blend performance flair, comic timing and a deep passion for high-quality vocal music. This album is an eclectic tribute to the very British obsession that is cricket, bringing together works from the turn of the century (school songs from Harrow and Eton) to the present day (Jiggery Pokery from the 2009 Ivor Novello nominated album The Duckworth-Lewis Method) – as well as from the well-known (Roy Harper’s When an Old Cricketer Leaves the Crease) to the obscure (The Summer Game, from Andrew Lloyd Webber and Tim Rice’s little-known musical Cricket, commissioned for the Queen’s 60th Birthday). Featuring guest performances from the likes of Richard Stilgoe, Rory Bremner and Tim Rice, this album should prove a must-buy for cricket- and music-fans alike.  
  • Iain Burnside and Ailish Tynan return to Signum with their second disc of Irish Songs and arrangements – this time from a range of different 20th Century composers. Although all of the sung texts stem from Irelands rich heritage of literature (including poems from W.B. Yeats, Thomas Moore and James Joyce), the composers featured here have a more transatlantic feel, with works by John Cage and Samuel Barber programmed alongside others by Benjamin Britten and Herbert Hughes.
    Ailish Tynan’s singing [is] totally compellingBBC Radio 3 Record Review
    Editor's Choice: The disc is full of interest. There are lovely, unknown tunes, seductively sung and hauntingly harmonised. It has pathos and wild joy in equal measure. An excellent recital -  Classic FM Magazine
    Iain Burnside is a dream of an accompanistLa Scena Musicale
  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalisation, Poulenc set his music to a wide range of French poetry – both ancient and modern, and from the serious to the surreal.

    This release marks the first in a new series charting the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau. Future releases will feature several works that have never before been recorded.

    This disc includes the vocal works: Cocardes, Metamorphoses, Chansons gaillardes, À sa guitare, Épitaphe sur un texte de Malherbe, Trois Poèmes de Louise de Vilmorin, Bleuet, Dernier poème, Rosemonde, Fiançailles, Parisiana and La Courte Paille.

  • A fascinating musical journey through the Italian arias of Mozart, from one of his earliest works Lucio Silla (composed when he was just 16) through to his final Italian opera La Clemenza di Tito. The English tenor Jeremy Ovenden has established himself as being among the best Mozart tenors of his generation (notably in the role of Don Ottavio) and has become a familiar figure on the stages of the world's opera houses and concert halls and at major festivals. He is joined for this, his first solo recording, by the Orchestra of the Age of Enlightenment and conductor Jonathan Cohen. ★★★★  Ovenden proves complete master of his chosen repertory … for its artistic use, and for the close partnership Ovenden achieves with the OAE under Jonathan Cohen, l have only admiration - BBC Music Magazine The fine tenor … sings with an engaging commitment to these joyous creations. A delightful selection - The Observer A most imaginative idea … his rhythm, diction and easy flexibility of voice are exemplary - The Sunday Times
  • In this live recording from the Royal Festival Hall the OAE shines its musical torch into the realms of some later repertoire, shedding new light on the music of Mahler. Conducted by Principal Artist Vladimir Jurowski, this CD includes Mahler’s Lieder eines fahrenden Gesellen (Songs of a Wayfarer), written in the wake of an unhappy affair with a soprano, and the extraordinarily exciting and powerful Totenfeier, Mahler’s first foray into orchestral music, and later reworked into the opening movement of his second symphony.
    The OAE's period instruments emphasise its rawness, just as they point up the anguished detail of the accompaniments to the Lieder eines Fahrenden Gesellen, in which mezzo Sarah Connolly allows the words and Mahler's treatment of them to speak for themselves, without unnecessary gilding - The Guardian Vladimir Jurowski’s brisk and thrusting account with the period instrument players of the Orchestra of the Age of Enlightenment makes a strong case for the composer’s original thoughts - The Irish Times
  • A must-have for choral-aficionados everywhere that sees perhaps the world’s finest a cappella ensemble The King’s Singers join forces with The Concordia Choir – one of the USA’s best collegiate groups – to perform works by choral composers Eric Whitacre, Bob Chilcott and Morten Lauridsen.

    One of the world’s most celebrated ensembles, The King’s Singers have a packed schedule of concerts, recordings, media and education work that spans the globe. Championing the work of young and established composers, they remain consummate entertainers; a class-act with a delightfully British wit. From Gesualdo and György Ligeti to Michael Bublé, The King’s Singers are instantly recognisable for their spot-on intonation, their impeccable vocal blend, the flawless articulation of the text and incisive timing.

     

    The Concordia Choir of Moorhead, Minnesota is one of America’s finest a cappella choirs. Since 1920, the 72-voice choir has performed in nearly every major hall including Carnegie Hall and Kennedy Center and has taken numerous international tours. The Choir is broadcast throughout the United States on public radio stations and on television via its Emmy-award winning Concordia Christmas Concert.

    Includes the world premiere recordings of Alone by Eric Whitacre, and High Flightanyone lived in a pretty how town and Days by Bob Chilcott

     

     

     

     

  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal.

    This second release in a new series charts the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.

    Praise for the first disc includes:
    "Lisa Milne performs wonderfully throughout this Poulenc disc. She really sings the French as to the Manoir born … A nicely balanced and arranged recital for all of these voices, so a promising start to this new Poulenc series."

     

    Hilary Finch and Andrew McGregor, CD Review, BBC Radio 3

     

     

  • After the triumphant success of the King’s Singers last Christmas Album released in 2003 entitled ‘Christmas’, this new disc sets an eclectic assortment of modern Christmas classics with special arrangements of some much loved favourites.
    Stand-out moments include Tchaikovsky's thoughtful The Crown of Roses, Lawson's gentle Lullay my Liking and Pierpont's hyperactively jolly jingle bells, which they whizz through as though the words 'technically challenging' had vanished from the dictionaryBBC Music Magazine An eminently enjoyable release that will please fans of The King’s Singers and lovers of Christmas music alikeMusicWeb International A delightful holiday releaseAll Music Guide
  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal. This is the third release in our series that will build to encompass the complete songs of Francis Poulenc – performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.

    Praise for the first disc includes:
    "Lisa Milne performs wonderfully throughout this Poulenc disc. She really sings the French as to the Manoir born … A nicely balanced and arranged recital for all of these voices, so a promising start to this new Poulenc series."
    Hilary Finch and Andrew McGregor, CD Review, BBC Radio 3

     
     
  • The grammy-award winning artist Hila Plitmann is known worldwide for her astonishing musicianship, light and beautiful voice, and the ability to perform challenging new works. On this disc she brings together a very personal programme that draws on her familial roots in Jewish culture and song; from traditional folk music (Five Yiddish Songs), to contemporary compositions (Bridges of Love, Tehilim and I Never Saw Another Butterfly). The disc also features the Five Hebrew Love Songs, with poetry by Plitmann set to music by the composer Eric Whitacre. Performance ★★★★ Recording ★★★★ Plitmann's selection is carefully chosen for maximum variety ofexpression and instrumentation [and] Julian Bliss proves a sensitive partner to the charismatic Plitmann BBC Music Magazine Julian Bliss threatens to steal the show on clarinet, but there’s beauty in the voice and enough variety in the works to keep the ears attentiveLa Scena Musicale
  • International award-winning octet Voces8 has established itself as the foremost young British a cappella vocal group. Performing a repertoire ranging from Renaissance polyphony to unique jazz and pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. A Choral Tapestry explores the rich vocal timbres of sacred vocal music spanning five centuries. Interweaving genres create an ethereal sonic tapestry that centres around the haunting beauty of William Byrd's Mass for Four Voices. The programme includes anthems and motets from the English Chapel Royal, the Sistine Chapel in Rome and St. Thomas' Church, Leipzig. VOCES8 are as good as any vocal ensemble I have heard for many a year and the material on this CD is well chosen and superbly sung - Cross Rhythms Following their Bach Motets, choral octet Voces8 branch further afield with A Choral Tapestry, programming devotional material from across the spectrumThe Independent
  • As part of Signum's 15th anniversary year we are delighted to release this celebratory collection of The Best of 'The King's Singers' – a 2-CD collection drawn from their now extensive catalogue on Signum.
     
    The first CD includes titles from Christmas (the groups debut album with Signum,  released in 2004), along with music from Landscape and Time, Treason and Dischord, Gesualdo’s Tenebrae Responsories, Sacred Bridges, Siglio d’Oro, Romance du soir, From the heart, High Flight and the 2012 release Royal Rhymes and Rounds.
     
    The second CD presents songs from four albums: Six, their most recent light album Swimming over London and the Grammy® Award winning Simple Gifts.
     

     

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