When an ensemble like the BBC Singers, renowned for its commitment to the music of our own time, sets out to record a Christmas CD you can be sure that the repertoire will include material rather different from the usual run of popular standards and arrangements! One star at last includes eight new carols (six of them specially-commissioned by BBC Radio 3), several premiere recordings, and a selection of music - serious and light-hearted, contemplative and joyful - by some of the leading British, European and North American choral composers of the day. Astonishingly high standards of choral singing ... excellent performances and the organ contributions by Robert Quinney are all splendid ... Enthusiastically recommended - Musicweb International
Signum Records is delighted to announce that the choir of Magdalen College Oxford will release their first disc with Signum in early 2003. Entitled The Songs of Angels the disc will consist of repertoire written by the distinguished 15th and 16th century Magdalen Informator Choristarum. These young choral scholars are an impressive group of musicians - BBC Radio 3 Record Review A superb release, as much for its historical interest as for the unarguable excellence of the music-making - Gramophone
Signum Records is delighted to announce the completion of Chapelle du Roi's recordings of the complete works of Thomas Tallis. This major project has taken seven years to complete. It was the brain child of Alistair Dixon and brought to fruition jointly by Chapelle du Roi and the engineering and production company Floating Earth.
Chapelle du Roi devote this latest volume to music which was composed by Tallis for use during the reformed services announced in The booke of the common prayer which came into effect on Whitsunday (9th June) 1549. Tallis’s music, together with the associated intonations and Collects (for Easter Day at Mattins and for Christmas Eve), is presented for this recording in the normal liturgical sequence for the day; Mattins, Holy Communion, and Evensong. The recording concludes with Tallis’ nine psalm-tune harmonisations which he contributed to Archbishop Matthew Parker’s Psalter, published in 1567. Chapelle du Roi give an inspired and historically informed performance of the sacred renaissance repertoire for which they are celebrated. Sung with plaintive simplicity, exquisite balance and clear diction, virtues that characterise the whole estimable disc - Classic FM Magazine [The singers] cohere in a warm collective that is wonderful to listen to - International Record Review Chapelle du Roi's skill is manifest ... the whole experience of listening to them was like hearing was like hearing a rather special evensong in a college chapel - Gramophone The singing of the Chapelle is as beautifully flawless as ever ... the crowning glory of the disc is the exquisite account of Tallis nine tunes of Archbishop Parker's Psalter - EMF Scotland
Signum Records are delighted to release the seventh volume of their celebrated nine-disc series, presenting the Complete Works of Thomas Tallis (1505 - 1585). Queen Elizabeth’s reign (1558-1603) was a golden age for the arts. England enjoyed a growing cultural exchange with continental Europe. England’s rich, but essentially conservative pre-Reformation heritage was infused with increasing continental influence and innovations. Elizabeth I was the fourth monarch to sit on the throne in Thomas Tallis’s lifetime. From the outset of her reign Elizabeth allowed considerable freedom of practice and belief. She was firmly in favour of a vernacular liturgy for the general population, although in her own chapels she preferred a more lavish ceremony to music. Tallis had witnessed the wholesale destruction of much of England’s church music tradition, however the ever adaptable composer met the challenges of a new liturgy, its new styles and genres, with the imaginative force of a man half his age. The years of Reformation, and Elizabeth’s protestant settlement, freed the Latin-texted tradition of liturgical propriety, allowing composers to reinvigorate the language and harness it to new, expressive and personal ends. This recording presents Tallis’s Elizabethan Latin motets (which number fifteen). The mighty occasional piece, the forty-voice motet Spem in alium, concludes the disc. The Tallis complete works is one of the most exciting projects currently underway on any early music label. Thoroughly recommended - Early Music Scotland Alistair Dixon paces and balances the voices of his vocal group Chapelle du Roi beautifully - The Evening Standard
Signum Records are proud to present the eighth and penultimate volume of Chapelle du Roi’s recording of the Complete Works of Thomas Tallis. This volume brings together Tallis’s two masterly settings of the Lamentations of Jeremiah and English adaptations of several of his best-known Latin motets. Thomas Tallis was one of many continental and English composers who composed settings of texts from the Lamentations of Jeremiah, the opening five verses of which formed part of the office of Matins (or Tenebrae) during Holy Week. Tallis’s two settings could have been performed ritually but in all likelihood they are Elizabethan works intended for use at the private devotions of staunch Catholic sympathisers. The statutory introduction of the First Book of Common Prayer on Whitsunday, 9th June 1549 precipitated an urgent need for a repertory of service music in the vernacular. One straightforward solution to the predicament was to adapt existing Latin motets to English texts, a genre of composition that has come to be known as a contrafactum. Contrafacta survive of liturgical music by pre-Reformation English composers as well as by several composers whose working life spanned the period of Reformation. During the Elizabethan and Jacobean periods contrafacta and their models assumed several forms of dual existence, and were performed not only within a liturgical setting but also in a domestic context for recreation or private devotion. Usually there is no textual relationship between the model and the contrafactum. Indeed the finale of this disc, Sing & Glorify heaven’s high majesty, an adaptation of Tallis’s celebrated eight-choir (40-part) motet Spem in alium was adapted to celebrate Prince Henry’s investiture as Prince of Wales in 1610. Chapelle du Roi succeed in conveying a sense of spaciousness and grandeur - The Daily Telegraph
Signum Records presents a world first – a CD single, from a new edition of the magnificent 40-part Thomas Tallis motet Spem in Alium and the English version Sing and Glorify. Spem in alium is surely not just the greatest of all Thomas Tallis’ musical achievements, but one of the great musical compositions of all time. Writing for 40 independent voices, Thomas Tallis created a noble and imaginative masterpiece. The earliest surviving manuscript of this great work, the Egerton manuscript, is laid out with an English rendition, Sing and glorify heaven’s high majesty. The English words are not a translation of the Latin, but a new poem written as a syllable-for-syllable replacement. A fine recording as well, beautifully captured in the wide open spaces of All Hallows Church - BBC Radio 3 Record Review Their interpretation at times almost touches the visionary - Gramophone Not only does Alistair Dixon shape the music beautifully, but he has a first-rate team of singers who respond to the music’s every nuance - Goldberg
Cantabile (also known as ‘The London Quartet’) have been wowing audiences across the world since the 1980s with their shows that blend performance flair, comic timing and a deep passion for high-quality vocal music. This album is an eclectic tribute to the very British obsession that is cricket, bringing together works from the turn of the century (school songs from Harrow and Eton) to the present day (Jiggery Pokery from the 2009 Ivor Novello nominated album The Duckworth-Lewis Method) – as well as from the well-known (Roy Harper’s When an Old Cricketer Leaves the Crease) to the obscure (The Summer Game, from Andrew Lloyd Webber and Tim Rice’s little-known musical Cricket, commissioned for the Queen’s 60th Birthday). Featuring guest performances from the likes of Richard Stilgoe, Rory Bremner and Tim Rice, this album should prove a must-buy for cricket- and music-fans alike.
Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal.
This second release in a new series charts the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.
Praise for the first disc includes:
"Lisa Milne performs wonderfully throughout this Poulenc disc. She really sings the French as to the Manoir born … A nicely balanced and arranged recital for all of these voices, so a promising start to this new Poulenc series."
Hilary Finch and Andrew McGregor, CD Review, BBC Radio 3
Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalisation, Poulenc set his music to a wide range of French poetry – both ancient and modern, and from the serious to the surreal.
This release marks the first in a new series charting the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau. Future releases will feature several works that have never before been recorded.
This disc includes the vocal works: Cocardes, Metamorphoses, Chansons gaillardes, À sa guitare, Épitaphe sur un texte de Malherbe, Trois Poèmes de Louise de Vilmorin, Bleuet, Dernier poème, Rosemonde, Fiançailles, Parisiana and La Courte Paille.
Iain Burnside and Ailish Tynan return to Signum with their second disc of Irish Songs and arrangements – this time from a range of different 20th Century composers. Although all of the sung texts stem from Irelands rich heritage of literature (including poems from W.B. Yeats, Thomas Moore and James Joyce), the composers featured here have a more transatlantic feel, with works by John Cage and Samuel Barber programmed alongside others by Benjamin Britten and Herbert Hughes.Ailish Tynan’s singing [is] totally compelling - BBC Radio 3 Record ReviewEditor's Choice: The disc is full of interest. There are lovely, unknown tunes, seductively sung and hauntingly harmonised. It has pathos and wild joy in equal measure. An excellent recital - Classic FM MagazineIain Burnside is a dream of an accompanist - La Scena Musicale
Voces8 return to disc with this new recording of J.S.Bach's Motets, BWV 225-230. Joined by the Senesino Players, this young group prove their versatility and skill in performing some of Bach's most challenging and engaging compositions. The singing is crisp and accurate … The period performance movement has demonstrated how to bring life and energy back to Bach's choral textures, but none of the big names have produced anything that is quite as much fun as this - MusicWeb International One can only marvel at the group's remarkable collective skill and cohesion - Fanfare Magazine
For You is a new opera that brings together the music of composer and BBC Radio 3 presenter Michael Berkeley and Booker-prize winning author Ian McEwan. This gripping tale of love, lust and obsession centers on the composer and prodigious womanizer Charles Frieth (Alan Opie), and the tragic consequences that his selfish actions cause him and those around. Although essentially dark, there are moments of irony, wit, and humour throughout the opera. Soaring vocal lines, intricate ensemble pieces, and imaginative instrumental writing make this an electrifying work. Masterly performed by Music Theatre Wales, directed by Michael Rafferty.The music, conducted here by Michael Rafferty, is energetic, deftly coloured and carefully balanced, allowing the excellent voices, including Alan Opie’s Frieth, to make their due mark - The Sunday Times It bristles with wit and lyricism, while giving other composers and librettists a lesson in how to drape operativ tradition in modern clothes - The Financial Times Berkeley’s score is lively, abrasive and strongly crafted … the performance (recorded live) is focused, with excellent orchestral playing and a strong central performance by Alan Opie - The Daily Telegraph
Swimming Over London is a new studio?album of jazz?inspired hits and recent commissions performed by The King’s Singers, and is a follow up to their Grammy Award?winning crossover album Simple Gifts.
This album covers a huge range of pop and jazz?inspired influences – from old favourites (Nat King Cole’s Straighten up and fly right, Arlen & Gershwin’s It’s a New World and Hogey Carmichael’s Lazy Bones) to modern hits (Michael Bublé’s Home, Jason Mraz’s I’m Yours and Imogen Heaps Hide and Seek). Commissions especially for the album come from Bob Chilcott, Mia Makaroff, Ysaye M. Barnwell and Roger Treece.
A special King’s Singers arrangement of Mika’s By the time is also featured, inspired by their performance with him for the 2009 Mencap Little Noise sessions at the Union Chapel.
“They are always breathtakingly impressive in their vocal virtuosity, blend and pinpoint intonation.”
American Record Guide
“They are still unmatched for their sheer musicality and ability to entertain.”
“...a musical group of the very highest order.”
David Hurley countertenor
Timothy Wayne-Wright countertenor
Paul Phoenix tenor
Philip Lawson baritone
Christopher Gabbitas baritone
Stephen Connolly bass
Described as “one of the finest song composers of his generation”, Ian Venables’ music for voice and string quartet draws on a wealth of literary and musical sources, in particular from the 19th Century romantic tradition. Performances on this disc come from British tenor Andrew Kennedy and the award winning Dante Quartet. Stylish and graceful melodic invention, vividly realised in Andrew Kennedy's plangent tenor and the keenly judged playing of the Dantes - The Observer In his writing for strings, the instruments sing - one could almost fancy they had words written into their parts - Gramophone This is a distinguished and eloquent set of songs - MusicWeb International
The music contained in this CD represents a selection of Vespers movements written by the organist Johann Pachelbel. They have in common the distinctively sonorous scoring of four or five-part choir, accompanied by a six-part string orchestra to which is added, at the composer’s express request, a bassoon.
‘Charivari Agréable is one of the most versatile Early Music groups around at the moment; under its benign director, Kah-Ming Ng, it appears to be infinitely adaptable, finding musicians who can fit into any of its many and varied programmes’ International Record Review. They represent ‘a new and very exciting phase of the early music revival, one that enriches the existing repertory and can bring us ever closer to the spirit of the original music’ Gramophone.
Described by The Times as a group that has “stayed in character over four decades, yet retuned itself to the times” and by Gramophone as “enchanting the ear from first to last note” The King’s Singers are truly remarkable. They continue to be one of the most sought-after and critically acclaimed vocal ensembles in the world, performing a rich and varied repertoire from Gesualdo to György Ligeti and Michael Bublé. Internationally recognised for their work in the classical field, they retain the sparkle that delights so many fans when they perform much loved numbers from the lighter end of the repertoire. Whatever the music The King’s Singers are instantly recognisable for their spot-on intonation, their impeccable vocal blend, the flawless articulation of the text and incisive timing.