• The King's Singershave combined one of the greatest vocal compositions of all time with modern recording technology and customary style to produce a truly stunning recording of Thomas Tallis' Spem in alium. This is a unique opportunity to hear every part in Spem sung and recorded to perfection, with the six King's Singers dividing the forty parts of Spem in alium between them, in this multi-track recording the disc is in full surround sound, and is a CD/SACD hybrid. This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. A bold and fascinating performance - Classic FM So impressive - Choir & Organ
  • Handel’s Queens features some of the most exquisite pieces of music written by G.F. Handel and his contemporaries for the two finest singers of the eighteenth century, Faustina Bordoni and Francesca Cuzzoni. Often wrongfully framed as rivals, these dazzling new recordings with Mary Bevan and Lucy Crowe reveal the distinctive yet versatile talent of the Italian vocalists.  Conductor Bridget Cunningham continues her research and created Handel’s Queens and directs London Early Opera from the harpsichord. Handel’s Queens - as part of this important series serves as a further example of Cunningham’s dedication to imaginative programming and outstanding period performance on this double CD placing her at the forefront of baroque research and recording.
  • An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review

  • There was a craze for the music of Josquin Desprez in sixteenth-century Spain. All three of the greatest Spanish composers of the age – Morales, Guerrero, and Victoria – were directly inspired by one particular rhetorical effect developed by Josquin: ostinato, the repetition throughout a piece of a musical motto. This album explores Josquin’s legacy as manifest in the motets of Morales, Guerrero, and Victoria, and in Victoria’s great six-voice Missa Gaudeamus. In the hands of such composers the use of ostinato produces results that are dynamic, compelling, and striking in expressive impact. These work show the Spanish composers not just emulating Josquin but also competing to out do him in inventiveness.   All downloads include booklets.
  • The Divine Muse

    £8.00£14.00
    After the success of their debut release, Voyages, Mary Bevan and Joseph Middleton present their second recital disc exploring Lieder in German and Italian by Schubert, Haydn and Wolf. The programme is woven around songs inspired by the ‘muses’ of the day, both mythological and divine. It begins with Schubert’s dramatic and reverential settings of sacred German poetry, set alongside his lush emotional portrayals of female characters in the Italian settings. The central section of the disc is then devoted to Haydn’s epic ‘scena’ depicting the famously cruel abandonment of Arianna by her lover Teseo, ‘Arianna a Naxos’. Haydn’s beautiful prayer ‘Geistliches Lied’ takes us back into the world of German poetry and the religious fervour that arose from the collective belief in Christianity which pervaded most art forms of the age. The disc then moves into works by Hugo Wolf, whose stunning settings of devotional texts take the listener right to the heart of the characters; a few of these songs were in fact inspired by paintings. The early moments of Jesus Christ’s life are vividly portrayed here, particularly in songs such as ‘Die ihr Schwebet’, ‘Auf ein Altes Bild’ and ‘Schlafendes Jesuskind’, while the haunting ‘Gesang Weylas’ invites the listener into the world of the mysterious goddes Weyla who wistfully dreams of the shores of her distant homeland. From Ganymed to Christ, Dido to the Virgin Mary, Arianna to St Peter, this recital disc richly illustrates the lives and events surrounding the ‘divine muses’ who inspired these composers.   All downloads include booklets.
  • Hertfordshire Chorus continue to build on their reputation for commissioning and performing some of the very best in contemporary choral music. In their first recording with Signum they are joined by the BBC Concert Orchestra for a 2CD set featuring James McCarthy’s Codebreaker (an exploration of the life of the pioneering computer scientist and mathematician Alan Turing) and Will Todd’s Ode to a Nightingale (setting the famous poem by John Keats). The BBC Concert Orchestra offer superb support to both composers and the engineering is up to Signum’s customary excellence. This important release should be in every keen choral singer’s Christmas stockingGramophone Splendidly recorded and performed… I give a thorough recommendation to this issueMusic Web International For me, this is undoubtedly the choral album of the yearThe High Arts
  • Internationally-renowned chamber choir Tenebrae return with a new collection of British part songs and choral works. As well as being a celebration of compositions by British composers, the disc also marks Shakespeare’s anniversary year with a selection of works based on his texts, including the much loved works by Vaughan Williams and a lesser-known set by Herbert Murrill. Perhaps the least recognisable composer name on this disc, Murrill (1909-1952) is one of a select group of composers who – through war or ill-health – died at a tragically young age and whose works were subsequently neglected during the second half of the century.
  • As part of Signum's 15th anniversary year we are delighted to release this celebratory collection of The Best of 'The King's Singers' – a 2-CD collection drawn from their now extensive catalogue on Signum.
     
    The first CD includes titles from Christmas (the groups debut album with Signum,  released in 2004), along with music from Landscape and Time, Treason and Dischord, Gesualdo’s Tenebrae Responsories, Sacred Bridges, Siglio d’Oro, Romance du soir, From the heart, High Flight and the 2012 release Royal Rhymes and Rounds.
     
    The second CD presents songs from four albums: Six, their most recent light album Swimming over London and the Grammy® Award winning Simple Gifts.
     

     

  • The Chinese poet, Du Fu (712-770), received no recognition in his lifetime but is now regarded as one of China’s finest poets. His poems appear in Roth’s work, Songs in Time of War, a stunning compilation of songs from Du Fu’s experiences in civil war China, beautifully arranged for tenor, violin, harp and guitar.

    Inspired by a visit to Vancouver’s Chinese garden (in authentic Ming Dynasty style), Roth sketched musical ideas for the four songs, Chinese Gardens. The original version has since been revised for Mark Padmore and Morgan Szymanski who perform for the first time on this recording.

     
         
  • Love Lives Beyond the Tomb

    £8.00£14.00
    Ian Venables studied composition with Richard Arnell at Trinity College of Music, London and later with John Joubert, Andrew Downes and John Mayer at the Royal Birmingham Conservatoire. His works encompass many genres and he has added significantly to the canon of English art song. Described as ‘Britain’s greatest living composer of art song’ (Musical Opinion) and ‘a song composer as fine as Finzi and Gurney’ (BBC Music Magazine), Ian Venables has written over 80 works in this genre, including nine song-cycles. As the title suggests, the works on this disc are predominantly reflective in mood although this does not preclude the use of faster-moving music whenever the poetry requires it. Its subject matter celebrates the timelessness of love through the poetry of James Joyce, John Drinkwater, Edward Thomas, John Clare, Robert Nichols and the modern poet Jennifer Andrews; the celebration and commemoration of Queen Elizabeth, The Queen Mother, in Sir Andrew Motion’s remarkable narrative poem Remember This and the collective remembrance of those who died in the First World War: the poetry of Wilfred Owen, Isaac Rosenberg, Siegfried Sassoon, Geoffrey Studdert Kennedy and the less well-known Francis St. Vincent Morris providing the impetus for one of Ian Venables’ most dramatic and profoundly moving cycles.   All downloads include booklets.
  • Owen Rees leads early-music consort Contrapunctus alongside The Choir of The Queen’s College, Oxford in performances of John Taverner’s masterwork, the Missa Gloria tibi trinitas. A virtuosic work, it has pride of place in the Forrest-Heyther partbooks (in the Bodleian Library in Oxford), which it has been variously argued originated at Cardinal College or at the Chapel Royal. It might well have been heard on Trinity Sunday in the chapel of Cardinal Thomas Wolsey’s palace at Hampton Court. The work is accompanied by other sacred choral works by Taverner, including his Ave Maria composed for Wolsey’s Cardinal College, Oxford, and one of his most widely copied works, Gaude plurimum – a dramatic work where Taverner exploits the power of his full forces to evoke Christ’s harrowing of hell and the breaking of ‘the bloody powers of the prince of eternal death.’ Contrapunctus is an early-music vocal ensemble dedicated to passionate interpretations informed by authoritative insight and understanding. Directed by Owen Rees, a specialist in music of the sixteenth and seventeenth centuries, the group presents imaginative programmes revealing previously undiscovered musical treasures and throwing new light on familiar works. Performance ★★★★ Recording ★★★★★ Rees brings together both of his crack ensembles [and] the 40-strong collective recreates [Taverner's] lavish sound - BBC Music Magazine ★★★★★ Rees has a natural affinity for this music, whether underlining differences of mood, allowing phrases to bloom or deftly judging cadential arrivals, his touch is instinctive - Classical Source ★★★★★ [A] thrilling new recording - Planet Hugill 9/10 Between them the music of John Taverner comes alive and whether your interest is in Tudor polyphony of acappella choral singing this release will bring much pleasure - Cross Rhythms This glorious programme of polyphony by John Taverner offers much opportunity for contrast as delicate, sinuous passages of vocal chamber music open up into densely populated choral vistas - Choir & Organ The full ensemble brings an undeniable grandeur - Gramophone A must for early music devotees - The Northern Echo A very fine album - MusicWeb International Beautifully recorded by Signum, this is a novel and beautiful Tudor choral release - AllMusic
  • One of the UK’s leading choral directors for over 50 years, Stephen Wilkinson MBE has led both professional and amateur choirs across Europe, and is particularly renowned for his work with the BBC Northern Singers and the William Byrd Singers of Manchester. Only retiring from conducting in 2009 at the age of 90, Stephen Wilkinson’s songs span the breadth of his long career as a conductor and musician, and are best described by his daughter Clare – an acclaimed mezzo-soprano herself who also performs on this recording – as being “a unique voice, yet deeply rooted in the English song tradition of Finzi, Gurney and Quilter.” Performed by British singers Mhairi Lawson, Clare Wilkinson, James Gilchrist and Matthew Brook, they draw on texts by a wealth of sources including Auden, Yates, Coleridge, Shakespeare and many more. Highly persuasive English lyricism… a worthwhile labour of love - The Guardian There are fine things here…. strikingly original…. rooted in textual detail - Gramophone Drawing on texts from the likes of Auden, Yates, Coleridge and Shakespeare, this is a must for devoteesNorthern Echo The English song tradition continues to bear fruit [and] Wilkinson takes his place in the canon - MusicWeb International  
  • The programme performed here by baritone Christopher Maltman and pianist Joseph Middleton was born whilst Maltman was studying at the Royal Academy of Music. The compositions have been selected to form a coherent but flexible narrative that produces a touching memoire to all those affected by war. One composer chosen for the record, George Butterworth, was a casualty of the First World War: in September 1915 he went to the trenches and was killed, aged 31, in the Battle of the Somme on 5th August 1916. The use of his composition, A Shropshire Lad, is touching in this instance. It gives the listener a more sensitive perspective of the loss in World War One, almost allowing the listener to see the faces of those who passed away, most of whom were young ‘lads’ from various parts of the country.
  • Ian Venables’ reputation as ‘one of the finest song composers of his generation’ (BBC Music Magazine) finds voice in this disc of premiere recordings of two of his substantial song cycles. International baritone, Roderick Williams is joined by the Carducci String Quartet and pianist Graham J Lloyd in The Song of the Severn, a celebration of Venables’ home county of Worcestershire and The Pine Boughs Past Music, a poignant tribute to the poetic talents of Ivor Gurney. Other songs include those with solo piano and arrangements by Graham J Lloyd, for string quartet. Each work highlights Venables’ gift of being able to take poetry to a higher level of appreciation and at the same time create works of lasting beauty. Sharply memorable music of bewitching lyricism, idiomatic grace and rapt instinctGramophone
    The Carducci String Quartet [are] exemplary in their interpretationsBBC Music Magazine
  • British soprano Sarah Fox makes her solo recording debut with songs by Broadway songwriting legend Cole Porter. Accompanied by pianist and arranger James Burton, highlights include ‘In the Still of the Night’ from Rosalie; ‘I’ve got you Under My Skin’ from Born to Dance, and ‘I get a Kick out of You’ from Anything Goes. ★★★★ Sarah Fox and James Burton [give] lovely relaxed performances - Planet Hugill [Sarah Fox] lends a classic feel to all the favourite, including I've Got You Under My Skin, I Get a Kick Out Of You and Anything Goes - The Lady A wholly delightful discMusicWeb International
  • Coupling powerful interpretations with path-breaking scholarship, the choir Contrapunctus presents music by the best-known composers as well as unfamiliar masterpieces. Directed by Owen Rees, a specialist in music of the sixteenth and seventeenth centuries, the group presents imaginative programmes revealing previously undiscovered musical treasures and throwing new light on familiar works. This recording explores the musical ‘cries of the oppressed’ from opposite ends of Europe, which include some of the most powerful works composed in England and Portugal during this period by Byrd, Tallis, Monte and Cardoso. The highlight perhaps is the first recording of a newly reconstructed vocal work by Thomas Tallis, Libera nos. This has long been thought to be an instrumental work, and has been recorded as such, but there’s persuasive historical evidence for us to be confident that this is in fact a choral setting of the antiphon Libera nos, and it is performed here with the relevant text restored to the five vocal parts. A rich seam of material by such as Tallis, Byrd and Cardoso - The Independent Exemplary... Pristine performances by Owen Rees’s Contrapunctus choir - The Times Experience and vocal excellence merge in the singing of Contrapunctus to produce performances extraordinary even by the British vocal group’s own high standards - Sinfini