• When Michael Nyman started reinventing the English baroque back in the 1980s, one critic described the result as “pump-action Purcell.” This recording combines these two singular musical styles through the stunning voice of countertenor Iestyn Davies and viol consort Fretwork, serving as the bridge across three centuries. The programme combines bold harmonies, wondrous inventions, and melodies that will haunt your dreams – whether from the 17th century or the 21st. Recorded following a concert tour of the programme, the disc includes the premiere recording of a new commission from Michael Nyman, Music after a While – based upon Purcell’s song, or more particularly upon its strikingly original bass-line, with its insidious rising chromatics. ★ A beautiful account - Planet Hugill Editor's Choice: The Nyman performances are exemplary – crisp and cleanly articulated from Fretwork and dispatched by Davies with a vacant, unrippled purity that is so essential to the music - Gramophone All executed with perfection - The Observer
  • Magnificat

    £12.00
    Magnificat & Nunc Dimittis was recorded to explore the breadth of imagination with which composers have approached the texts, which have been sung in Christian worship for over 1000 years. Stanford’s starting point was the Germanic symphonic tradition; Howells took his inspiration from the architecture and acoustics of the Cathedral in Gloucester; Tippett was inspired by the unique Spanish trumpet stop at St John’s. The Evening Cantincles chosen for this record relate to a particular period of music making in the life of St John’s conductor, Andrew Nethsingha; his time at the Royal College of Music; at Truro and Gloucester Cathedrals, and lastly his time at St John’s. Founded in the 1670s, The Choir of St John’s College, Cambridge, is one of the finest collegiate choirs in the world – known and loved by millions for its rich, warm and distinctive sound, expressive interpretations and ability to sing in a variety of styles.
  • Based at Windsor Castle, the members of The Queen’s Six make up half of the Lay Clerks of St George’s Chapel, whose homes lie within the Castle walls. This rare privilege demands the highest musical standards, as they sing regularly for the Royal family at both private and state occasions. In 2018 this included the weddings of Princess Eugenie and Mr Jack Brooksbank, and Prince Harry and Ms Meghan Markle, both held in St George’s Chapel. Most significantly however, it is the familiarity of living and singing together in Chapel every day that lends this group its distinctive closeness and blend, as well as an irresistible informality and charm. Individually, members of The Queen’s Six have appeared in many of the most prestigious vocal ensembles on the circuit, including The Tallis Scholars, Tenebrae, and The Sixteen. Their repertoire extends far beyond the reach of the choir stalls: from austere early chant, florid Renaissance polyphony, lewd madrigalsand haunting folk songs to upbeat Jazz and Pop arrangements.
  • Aksel!

    £12.00
    Norwegian boy-soprano Aksel Rykkvin has quickly built a reputation as a rare talent, combining an intelligent musicality with a beautifully resonant treble voice. On his debut recording he is accompanied by The Orchestra of the Age on Enlightenment under Nigel Short (leader of award-winning chamber choir Tenebrae), in a selection of arias by Mozart, Handel and JS Bach. Many of the arias performed are considered too technically demanding for boy singers in the present day – in particular Mozart’s Exsultate Jubilate which was composed for the castrato Venunzio Rauzzini, and several of Bach’s Cantatas which were written at a time when singers often maintained their treble voices until the ages of 16 or 17. Freakishly good, with a musical assurance and richness of tone that are almost superhuman - Financial Times Widely praised for his richness of tone and instinctive, innate musicality - BBC Music Magazine It's a remarkable performance - pure, technically perfect and hauntingly beautiful - Classic FM This is totally extraordinary. For the sheer joy in performing, this CD would be hard to beat - Cathedral Music Magazine
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this A Cappella collection, you can hear a wide rage of works by The King's Singers, The Swingle Singers, BBC Singers, Tenebrae, Voces8 and many more all on one disc - all selected from titles across the Signum catalogue. The repertoire stretches from Monteverdi to Michael Jackson and is dispatched with consummate ease by all involved -  Choir & Organ
  • Following her debut release of Baroque works by Vivaldi and Handel earlier this year, Grace Davidson returns to disc on Signum with an intimate disc of Dowland’s first book of lute songs, accompanied by David Miller. Blending melancholy with wit in his writing for both lute and voice, John Dowland’s songs have continued to enchant audiences and singers for nearly 400 years. The ‘First Booke’ includes some of Dowland’s less well-known works, and was recorded in the sensitive acoustic of Ascot Priory in Berkshire, UK.

    Performance ★★★★ Recording ★★★★★ Dowland's [works] find elegant interpreters here in Grace Davidson and David Miller - BBC Music Magazine These are beautiful, musical performances - Gramophone
  • Christopher Glynn continues his series of late Schubert song cycles in English, joined by celebrated soloists Sir John Tomlinson, Sophie Bevan, Julian Bliss and Alec Frank-Gemmill.

    Titled by the works first publisher following Schubert’s death, Swansong (Schwanengesang) D 957 sets sets the words of poets Ludwig Rellstab, Heinrich Heine and Johann Gabriel Seidl in songs that cover a variety of different emotional states. The lighthearted Love Message (Liebesbotschaft), with its rippling accompaniment, addresses a murmuring brook with the hope of true love. The bone-chilling Doppelgänger with its stark, slowly tolling chords, finds the protagonist crazed with a nocturnal vision of himself agonizing at the empty doorstep of his lost love. Renowned for his clear diction and powerful voice, Sir John Tomlinson brings his insight and nuance to these profound works.

    Reminiscent of the scoring for The Shepherd on the Rock and composed in the same year, On the River (Auf dem Strom) combines soprano and horn in a setting of a poem by Ludwig Rellstab. Originally given to Beethoven who did not live long enough to set it, Schubert took up the words in a work that is a subtle homage to the composer.

    The 1828 work The Shepherd on the Rock (Der Hirt auf dem Felsen) sets words by Wilhelm Müller and German playwright Helmina von Chézy, and was composed in gratitude to the soprano Anna Milder-Hauptmann. Here performed by Sophie Bevan and Julian Bliss, it tells the story of a shepherd lamenting the distance between him and his beloved before a reflection on loneliness and grief. The final section celebrates the arrival of spring in a hopeful conclusion.

    The creamy clarity of both Alec Frank-Gemmill’s horn and Julian Bliss’s clarinet sound is a perfect foil for Sophie Bevan’s exquisite, rounded legato - BBC Music Magazine

    Christopher Glynn’s playing is excellent throughout - Gramophone

  • Around the time The King’s Singers was starting up, one of the most productive periods of song- writing in history was coming to a close in America, starting with composers such as Gershwin, Kern, Berlin and Porter in the early 1920s, and continuing through to the early 1960s.

    In this new 2-CD studio recording – featuring brand new a cappella arrangements by jazz composer and arranger Alexander L’Estrange, and swing-orchestra performances with the South Jutland Symphony Orchestra – The King’s Singers bring their own unique performance style to this wonderful music. The King’s Singers bring their unique style to some of the most beloved hits from the golden era of songwritingThe Lady
  • International award-winning octet Voces8 has established itself as the foremost young British a cappella vocal group. Performing a repertoire ranging from Renaissance polyphony to unique jazz and pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. A Choral Tapestry explores the rich vocal timbres of sacred vocal music spanning five centuries. Interweaving genres create an ethereal sonic tapestry that centres around the haunting beauty of William Byrd's Mass for Four Voices. The programme includes anthems and motets from the English Chapel Royal, the Sistine Chapel in Rome and St. Thomas' Church, Leipzig. VOCES8 are as good as any vocal ensemble I have heard for many a year and the material on this CD is well chosen and superbly sung - Cross Rhythms Following their Bach Motets, choral octet Voces8 branch further afield with A Choral Tapestry, programming devotional material from across the spectrumThe Independent
  • After the triumphant success of the King’s Singers last Christmas Album released in 2003 entitled ‘Christmas’, this new disc sets an eclectic assortment of modern Christmas classics with special arrangements of some much loved favourites.
    Stand-out moments include Tchaikovsky's thoughtful The Crown of Roses, Lawson's gentle Lullay my Liking and Pierpont's hyperactively jolly jingle bells, which they whizz through as though the words 'technically challenging' had vanished from the dictionaryBBC Music Magazine An eminently enjoyable release that will please fans of The King’s Singers and lovers of Christmas music alikeMusicWeb International A delightful holiday releaseAll Music Guide
  • Postcards

    £12.00
    The King’s Singers explore the folk songs and melodies of the world in a new programme entitled Postcards. In their own words: “In our travels we have amassed a wonderful collection of folksongs and popular songs from numerous countries, many of which we use as encores when we visit. The influences and sources are extraordinarily far-ranging, and each song has its own local characteristics. To celebrate the diversity of music that we perform and the numerous countries we visit each concert season, we have recorded an album of some of our favourite folksongs from around the world.”  Typically immaculate performances of songs collected by the King's Singers on their global travels, and used as encores. Velvet vocal blending is a given, and mellifluous arrangementsBBC Music Magazine
  • The King's Singershave combined one of the greatest vocal compositions of all time with modern recording technology and customary style to produce a truly stunning recording of Thomas Tallis' Spem in alium. This is a unique opportunity to hear every part in Spem sung and recorded to perfection, with the six King's Singers dividing the forty parts of Spem in alium between them, in this multi-track recording the disc is in full surround sound, and is a CD/SACD hybrid. This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. A bold and fascinating performance - Classic FM So impressive - Choir & Organ
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist, Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres, featuring a number of world-class artists including:
    • A Cappella and Choral Music (The King's Singers, Tenebrae, VOCES8, The Swingle Singers, Rodolfus Choir)
    • Orchestral and Chamber Music (Philharmonia Orchestra, London Sinfonietta, Gabrieli Consort & Players, OAE, LCO, Smith Quartet),
    • Instrumental Soloist Recitals (Jamie Walton, Alessio Bax, Matthew Barley, Llyr Williams, James Rhodes)
    • Art song and Lieder (Iain Burnside, Malcolm Martineau, John Mark Ainsley, Mark Padmore, Ailish Tynan, Felicity Lott, Sarah Connolly, Jonathan Lemalu)
    In our new anniversary series we have drawn on this extensive catalogue to form six collectable releases, assembled around the themes of A Cappella, Early Music, Organ Music, Choral Music, Art Song, and Piano Music. Buy all 6 together for just £20
  • SIX

    £5.00
    Signum Records present a special CD release from the King’s Singers, celebrating over 35 years of popular repertoire that has left audiences delighted across the globe. Formed in 1968 by six Choral Scholars from King’s College, Cambridge, the King’s Singers quickly became a prominent musical force in the UK. The rest of the world soon followed so that today the group’s engagements are spread throughout the four corners of the globe. The ensemble are renowned for their commitment to blend balance and intonation in their performances, but above all it is their simple enjoyment of what they do that has captured the imagination of the public, and kept the King’s Singers at the top of their game for over three and a half decades. This album presents six pieces performed by the six vocalists over the years. The titles were selected to span the life of the group so far: After the explosive rock decade of the 1960s in which the group was founded, you can almost hear the hair lengthen in Neil Young’s 1970 song After the Goldrush. This was originally sung by the group with Nana Mouskouri on her BBC TV show, and has remained popular ever since; Irving Berlin’s much-loved jazz classic Blue Skies is here sung in a cool and reflective arrangement by Richard Rodney Bennett; the Beatle’s Blackbird is one of the most requested encores happily sung to ecstatic audiences, and Daryl Runswick’s arrangement perfectly maintains the feel of the original song. The remaining three tracks are all newly recorded pieces from the 21st century. Down to the River to Pray, a spiritual, appeared in the Coen brothers movie “O Brother Where art Thou?”; Billy Joel’s Lullaby Goodnight My Angel is an example of the songwriter at his lyric best. Finally, The Wishing Tree was commissioned by the King’s Singers and the BBC for the 2002 Proms, celebrating the present Queen’s Golden Jubilee. Joby Talbot, formerly of The Divine Comedy, was asked to compose a work in which to reflect Queen Elizabeth II’s life, as well as incorporating a 16th century madrigal-element, in reference to the reign of the first Queen Elizabeth. Six new tracks from the lads with the voices of spun gold. The irresistible verve of this much-changed group's mid-1970s peak is less evident, but for sheer polish and style these singers are truly 'kings' - BBC Music Magazine Think gorgeous close harmony, think crossover-with-integrity, and enjoy - Classic FM Magazine  
  • Handel’s Queens features some of the most exquisite pieces of music written by G.F. Handel and his contemporaries for the two finest singers of the eighteenth century, Faustina Bordoni and Francesca Cuzzoni. Often wrongfully framed as rivals, these dazzling new recordings with Mary Bevan and Lucy Crowe reveal the distinctive yet versatile talent of the Italian vocalists.  Conductor Bridget Cunningham continues her research and created Handel’s Queens and directs London Early Opera from the harpsichord. Handel’s Queens - as part of this important series serves as a further example of Cunningham’s dedication to imaginative programming and outstanding period performance on this double CD placing her at the forefront of baroque research and recording.
  • An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review