• Signum Classics are proud to release the fourth disc from The King's Singers on Signum Classics - 1605: Treason and Dischord. On 5 November 1605 Guy Fawkes was caught preparing to detonate 36 barrels of gunpowder under the House of Lords unveiling an act of attempted treason that shocked the whole of Europe. What led a group of young Catholic men to risk their lives for their faith? 400 years later the King’s Singers and Concordia illuminate the dangers of hearing Mass in secret, of conspiracy and downfall, and of protestant relief and celebration, through a project of music and prose. The music, structured around Byrd’s perfect 4-part Mass, contains motets by Catholic composers, balanced with protestant anthems celebrating the downfall of the plot, and a commission from the British composer, Francis Pott. Master Tresham: His Ducke reflects on the ‘9/11’ of its day - 5/11/1605. The script, drawing on historic texts and written by Deborah Mackay for the quatercentenary concert series related to this CD, uses the dramatised persona of William Byrd, the most famous composer of his age, to recreate the atmosphere of change and hope in the Jacobean court. ★★★★ The performers bring verve and forceful emotional fervour to these works of protest - Classic FM Magazine A brilliant fusion of Renaissance and contemporary idioms - The Scotsman Strongly recommended - International Record Review There is never a question of technical polish and precision with the King’s Singers - American Record Guide
  • Discover 50 of the most relaxing pieces of classical music, featuring recordings by The King's Singers, Fretwork, Alessio Bax and Tamsin Waley-Cohen. A new Signum compilation, this digital exclusive is available to buy and stream on iTunes, Apple Music and Spotify.
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this A Cappella collection, you can hear a wide rage of works by The King's Singers, The Swingle Singers, BBC Singers, Tenebrae, Voces8 and many more all on one disc - all selected from titles across the Signum catalogue. The repertoire stretches from Monteverdi to Michael Jackson and is dispatched with consummate ease by all involved -  Choir & Organ
  • International award-winning octet Voces8 has established itself as the foremost young British a cappella vocal group. Performing a repertoire ranging from Renaissance polyphony to unique jazz and pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. A Choral Tapestry explores the rich vocal timbres of sacred vocal music spanning five centuries. Interweaving genres create an ethereal sonic tapestry that centres around the haunting beauty of William Byrd's Mass for Four Voices. The programme includes anthems and motets from the English Chapel Royal, the Sistine Chapel in Rome and St. Thomas' Church, Leipzig. VOCES8 are as good as any vocal ensemble I have heard for many a year and the material on this CD is well chosen and superbly sung - Cross Rhythms Following their Bach Motets, choral octet Voces8 branch further afield with A Choral Tapestry, programming devotional material from across the spectrumThe Independent
  • An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review

  • Despite the tradition of passing folk songs from generation to the next, aurally, the Irish folk song had lost its importance somewhat in 19th century Ireland, but by the turn of the twentieth-century the revival of Ireland’s native music was coming to a head. Belfast-born Herbert Hughes set about collecting and distributing Irish airs. From there he began arranging the melodies for voice and piano, but at a lecture in Dublin pointed out the relationship between the original song, as sung by ‘the peasant, giving voice to an ancient tradition’ and the same song as put into print with a piano accompaniment. This original disc brings together both the old and the new, transforming the traditional folk song into an ‘art-song.’ The 25 folk songs tell of stories both happy and sad and make this disc as much a literary landscape, as a musical one with words by Thomas Moore & James Joyce. Beautifully performed by Ailish Tynan & Iain Burnside. ★★★★★ Soprano Ailish Tynan's feeling for the musical idiom and, above all, the poetry of her countrymen, matched by Burnside's delightfully poetic pianism, prove irresistible. Highly recommended - Classic FM  
  • Aces High

    £12.00
    The international award-winning octet VOCES8 has established itself as the foremost young British a cappella group. Performing a repertoire ranging from Renaissance polyphony to unique Jazz and Pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. ACES HIGH is an album that flows like a fine cocktail - delicious from start to finish! It evokes the story of a perfect night out, transporting you to the glamorous world of high society, passion and daring intrigue.
  • Aksel!

    £12.00
    Norwegian boy-soprano Aksel Rykkvin has quickly built a reputation as a rare talent, combining an intelligent musicality with a beautifully resonant treble voice. On his debut recording he is accompanied by The Orchestra of the Age on Enlightenment under Nigel Short (leader of award-winning chamber choir Tenebrae), in a selection of arias by Mozart, Handel and JS Bach. Many of the arias performed are considered too technically demanding for boy singers in the present day – in particular Mozart’s Exsultate Jubilate which was composed for the castrato Venunzio Rauzzini, and several of Bach’s Cantatas which were written at a time when singers often maintained their treble voices until the ages of 16 or 17. Freakishly good, with a musical assurance and richness of tone that are almost superhuman - Financial Times Widely praised for his richness of tone and instinctive, innate musicality - BBC Music Magazine It's a remarkable performance - pure, technically perfect and hauntingly beautiful - Classic FM This is totally extraordinary. For the sheer joy in performing, this CD would be hard to beat - Cathedral Music Magazine
  • In their debut disc on Signum, the Caius choir celebrates the relationship between seven British contemporary composers and their influences drawn from the Medieval period. Fascinating stuff - Classic FM Magazine One or two surprisingly mature voices step out for solos from this young choir, and the blend and tuning are generally of a very high standard - Choir and Organ The Choir of Gonville & Caius College, Cambridge is impressively at home in this consummately difficult repertoire - Classics Today
  • Iain Burnside and Ailish Tynan return to Signum with their second disc of Irish Songs and arrangements – this time from a range of different 20th Century composers. Although all of the sung texts stem from Irelands rich heritage of literature (including poems from W.B. Yeats, Thomas Moore and James Joyce), the composers featured here have a more transatlantic feel, with works by John Cage and Samuel Barber programmed alongside others by Benjamin Britten and Herbert Hughes.
    Ailish Tynan’s singing [is] totally compellingBBC Radio 3 Record Review
    Editor's Choice: The disc is full of interest. There are lovely, unknown tunes, seductively sung and hauntingly harmonised. It has pathos and wild joy in equal measure. An excellent recital -  Classic FM Magazine
    Iain Burnside is a dream of an accompanistLa Scena Musicale
  • Tolstoy's Anna Karenina is a masterwork of 19th Century literature; a parable on the struggle for personal freedom against the conventions of a hostile society, played out in a tragic love-story. With a libretto by the distinguished director Colin Graham after the novel by Leo Tolstoy, David Carlson's opera vividly captures the drama and message of the original work. This double-disc set is a world premiere recording of the opera, with commanding performances from members of the Opera Theatre of Saint Louis and the Saint Louis Symphony Orchestra conducted by Stewart Robertson. There is a lot to admire in this dramatic, expressive scoreOpera Now Magazine
  • Star tenor Andrew Kennedy is accompanied by Southbank Sinfonia in this collection of arias by three unique Classical-era composers. This disc showcases some of the best in young British musical talent, with rising star tenor Andrew Kennedy and Southbank Sinfonia, conducted by Simon Over. Their programme explores three phases of the Classical era, with early arias from Gluck, later classical works by Mozart, and the beginnings of Romanticism with Berlioz. Performance ★★★★ Recording ★★★★ The promise shown by Andrew Kennedy has been confirmed by his rapidly developing international career. His voice has grown in strength, well beyond the stereotypical 'English tenor' bleat - BBC Music Magazine Kennedy’s bright, firm tenor is equal to the demands of Gluck’s haute-contre parts. [Moreover], Simon Over and the Southbank Sinfonia are crystal-clear accompanists and the overture to Tito is splendid - The Times The Southbank Sinfonia plays vivaciously under Simon Over - The Daily Telegraph [Kennedy's voice] is always clear in definition and often, as in Pylades' aria and Tito's three solos, gracefully poised - Gramophone
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this Art Song collection we bring together performances from across Signum's catalouge by singers including John Mark Ainsley, Sarah Connolly, Philip Langridge, Felicity Lott, Mark Padmore, Andrew Kennedy, Roderick Williams, Ailish Tynan and Hila Plitmann. This generous culling of 25 songs from 20 albums released in the past 15 years has a delectable cast of British and Irish voices in songs from Beethoven to Weir - BBC Music Magazine
  • Described as “one of the finest song composers of his generation”, Ian Venables’ music for voice and string quartet draws on a wealth of literary and musical sources, in particular from the 19th Century romantic tradition. Performances on this disc come from British tenor Andrew Kennedy and the award winning Dante Quartet. Stylish and graceful melodic invention, vividly realised in Andrew Kennedy's plangent tenor and the keenly judged playing of the Dantes - The Observer In his writing for strings, the instruments sing - one could almost fancy they had words written into their parts - Gramophone This is a distinguished and eloquent set of songs - MusicWeb International
  • Voces8 return to disc with this new recording of J.S.Bach's Motets, BWV 225-230. Joined by the Senesino Players, this young group prove their versatility and skill in performing some of Bach's most challenging and engaging compositions. The singing is crisp and accurate … The period performance movement has demonstrated how to bring life and energy back to Bach's choral textures, but none of the big names have produced anything that is quite as much fun as this - MusicWeb International One can only marvel at the group's remarkable collective skill and cohesion - Fanfare Magazine
  • The second in a two part set of Beethoven's Lieder und Gesänge, with the luminous collaboration between the tenor, John Mark Ainsley and his accompanist Iain Burnside. Beethoven himself was not a keen song writer, yet despite this almost half of his total works call for a voice. This disc includes some of the best of those compositions. John Mark Ainsley is accomplished as both a concert and operatic vocalist, performing at some of the most well renowned venues in the world. As well as having great experience and success as a live artist he also benefits from an extensive discography which covers repertoire from Bach to Stravinsky. Iain Burnside enjoys a unique reputation as pianist and broadcaster and is most recognised for his collaborations with leading international singers. This will be Iain's seventh disc with Signum Classics. There is something monumental about John Mark Ainsley’s Beethoven. Iain Burnside’s fluid playing is delightful, while Ainsley’s artistry is fascinating - The Independent John Mark Ainsley’s instinctive musicianship at its best, perhaps, in ‘An Die Ferne Geliebte’, ‘To A Distant Beloved’, or as the poetic translation in the booklet would have it,’ To My Dear Girl, So Far Away’ - BBC Radio 3 Record Review John Mark Ainsley’s delivery is faultless, his masterly control of the line revealing profound emotion in these often under-estimated gems; Burnside’s piano parts are beautifully judged, too. This joins the Goerne as one of the finest lieder recordings I have heard in years. Put them at the top of your list - Klassisk Musikkmagasin