• Signum Records is delighted to announce the completion of Chapelle du Roi's recordings of the complete works of Thomas Tallis. This major project has taken seven years to complete. It was the brain child of Alistair Dixon and brought to fruition jointly by Chapelle du Roi and the engineering and production company Floating Earth.
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist, Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres, featuring a number of world-class artists including:
    • A Cappella and Choral Music (The King's Singers, Tenebrae, VOCES8, The Swingle Singers, Rodolfus Choir)
    • Orchestral and Chamber Music (Philharmonia Orchestra, London Sinfonietta, Gabrieli Consort & Players, OAE, LCO, Smith Quartet),
    • Instrumental Soloist Recitals (Jamie Walton, Alessio Bax, Matthew Barley, Llyr Williams, James Rhodes)
    • Art song and Lieder (Iain Burnside, Malcolm Martineau, John Mark Ainsley, Mark Padmore, Ailish Tynan, Felicity Lott, Sarah Connolly, Jonathan Lemalu)
    In our new anniversary series we have drawn on this extensive catalogue to form six collectable releases, assembled around the themes of A Cappella, Early Music, Organ Music, Choral Music, Art Song, and Piano Music. Buy all 6 together for just £20
  • Handel’s Queens features some of the most exquisite pieces of music written by G.F. Handel and his contemporaries for the two finest singers of the eighteenth century, Faustina Bordoni and Francesca Cuzzoni. Often wrongfully framed as rivals, these dazzling new recordings with Mary Bevan and Lucy Crowe reveal the distinctive yet versatile talent of the Italian vocalists.  Conductor Bridget Cunningham continues her research and created Handel’s Queens and directs London Early Opera from the harpsichord. Handel’s Queens - as part of this important series serves as a further example of Cunningham’s dedication to imaginative programming and outstanding period performance on this double CD placing her at the forefront of baroque research and recording.
  • The Gabrieli’s first Handel recording in over a decade is particularly special, recreating in painstaking detail the very first performance of L’Allegro, il Penseroso ed il Moderato, given in 1740, with additional instrumental repertoire including a Handel organ concerto and two concerti grossi. With a reputation as peerless Handelians, Paul McCreesh and the Gabrieli Consort & players bring meticulous research to every performance and recording project, and are joined on this disc by a stunning selection of soloists.
    ★★★★★ This is quite simply life-enhancing music making, a glorious achievement in every respect - Early Music Today ★★★★★ McCreesh finds all the expressive opportunities in a blissful production, at times breathtakingly beautiful - Choir & Organ ★★★★★ The choral elements are scrupulously handled by the Gabrieli Consort - BBC Music Magazine McCreesh's superb Gabrieli Consort and Players present all this...with flair, a pristine sense of style and infectious energy - The Times Handel's ravishing score [is] realised to perfection by Paul McCreesh and Gabrieli... A glorious recording - The Observer
  • As part of Signum's 15th anniversary year we are delighted to release this celebratory collection of The Best of 'The King's Singers' – a 2-CD collection drawn from their now extensive catalogue on Signum.
     
    The first CD includes titles from Christmas (the groups debut album with Signum,  released in 2004), along with music from Landscape and Time, Treason and Dischord, Gesualdo’s Tenebrae Responsories, Sacred Bridges, Siglio d’Oro, Romance du soir, From the heart, High Flight and the 2012 release Royal Rhymes and Rounds.
     
    The second CD presents songs from four albums: Six, their most recent light album Swimming over London and the Grammy® Award winning Simple Gifts.
     

     

  • The first in a two part set of Beethoven's Lieder und Gesänge. Beethoven himself was not a keen song writer, yet despite this almost half of his total works call for a voice. This disc includes some of the best of those compositions. Ann Murray has appeared with some of the world's greatest orchestras and conductors, her discography reflects both her broad concert and operatic repertoire and also her great operatic roles. Roderick Williams is active in the opera house, on the concert platform and in recital, encompassing a repertoire from baroque to world premieres. He has performed with all BBC orchestras and other acclaimed ensembles internationally. Iain Burnside enjoys a unique reputation as pianist and broadcaster and is most recognised for his collaborations with leading international singers. This will be Iain's sixth disc with Signum Classics. ★★★★ Williams’s subtle baritone adapts to each challenge. Joining him, the rich toned mezzo, Ann Murray, is also fine, particularly in the four subtly different versions of Goethe’s Sehnsucht - The Times ★★★★ Iain Burnside provides vivid accompaniments - BBC Music Magazine  
  • Tolstoy's Anna Karenina is a masterwork of 19th Century literature; a parable on the struggle for personal freedom against the conventions of a hostile society, played out in a tragic love-story. With a libretto by the distinguished director Colin Graham after the novel by Leo Tolstoy, David Carlson's opera vividly captures the drama and message of the original work. This double-disc set is a world premiere recording of the opera, with commanding performances from members of the Opera Theatre of Saint Louis and the Saint Louis Symphony Orchestra conducted by Stewart Robertson. There is a lot to admire in this dramatic, expressive scoreOpera Now Magazine
  • For You

    £18.00
    For You is a new opera that brings together the music of composer and BBC Radio 3 presenter Michael Berkeley and Booker-prize winning author Ian McEwan. This gripping tale of love, lust and obsession centers on the composer and prodigious womanizer Charles Frieth (Alan Opie), and the tragic consequences that his selfish actions cause him and those around. Although essentially dark, there are moments of irony, wit, and humour throughout the opera. Soaring vocal lines, intricate ensemble pieces, and imaginative instrumental writing make this an electrifying work. Masterly performed by Music Theatre Wales, directed by Michael Rafferty.
    The music, conducted here by Michael Rafferty, is energetic, deftly coloured and carefully balanced, allowing the excellent voices, including Alan Opie’s Frieth, to make their due markThe Sunday Times It bristles with wit and lyricism, while giving other composers and librettists a lesson in how to drape operativ tradition in modern clothesThe Financial Times Berkeley’s score is lively, abrasive and strongly crafted … the performance (recorded live) is focused, with excellent orchestral playing and a strong central performance by Alan Opie -  The Daily Telegraph
  • There was a craze for the music of Josquin Desprez in sixteenth-century Spain. All three of the greatest Spanish composers of the age – Morales, Guerrero, and Victoria – were directly inspired by one particular rhetorical effect developed by Josquin: ostinato, the repetition throughout a piece of a musical motto. This album explores Josquin’s legacy as manifest in the motets of Morales, Guerrero, and Victoria, and in Victoria’s great six-voice Missa Gaudeamus. In the hands of such composers the use of ostinato produces results that are dynamic, compelling, and striking in expressive impact. These work show the Spanish composers not just emulating Josquin but also competing to out do him in inventiveness.
  • After the success of their debut disc, ‘Voyages’, Mary Bevan and Joseph Middleton present their second recital disc exploring Lieder in German and Italian by Schubert, Haydn and Wolf. The programme is woven around songs inspired by the ‘muses’ of the day, both mythological and divine. It begins with Schubert’s dramatic and reverential settings of sacred German poetry, set alongside his lush emotional portrayals of female characters in the Italian settings. The central section of the disc is then devoted to Haydn’s epic ‘scena’ depicting the famously cruel abandonment of Arianna by her lover Teseo, ‘Arianna a Naxos’. Haydn’s beautiful prayer ‘Geistliches Lied’ takes us back into the world of German poetry and the religious fervour that arose from the collective belief in Christianity which pervaded most art forms of the age. The disc then moves into works by Hugo Wolf, whose stunning settings of devotional texts take the listener right to the heart of the characters; a few of these songs were in fact inspired by paintings. The early moments of Jesus Christ’s life are vividly portrayed here, particularly in songs such as ‘Die ihr Schwebet’, ‘Auf ein Altes Bild’ and ‘Schlafendes Jesuskind’, while the haunting ‘Gesang Weylas’ invites the listener into the world of the mysterious goddes Weyla who wistfully dreams of the shores of her distant homeland. From Ganymed to Christ, Dido to the Virgin Mary, Arianna to St Peter, this recital disc richly illustrates the lives and events surrounding the ‘divine muses’ who inspired these composers.
  • "Singing together binds us together. From the Protestant Reformation in Europe during the 1500s to the U.S. Civil Rights Movement, there have been countless moments in history when songs have united nations, cultures and causes. This is still the case in today’s world. Finding Harmony is evidence that music has always been our common language. A unique collection of pieces that span the globe – including music that’s too often forgotten – each song is the key to a powerful true story about who we are and how we’ve got here. Together, Finding Harmony proves how deeply we can be moved by all kinds of stories when songs connect us to them, and to each other."
  • The programme performed here by baritone Christopher Maltman and pianist Joseph Middleton was born whilst Maltman was studying at the Royal Academy of Music. The compositions have been selected to form a coherent but flexible narrative that produces a touching memoire to all those affected by war. One composer chosen for the record, George Butterworth, was a casualty of the First World War: in September 1915 he went to the trenches and was killed, aged 31, in the Battle of the Somme on 5th August 1916. The use of his composition, A Shropshire Lad, is touching in this instance. It gives the listener a more sensitive perspective of the loss in World War One, almost allowing the listener to see the faces of those who passed away, most of whom were young ‘lads’ from various parts of the country.
  • Magnificat

    £12.00
    Magnificat & Nunc Dimittis was recorded to explore the breadth of imagination with which composers have approached the texts, which have been sung in Christian worship for over 1000 years. Stanford’s starting point was the Germanic symphonic tradition; Howells took his inspiration from the architecture and acoustics of the Cathedral in Gloucester; Tippett was inspired by the unique Spanish trumpet stop at St John’s. The Evening Cantincles chosen for this record relate to a particular period of music making in the life of St John’s conductor, Andrew Nethsingha; his time at the Royal College of Music; at Truro and Gloucester Cathedrals, and lastly his time at St John’s. Founded in the 1670s, The Choir of St John’s College, Cambridge, is one of the finest collegiate choirs in the world – known and loved by millions for its rich, warm and distinctive sound, expressive interpretations and ability to sing in a variety of styles.
  • The creation of the Song Cycle as a new art form in the early 19th Century was paved with musical experiments and innovations. On this disc we illustrate the progress made by the great Lied composers of the day toward the cyclical perfection finally achieved by Beethoven and Schubert, and since emulated by Schumann, Loewe, Wolf, Fauré, Britten, Shostakovich and so many others. A Song Cycle is distinguishable from a collection of songs or a Liederspiel by some type of interior cohesion: a unifying theme, text from a single source, a narrative. It could be a musical connection: recurring devices and motifs, key relationships between songs, or perhaps a fixed performance order. Usually, a combination of these criteria is necessary to bestow on any song collection the title of Song Cycle.
  • Based at Windsor Castle, the members of The Queen’s Six make up half of the Lay Clerks of St George’s Chapel, whose homes lie within the Castle walls. This rare privilege demands the highest musical standards, as they sing regularly for the Royal family at both private and state occasions. In 2018 this included the weddings of Princess Eugenie and Mr Jack Brooksbank, and Prince Harry and Ms Meghan Markle, both held in St George’s Chapel. Most significantly however, it is the familiarity of living and singing together in Chapel every day that lends this group its distinctive closeness and blend, as well as an irresistible informality and charm. Individually, members of The Queen’s Six have appeared in many of the most prestigious vocal ensembles on the circuit, including The Tallis Scholars, Tenebrae, and The Sixteen. Their repertoire extends far beyond the reach of the choir stalls: from austere early chant, florid Renaissance polyphony, lewd madrigalsand haunting folk songs to upbeat Jazz and Pop arrangements.
  • When Michael Nyman started reinventing the English baroque back in the 1980s, one critic described the result as “pump-action Purcell.” This recording combines these two singular musical styles through the stunning voice of countertenor Iestyn Davies and viol consort Fretwork, serving as the bridge across three centuries. The programme combines bold harmonies, wondrous inventions, and melodies that will haunt your dreams – whether from the 17th century or the 21st. Recorded following a concert tour of the programme, the disc includes the premiere recording of a new commission from Michael Nyman, Music after a While – based upon Purcell’s song, or more particularly upon its strikingly original bass-line, with its insidious rising chromatics. ★ A beautiful account - Planet Hugill Editor's Choice: The Nyman performances are exemplary – crisp and cleanly articulated from Fretwork and dispatched by Davies with a vacant, unrippled purity that is so essential to the music - Gramophone All executed with perfection - The Observer