• Signum Records is delighted to announce the completion of Chapelle du Roi's recordings of the complete works of Thomas Tallis. This major project has taken seven years to complete. It was the brain child of Alistair Dixon and brought to fruition jointly by Chapelle du Roi and the engineering and production company Floating Earth.
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist, Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres, featuring a number of world-class artists including:
    • A Cappella and Choral Music (The King's Singers, Tenebrae, VOCES8, The Swingle Singers, Rodolfus Choir)
    • Orchestral and Chamber Music (Philharmonia Orchestra, London Sinfonietta, Gabrieli Consort & Players, OAE, LCO, Smith Quartet),
    • Instrumental Soloist Recitals (Jamie Walton, Alessio Bax, Matthew Barley, Llyr Williams, James Rhodes)
    • Art song and Lieder (Iain Burnside, Malcolm Martineau, John Mark Ainsley, Mark Padmore, Ailish Tynan, Felicity Lott, Sarah Connolly, Jonathan Lemalu)
    In our new anniversary series we have drawn on this extensive catalogue to form six collectable releases, assembled around the themes of A Cappella, Early Music, Organ Music, Choral Music, Art Song, and Piano Music. Buy all 6 together for just £20
  • The Gabrieli’s first Handel recording in over a decade is particularly special, recreating in painstaking detail the very first performance of L’Allegro, il Penseroso ed il Moderato, given in 1740, with additional instrumental repertoire including a Handel organ concerto and two concerti grossi. With a reputation as peerless Handelians, Paul McCreesh and the Gabrieli Consort & players bring meticulous research to every performance and recording project, and are joined on this disc by a stunning selection of soloists.
    ★★★★★ This is quite simply life-enhancing music making, a glorious achievement in every respect - Early Music Today ★★★★★ McCreesh finds all the expressive opportunities in a blissful production, at times breathtakingly beautiful - Choir & Organ ★★★★★ The choral elements are scrupulously handled by the Gabrieli Consort - BBC Music Magazine McCreesh's superb Gabrieli Consort and Players present all this...with flair, a pristine sense of style and infectious energy - The Times Handel's ravishing score [is] realised to perfection by Paul McCreesh and Gabrieli... A glorious recording - The Observer
  • As part of Signum's 15th anniversary year we are delighted to release this celebratory collection of The Best of 'The King's Singers' – a 2-CD collection drawn from their now extensive catalogue on Signum.
     
    The first CD includes titles from Christmas (the groups debut album with Signum,  released in 2004), along with music from Landscape and Time, Treason and Dischord, Gesualdo’s Tenebrae Responsories, Sacred Bridges, Siglio d’Oro, Romance du soir, From the heart, High Flight and the 2012 release Royal Rhymes and Rounds.
     
    The second CD presents songs from four albums: Six, their most recent light album Swimming over London and the Grammy® Award winning Simple Gifts.
     

     

  • The first in a two part set of Beethoven's Lieder und Gesänge. Beethoven himself was not a keen song writer, yet despite this almost half of his total works call for a voice. This disc includes some of the best of those compositions. Ann Murray has appeared with some of the world's greatest orchestras and conductors, her discography reflects both her broad concert and operatic repertoire and also her great operatic roles. Roderick Williams is active in the opera house, on the concert platform and in recital, encompassing a repertoire from baroque to world premieres. He has performed with all BBC orchestras and other acclaimed ensembles internationally. Iain Burnside enjoys a unique reputation as pianist and broadcaster and is most recognised for his collaborations with leading international singers. This will be Iain's sixth disc with Signum Classics. ★★★★ Williams’s subtle baritone adapts to each challenge. Joining him, the rich toned mezzo, Ann Murray, is also fine, particularly in the four subtly different versions of Goethe’s Sehnsucht - The Times ★★★★ Iain Burnside provides vivid accompaniments - BBC Music Magazine  
  • Tolstoy's Anna Karenina is a masterwork of 19th Century literature; a parable on the struggle for personal freedom against the conventions of a hostile society, played out in a tragic love-story. With a libretto by the distinguished director Colin Graham after the novel by Leo Tolstoy, David Carlson's opera vividly captures the drama and message of the original work. This double-disc set is a world premiere recording of the opera, with commanding performances from members of the Opera Theatre of Saint Louis and the Saint Louis Symphony Orchestra conducted by Stewart Robertson. There is a lot to admire in this dramatic, expressive scoreOpera Now Magazine
  • For You

    £18.00
    For You is a new opera that brings together the music of composer and BBC Radio 3 presenter Michael Berkeley and Booker-prize winning author Ian McEwan. This gripping tale of love, lust and obsession centers on the composer and prodigious womanizer Charles Frieth (Alan Opie), and the tragic consequences that his selfish actions cause him and those around. Although essentially dark, there are moments of irony, wit, and humour throughout the opera. Soaring vocal lines, intricate ensemble pieces, and imaginative instrumental writing make this an electrifying work. Masterly performed by Music Theatre Wales, directed by Michael Rafferty.
    The music, conducted here by Michael Rafferty, is energetic, deftly coloured and carefully balanced, allowing the excellent voices, including Alan Opie’s Frieth, to make their due markThe Sunday Times It bristles with wit and lyricism, while giving other composers and librettists a lesson in how to drape operativ tradition in modern clothesThe Financial Times Berkeley’s score is lively, abrasive and strongly crafted … the performance (recorded live) is focused, with excellent orchestral playing and a strong central performance by Alan Opie -  The Daily Telegraph
  • The creation of the Song Cycle as a new art form in the early 19th Century was paved with musical experiments and innovations. On this disc we illustrate the progress made by the great Lied composers of the day toward the cyclical perfection finally achieved by Beethoven and Schubert, and since emulated by Schumann, Loewe, Wolf, Fauré, Britten, Shostakovich and so many others. A Song Cycle is distinguishable from a collection of songs or a Liederspiel by some type of interior cohesion: a unifying theme, text from a single source, a narrative. It could be a musical connection: recurring devices and motifs, key relationships between songs, or perhaps a fixed performance order. Usually, a combination of these criteria is necessary to bestow on any song collection the title of Song Cycle.
  • Based at Windsor Castle, the members of The Queen’s Six make up half of the Lay Clerks of St George’s Chapel, whose homes lie within the Castle walls. This rare privilege demands the highest musical standards, as they sing regularly for the Royal family at both private and state occasions. In 2018 this included the weddings of Princess Eugenie and Mr Jack Brooksbank, and Prince Harry and Ms Meghan Markle, both held in St George’s Chapel. Most significantly however, it is the familiarity of living and singing together in Chapel every day that lends this group its distinctive closeness and blend, as well as an irresistible informality and charm. Individually, members of The Queen’s Six have appeared in many of the most prestigious vocal ensembles on the circuit, including The Tallis Scholars, Tenebrae, and The Sixteen. Their repertoire extends far beyond the reach of the choir stalls: from austere early chant, florid Renaissance polyphony, lewd madrigalsand haunting folk songs to upbeat Jazz and Pop arrangements.
  • When Michael Nyman started reinventing the English baroque back in the 1980s, one critic described the result as “pump-action Purcell.” This recording combines these two singular musical styles through the stunning voice of countertenor Iestyn Davies and viol consort Fretwork, serving as the bridge across three centuries. The programme combines bold harmonies, wondrous inventions, and melodies that will haunt your dreams – whether from the 17th century or the 21st. Recorded following a concert tour of the programme, the disc includes the premiere recording of a new commission from Michael Nyman, Music after a While – based upon Purcell’s song, or more particularly upon its strikingly original bass-line, with its insidious rising chromatics. ★ A beautiful account - Planet Hugill Editor's Choice: The Nyman performances are exemplary – crisp and cleanly articulated from Fretwork and dispatched by Davies with a vacant, unrippled purity that is so essential to the music - Gramophone All executed with perfection - The Observer
  • Owen Rees leads early-music consort Contrapunctus alongside The Choir of The Queen’s College, Oxford in performances of John Taverner’s masterwork, the Missa Gloria tibi trinitas. A virtuosic work, it has pride of place in the Forrest-Heyther partbooks (in the Bodleian Library in Oxford), which it has been variously argued originated at Cardinal College or at the Chapel Royal. It might well have been heard on Trinity Sunday in the chapel of Cardinal Thomas Wolsey’s palace at Hampton Court. The work is accompanied by other sacred choral works by Taverner, including his Ave Maria composed for Wolsey’s Cardinal College, Oxford, and one of his most widely copied works, Gaude plurimum – a dramatic work where Taverner exploits the power of his full forces to evoke Christ’s harrowing of hell and the breaking of ‘the bloody powers of the prince of eternal death.’ Contrapunctus is an early-music vocal ensemble dedicated to passionate interpretations informed by authoritative insight and understanding. Directed by Owen Rees, a specialist in music of the sixteenth and seventeenth centuries, the group presents imaginative programmes revealing previously undiscovered musical treasures and throwing new light on familiar works. Performance ★★★★ Recording ★★★★★ Rees brings together both of his crack ensembles [and] the 40-strong collective recreates [Taverner's] lavish sound - BBC Music Magazine ★★★★★ Rees has a natural affinity for this music, whether underlining differences of mood, allowing phrases to bloom or deftly judging cadential arrivals, his touch is instinctive - Classical Source ★★★★★ [A] thrilling new recording - Planet Hugill 9/10 Between them the music of John Taverner comes alive and whether your interest is in Tudor polyphony of acappella choral singing this release will bring much pleasure - Cross Rhythms This glorious programme of polyphony by John Taverner offers much opportunity for contrast as delicate, sinuous passages of vocal chamber music open up into densely populated choral vistas - Choir & Organ The full ensemble brings an undeniable grandeur - Gramophone A must for early music devotees - The Northern Echo A very fine album - MusicWeb International Beautifully recorded by Signum, this is a novel and beautiful Tudor choral release - AllMusic
  • Christopher Glynn continues his series of late Schubert song cycles in English, joined by celebrated soloists Sir John Tomlinson, Sophie Bevan, Julian Bliss and Alec Frank-Gemmill.

    Titled by the works first publisher following Schubert’s death, Swansong (Schwanengesang) D 957 sets sets the words of poets Ludwig Rellstab, Heinrich Heine and Johann Gabriel Seidl in songs that cover a variety of different emotional states. The lighthearted Love Message (Liebesbotschaft), with its rippling accompaniment, addresses a murmuring brook with the hope of true love. The bone-chilling Doppelgänger with its stark, slowly tolling chords, finds the protagonist crazed with a nocturnal vision of himself agonizing at the empty doorstep of his lost love. Renowned for his clear diction and powerful voice, Sir John Tomlinson brings his insight and nuance to these profound works.

    Reminiscent of the scoring for The Shepherd on the Rock and composed in the same year, On the River (Auf dem Strom) combines soprano and horn in a setting of a poem by Ludwig Rellstab. Originally given to Beethoven who did not live long enough to set it, Schubert took up the words in a work that is a subtle homage to the composer.

    The 1828 work The Shepherd on the Rock (Der Hirt auf dem Felsen) sets words by Wilhelm Müller and German playwright Helmina von Chézy, and was composed in gratitude to the soprano Anna Milder-Hauptmann. Here performed by Sophie Bevan and Julian Bliss, it tells the story of a shepherd lamenting the distance between him and his beloved before a reflection on loneliness and grief. The final section celebrates the arrival of spring in a hopeful conclusion.

    The creamy clarity of both Alec Frank-Gemmill’s horn and Julian Bliss’s clarinet sound is a perfect foil for Sophie Bevan’s exquisite, rounded legato - BBC Music Magazine

    Christopher Glynn’s playing is excellent throughout - Gramophone

  • Following her debut release of Baroque works by Vivaldi and Handel earlier this year, Grace Davidson returns to disc on Signum with an intimate disc of Dowland’s first book of lute songs, accompanied by David Miller. Blending melancholy with wit in his writing for both lute and voice, John Dowland’s songs have continued to enchant audiences and singers for nearly 400 years. The ‘First Booke’ includes some of Dowland’s less well-known works, and was recorded in the sensitive acoustic of Ascot Priory in Berkshire, UK.

    Performance ★★★★ Recording ★★★★★ Dowland's [works] find elegant interpreters here in Grace Davidson and David Miller - BBC Music Magazine These are beautiful, musical performances - Gramophone
  • Bass-baritone Stephan Loges is accompanied by Iain Burnside in a collection that explores concepts of lost youth, the transience of life and the comforting presence of nature. The programme features performances of Schumann’s 12 Gedichte Op. 35 and Brahms’s 5 Lieder Op. 94, as well as in 5 rarely recorded works by Finnish composer Yrjö Kilpinen.

    Born in Dresden, Stephan Loges was an early winner of the Wigmore Hall International Song Competition. He has given recitals throughout the world, including regular appearances at Wigmore Hall London and the Oxford Lieder Festival, as well as Carnegie Hall New York and many more.

    ★★★★ Loges and Burnside are a responsive duo... an intuitive set of songs with real light and shade throughout - BBC Music Magazine A sensitive, touching account of [Schumann's Op 35 cycle], with Iain Burnside offering fine piano playing - Gramophone Iain Burnside is as usual a flexible accompanist and Stephan Loges, who has already an impressive catalogue of recordings behind him, adds a further gem to his [collection] - MusicWeb International
  • Pianist Malcolm Martineau brings together some of the UK’s finest singers for the third release in his series charting the complete songs of French composer Gabriel Fauré. This series follows Martineau’s well-received 5-CD series of The Complete Songs of Francis Poulenc.
  • Voyages

    £12.00
    Soprano Mary Bevan and pianist Jopseph Middleton perform a programme exploring the genius of Baudelaire and Goethe, and how texts by them unlocked very speci c musical landscapes in settings by Debussy, Duparc, Chausson, de Bréville, Séverac, Fauré and Schubert. Praised by Opera for her “dramatic wit and vocal control” in stand out performances on opera and concert platforms, Mary Bevan is a winner of the Royal Philharmonic Society’s Young Artist award and UK Critics’ Circle Award for Exceptional Young Talent
    Pianist Joseph Middleton specialises in the art of song accompaniment and chamber music and has been highly acclaimed within this eld. Described in the BBC Music Magazine as “one of the brightest stars in the world of song and Lieder”, he has also been labeled “the cream of the new generation” by The Times and “a perfect accompanist” by Opera Now. ★★★★ A beautiful programme… they include plenty of intriguing and little-known songs that more than deserve these excellent interpretations - Primephonic Bevan’s purity of tone and discreet yet telling way with words can be by turns unnerving and alluring in the Baudelaire settings… Middleton, as one might expect, is marvellously insightful, playing throughout with weight as well as grace and subtlety - Gramophone