• Sir Michael Tippett's great masterpieces - Boyhood's End and The Heart's Assurance - are coupled here with some of his editions of songs by Henry Purcell, and Benjamin Britten's companion piece to Boyhood's End - Canticle 1. Superbly performed by John Mark Ainsley and Iain Burnside, an added treat is the performance of Tippett and Bergman's edition of Pelham Humfrey's setting of John Donne's A Hymn to God the Father.

    John Mark Ainsley is one of the world's leading tenors. He has worked with the Berlin Philharmonic, New York Philharmonic and the Vienna Philharmonic, and has appeared with the San Fransisco Opera, and as Der Daemon in the world premiere of Henze's L'Upupa.

    Iain Burnside has performed with artists including Dame Margaret Price and Susan Chilcott. As a broadcaster he has recently won a Sony Radio Award.

    Remember Your Lovers
    Sir Michael Tippett
    John Mark Ainsley Tenor
    Iain Burnside Piano

  • The second in a two part set of Beethoven's Lieder und Gesänge, with the luminous collaboration between the tenor, John Mark Ainsley and his accompanist Iain Burnside. Beethoven himself was not a keen song writer, yet despite this almost half of his total works call for a voice. This disc includes some of the best of those compositions. John Mark Ainsley is accomplished as both a concert and operatic vocalist, performing at some of the most well renowned venues in the world. As well as having great experience and success as a live artist he also benefits from an extensive discography which covers repertoire from Bach to Stravinsky. Iain Burnside enjoys a unique reputation as pianist and broadcaster and is most recognised for his collaborations with leading international singers. This will be Iain's seventh disc with Signum Classics. There is something monumental about John Mark Ainsley’s Beethoven. Iain Burnside’s fluid playing is delightful, while Ainsley’s artistry is fascinating - The Independent John Mark Ainsley’s instinctive musicianship at its best, perhaps, in ‘An Die Ferne Geliebte’, ‘To A Distant Beloved’, or as the poetic translation in the booklet would have it,’ To My Dear Girl, So Far Away’ - BBC Radio 3 Record Review John Mark Ainsley’s delivery is faultless, his masterly control of the line revealing profound emotion in these often under-estimated gems; Burnside’s piano parts are beautifully judged, too. This joins the Goerne as one of the finest lieder recordings I have heard in years. Put them at the top of your list - Klassisk Musikkmagasin
  • A must-have for choral-aficionados everywhere that sees perhaps the world’s finest a cappella ensemble The King’s Singers join forces with The Concordia Choir – one of the USA’s best collegiate groups – to perform works by choral composers Eric Whitacre, Bob Chilcott and Morten Lauridsen.

    One of the world’s most celebrated ensembles, The King’s Singers have a packed schedule of concerts, recordings, media and education work that spans the globe. Championing the work of young and established composers, they remain consummate entertainers; a class-act with a delightfully British wit. From Gesualdo and György Ligeti to Michael Bublé, The King’s Singers are instantly recognisable for their spot-on intonation, their impeccable vocal blend, the flawless articulation of the text and incisive timing.

     

    The Concordia Choir of Moorhead, Minnesota is one of America’s finest a cappella choirs. Since 1920, the 72-voice choir has performed in nearly every major hall including Carnegie Hall and Kennedy Center and has taken numerous international tours. The Choir is broadcast throughout the United States on public radio stations and on television via its Emmy-award winning Concordia Christmas Concert.

    Includes the world premiere recordings of Alone by Eric Whitacre, and High Flightanyone lived in a pretty how town and Days by Bob Chilcott

     

     

     

     

  • After the triumphant success of the King’s Singers last Christmas Album released in 2003 entitled ‘Christmas’, this new disc sets an eclectic assortment of modern Christmas classics with special arrangements of some much loved favourites.
    Stand-out moments include Tchaikovsky's thoughtful The Crown of Roses, Lawson's gentle Lullay my Liking and Pierpont's hyperactively jolly jingle bells, which they whizz through as though the words 'technically challenging' had vanished from the dictionaryBBC Music Magazine An eminently enjoyable release that will please fans of The King’s Singers and lovers of Christmas music alikeMusicWeb International A delightful holiday releaseAll Music Guide
  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal. This is the third release in our series that will build to encompass the complete songs of Francis Poulenc – performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.

    Praise for the first disc includes:
    "Lisa Milne performs wonderfully throughout this Poulenc disc. She really sings the French as to the Manoir born … A nicely balanced and arranged recital for all of these voices, so a promising start to this new Poulenc series."
    Hilary Finch and Andrew McGregor, CD Review, BBC Radio 3

     
     
  • In their debut disc on Signum, the Caius choir celebrates the relationship between seven British contemporary composers and their influences drawn from the Medieval period. Fascinating stuff - Classic FM Magazine One or two surprisingly mature voices step out for solos from this young choir, and the blend and tuning are generally of a very high standard - Choir and Organ The Choir of Gonville & Caius College, Cambridge is impressively at home in this consummately difficult repertoire - Classics Today
  • Now and again a choir director finds he has an exceptional voice at his disposal. Andrew Swait was only ten years old when this disc was made - his voice was the original inspiration for the disc - and it features his outstandingly colourful tone quality and musicianship. In choosing the repertoire, we kept in mind the integrity of the great English church music tradition. We decided to do what choirs - their men and boys - do best in this country; sing, enjoy and relish the music of that tradition. Solo arias are interspersed with full choir numbers, some featuring treble solos and duets. Works by Schubert and Rachmaninoff are coupled with works from our own English masters, Sir Hubert Parry and John Rutter. Morten Lauridsen’s setting of Ubi caritas, combines a lushness of texture with the age-old plainsong melody. We hope you will enjoy this collection from Tewkesbury. Benjamin Nicholas
  • Signum Records is delighted to announce the debut disc of Cantabile - Lullabyes and Goodbyes. The disc has been long in preparation and is the first to be recorded by Cantabile since On the Tracks of the Comedian Harmonists. Cantabile, are one of Britain’s longest- established vocal ensembles. Since they became widely known in the early nineteen-eighties they have mastered a wide array of musical styles and their flair for the stage continues to keep them in demand in theatres and cabaret as well as in concert halls and at festivals. The four voices blend beautifully and there isn't a sour note to be heard. Diction is consistently crystal clear [and] the contribution of Malcolm Martineau is first rateMusicWeb International
  • Gaudete

    £5.00
    Arranged by Classic FM's Hall of Fame 2004 'top-ten-composer' Karl Jenkins, sung by crack professional choir - Tenebrae - Gaudete is released on SignumClassics both with drums and percussion and as a pure, unadulterated, a cappella version Founded as recently as 2001, Tenebrae has been embraced by the public and critics alike as one of the most innovative and gifted groups in Britain. Tenebrae’s motto is “passion and precision”, but they also believe in accessibility, performing various different types of music as long as it’s good music, sung well. Gaudete (“rejoice”) is an anonymous composition that was first published in 1582 in a collection of carols and other religious songs called Piae Cantiones. This collection, made by a Scandinavian called Peter Nyland, included a huge number of other Christmas melodies that have since become ‘standards’, but it only gives music for the chorus of Gaudete; the verses, which tell of the wonder of God’s arrival on earth in human form, have been taken from a Czech medieval song about the Virgin Mary, Ezechielis Porta.
  • The Dream of Herod features music for Advent, anthems for the Mother & Child, music for Christmas, and The Dream of Herod, a semi-dramatic contemporary work with a particular resonance at Christmas. Inspired repertoire selection - Classic fm An almost ecstatic tenderness - Gramophone More polished choral singing would be hard to find anywhere - BBC Music Magazine
  • The King's Singershave combined one of the greatest vocal compositions of all time with modern recording technology and customary style to produce a truly stunning recording of Thomas Tallis' Spem in alium. This is a unique opportunity to hear every part in Spem sung and recorded to perfection, with the six King's Singers dividing the forty parts of Spem in alium between them, in this multi-track recording the disc is in full surround sound, and is a CD/SACD hybrid. This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. A bold and fascinating performance - Classic FM So impressive - Choir & Organ
  • Signum Classics are proud to release the fourth disc from The King's Singers on Signum Classics - 1605: Treason and Dischord. On 5 November 1605 Guy Fawkes was caught preparing to detonate 36 barrels of gunpowder under the House of Lords unveiling an act of attempted treason that shocked the whole of Europe. What led a group of young Catholic men to risk their lives for their faith? 400 years later the King’s Singers and Concordia illuminate the dangers of hearing Mass in secret, of conspiracy and downfall, and of protestant relief and celebration, through a project of music and prose. The music, structured around Byrd’s perfect 4-part Mass, contains motets by Catholic composers, balanced with protestant anthems celebrating the downfall of the plot, and a commission from the British composer, Francis Pott. Master Tresham: His Ducke reflects on the ‘9/11’ of its day - 5/11/1605. The script, drawing on historic texts and written by Deborah Mackay for the quatercentenary concert series related to this CD, uses the dramatised persona of William Byrd, the most famous composer of his age, to recreate the atmosphere of change and hope in the Jacobean court. ★★★★ The performers bring verve and forceful emotional fervour to these works of protest - Classic FM Magazine A brilliant fusion of Renaissance and contemporary idioms - The Scotsman Strongly recommended - International Record Review There is never a question of technical polish and precision with the King’s Singers - American Record Guide
  • Gesualdo

    £12.00
    Signum Records is proud to announce the release of the latest recording by The King's Singers: Gesualdo's Tenebrae Responsories for Maundy Thursday. The Italian Prince, Carlos Gesualdo, is probably most famous for the obsessive double murder of his first wife along with her lover, but his music is not always accredited with the same sense of celebrity. Gesualdo is known in traditional history books as an amateur composer. His music is characterised by wild gesticulation and abrupt starts and stops, particular to a composer who just didn’t know what he was doing. However, the 20th century has now uncovered our composer’s place in history as part of a larger movement of Neapolitan artists, and as perhaps the most forward-thinking, expressive and sensual composer of his time. The King’s Singers were fascinated by the naked honesty that is heard within this 400 year old music. It is so startling that it keeps its freshness of surprise even on many repeated hearings. The music portrays a desperate and wretched, but also passionate and loving person who is set on composing "further out" than anyone else. Gesualdo moved in the highest circles of Italy and was extremely wealthy. His decadent lifestyle allowed him to do and write exactly as he pleased, and at the tender age of 19 it brought him into close contact with one of the most attractive and admired women in Naples. Maria d’Avalos was twice widowed by the age of 25. Her marriage to Gesualdo was initially promising. However, Maria’s rich social life soon dominated the relationship and a profound and constant jealousy took possession of the young and highly sensitive composer. After four years of turmoil he hired professional murderers to assist him in killing wife and lover while they were in bed together. The violence and rage of the act is well-documented. After the murder of Maria, Gesualdo suffered from severe and increasing feelings of guilt. Penitence never left him and he was moved to compose church music of a most black and self-reproachful nature. The programme on this CD represents part of the liturgy for the Matins Offices on the final three days of Holy Week, the Triduum Sacrum. Each of the Matins services is divided into three nocturns, each containing psalmody, three lessons and three responsaries. The attention given to word-painting is exemplary - The Times A no holds barred, immaculately sung performance from the King's Singers. Unmissable - Classic FM Magazine
  • SIX

    £5.00
    Signum Records present a special CD release from the King’s Singers, celebrating over 35 years of popular repertoire that has left audiences delighted across the globe. Formed in 1968 by six Choral Scholars from King’s College, Cambridge, the King’s Singers quickly became a prominent musical force in the UK. The rest of the world soon followed so that today the group’s engagements are spread throughout the four corners of the globe. The ensemble are renowned for their commitment to blend balance and intonation in their performances, but above all it is their simple enjoyment of what they do that has captured the imagination of the public, and kept the King’s Singers at the top of their game for over three and a half decades. This album presents six pieces performed by the six vocalists over the years. The titles were selected to span the life of the group so far: After the explosive rock decade of the 1960s in which the group was founded, you can almost hear the hair lengthen in Neil Young’s 1970 song After the Goldrush. This was originally sung by the group with Nana Mouskouri on her BBC TV show, and has remained popular ever since; Irving Berlin’s much-loved jazz classic Blue Skies is here sung in a cool and reflective arrangement by Richard Rodney Bennett; the Beatle’s Blackbird is one of the most requested encores happily sung to ecstatic audiences, and Daryl Runswick’s arrangement perfectly maintains the feel of the original song. The remaining three tracks are all newly recorded pieces from the 21st century. Down to the River to Pray, a spiritual, appeared in the Coen brothers movie “O Brother Where art Thou?”; Billy Joel’s Lullaby Goodnight My Angel is an example of the songwriter at his lyric best. Finally, The Wishing Tree was commissioned by the King’s Singers and the BBC for the 2002 Proms, celebrating the present Queen’s Golden Jubilee. Joby Talbot, formerly of The Divine Comedy, was asked to compose a work in which to reflect Queen Elizabeth II’s life, as well as incorporating a 16th century madrigal-element, in reference to the reign of the first Queen Elizabeth. Six new tracks from the lads with the voices of spun gold. The irresistible verve of this much-changed group's mid-1970s peak is less evident, but for sheer polish and style these singers are truly 'kings' - BBC Music Magazine Think gorgeous close harmony, think crossover-with-integrity, and enjoy - Classic FM Magazine  
  • Signum Classics are proud to release the King's Singers fifth disc on Signum; Sacred Bridges. For thousands of years, the biblical Psalter has been the liturgical “heart” of the three main book religions: Judaism, Christianity and Islam. The Psalms announce the word of God and, simultaneously, contain the full range of human experience. Jews, Christians and Muslims sing and listen to the same songs of lament and joy, confessions of sin, hymns of praise and adoration. In this project of the King’s Singers and Sarband, psalm settings by composers from three religions give an example of how psalms can be a source of spirituality, a political instrument, a link between tradition and modernity and, above all, a bridge connecting human beings. Immaculate blend, perfect tuning and crystal diction ... Superb performances across the cultural divide show that great art transcends political differences - The Times A fascinating, attractive, beautifully performed-album - Gramophone Perfectly judged and beautifully blended sound - Classic FM Magazine An intriguing disc, and far more than a curiosity - Early Music Review A real gift to ... music lovers that need a special musical holiday gift - Mid West Record Recap
  • Piangete

    £12.00

    Signum Records is delighted to announce that the ensemble Concerto delle Donne will release their first disc on Signum Records in 2003. The disc will feature the cantatas and motets of Giacomo Carissimi.

    Carissimi is sometimes thought of as a "one-work composer" known to the average music-lover only for his oratorio Jephte. Choral Societies looking for 17th century music earlier than Purcell are therefore likely to choose Jephte.

    Alastair Ross first became interested in Carissimi’s music for the 3-soprano Concerto delle Donne line-up when he was asked to prepare a programme “Handel and his predecessors in Italy” for the 1977 Göttingen Festival. A review of Carissimi's oeuvre showed that there were several pieces by Carissimi in the library of Christ Church Oxford just waiting to be performed by the group! He chose the cantata Siam tre miseri piangenti which has become a regular item in their concerts and which is central to this recording. It’s a marvellous piece, full of pain, suffering and anger. The three voices really are equal in the way they intertwine and react to one another. Donna Deam’s solo Piangete and Gill Ross' and Elin Thomas’s duet Ahi, non torna are similar in mood. Maybe in our cynical 21st century we find it difficult to relate to these highly emotional, self-obsessed, texts, but there’s no denying that they inspired some wonderful music! Va dimanda al mio pensiero’ and Si dia bando, alla speranza are lighter in mood – both attractive, tuneful pieces.

    There is plenty of variety in the church music as well. Cum reverteretur David, which begins the CD, is brilliant and virtuosic, a dramatic account of the rivalry between David and Saul. The duet Exulta, gaude, filia Sion is a joyful celebration of Christmas. In Benedictus Deus et Pater the voices weave rich dissonances to convey the suffering of the text; there’s something of the mood of Allegri’s Miserere here.

    In addition to the vocal pieces the disc includes a set of variations by Frescobaldi and Michelangelo Rossi’s flamboyant and chromatic Toccata Settima for harpsichord, together with Kapspereger’s charming improvisations for chittarone.

    We believe that only one of the Carissimi pieces on this CD, Exulta, gaude, filia Sion, has been recorded before, so the disc will be an important event in the recorded-music world, and one which we hope will revive interest in this unjustly neglected composer.

    ★★★★ An impressive release - Choir & Organ An important and rewarding release - Early Music Review
  • When an ensemble like the BBC Singers, renowned for its commitment to the music of our own time, sets out to record a Christmas CD you can be sure that the repertoire will include material rather different from the usual run of popular standards and arrangements! One star at last includes eight new carols (six of them specially-commissioned by BBC Radio 3), several premiere recordings, and a selection of music - serious and light-hearted, contemplative and joyful - by some of the leading British, European and North American choral composers of the day. Astonishingly high standards of choral singing ... excellent performances and the organ contributions by Robert Quinney are all splendid ... Enthusiastically recommendedMusicweb International
  • Signum Records is delighted to announce that the choir of Magdalen College Oxford will release their first disc with Signum in early 2003. Entitled The Songs of Angels the disc will consist of repertoire written by the distinguished 15th and 16th century Magdalen Informator Choristarum.  These young choral scholars are an impressive group of musicians - BBC Radio 3 Record Review A superb release, as much for its historical interest as for the unarguable excellence of the music-making - Gramophone
  • Signum Records is delighted to announce the completion of Chapelle du Roi's recordings of the complete works of Thomas Tallis. This major project has taken seven years to complete. It was the brain child of Alistair Dixon and brought to fruition jointly by Chapelle du Roi and the engineering and production company Floating Earth.
  • Chapelle du Roi devote this latest volume to music which was composed by Tallis for use during the reformed services announced in The booke of the common prayer which came into effect on Whitsunday (9th June) 1549. Tallis’s music, together with the associated intonations and Collects (for Easter Day at Mattins and for Christmas Eve), is presented for this recording in the normal liturgical sequence for the day; Mattins, Holy Communion, and Evensong. The recording concludes with Tallis’ nine psalm-tune harmonisations which he contributed to Archbishop Matthew Parker’s Psalter, published in 1567. Chapelle du Roi give an inspired and historically informed performance of the sacred renaissance repertoire for which they are celebrated. Sung with plaintive simplicity, exquisite balance and clear diction, virtues that characterise the whole estimable disc - Classic FM Magazine [The singers] cohere in a warm collective that is wonderful to listen to - International Record Review Chapelle du Roi's skill is manifest ... the whole experience of listening to them was like hearing was like hearing a rather special evensong in a college chapel - Gramophone The singing of the Chapelle is as beautifully flawless as ever ... the crowning glory of the disc is the exquisite account of Tallis nine tunes of Archbishop Parker's Psalter - EMF Scotland  
  • Signum Records are delighted to release the seventh volume of their celebrated nine-disc series, presenting the Complete Works of Thomas Tallis (1505 - 1585). Queen Elizabeth’s reign (1558-1603) was a golden age for the arts. England enjoyed a growing cultural exchange with continental Europe. England’s rich, but essentially conservative pre-Reformation heritage was infused with increasing continental influence and innovations. Elizabeth I was the fourth monarch to sit on the throne in Thomas Tallis’s lifetime. From the outset of her reign Elizabeth allowed considerable freedom of practice and belief. She was firmly in favour of a vernacular liturgy for the general population, although in her own chapels she preferred a more lavish ceremony to music. Tallis had witnessed the wholesale destruction of much of England’s church music tradition, however the ever adaptable composer met the challenges of a new liturgy, its new styles and genres, with the imaginative force of a man half his age. The years of Reformation, and Elizabeth’s protestant settlement, freed the Latin-texted tradition of liturgical propriety, allowing composers to reinvigorate the language and harness it to new, expressive and personal ends. This recording presents Tallis’s Elizabethan Latin motets (which number fifteen). The mighty occasional piece, the forty-voice motet Spem in alium, concludes the disc. The Tallis complete works is one of the most exciting projects currently underway on any early music label. Thoroughly recommended - Early Music Scotland Alistair Dixon paces and balances the voices of his vocal group Chapelle du Roi beautifully - The Evening Standard  
  • Signum Records are proud to present the eighth and penultimate volume of Chapelle du Roi’s recording of the Complete Works of Thomas Tallis. This volume brings together Tallis’s two masterly settings of the Lamentations of Jeremiah and English adaptations of several of his best-known Latin motets. Thomas Tallis was one of many continental and English composers who composed settings of texts from the Lamentations of Jeremiah, the opening five verses of which formed part of the office of Matins (or Tenebrae) during Holy Week. Tallis’s two settings could have been performed ritually but in all likelihood they are Elizabethan works intended for use at the private devotions of staunch Catholic sympathisers. The statutory introduction of the First Book of Common Prayer on Whitsunday, 9th June 1549 precipitated an urgent need for a repertory of service music in the vernacular. One straightforward solution to the predicament was to adapt existing Latin motets to English texts, a genre of composition that has come to be known as a contrafactum. Contrafacta survive of liturgical music by pre-Reformation English composers as well as by several composers whose working life spanned the period of Reformation. During the Elizabethan and Jacobean periods contrafacta and their models assumed several forms of dual existence, and were performed not only within a liturgical setting but also in a domestic context for recreation or private devotion. Usually there is no textual relationship between the model and the contrafactum. Indeed the finale of this disc, Sing & Glorify heaven’s high majesty, an adaptation of Tallis’s celebrated eight-choir (40-part) motet Spem in alium was adapted to celebrate Prince Henry’s investiture as Prince of Wales in 1610. Chapelle du Roi succeed in conveying a sense of spaciousness and grandeur - The Daily Telegraph
  • Signum Records presents a world first – a CD single, from a new edition of the magnificent 40-part Thomas Tallis motet Spem in Alium and the English version Sing and Glorify. Spem in alium is surely not just the greatest of all Thomas Tallis’ musical achievements, but one of the great musical compositions of all time. Writing for 40 independent voices, Thomas Tallis created a noble and imaginative masterpiece. The earliest surviving manuscript of this great work, the Egerton manuscript, is laid out with an English rendition, Sing and glorify heaven’s high majesty. The English words are not a translation of the Latin, but a new poem written as a syllable-for-syllable replacement. A fine recording as well, beautifully captured in the wide open spaces of All Hallows Church - BBC Radio 3 Record Review Their interpretation at times almost touches the visionary - Gramophone Not only does Alistair Dixon shape the music beautifully, but he has a first-rate team of singers who respond to the music’s every nuance - Goldberg
  • Cantabile (also known as ‘The London Quartet’) have been wowing audiences across the world since the 1980s with their shows that blend performance flair, comic timing and a deep passion for high-quality vocal music. This album is an eclectic tribute to the very British obsession that is cricket, bringing together works from the turn of the century (school songs from Harrow and Eton) to the present day (Jiggery Pokery from the 2009 Ivor Novello nominated album The Duckworth-Lewis Method) – as well as from the well-known (Roy Harper’s When an Old Cricketer Leaves the Crease) to the obscure (The Summer Game, from Andrew Lloyd Webber and Tim Rice’s little-known musical Cricket, commissioned for the Queen’s 60th Birthday). Featuring guest performances from the likes of Richard Stilgoe, Rory Bremner and Tim Rice, this album should prove a must-buy for cricket- and music-fans alike.  
  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal.

    This second release in a new series charts the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.

    Praise for the first disc includes:
    "Lisa Milne performs wonderfully throughout this Poulenc disc. She really sings the French as to the Manoir born … A nicely balanced and arranged recital for all of these voices, so a promising start to this new Poulenc series."

     

    Hilary Finch and Andrew McGregor, CD Review, BBC Radio 3

     

     

  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalisation, Poulenc set his music to a wide range of French poetry – both ancient and modern, and from the serious to the surreal.

    This release marks the first in a new series charting the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau. Future releases will feature several works that have never before been recorded.

    This disc includes the vocal works: Cocardes, Metamorphoses, Chansons gaillardes, À sa guitare, Épitaphe sur un texte de Malherbe, Trois Poèmes de Louise de Vilmorin, Bleuet, Dernier poème, Rosemonde, Fiançailles, Parisiana and La Courte Paille.

  • Iain Burnside and Ailish Tynan return to Signum with their second disc of Irish Songs and arrangements – this time from a range of different 20th Century composers. Although all of the sung texts stem from Irelands rich heritage of literature (including poems from W.B. Yeats, Thomas Moore and James Joyce), the composers featured here have a more transatlantic feel, with works by John Cage and Samuel Barber programmed alongside others by Benjamin Britten and Herbert Hughes.
    Ailish Tynan’s singing [is] totally compellingBBC Radio 3 Record Review
    Editor's Choice: The disc is full of interest. There are lovely, unknown tunes, seductively sung and hauntingly harmonised. It has pathos and wild joy in equal measure. An excellent recital -  Classic FM Magazine
    Iain Burnside is a dream of an accompanistLa Scena Musicale
  • Voces8 return to disc with this new recording of J.S.Bach's Motets, BWV 225-230. Joined by the Senesino Players, this young group prove their versatility and skill in performing some of Bach's most challenging and engaging compositions. The singing is crisp and accurate … The period performance movement has demonstrated how to bring life and energy back to Bach's choral textures, but none of the big names have produced anything that is quite as much fun as this - MusicWeb International One can only marvel at the group's remarkable collective skill and cohesion - Fanfare Magazine
  • For You

    £18.00
    For You is a new opera that brings together the music of composer and BBC Radio 3 presenter Michael Berkeley and Booker-prize winning author Ian McEwan. This gripping tale of love, lust and obsession centers on the composer and prodigious womanizer Charles Frieth (Alan Opie), and the tragic consequences that his selfish actions cause him and those around. Although essentially dark, there are moments of irony, wit, and humour throughout the opera. Soaring vocal lines, intricate ensemble pieces, and imaginative instrumental writing make this an electrifying work. Masterly performed by Music Theatre Wales, directed by Michael Rafferty.
    The music, conducted here by Michael Rafferty, is energetic, deftly coloured and carefully balanced, allowing the excellent voices, including Alan Opie’s Frieth, to make their due markThe Sunday Times It bristles with wit and lyricism, while giving other composers and librettists a lesson in how to drape operativ tradition in modern clothesThe Financial Times Berkeley’s score is lively, abrasive and strongly crafted … the performance (recorded live) is focused, with excellent orchestral playing and a strong central performance by Alan Opie -  The Daily Telegraph
  • Swimming Over London is a new studio?album of jazz?inspired hits and recent commissions performed by The King’s Singers, and is a follow up to their Grammy Award?winning crossover album Simple Gifts.

    This album covers a huge range of pop and jazz?inspired influences – from old favourites (Nat King Cole’s Straighten up and fly right, Arlen & Gershwin’s It’s a New World and Hogey Carmichael’s Lazy Bones) to modern hits (Michael Bublé’s Home, Jason Mraz’s I’m Yours and Imogen Heaps Hide and Seek). Commissions especially for the album come from Bob Chilcott, Mia Makaroff, Ysaye M. Barnwell and Roger Treece.

    A special King’s Singers arrangement of Mika’s By the time is also featured, inspired by their performance with him for the 2009 Mencap Little Noise sessions at the Union Chapel.

    “They are always breathtakingly impressive in their vocal virtuosity, blend and pinpoint intonation.”
    American Record Guide

    “They are still unmatched for their sheer musicality and ability to entertain.”
    The Times

    “...a musical group of the very highest order.”
    Gramophone

    David Hurley countertenor
    Timothy Wayne-Wright countertenor
    Paul Phoenix tenor
    Philip Lawson baritone
    Christopher Gabbitas baritone
    Stephen Connolly bass

  • Described as “one of the finest song composers of his generation”, Ian Venables’ music for voice and string quartet draws on a wealth of literary and musical sources, in particular from the 19th Century romantic tradition. Performances on this disc come from British tenor Andrew Kennedy and the award winning Dante Quartet. Stylish and graceful melodic invention, vividly realised in Andrew Kennedy's plangent tenor and the keenly judged playing of the Dantes - The Observer In his writing for strings, the instruments sing - one could almost fancy they had words written into their parts - Gramophone This is a distinguished and eloquent set of songs - MusicWeb International
  • The music contained in this CD represents a selection of Vespers movements written by the organist Johann Pachelbel. They have in common the distinctively sonorous scoring of four or five-part choir, accompanied by a six-part string orchestra to which is added, at the composer’s express request, a bassoon.

    ‘Charivari Agréable is one of the most versatile Early Music groups around at the moment; under its benign director, Kah-Ming Ng, it appears to be infinitely adaptable, finding musicians who can fit into any of its many and varied programmes’ International Record Review. They represent ‘a new and very exciting phase of the early music revival, one that enriches the existing repertory and can bring us ever closer to the spirit of the original music’ Gramophone.

    Described by The Times as a group that has “stayed in character over four decades, yet retuned itself to the times” and by Gramophone as “enchanting the ear from first to last note” The King’s Singers are truly remarkable. They continue to be one of the most sought-after and critically acclaimed vocal ensembles in the world, performing a rich and varied repertoire from Gesualdo to György Ligeti and Michael Bublé. Internationally recognised for their work in the classical field, they retain the sparkle that delights so many fans when they perform much loved numbers from the lighter end of the repertoire. Whatever the music The King’s Singers are instantly recognisable for their spot-on intonation, their impeccable vocal blend, the flawless articulation of the text and incisive timing.