• Beethoven’s euphoric Symphony No. 9, like his Symphony No. 5, is one of those pieces of classical music which transcends the barrier between musical genres – one of the few pieces of the classical canon in the popular consciousness. Few can fail to be uplifted and caught up in the joyous Ode to Joy finale. For this performance, recorded live at the Edinburgh International Festival in 1994, the Orchestra of the Age of Enlightenment were joined by the renowned conductor and long-time collaborator, Sir Charles Mackerras, a partnership between him and the OAE that lasted almost a quarter of a century. ★★★★★ One of the most thrilling Beethoven interpretations I have ever heard. It bristles with revolutionary spirit … The OAE play like gods and demons - The Financial Times ★★★★★ The slow movement is full of spiritual balm. The outer movements are elemental in proper revolutionary style; the finale’s found British soloists are excellent. Highly recommended - The Mail on Sunday Fine choral singing by the New Company, and Mackerras's masterly control, make the finale as electrifying as only it can be - The Times
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth received the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change.  
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth recieved the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change.   All downloads include booklets.
  • Beethoven Piano Concertos

    £24.00£42.00
    The culmination of the fabulous Beethoven 250 series by French pianist Elizabeth Sombart, conductor Pierre Vallet and the Royal Philharmonic Orchestra; a boxset featuring spectacular performances of Beethoven’s piano concertos and his ‘Triple’ Concerto. Sombart and the RPO examine each concerto in sublime detail, demonstrating the various contrasts of each piece in an elegant and passionate fashion. Richard Harwood on cello and Duncan Riddell on violin enter the recordings with a bang for the final piece in the series, and immediatly connect with Sombart, Vallet and the RPO to produce an epic culmination to this great series.
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth received the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change. This third instalment of this series features Beethoven’s mighty 5th piano concerto as well as his ever popular triple concerto, featuring Duncan Riddell on violin and Richard Harwood on cello.   All downloads include booklets.
  • Beethoven & Barry Vol. 3

    £8.00£18.00 Available April 9, 2021.
    The final installment in the BEETHOVEN & BARRY recording series which, over three volumes, has traced all nine of Beethoven’s Symphonies coupled with music by the celebrated Irish composer Gerald Barry. “This set [Vol.1] cuts pristine interpretations of Beethoven’s early symphonies with Gerald Barry’s 21st- century zesty homage ... tightly knit performances ...” BBC Music Magazine
  • Beethoven & Barry Vol. 2

    £8.00£18.00
    The second volume of celebrated pianist, composer and conductor Thomas Adès and the Britten Sinfonia’s collaborative performances of the works of Beethoven and Gerald Barry. Beethoven’s 4th, 5th and 6th symphonies are interspersed with Barry’s ‘Viola Concerto’ (featuring Lawrence Power) and piece for orchestra and bass ‘The Conquest of Ireland’ (featuring Joshua Bloom). The pairing is ideal, for Gerald Barry’s compositional style was greatly influenced by Beethoven, giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. His music also shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.   All downloads include booklets.
  • Beethoven & Barry Vol. 1

    £8.00£18.00
    The highly anticipated recording of Thomas Adès and the Britten Sinfonia playing Beethoven and Barry; specifcally the Beethoven Symphony Cycle and a selection of Barry’s works. This CD features Beethoven’s first three symphonies, interspersed with Barry’s piece Beethoven and his Piano Concerto. Beethoven intended to stake his claim to be the rightful successor to the Viennese classical tradition with the first of his symphonies, premiered in 1800. He had already began to lose his hearing by this point, and when he composed his second symphony, he placed on the page his spirit of defiance and determination against his deafness. The third marks a significant turning point in his style, as well as in the framwork of how a symphony was expected to be composed. Gerald Barry grew up in rural Ireland. His music shows us how his upbringing had an effect on his compositional style - giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. Do not be fooled by this however; his music shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.   All downloads include booklets. 
  • An unforgettable live-concert recording, selected from the Philharmonia Orchestra and Esa-Pekka Salonen’s season of works by Béla Bartók – 'Infernal Dance.' As soon as Salonen cues the score's reptilian first bars, just after the one-minute mark, you can sense both a tightening of tension and Salonen's natural grasp of Bartok's richly suggestive tone-poetryGramophone As dazzling as you always hope it will be... A truly atmospheric recording that makes it easy to believe you’re in the dark bowels of a castleBBC Radio 3 Record Review The conclusion of the opera is riveting, vocally and instrumentally, with the live performance giving a real edge to the drama ... for Esa-Pekka Salonen and the Philharmonic on top form this is fantasticPlanet Hugill This 2011 performance of Bartok's score is sure to become a classic  ... The hour passes like a single breathWords and Music
     
  • BARTOK

    £12.00
    Recorded as part of their critically praised ‘Infernal Dance’ season, the Philharmonia Orchestra under Esa-Pekka Salonen explore three contrasting works by Bela Bartok – the chamber piece Contrasts, and the orchestral works Dance Suite and The Miraculous Mandarin. Contrasts is one of Bela Bartok’s most imaginative forays into the world of chamber music. His only chamber work involving a woodwind instrument (for Piano, Clarinet and Violin), Contrasts originated in a commission from the American ‘King of Swing’, Benny Goodman. Composed to mark the 50th anniversary of Budapest in 1923, Bartok’s Dance Suite is a rhapsodic collection of folk inspired tunes that marked a sonorous change in direction from the composer’s more dissonant works up to that point. The ballet-pantomime The Miraculous Mandarin is raw, dangerous, exotic and elemental: using the rarely performed full ballet score it is frenzied music, percussive, sensuous and violent, telling a shocking story of desire and death. Ferocious savagery that Salonen uncorks...suggesting a lacerating whip - The Times I was drawn in by the cool ferocity and steadfast virtuosity of these performances - The Guardian
  • Arne: Artaxerxes

    £12.00 Available May 14, 2021.
  • Arcadia

    £12.00
    Oliver Davis graduated from the Royal Academy of Music in 1994 and has since composed numerous concertos, ballet scores, albums, soundtracks and television scores working with many of the major London orchestras. The Infinite Ocean was composed for choreographer Edwaard Liang and was commissioned by San Francisco Ballet for the Unbound festival, 2018. Liang requested the work to be in six sections and to feature a solo violin. The aim of Arcadia was to create a piece which evoked an idyllic serene place. Gemini was specifically composed for violinist Kerenza Peacock and was designed to explore the contrasting styles of her playing. The Suite for piano and orchestra was written for Huw Watkins on piano and heavily involves thematic development throughout. Inferno began life as a short orchestral sketch, which gradually evolved into a full, single-movement piece. Lastly, The Elements was commissioned by The Hanke Brothers, who specifically wanted a piece describing the four elements. The ensemble containing piano, viola, recorder and tuba, produces a unique timbre, and the piece explores the possible various aspects of this timbre.
  • Following its successful full length opera, Artaxerxes, The Mozartists return with the first in an epic series of Mozart operas Apollo et Hyacinthus. Named in The Guardian as one of ‘The Best Classical albums of 2012’. The Mozartists have mounted two staged productions of Mozart’s Apollo et Hyacinthus (1998 and 2006), with both receiving wide critical acclaim; The Independent stated, “Classical Opera’s polished debut in Apollo et Hyacinthus proved a pearl beyond price. Here was a work of staggering beauty riddled with sweet noises like Caliban’s enchanted isle.”
  • Signum are proud to present the debut recording from the Chineke! Orchestra, in a new live orchestral recording from The Royal Festival Hall, London.
    Drawn from exceptional musicians from across the continent, the orchestra is part of the Chineke! Foundation – a non-profit organisation that provides career opportunities to young Black and Minority Ethnic (BME) classical musicians in the UK and Europe. Their motto is ‘Championing Change and Celebrating Diversity in Classical Music.
    The orchestra is the brainchild of Chi-chi Nwanoku MBE, FRAM, who describes the project’s aim as being “... to create a space where BME musicians can walk on stage and know that they belong, in every sense of the word. If even one BME child feels that their colour is getting in the way of their musical ambitions, then I hope to inspire them, give them a platform, and show them that music, of whatever kind, is for all people.” In this first release in a new series, Chineke! orchestra perform two beguiling works – Sibelius’s Finlandia and Dvořák’s much loved Symphony No. 9 ‘From the New World’. Both pieces encompass different aspects of BME influences in Western Classical music: Sibelius’s Finlandia embodied a national sentiment in both the composer’s homeland of Finland as well as for other small nations seeking to free themselves from subjugation from other countries (becoming the national anthem of Biafra during the civil war of 1967-1970), and although underplayed by critics at the time, Dvorak’s work rings with melodies influenced by the folk music and spirituals sung to him by his African- American student and assistant, Harry Burleigh, and with rhythms and pentatonic sections inspired by the music of the Sioux Indians, all wrapped up in the format of a Western Classical symphony. Music Web International A remarkable testament to a remarkable orchestra. Norther Echo This live recording of the works at the Royal Festival Hall, under the baton of Kevin John Edusai, oozes dynamism with fine playing in the quieter passages. The Kansas City Star pick
  • Tolstoy's Anna Karenina is a masterwork of 19th Century literature; a parable on the struggle for personal freedom against the conventions of a hostile society, played out in a tragic love-story. With a libretto by the distinguished director Colin Graham after the novel by Leo Tolstoy, David Carlson's opera vividly captures the drama and message of the original work. This double-disc set is a world premiere recording of the opera, with commanding performances from members of the Opera Theatre of Saint Louis and the Saint Louis Symphony Orchestra conducted by Stewart Robertson. There is a lot to admire in this dramatic, expressive scoreOpera Now Magazine
  • An exciting start to a new orchestral collaboration for Signum Records, this disc is the first of a new series with the London Sinfonietta – one of the world’s elite contemporary music ensembles with a reputation built on the virtuosity of its performances and ambitious programming. This live recording brings together the UK premiere of Anaïs Nin, a new work for soprano and small ensemble, alongside his famed work De Staat.

    Anaïs Nin is a monodrama based on the diaries of the same famed author, as well as those of her lovers (Antonin Artaud, René Allendy, Henry Miller and her own Father). A sometimes disturbing tale of desire and passion, Andriessen felt that the music should "closely track the irony, despair and passion of this brilliant, many-sided woman."

    De Staat remains one of Andriessen's supreme achievements, an epic rechannelling of Stravinskyan rhythmic energy into his own raw-edged minimalismThe Guardian Don’t get too bogged down in trying to comprehend Andriessen’s long-winded attempts to explain what the piece is about – just enjoy the noise. It’s fantasticThe Arts Desk
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