• Peter Cigleris performs with the BBC National Orchestra of Wales in a programme of four ‘rediscovered’ clarinet concertante works of the first half of the 20th Century. Composed between 1930 and 1947, the works span a time of change in the musical landscape of Great Britain; Pre 1939/40 the two predominant styles within British music were those of Post-Romanticism and Nationalism, whereas Post 1945, with the influence of the BBC, Modernism became the dominant style. By chance it also happens that two prominent British clarinettists tie these four works together; Fredrick Thurston and Reginald Kell were both involved in performances of the works at various points during their careers. A renowned soloist and chamber musician, Peter Cigleris has performed with the CBSO, BBCCO, ENB, Philharmonic, Royal Ballet Sinfonia and Orchestra of the Swan, as well as for a time holding the principal seat with the Symphony Orchestra of India in performances under Charles Dutoit and Rafael Payare amongst others. He has worked with musicians such as Martin Cousins, John Lenehan, Mark Bebbington, Julian Lloyd Webber and the Tippett Quartet, performing for various music clubs and festivals around the UK including the Windsor and Wooburn Festival, English Music Festival, Carlisle International Music Festival, Groba Festival in Spain and the ICA ‘ClarinetFest’.
  • Reservoirs

    £12.00
    Orchestral Works by Guto Pryderi Puw  Gweithiau Cerddorfaol gan Guto Pryderi Puw The first release from the BBC National Orchestra of Wales’s inaugral Composer in Residence, Guto Pryderi Puw. A dual-language release in both Welsh and English, this release features a range of orchestral works inspired by stories and landscapes of Wales. The playing of the BBC National Orchestra of Wales under the always enterprising Jac van Steen is everything that could be desiredMusicWeb International Running the gamut from dense harmonic clusters to folk tunes, the judicious placing of its events more than outweighs its overtly short-term evolution - all making for a bracing embodiment of its narrative and a vivid showpiece in its own rightGramophone
  • Although he was counted amongst Mily Balakirev's 'Mighty Handful' (which dedicated itself to pursuing a more purely Russian art music, as opposed to the Austro-German musical dominance of the era), both works on this recording show how Nikolai Rimsky-Korsakov was able to draw influences from beyond Russia into his own unique compositional approach: the scenes from his opera The Invisible City of Kitezh take on a dramatic, Wagnerian influence, whilst Sheherazade is suffused with orientalism as it conjures images from the Thousand and One Nights.

    The St Petersburg Philharmonic Orchestra under Yuri Temirkanov bring their natural insight with this repertoire to the fore in these live performances, continuing their series of acclaimed releases with Signum.

    The St Petersburg Philharmonic Orchestra under Yuri Temirkanov deliver the scores with panacheCD Choice The St Petersburg Philharmonic Orchestra, conducted by Yuri Temirkanov, presents sterling performances of excerpts from Rimsky-Korsakov's The Invisible City of Kitezh and SheherazadeNorthern Echo This Scheherazade is absolutely marvellous, one of the best available. If you think you have heard the score so often that it has become jaded, this is a recording to make you think againMusicWeb International
  • Charles Ramirez is a guitarist of rare skill. A preeminent performer in the generation of guitarists that followed Segovia, he has held the post of Professor of Guitar at the Royal College of Music since the age of 25, raising the profile of the instrument through his concerts and education activities since mid-1970s. This disc is the first in a new series of recordings featuring Charles Ramirez and sees him perform works by Joaquín Rodrigo with the Chamber Orchestra of Europe – the Concierto de Aranjuez and Fantasia para un gentilhombre – under conductor and founding member of the orchestra Douglas Boyd. The programme is completed with Rodrigo’s enchanting solo-guitar piece Elogio de la guitara. Guitar virtuoso Charles Ramirez is on supple, sensitive form on this collection of Rodrigo suites - The Independent Concierto de Aranjuez sparkles in the hands of Charles Ramirez. Even more impressive is the more virtuosic Elogio de la guitarra, where Ramirez sustains some fiendish fingerworkThe Daily Telegraph Ramirez is technically masterful, his tone rich, his musical ideas intelligent - Classic FM Magazine
  • Hideko Udagawa has performed extensively throughout the world and captivates international audiences with her artistry and enthusiasm. As a protégée of Nathan Milstein, she has inherited the great Russian romantic tradition of violin playing, and brings it to the fore in this collection of works by Rimsky-Korsakov, Tchaikovsky, Glazounov, Gade and Ysase. Alongside the Philharmonia Orchestra this disc includes two world premiere recordings of works by Eugène Ysaÿe – Mazurka No.2 Op.10 and Saltarelle Carnavalesque, Op.Posth. Udagawa's mastery of the Russian Romantic school of violin playing is a tour de force. Her distinctly northern European style suits this repertoire perfectly - Classic FM Magazine
  • If it were not for the operas of Gioachino Rossini, the operatic repetory of the mezzo soprano would lack some of its most interesting characters and music. Silvia Tro Santafé proves herself a true ‘Rossini Mezzo’ in this collection of scenes and arias, accompanied by the excellent Orquesta Sinfónica de Narvarra and Lluís Vich Vocalis. This voice is one fine instrument, at times as luxuriant as rippling grey silk, at others glinting like flexible metal, always thoroughly enjoyable as pure sound - Opera Magazine A most impressive recital - The Gramophone Tro Santafé's unique vocal qualities illuminate the music with fresh colors and interpretive accents … this is an excellent disc that more than stands up to the competition - MusicalCriticism.com
  • The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue.
    Susan Gritton's delivery of the three arias has an exquisite balance of grace and intensity befitting their spurned heroines - The Independent
  • Fantastic recordings of Saint-Saëns' orchestral classics, including his Requiem and his Organ Symphony.
  • This recording is a hybrid CD/SACD recording, which will work in both a standard CD or SACD player. 

    Acknowledged as the UK’s foremost musical pioneers, with an extraordinary recording legacy, the Philharmonia leads the field for its quality of playing. Together with its relationships with the most sought-after artists, most importantly its Principal Conductor and Artistic Advisor Esa-Pekka Salonen, the Philharmonia Orchestra is at the heart of British musical life. Esa-Pekka Salonen made his London conducting debut with the Philharmonia Orchestra in September 1983 and he has returned to conduct the Orchestra on a regular basis ever since. This is the first in our series of Philharmonia releases that feature Salonen as conductor and is a hybrid SACD/CD in both stereo and surround. Forthcoming recordings as part of Salonen’s new partnership with the Philharmonia Orchestra and Signum include Mahler’s 6th and 9th symphonies and Berlioz’s Symphonie Fantastique. Sometimes less is not more. More is exhilarating. ... the music-making was superb ... And what terrific soloists! - The Times The opening songs have a featherweight transparency, the interludes a natural fluency … and the choral climax transmits a properly ecstatic, pantheistic glowThe Financial Times Salonen cracks into Schoenberg’s stacked layers of activity and strikingly schizophrenic mood shifts, revealing clarity and sonic grandeur. His soloists are top-notch too. Essential listening - Classic FM Magazine
  • Recorded live at the Royal Festival Hall in October 2015, this new release continues the Philharmonia Orchestra’s celebrated series of live recordings on Signum, led in this performance by their Honorary Conductor for Life Christoph von Dohnányi.
    Recorded as part of the orchestra’s 70th anniversary season, this performance captures the grandure and intensirt of Schubert’s final and greatest symphony.
  • The ‘Great C major’ has often been cited as the first of the big romantic symphonies and an open door leading to the Romantic era. We owe the belated emergence of this symphony, 11 years after Schubert’s death, to Schumann who described it as “a symphony for the benefit and enjoyment of the whole world.” The Philharmonia Orchestra are widely recognised as the UK’s finest performers with an impressive recording legacy. The orchestra prides itself on collaborations with the finest musicians of our day including guest conductor Sir Charles MacKerras. In an age of deodorised live recordings, this rough diamond document of that concert is thrilling... A miraculous work played with humour, wisdom and daringThe Independent on Sunday This staggering recording… is the most remarkable recording of this elusive work since Furtwängler’s famous Berlin account in 1951BBC Music Magazine
  • ‘Settecento’ is the style of art, music and architecture that emerged in Italy in the early 18th century, celebrated here by La Serenissima and Adrian Chandler with a collection of works from that era. The works are grouped by the areas of Italy where each composer worked, including the Kingdom of Naples (Scarlatti, Mancini), Republic of Venice (Dall’Abaco, Vandini, Tartini & Vivaldi) and the Papal States / Bologna (Brescianello). The ensemble La Serenissima is recognised as the UK’s leading exponent of the music of 18th-century Venice and connected composers. Uniquely, the group’s entire repertoire is edited from manuscript or contemporary sources. It has become synonymous with virtuosity, dynamism and accessibility, uncovering new repertoire and making it available to all through live performance, recordings and educational initiatives.
  • Jamie Walton's new collaboration with the Philharmonia Orchestra, led by Alexander Briger, covers two more-contemporary Cello works; Shostakovich?s Cello Concerto No. 2, and Britten's Symphony for Cello and Orchestra. Jamie Walton is quickly gaining international recognition for his work, being compared to Cello legends Rostropovich and Tortelier. The Elgar society wrote about Jamie's first disc with Signum: “I really cannot praise this performance too highly. For faithfulness to the text, interpretative musicality, accuracy, ensemble and warmth and beauty of tone, Walton cannot be beaten."
  • Festive Overture
    One of Shostakovich’s most famous works originally composed for a concert to commemorate the 37th anniversary of the October Revolution in 1917.
    Symphony No. 5
    Its position as one of the 20th Century’s most popular and successful symphonic works is beyond any doubt, the triumph was immediate and greeted Shostakovich’s rehabilitation as a truly great Soviet artist.
    The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy. Vladimir Ashkenazy has a longstanding relationship with the orchestra, and in 2000 he was appointed their Conductor Laureate.
  • The Chineke! Orchestra return to disc on Signum in a new live orchestral recording from the Royal Festival Hall, London.

    Drawn from exceptional musicians from across the continent, the orchestra is part of the Chineke! Foundation – a non-profit organisation that provides career opportunities to young Black and Minority Ethnic (BME) classical musicians in the UK and Europe. Their motto is ‘Championing Change and Celebrating Diversity in Classical Music’.

    The Chineke! Orchestra is the brainchild of Chi-chi Nwanoku OBE, FRAM, who says: ‘My aim is to create a space where BME musicians can walk on stage and know that they belong, in every sense of the word. If even one BME child feels that their colour is getting in the way of their musical ambitions, then I hope to inspire them, give them a platform, and show them that music, of whatever kind, is for all people.’

    In this live concert recording under conductor Roderick Cox they perform Sibelius’s 2nd Symphony and Rachmaninov’s Piano Concerto No.3, featuring multi-award-winning pianist Gerard Aimontche.

    The playing of both works... is most pleasing, the colours vivid, the excitement palatable, while Aimontche's sweeping reading of Rachmaninov's Piano Concerto No 3 astutely combines the intimate and epic, his tone never forced - The Sunday Times An excellent follow-up to their first recording for Signum Classics - BBC Radio 3 Record Review
  • Since her American debut in the early nineties, Silvia Tro Santafé has become one of the most sought after coloratura mezzos of her generation. On this disc we hear the proof of her operatic talents, performing some of the greatest and most passionate arias of any operatic mezzo soprano. Though Silvia Tro Santafé is no newcomer in the recording stakes this was my first encounter with her and this recital has definitely whetted the appetite for more - MusicWeb International
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