• Gabriel Prokofiev’s famous first Concerto for Turntables reached a global audience when performed by Mr. Switch at the 2011 BBC Proms, under the baton of Vladimir Jurowski. It has since been performed 55 times worldwide, with the 5th movement being performed 20 times as part of the BBC’s Ten Piece’s project. The aim of the piece is demonstrate the main DJing techniques, with each movement showing off a specific one. Prokofiev’s Cello Concerto was composed in 2012 and is the third concerto he composed. It was the most conventional of his concertos, with the other two (at that point) being for Bass Drum and Turntables. Despite this, Prokofiev still manages to explore influences of electronic and dance music in the concerto, whilst also exploring the traditional lyrical side of the cello.   All downloads include booklets. 
  • Christopher Gunning returns with recordings of his Violin Concerto, Cello Concerto and Birdflight. Not composed until 2011, Gunning's Violin Concerto was composed after inspiration whilst the composer was out hiking in Wales. The violin is supposed to represent ducking and weaving, rather like the insects and animals found in the Welsh hills and valleys. However, despite this positive venture for the composer, the emotions of sadness and melancholy are never far from this music - feelings which never seem far from Gunning's music. The Cello Concerto is quite different. Although composed hard on the heels of the Violin Concerto, it is generally darker though equally expressive. The third piece, Birdflight, is for the orchestra alone; a kind of tone poem. At the opening and close there is some quiet night music with spacious strings. The birds take flight but encounter a problem; a hawk is on their tail. The birds manage to hide and there is a pause. Then, when danger has passed, they take off and once again enjoy the sheer pleasure of flying.   All downloads include booklets.
  • Following the celebrated releases of Gunning’s Symphonies Nos. 2, 10 & 12 in 2019 and his concertos for Violin and Cello with the piece ‘Birdflight’ in 2020, Signum presents the recording of Symphonies Nos. 6 & 7 as well as his piece ‘Night Voyage’, performed by the Royal Philharmonic Orchestra. Linked by the theme of journeying, Symphonies 6 & 7 explore Gunning’s fascination with a single movement form broken into several sub-sections. The piece ‘Night Voyage’ is a sea piece born on a rainy evening whilst the composer was standing on the edge of the Mersey river. Four-time BAFTA winning composer Christopher Gunning, has composed twelve symphonies as well as concertos for the piano, violin, cello, flute, oboe, clarinet, saxophone, and guitar. “Gunning’s [...] symphonies, numerous concertos and sundry orchestral pieces are as meticulously wrought as they are powerfully conceived.”  - Richard Whitehouse, Gramophone
  • Christopher Gunning has composed twelve symphonies, as well as concertos for the piano, violin, cello, flute, oboe, clarinet, saxophone, and guitar; many of these have now been recorded. He has also composed many scores for films and television dramas, including Agatha Christie’s ‘Poirot’, La Vie en Rose, Middlemarch, Cold Lazarus, Rebecca, Under Suspicion, Firelight, The Big Battalions, Wild Africa, When the Whales Came and Porterhouse Blue. With a career spanning 50 years, he has won 4 BAFTA and 3 Ivor Novello Awards, and BASCA’s prestigious Gold Badge Award. Christopher studied composition with Edmund Rubbra and Sir Richard Rodney Bennett at the Guildhall School of Music and Drama. After a hugely successful career writing for the big and small screen he is now focussed on his classical work and releases.   All downloads include booklets.
  • Recorded in 2014 at the begninning of a series marking his 85th birthday season, Christoph von Dohnányi leads the Philharmonia Orchestra in a rousing live performance of Bruckner’s monumental Ninth Symphony, which stands alongside the other epoch-defining Ninth symphonies of Beethoven and Mahler. [A] beautifully prepared account... Dohnanyi's new recording is distinguished by the clarity with which it presents Bruckner's score as well as the excellence of its soundGramophone Dohnanyi's is a considerable performance in its own right. The Philharmonia plays very well for a conductor who they clearly and rightly esteemMusicWeb International The recording is everything you'd wish from a Bruckner recording. You'll get the grand and the detail all in silky sound. Very highly recommended - Audiophilia A wonderfully passion-filled performance by the Philharmonia in Salzburg and an excellent CD edition of this occasion - North East Music Magazine The performance is as devastating an experience as it should be, and one of the most powerful that the whole literature of music can provideBBC Music Magazine Maazel's Seventh is very decent...the clangorous coda is fantastic - The Arts Desk A wonderfully passion-filled performance by the Philharmonia in Salzburg and an excellent CD edition of this occasion -NE:MM
  • Continuing Signum’s series of live orchestral releases with the Philharmonia Orchestra, on this new disc Christoph von Dohnányi leads a performance of Bruckner’s Symphony No.4, Romantic. Bruckner stands out from other 19th-century symphonists; his large-scale works demonstrate a unique fusion of conservative and radical elements, notably influenced by composers such as Wagner and Beethoven. He appended not only the title 'Romantic' but even included a programme for the Fourth Symphony, sometime after composition. Though he later withdrew it, the scenario is a mediaeval Romantic ideal, where knights awaken to the sound of horns, rejoice and repair to prayer, before the inevitable hunt and ensuing festivities. Orchestral Disc of the Month: There's much worth celebrating on this excellent new recording of Bruckner's Fourth Symphony - Gramophone The performance is notable for some really sensitive chamber-music-like interaction between wind and strings and particularly subtle phrasing from the violas in the chorale melody - BBC Music Magazine A powerful live account of Bruckner's Fourth, played in the Robert Haas edition... a vast, thrilling drama of tension and relaxation, and triumph - The Times Dohnanyi makes the finale something of a tour de force - Classical Source
  • Following their acclaimed recordings of Berlioz’s Grande Messe des Morts and Mendelssohn’s Elijah, Paul McCreesh has once again assembled the mass forces of Gabrieli Consort & Players and Wrocaw Phiharmonic Choir to record one of the iconic masterpieces of the twentieth-century oratorio repertoire.
    The work reflects Britten’s long-held and committed pacifist beliefs. Composed to mark the consecration of a new Cathedral in Coventry, Britten combines the Latin text of the Missa pro Defunctis with nine poems by the First World War poet Wilfred Owen, which vide a moving (and frequently uncomfortable) commentary on the liturgical text.
    This series has already garnered substantial critical claim and a number of prestigious awards, including a Gramophone Award, BBC Music Magazine Award and two Diapason d'Or awards.
    It’s a very well-paced performance, and Susan Gritton, John Mark Ainsley and Christopher Maltman are excellent soloists, totally engaged with Britten’s combination of the Latin Mass for the Dead and Wilfred Owen’s war poetry. It’s an outstanding recording for the Winged Lion Label from Signum ClassicsBBC Radio 3 CD Review
  • Britten’s powerful and masterful evocation of the North Sea in all its moods has to audiences all over the world become inextricably linked with the Aldeburgh that was home to George Crabbe (author of the ‘The Borough’ from which the story originates) in the eighteenth century and Britten in the twentieth.
    Steuart Bedford leads a vast and accomplished ensemble on this new live recording, created shortly before the group’s unique staging of the work on the beach at Aldeburgh as part of the town’s world-renowned festival. The mix here is imperceptible and the sound unobtrusive; engineer Mike Hatch deserves a credit twice the size and conductor Steuart Bedford pulls off an extraordinary feat of coherence and endurance. But it’s Oke who makes the case for Peter Grimes and steals the show. There used to be two great Grimes on record: Peter Pears and Jon Vickers. Now there are threeSinfini Music
  • Recorded live at the Royal Festival Hall’s Southbank Centre, the Philharmonia Orchestra are led by Christoph von Dohnányi in these captivating live recordings of Brahms’ Four Symphonies. The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy. Christoph von Dohnányi has been principle conductor of the Philharmonia since 1997 and was appointed Honorary Conductor for life in 2008. These live performances are about subtle shading and unexaggerated, probing thoughtfulness, bringing out the classical rather than the romantic side of Brahms - Classic FM magazine A very sensitive interpreter ... the slow movement [of the first symphony] is very lyrical, with some effective instrumental dovetailing and plenty of light and shade, and the finale generates an impressive sense of joyous release - Gramophone Throughout the set the Philharmonia plays excellently – the rapport with the conductor is evident… these Dohnányi readings are consistent and very rewarding - MusicWeb International
  • Symphony No. 2 Its idyllic nature, sheer tunefulness and general sunny disposition earned Brahms an unmitigated triumph in its premiere performance in Vienna in 1877. Since then, it has been described as the sunny counterpart to the storm clouds of his First Symphony. Symphony No. 4 This work conveys Brahms’ imaginative writing combining sheer intelligence with unexpected comic turns. The Finale is still considered to be one of the most exhilarating movements in the entire orchestral repertoire. The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy. Christoph Von Dohnányi has been principle conductor for the past 11 years and in the coming season will be made Honorary Conductor for life.
  • This new disc from the Philharmonia completes the collection of Brahms symphonies conducted by Christoph Von Dohnányi. These live performances are about subtle shading and unexaggerated, probing thoughtfulness, bringing out the Classical rather than the Romantic side of Brahms - Classic FM Magazine A very sensitive interpreter… the slow movement [of the First Symphony] is very lyrical with some effective instrumental dovetailing and plenty of light and shade, and the finale generates an impressive sense of joyous release - Gramophone
    Both performances are well played by the Philharmonia from whom the conductor obtains a sound that is lean and muscular - MusicWeb International
  • Borodin: Requiem

    £8.00£12.00
    Together with familiar music from Prince Igor, this CD features the world premiere recording of the unusual Requiem, (which is based on “Chopsticks”), and Glazunov’s orchestration of the charming Petite Suite. Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra. The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia’s younger conductors, the most important to its development was Herbert von Karajan, who though never formally chief conductor was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London’s five symphony orchestras in its first two decades.   All downloads include booklets.
  • Since September 2008 Esa-Pekka Salonen has been Principal Conductor and Artistic Advisor of the Philharmonia Orchestra. In his first season in this role he devised and led City of Dreams, a nine-month exploration of the music and culture of Vienna between 1900 and 1935. The project, which presented the music of Mahler, Schoenberg, Zemlinsky and Berg in its social and historical context, travelled to 18 cities across Europe, culminating in October 2009 with semi-staged performances of Berg's Wozzeck, with Simon Keenlyside in the title role. The Philharmonia plays beautifully for Esa-Pekka Salonen. [Their] woodwind section particularly distinguishes itself, with eloquent, forlorn exchanges between the oboe and cor anglais in the 'Scene aux Champs' ... a well-turned, thoughtful performance - International Record Review Don't ever be tempted to typecast Esa-Pekka Salonen as a hardline modernist ... he reveals himself as a powerful Berliozian tooClassic FM Magazine The Philharmonia gives its all in a performance that relishes the manic contrasts in Berlioz's groundbreaking score, as well as emphasising its symphonic sweep - BBC Music Magazine
  • This is the first in a new series of releases from the world-renowned conductor Paul McCreesh and his Gabrieli Consort. Recorded in Poland as part of the Wratislava Cantans Festival (of which McCreesh is artistic director) this staggering performance of Berlioz's 'Grand Mass for the Dead' is produced by a force of over 400 performers - drawn from the Gabrieli Consort and Players, the Wroclaw Philharmonic Orchestra and Choir and students from Chetham's School of Music. Future releases with McCreesh will include Mendelssohn's Elijah, Haydn's The Seasons, Britten's War Requiem and a re-recording of their famed disc 'A Venetian Coronation'. Founded in 1982 by Artistic Director Paul McCreesh, Gabrieli Consort & Players are worldrenowned interpreters of great choral and instrumental repertoire, spanning from the renaissance to the present day. Their performances encompass virtuosic a cappella programmes, mould-breaking reconstructions of music for historical events, and major works from the oratorio tradition. They are regular visitors to the world's most prestigious concert halls and festivals and have built a large and distinguished discography. Anyone in search of a transformative listening experience, Berlioz agnostics among them, should make this release a priority purchaseClassic FM Magazine The contrapuntal intricacy of Berlioz's choral writing is done with precision and firm accents, the haunted atmosphere of the 'Quid sum miser' interpreted with restrained, eloquently inflected choral singing and poignant instrumental interjectionsGramophone Berlioz’s 1837 Grande Messe has rarely sounded so thrilling or transparentThe Independent on Sunday
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, with this being their sixth disc with Signum. Christoph Von Dohnányi has been principle conductor for the past 11 years and has recently been made Honorary Conductor for life. The disc features two crowning achievements of Beethoven’s aptly titled ‘Heroic’ compositional period of the early 19th Century; the Third Symphony (Eroica), and the Fifth Symphony, arguably the single most popular piece of classical music in the Western canon. The musical argument is pursued with unflagging vigour combined with a high degree of orchestral virtuosity - the excitement remains intense in this hugely satisfying account - International Record Review These are fine, intelligent and very well played live performances and both are very welcome additions to the catalogue - MusicWeb International
  • The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue. Future releases include Mozart’s Symphony No. 1 and Beethoven’s ‘Ah Perfido!’
     
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