• The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue. Future releases include Mozart’s Symphony No. 1 and Beethoven’s ‘Ah Perfido!’
     
  • The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue.
    Susan Gritton's delivery of the three arias has an exquisite balance of grace and intensity befitting their spurned heroines - The Independent
  • The LCO return to disc on Signum with a new programme of French orchestral works by Ravel, Fauré, Poulenc and Ibert. Their ‘LCO Live’ series captures the vibrant, exciting performances they give at their London home of St. John’s, Smith Square.

    Here's a recording guaranteed to put a smile on your face! Enthusiastic and fun, yet with touching, tender moments and a clever awareness of the music's irony, the London Chamber Orchestra delivers a witty, exuberant collection - Classic FM Magazine

    Spry, clipped music-making, and a lovely French programme, capped by Roge's ebullient account of Poulenc's mercurial, flamboyant Piano Concerto - BBC Music Magazine

  • A close brush with his own mortality eighteen months ago was the driving force behind Mike Sheppard's decision to focus solely on his composing, putting aside his other commercial interests as a music publisher and producer. The Soul Rests Eternal marks the first fruits of this new direction.

    The works take the listener on a journey exploring the emotional landscape of grief, bereavement and loss, but also hope, optimism and a celebration of life. Seen through the twin perspectives of the composer's eyes and a more global view, the album takes an emotional journey from the immediate to the eternal; the banal to the sublime. A 'radio-friendly' collection of three to six minute works, Classic FM have confirmed playlisting for the album upon its release in November.

    Performances on the disc come from internationally renowned cellist Caroline Dale and the English Chamber Orchestra, conducted by the emmy-award nominated musican Steve Sidwell.

    It would be hard for anyone to top the humanity of Caroline Dale's interpretationClassic FM Magazine

    I can think of many reasons to listen to this music, but none more profound than the fact that all of us can sees a mirror image of portions of our own souls in it. Warmly recommendedAudiophile Audition

    Caroline Dale [is] as eloquent a soloist as one could hope for … The recording is excellent: present, and the perfect reflection of Sheppard's haunting languageFanfare

    If you enjoy the music of Karl Jenkins and Jon Lord, then this will work for youMusicWeb International

  • A unique disc from one of Scotland's most dynamic and versatile groups – the Scottish Ensemble is a tight-knit band of outstanding string players from around Europe who perform regularly together under Artistic Director, Jonathan Morton. This disc – one of their first solo releases following acclaimed discs with artists such as Alison Balsom and Toby Spence – contrasts Vivaldi's timeless Four Seasons with Piazzolla's tango-inspired The Four Seasons of Buenos Aires. Combining Vivaldi and Piazzola together like this underlines the meteorological and cultural differences between Mediterranean Europe and the heart of South America. To have them performed side by side creates a fascinating programme of similarities and contrasts. The playing standard is excellent, with the strings of the Scottish Ensemble finding a light and suitably transparent texture in the Vivaldi, matched by bright, stylish solos from Jonathan Morton - Gramophone The relationship between the violin soloist and the ensemble is just right … the Scottish Ensemble succeed in bringing this paradoxical idea to fruition - Classical-CD-Reviews.com
  • Signum’s fourth disc with the St Petersburg Philharmonic Orchestra continues their series of the great core Russian repertoire. Featuring the Orchestral suite of one of Tchaikovsky’s most famous ballets Swan Lake, complemented with Rachmaniov’s final composition Symphonic Dances.
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, with this being their sixth disc with Signum. Christoph Von Dohnányi has been principle conductor for the past 11 years and has recently been made Honorary Conductor for life. The disc features two crowning achievements of Beethoven’s aptly titled ‘Heroic’ compositional period of the early 19th Century; the Third Symphony (Eroica), and the Fifth Symphony, arguably the single most popular piece of classical music in the Western canon. The musical argument is pursued with unflagging vigour combined with a high degree of orchestral virtuosity - the excitement remains intense in this hugely satisfying account - International Record Review These are fine, intelligent and very well played live performances and both are very welcome additions to the catalogue - MusicWeb International
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, this being their fifth disc with Signum. This disc combines the Philharmonia’s renowned sound with the leadership of Maestro Davis, who’s recording and performing career spans through all the great orchestras of the world. This disc features Elgar’s best known orchestral works; The Enigma Variations depict twelve of Elgar’s family and friends in fourteen variations built on the original Enigma theme, one of Elgar’s earliest and still most frequently played orchestral works, Serenade for Strings, and In the South, Elgar’s Concert Overture written for the Elgar festival in 1904. A reading clearly born of true affection for, and deep knowledge of this rich and ever-wonderful score… any Elgarian seeking these three pieces together will not remotely be disappointedInternational Record Review Three fine interpretations, that also has the excitement of public performance, by a conductor who loves this repertoire and knows it like the back of his handBBC Music Magazine A highly impressive recording - Classic FM Magazine
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, this being their ninth release with Signum Records. This disc combines the Philharmonia’s renowned sound with the leadership of Maestro Davis, whose recording and performing career spans through all the great orchestras of the world.
  • Symphony No. 2 Its idyllic nature, sheer tunefulness and general sunny disposition earned Brahms an unmitigated triumph in its premiere performance in Vienna in 1877. Since then, it has been described as the sunny counterpart to the storm clouds of his First Symphony. Symphony No. 4 This work conveys Brahms’ imaginative writing combining sheer intelligence with unexpected comic turns. The Finale is still considered to be one of the most exhilarating movements in the entire orchestral repertoire. The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy. Christoph Von Dohnányi has been principle conductor for the past 11 years and in the coming season will be made Honorary Conductor for life.
  • The ‘Great C major’ has often been cited as the first of the big romantic symphonies and an open door leading to the Romantic era. We owe the belated emergence of this symphony, 11 years after Schubert’s death, to Schumann who described it as “a symphony for the benefit and enjoyment of the whole world.” The Philharmonia Orchestra are widely recognised as the UK’s finest performers with an impressive recording legacy. The orchestra prides itself on collaborations with the finest musicians of our day including guest conductor Sir Charles MacKerras. In an age of deodorised live recordings, this rough diamond document of that concert is thrilling... A miraculous work played with humour, wisdom and daringThe Independent on Sunday This staggering recording… is the most remarkable recording of this elusive work since Furtwängler’s famous Berlin account in 1951BBC Music Magazine
  • Festive Overture
    One of Shostakovich’s most famous works originally composed for a concert to commemorate the 37th anniversary of the October Revolution in 1917.
    Symphony No. 5
    Its position as one of the 20th Century’s most popular and successful symphonic works is beyond any doubt, the triumph was immediate and greeted Shostakovich’s rehabilitation as a truly great Soviet artist.
    The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy. Vladimir Ashkenazy has a longstanding relationship with the orchestra, and in 2000 he was appointed their Conductor Laureate.
  • Jamie Walton's new collaboration with the Philharmonia Orchestra, led by Alexander Briger, covers two more-contemporary Cello works; Shostakovich?s Cello Concerto No. 2, and Britten's Symphony for Cello and Orchestra. Jamie Walton is quickly gaining international recognition for his work, being compared to Cello legends Rostropovich and Tortelier. The Elgar society wrote about Jamie's first disc with Signum: “I really cannot praise this performance too highly. For faithfulness to the text, interpretative musicality, accuracy, ensemble and warmth and beauty of tone, Walton cannot be beaten."
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, with this being their fourth disc with Signum. Christoph Von Dohnányi has been principle conductor for the past 11 years and has recently been made Honorary Conductor for life. Till Eulenspiegels Lustige Streiche (Till Eulenspiegel's Merry Pranks) is considered to be one of Strauss’s most witty, entertaining and successful tone poems.Ein Heldenleben (A Hero's Life) heralds the composer’s more mature period in this genre, and proved controversial at it's premiere for it's highly auto-biographical nature.
  • Sir Charles Mackerras leads the Philharmonia Orchestra in rousing live performances of Dvorak's 7th and 8th Symphonies. What I especially liked about the new disc is the naturalness of both readings, always unaffected yet with plenty of discernable character - Gramophone Dvorak’s greatest symphonies receive magisterial performances from the Philharmonia under Sir Charles Mackerras, whose baton seems to turn everything it controls into gold - The Sunday Telegraph These spirited, authoritative and, above all, highly enjoyable readings are a match for the finest in the field - MusicWeb International
  • Since September 2008 Esa-Pekka Salonen has been Principal Conductor and Artistic Advisor of the Philharmonia Orchestra. In his first season in this role he devised and led City of Dreams, a nine-month exploration of the music and culture of Vienna between 1900 and 1935. The project, which presented the music of Mahler, Schoenberg, Zemlinsky and Berg in its social and historical context, travelled to 18 cities across Europe, culminating in October 2009 with semi-staged performances of Berg's Wozzeck, with Simon Keenlyside in the title role. The Philharmonia plays beautifully for Esa-Pekka Salonen. [Their] woodwind section particularly distinguishes itself, with eloquent, forlorn exchanges between the oboe and cor anglais in the 'Scene aux Champs' ... a well-turned, thoughtful performance - International Record Review Don't ever be tempted to typecast Esa-Pekka Salonen as a hardline modernist ... he reveals himself as a powerful Berliozian tooClassic FM Magazine The Philharmonia gives its all in a performance that relishes the manic contrasts in Berlioz's groundbreaking score, as well as emphasising its symphonic sweep - BBC Music Magazine