• This recording is a hybrid CD/SACD recording, which will work in both a standard CD or SACD player. 

    Acknowledged as the UK’s foremost musical pioneers, with an extraordinary recording legacy, the Philharmonia leads the field for its quality of playing. Together with its relationships with the most sought-after artists, most importantly its Principal Conductor and Artistic Advisor Esa-Pekka Salonen, the Philharmonia Orchestra is at the heart of British musical life. Esa-Pekka Salonen made his London conducting debut with the Philharmonia Orchestra in September 1983 and he has returned to conduct the Orchestra on a regular basis ever since. This is the first in our series of Philharmonia releases that feature Salonen as conductor and is a hybrid SACD/CD in both stereo and surround. Forthcoming recordings as part of Salonen’s new partnership with the Philharmonia Orchestra and Signum include Mahler’s 6th and 9th symphonies and Berlioz’s Symphonie Fantastique. Sometimes less is not more. More is exhilarating. ... the music-making was superb ... And what terrific soloists! - The Times The opening songs have a featherweight transparency, the interludes a natural fluency … and the choral climax transmits a properly ecstatic, pantheistic glowThe Financial Times Salonen cracks into Schoenberg’s stacked layers of activity and strikingly schizophrenic mood shifts, revealing clarity and sonic grandeur. His soloists are top-notch too. Essential listening - Classic FM Magazine
  • Fantastic recordings of Saint-Saëns' orchestral classics, including his Requiem and his Organ Symphony.
  • The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue.
    Susan Gritton's delivery of the three arias has an exquisite balance of grace and intensity befitting their spurned heroines - The Independent
  • If it were not for the operas of Gioachino Rossini, the operatic repetory of the mezzo soprano would lack some of its most interesting characters and music. Silvia Tro Santafé proves herself a true ‘Rossini Mezzo’ in this collection of scenes and arias, accompanied by the excellent Orquesta Sinfónica de Narvarra and Lluís Vich Vocalis. This voice is one fine instrument, at times as luxuriant as rippling grey silk, at others glinting like flexible metal, always thoroughly enjoyable as pure sound - Opera Magazine A most impressive recital - The Gramophone Tro Santafé's unique vocal qualities illuminate the music with fresh colors and interpretive accents … this is an excellent disc that more than stands up to the competition - MusicalCriticism.com
  • Hideko Udagawa has performed extensively throughout the world and captivates international audiences with her artistry and enthusiasm. As a protégée of Nathan Milstein, she has inherited the great Russian romantic tradition of violin playing, and brings it to the fore in this collection of works by Rimsky-Korsakov, Tchaikovsky, Glazounov, Gade and Ysase. Alongside the Philharmonia Orchestra this disc includes two world premiere recordings of works by Eugène Ysaÿe – Mazurka No.2 Op.10 and Saltarelle Carnavalesque, Op.Posth. Udagawa's mastery of the Russian Romantic school of violin playing is a tour de force. Her distinctly northern European style suits this repertoire perfectly - Classic FM Magazine
  • Charles Ramirez is a guitarist of rare skill. A preeminent performer in the generation of guitarists that followed Segovia, he has held the post of Professor of Guitar at the Royal College of Music since the age of 25, raising the profile of the instrument through his concerts and education activities since mid-1970s. This disc is the first in a new series of recordings featuring Charles Ramirez and sees him perform works by Joaquín Rodrigo with the Chamber Orchestra of Europe – the Concierto de Aranjuez and Fantasia para un gentilhombre – under conductor and founding member of the orchestra Douglas Boyd. The programme is completed with Rodrigo’s enchanting solo-guitar piece Elogio de la guitara. Guitar virtuoso Charles Ramirez is on supple, sensitive form on this collection of Rodrigo suites - The Independent Concierto de Aranjuez sparkles in the hands of Charles Ramirez. Even more impressive is the more virtuosic Elogio de la guitarra, where Ramirez sustains some fiendish fingerworkThe Daily Telegraph Ramirez is technically masterful, his tone rich, his musical ideas intelligent - Classic FM Magazine
  • Although he was counted amongst Mily Balakirev's 'Mighty Handful' (which dedicated itself to pursuing a more purely Russian art music, as opposed to the Austro-German musical dominance of the era), both works on this recording show how Nikolai Rimsky-Korsakov was able to draw influences from beyond Russia into his own unique compositional approach: the scenes from his opera The Invisible City of Kitezh take on a dramatic, Wagnerian influence, whilst Sheherazade is suffused with orientalism as it conjures images from the Thousand and One Nights.

    The St Petersburg Philharmonic Orchestra under Yuri Temirkanov bring their natural insight with this repertoire to the fore in these live performances, continuing their series of acclaimed releases with Signum.

    The St Petersburg Philharmonic Orchestra under Yuri Temirkanov deliver the scores with panacheCD Choice The St Petersburg Philharmonic Orchestra, conducted by Yuri Temirkanov, presents sterling performances of excerpts from Rimsky-Korsakov's The Invisible City of Kitezh and SheherazadeNorthern Echo This Scheherazade is absolutely marvellous, one of the best available. If you think you have heard the score so often that it has become jaded, this is a recording to make you think againMusicWeb International
  • Reservoirs

    £12.00
    Orchestral Works by Guto Pryderi Puw  Gweithiau Cerddorfaol gan Guto Pryderi Puw The first release from the BBC National Orchestra of Wales’s inaugral Composer in Residence, Guto Pryderi Puw. A dual-language release in both Welsh and English, this release features a range of orchestral works inspired by stories and landscapes of Wales. The playing of the BBC National Orchestra of Wales under the always enterprising Jac van Steen is everything that could be desiredMusicWeb International Running the gamut from dense harmonic clusters to folk tunes, the judicious placing of its events more than outweighs its overtly short-term evolution - all making for a bracing embodiment of its narrative and a vivid showpiece in its own rightGramophone
  • Peter Cigleris performs with the BBC National Orchestra of Wales in a programme of four ‘rediscovered’ clarinet concertante works of the first half of the 20th Century. Composed between 1930 and 1947, the works span a time of change in the musical landscape of Great Britain; Pre 1939/40 the two predominant styles within British music were those of Post-Romanticism and Nationalism, whereas Post 1945, with the influence of the BBC, Modernism became the dominant style. By chance it also happens that two prominent British clarinettists tie these four works together; Fredrick Thurston and Reginald Kell were both involved in performances of the works at various points during their careers. A renowned soloist and chamber musician, Peter Cigleris has performed with the CBSO, BBCCO, ENB, Philharmonic, Royal Ballet Sinfonia and Orchestra of the Swan, as well as for a time holding the principal seat with the Symphony Orchestra of India in performances under Charles Dutoit and Rafael Payare amongst others. He has worked with musicians such as Martin Cousins, John Lenehan, Mark Bebbington, Julian Lloyd Webber and the Tippett Quartet, performing for various music clubs and festivals around the UK including the Windsor and Wooburn Festival, English Music Festival, Carlisle International Music Festival, Groba Festival in Spain and the ICA ‘ClarinetFest’.
  • Red Leaves

    £12.00
    Signum Classics are proud to announce The Brunel Ensemble's first disc on Signum Classics - Red Leaves. No ensemble other ensemble is as committed to the performance of such works from all decades of the twentieth century. Formed in 1992, the group gives thrilling performances under Christopher Austin’s inspired direction. John McCabe’s Red Leaves was commissioned by the European Community Chamber Orchestra and the 1991 Istanbul Festival. Composer Malcom Williamson studied with Elisabeth Lutyens (as did Robert Saxton) and he was Master of the Queen’s Music until his death in 2003. One of Lutyens’ first major success was a setting of Rimbaud, O Saisons, O Chateau encored at the first performance in 1947 - but noteable for having previously been turned down by the BBC as unsingable! The McCabe and Williamson pieces are linked by the common theme of nature, the latter being inspired by Australian landscape and history. It was commissioned for the 150th Anniversary of the State of Victoria. For his anniversary greeting of 1986 on the occasion of his colleague’s half century, Robert Saxton presented his Birthday Piece for Richard Rodney Bennett. In which he chose in time-honoured manner to extract from Bennett’s name the musical notes available as a thematic cipher, and to fashion them after his own manner into a bracing invention for strings. Performance ★★★★ Sound ★★★★ A valuable and distinctive release - BBC Music Magazine
  • Contrasting pieces by two masters of orchestral composition, these live performances capture the energy and movement of three much-loved balletic works; Ravel's intricate vignettes of childrens' stories in Mother Goose and 'choreographic poem' La valse, and Stravinsky's epoch-defining Rite of Spring. One of the oldest professional orchestras in Russia, the St Petersburg Philharmonic Orchestra can trace its lineage back to 1882 and its formation by Tsar Alexander III. In a 25-year collaboration, Yuri Temirkanov has been the orchestra's principal conductor since 1988.
  • The LCO return to disc on Signum with a new programme of French orchestral works by Ravel, Fauré, Poulenc and Ibert. Their ‘LCO Live’ series captures the vibrant, exciting performances they give at their London home of St. John’s, Smith Square.

    Here's a recording guaranteed to put a smile on your face! Enthusiastic and fun, yet with touching, tender moments and a clever awareness of the music's irony, the London Chamber Orchestra delivers a witty, exuberant collection - Classic FM Magazine

    Spry, clipped music-making, and a lovely French programme, capped by Roge's ebullient account of Poulenc's mercurial, flamboyant Piano Concerto - BBC Music Magazine

  • Marking their latest collaboration with their conductor laureate Vladimir Ashkenazy, the Philharmonia return to disc with a stellar live-performance of two late works by Rachmaninov – the Symphonic Dances and Symphony No. 3 in A Minor. This release is third and final in a new series of Rachmaninov’s symphonic works, conducted by Vladimir Ashkenazy in live performances with the Philharmonia Orchestra.

    Performance ★★★★ Recording ★★★★★ - BBC Music Magazine A very fine issue indeed. It is something of a privilege to hear this great veteran still having so much to say about music so close to him - MusicWeb International

    The previous volumes of Symphony No. 1 (SIGCD484) and No. 2 (SIGCD530) were met with critical acclaim:

    Perhaps the most satisfying of all [Ashkenazy’s recordings of the Symphony]BBC Music Magazine

    Ashkenazy knows how to shape detail and soar in the big melodic moments. The Philharmonia sound is muscular and alert, from the opening woodwind solos to the mighty, stirring symphonic tutti of the finaleThe Observer

  • Marking their latest collaboration with their conductor laureate Vladimir Ashkenazy, the Philharmonia return to disc with a stellar live-performance of Rachmaninov’s ebullient Symphony No.2 in E Minor. This is the second release in a new series of Rachmaninov’s symphonies, conducted by Vladimir Ashkenazy in live performances with the Philharmonia Orchestra. The playing of the Philharmonia Orchestra, its assurance, unanimity and sheer beauty of sound, is outstanding - Music Web International From the first notes the music flows with intent and it is clear that we are in for a charged account of this fine work - iClassical
  • Marking their latest collaboration with their conductor laureate Vladimir Ashkenazy, the Philharmonia return to disc with a stellar live-performance of Rachmaninov’s volcanic Symphony No.1 in D Minor. Composed when Rachmaninov was just 22, the work has a famously tumultuous performance history. The work’s premiere in 1897 – conducted by Glazunov – was a disaster, generating vitriolic abuse from critics and reviewers of the day. Rachmaninov destroyed the score and refused the works publication during his lifetime; it was not heard again until its reconstruction from solo parts by Soviet Musicologists for a concert in 1945. This is the first release in a new series of Rachmaninov’s symphonies, conducted by Vladimir Ashkenazy in live performances with the Philharmonia Orchestra. ★★★★ Ashkenazy knows how to shape detail and soar in the big melodic moments. The Philharmonia sound is muscular and alert, from the opening woodwind solos to the mighty, stirring symphonic tutti of the finale - The Guardian ★★★★★ Ashkenazy’s splendidly accomplished and consistently invigorating new version must rank very highly indeed - Classical Ear ★★★★ Signum’s recording engineers have achieved a near miracle in somehow creating a much warmer ambience to the sound than you would normally expect from this venue.. wonderfully rich string sonorities from the Philharmonia who play their hearts out - BBC Music Magazine It’s difficult to think of any active musician more completely at home in this repertoire - Gramophone The playing of the Philharmonia is elegant in the more relaxed moments... the latter part of the finale is suitably thrillingThe Yorkshire Post
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, with this being their fourth disc with Signum. Christoph Von Dohnányi has been principle conductor for the past 11 years and has recently been made Honorary Conductor for life. Till Eulenspiegels Lustige Streiche (Till Eulenspiegel's Merry Pranks) is considered to be one of Strauss’s most witty, entertaining and successful tone poems.Ein Heldenleben (A Hero's Life) heralds the composer’s more mature period in this genre, and proved controversial at it's premiere for it's highly auto-biographical nature.
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