• This new disc from the Philharmonia completes the collection of Brahms symphonies conducted by Christoph Von Dohnányi. These live performances are about subtle shading and unexaggerated, probing thoughtfulness, bringing out the Classical rather than the Romantic side of Brahms - Classic FM Magazine A very sensitive interpreter… the slow movement [of the First Symphony] is very lyrical with some effective instrumental dovetailing and plenty of light and shade, and the finale generates an impressive sense of joyous release - Gramophone
    Both performances are well played by the Philharmonia from whom the conductor obtains a sound that is lean and muscular - MusicWeb International
  • Symphony No. 2 Its idyllic nature, sheer tunefulness and general sunny disposition earned Brahms an unmitigated triumph in its premiere performance in Vienna in 1877. Since then, it has been described as the sunny counterpart to the storm clouds of his First Symphony. Symphony No. 4 This work conveys Brahms’ imaginative writing combining sheer intelligence with unexpected comic turns. The Finale is still considered to be one of the most exhilarating movements in the entire orchestral repertoire. The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy. Christoph Von Dohnányi has been principle conductor for the past 11 years and in the coming season will be made Honorary Conductor for life.
  • Recorded live at the Royal Festival Hall’s Southbank Centre, the Philharmonia Orchestra are led by Christoph von Dohnányi in these captivating live recordings of Brahms’ Four Symphonies. The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy. Christoph von Dohnányi has been principle conductor of the Philharmonia since 1997 and was appointed Honorary Conductor for life in 2008. These live performances are about subtle shading and unexaggerated, probing thoughtfulness, bringing out the classical rather than the romantic side of Brahms - Classic FM magazine A very sensitive interpreter ... the slow movement [of the first symphony] is very lyrical, with some effective instrumental dovetailing and plenty of light and shade, and the finale generates an impressive sense of joyous release - Gramophone Throughout the set the Philharmonia plays excellently – the rapport with the conductor is evident… these Dohnányi readings are consistent and very rewarding - MusicWeb International
  • Britten’s powerful and masterful evocation of the North Sea in all its moods has to audiences all over the world become inextricably linked with the Aldeburgh that was home to George Crabbe (author of the ‘The Borough’ from which the story originates) in the eighteenth century and Britten in the twentieth.
    Steuart Bedford leads a vast and accomplished ensemble on this new live recording, created shortly before the group’s unique staging of the work on the beach at Aldeburgh as part of the town’s world-renowned festival. The mix here is imperceptible and the sound unobtrusive; engineer Mike Hatch deserves a credit twice the size and conductor Steuart Bedford pulls off an extraordinary feat of coherence and endurance. But it’s Oke who makes the case for Peter Grimes and steals the show. There used to be two great Grimes on record: Peter Pears and Jon Vickers. Now there are threeSinfini Music
  • Following their acclaimed recordings of Berlioz’s Grande Messe des Morts and Mendelssohn’s Elijah, Paul McCreesh has once again assembled the mass forces of Gabrieli Consort & Players and Wrocaw Phiharmonic Choir to record one of the iconic masterpieces of the twentieth-century oratorio repertoire.
     
    The work reflects Britten’s long-held and committed pacifist beliefs. Composed to mark the consecration of a new Cathedral in Coventry, Britten combines the Latin text of the Missa pro Defunctis with nine poems by the First World War poet Wilfred Owen, which vide a moving (and frequently uncomfortable) commentary on the liturgical text.
     
    This series has already garnered substantial critical claim and a number of prestigious awards, including a Gramophone Award, BBC Music Magazine Award and two Diapason d'Or awards.
     
     
     
     
  • Continuing Signum’s series of live orchestral releases with the Philharmonia Orchestra, on this new disc Christoph von Dohnányi leads a performance of Bruckner’s Symphony No.4, Romantic. Bruckner stands out from other 19th-century symphonists; his large-scale works demonstrate a unique fusion of conservative and radical elements, notably influenced by composers such as Wagner and Beethoven. He appended not only the title 'Romantic' but even included a programme for the Fourth Symphony, sometime after composition. Though he later withdrew it, the scenario is a mediaeval Romantic ideal, where knights awaken to the sound of horns, rejoice and repair to prayer, before the inevitable hunt and ensuing festivities. Orchestral Disc of the Month: There's much worth celebrating on this excellent new recording of Bruckner's Fourth Symphony - Gramophone The performance is notable for some really sensitive chamber-music-like interaction between wind and strings and particularly subtle phrasing from the violas in the chorale melody - BBC Music Magazine A powerful live account of Bruckner's Fourth, played in the Robert Haas edition... a vast, thrilling drama of tension and relaxation, and triumph - The Times Dohnanyi makes the finale something of a tour de force - Classical Source
  • Recorded in 2014 at the begninning of a series marking his 85th birthday season, Christoph von Dohnányi leads the Philharmonia Orchestra in a rousing live performance of Bruckner’s monumental Ninth Symphony, which stands alongside the other epoch-defining Ninth symphonies of Beethoven and Mahler. [A] beautifully prepared account... Dohnanyi's new recording is distinguished by the clarity with which it presents Bruckner's score as well as the excellence of its soundGramophone Dohnanyi's is a considerable performance in its own right. The Philharmonia plays very well for a conductor who they clearly and rightly esteemMusicWeb International The recording is everything you'd wish from a Bruckner recording. You'll get the grand and the detail all in silky sound. Very highly recommended - Audiophilia A wonderfully passion-filled performance by the Philharmonia in Salzburg and an excellent CD edition of this occasion - North East Music Magazine The performance is as devastating an experience as it should be, and one of the most powerful that the whole literature of music can provideBBC Music Magazine Maazel's Seventh is very decent...the clangorous coda is fantastic - The Arts Desk A wonderfully passion-filled performance by the Philharmonia in Salzburg and an excellent CD edition of this occasion -NE:MM
  • Founded in 1973 by Trevor Pinnock, The English Concert has been a leading light in the performance of Baroque and Classical music for for over 40 years. Under their present Artistic Director Harry Bicket and with distinguished guest artists they continue to perform with the passion, sophistication and technical mastery established at their creation.

    Such is the commitment and passion that their players bring to every performance. Drawn not only from home-grown talent, The English Concert can boast a truly international cast of musicians. Soloists in their own right, and backed-up by scholarly knowledge of style and genre, the close-knit relationship between their musicians makes for a truly special blend of sound. This new recording features the talents of these soloists in performances of Concertii by Telemann, Marcello, Dall’Abaco, Tartini and Porpora.

    Performance: ★★★★ Recording: ★★★★★ Here's that increasing rarity: A Baroque disc with no conceptual axe to grind, no over-arching theme - save for giving the members of The English Concert a concerto moment in the sun - and seemingly out to do little more than delight (which it does so in spades) - BBC Music Magazine [Harry] directs from the harpsichord, bringing both vitality and cohesion to the performancesAndrew Benson-Wilson A nice way to spend 70 minutes of your timeGramophone
  • Avant garde. Eccentric. A maniac. Wild and adventurous. Off the wall. Extraordinary. No marketing hyperbole - this is how the players of the Orchestra of the Age of Enlightenment describe Carl Philip Emmanuel Bach and his music. One of the many children of JS Bach, CPE Bach always lived in his father’s shadow, and now is an almost unknown figure at least beyond the classical cogniscenti. How can such an unknown be considered a gamechanger? A listen to his music reveals just why – it constantly shifts, wrongfooting the listener when they least expect it with wild changes of direction and colour – it is bright, effervescent, and is a fascinating link between the music of his father (and the Baroque era) and Joseph Haydn (and the Classical era). ★★★★ It is the sense of adventure that comes across vivaciously here in a fusion of stylistic taste, smooth and supple phrasing and an exuberant thrust - The Daily Telegraph Editor's Choice: Self-critical perspective is clearly not a problem for these artists ... the unfurling description of of a lover's kisses permit all kinds of glorious opportunities for the singers' seemingly telepathic understanding for chiaroscuro, impeccable tuning and innate grammatical sense - Gramophone The OAE under Rebecca Miller play with an accuracy and passion that's infectious: this is among the most exciting, adrenalin-filled period instrument recordings you'll hear - The Arts Desk Symphonies that embrace the strangeness and originality of the writing as well as the beauty of some of the middle movements and the feistiness of the finales. Made live, but they’ve emerged in excellent shape - BBC Radio 3 Record Review The orchestra's playing here is bright, effervescent and fascinating – truly positioning C.P.E. Bach as the missing link between his father and the music of Haydn - Classic FM These energetic, committed performances of five symphonies dating from between 1757 - when Haydn was first writing in the genre - and 1780 show the period band has lost none of its verve and enthusiasm for this strange, dramatic music from the dawn of the "classical" era - The Sunday Times
  • Dance

    £12.00
    Dance forms the final part of a trilogy of albums following the huge success of ‘Flight’ and ‘Seasons’. This project started as a concept album, using the title as the inspiration for the works. Though several of the works embrace the composer’s background collaborations in ballet, there are other works influenced by violinist Kerenza Peacock’s connection with folk music. Recorded at Abbey Road Studios the disc features Kerenza Peacock, pianist Huw Watkins and The Royal Philharmonic Orchestra conducted by Paul Bateman.
       
  • DVORAK

    £12.00

     

     Dvorak’s Symphony No.8 is a symphony that marks Dvorak’s first proper venture into the profusion of ideas and effects that, after the Ninth Symphony, became his home ground as a composer.

    Symphony No.9, ‘From the New World’, received a rapturous reception at its Carnegie Hall premiere, a reception, which has been repeated thousands of times across the globe. Enjoy an extraordinary performance of two of Dvorak’s best known symphonies, beautifully performed by Japan’s leading symphony orchestra.

    The Sapporo Symphony Orchestra is based in the Sapporo Concert Hall “Kitara” which boasts some of the finest acoustics in the world. The orchestra is distinguished by its clear sound and dynamic powers of expression, and has received glowing accolades from around the world.

     

  • Jamie Walton is joined by the Philharmonia Orchestra under the baton of their conductor laureate Vladimir Ashkenazy for this new concerto recording of concertos and orchestral works by Dvorák and Schumann. Jamie Walton has proved himself as a leading light in UK's musical life; as a performer in his widely praised concerto and sonata recordings, and as a festival director in his work as founder of the North York Moors Festival, which was shortlisted for an RPS Award in 2011. The two concertos on either side of this lovely miniature, ably supported by the Philharmonia, confirm Walton as an artist with secure intuition in terms of style and with a manner of performing that speaks with natural fluency, eloquence and strength of purpose - The Telegraph Inevitably, everyone will have their favourite performance of these two concertos, book-ending the 19th century cello concerto tradition. But Walton's elegant, refined tone and singing style will win him many converts and this is a recording which I will be playing again - Planet Hugill What has impressed me so much with regard to this account of the Dvorak is the oneness of conception between soloist and conductor. I am sure much preparation went into this performance: they are fully integrated, so we hear the work as a totality, not as a piece for virtuoso solo cello with orchestral accompaniment. This is, of its kind, a masterly performanceInternational Record Review
  • Sir Charles Mackerras leads the Philharmonia Orchestra in rousing live performances of Dvorak's 7th and 8th Symphonies. What I especially liked about the new disc is the naturalness of both readings, always unaffected yet with plenty of discernable character - Gramophone Dvorak’s greatest symphonies receive magisterial performances from the Philharmonia under Sir Charles Mackerras, whose baton seems to turn everything it controls into gold - The Sunday Telegraph These spirited, authoritative and, above all, highly enjoyable readings are a match for the finest in the field - MusicWeb International
  • The cello concertos of Elgar and Myaskovsky written in 1919 and 1944 respectively, engender few similarities these days but make an exciting coupling due not only to the disparate nature of the composers’ lives and situations, but also to the common ground they tread; both composers were in their early sixties when writing their main work for the instrument. A stunning performance by Jamie Walton, accompanied by the magnificent Philharmonia Orchestra. Jamie has enjoyed success as a rising international soloist and has given concerts in some of the most prestigious concert halls in the world. He appears regularly at the Wigmore Hall and Symphony Hall, Birmingham and has performed with leading orchestras such as the Vienna Chamber Orchestra and the Philharmonia Orchestra. ★★★★★ One of the finest recordings of the Elgar.  Jamie Walton has a formidable technique; his playing in the scherzo and the finale is beyond compare; and he captures the autumnal melancholy without loss of vitality.  His pianissimos in the finale coda are a wonder.  He has like-minded collaborators in the Philharmonia and Alexander Briger, who also support him in Myaskovsky's sombre concerto of 1945 - The Telegraph Magazine ★★★★★ Despite living in such disparate lands and situations, [Elgar and Myaskovsky] shared a similar spiritual-musical world. Walton, with the Philharmonia Orchestra under Alexander Briger, deserves credit for making the point so sympathetically - The Financial Times ★★★★ Both composers were wringing their hands over death, destruction and innocence lost. Since Myaskovsky finds more peace than Elgar, we end the disc with some gentle uplift - The Times This is probably the best performance of the Elgar Cello Concerto that I have heard. Walton cannot be beaten. I shall treasure this recording - The Elgar Society Journal
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, this being their fifth disc with Signum. This disc combines the Philharmonia’s renowned sound with the leadership of Maestro Davis, who’s recording and performing career spans through all the great orchestras of the world. This disc features Elgar’s best known orchestral works; The Enigma Variations depict twelve of Elgar’s family and friends in fourteen variations built on the original Enigma theme, one of Elgar’s earliest and still most frequently played orchestral works, Serenade for Strings, and In the South, Elgar’s Concert Overture written for the Elgar festival in 1904. A reading clearly born of true affection for, and deep knowledge of this rich and ever-wonderful score… any Elgarian seeking these three pieces together will not remotely be disappointedInternational Record Review Three fine interpretations, that also has the excitement of public performance, by a conductor who loves this repertoire and knows it like the back of his handBBC Music Magazine A highly impressive recording - Classic FM Magazine
  • The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy, this being their ninth release with Signum Records. This disc combines the Philharmonia’s renowned sound with the leadership of Maestro Davis, whose recording and performing career spans through all the great orchestras of the world.
This website uses cookies and third party services. Ok