• For You

    £18.00
    For You is a new opera that brings together the music of composer and BBC Radio 3 presenter Michael Berkeley and Booker-prize winning author Ian McEwan. This gripping tale of love, lust and obsession centers on the composer and prodigious womanizer Charles Frieth (Alan Opie), and the tragic consequences that his selfish actions cause him and those around. Although essentially dark, there are moments of irony, wit, and humour throughout the opera. Soaring vocal lines, intricate ensemble pieces, and imaginative instrumental writing make this an electrifying work. Masterly performed by Music Theatre Wales, directed by Michael Rafferty.
    The music, conducted here by Michael Rafferty, is energetic, deftly coloured and carefully balanced, allowing the excellent voices, including Alan Opie’s Frieth, to make their due markThe Sunday Times It bristles with wit and lyricism, while giving other composers and librettists a lesson in how to drape operativ tradition in modern clothesThe Financial Times Berkeley’s score is lively, abrasive and strongly crafted … the performance (recorded live) is focused, with excellent orchestral playing and a strong central performance by Alan Opie -  The Daily Telegraph
  • J.S. Bach: St John Passion

    £8.00£18.00
    J.S. Bach’s ‘Passions’ have been said to employ the word with more than one meaning – as well as telling the story of Christ’s sacrifice, they are simultaneously a celebration of human feeling in the joy and suffering of man’s pilgrimage on earth. The expert early music chamber orchestra Yorkshire Baroque Soloists bring all of these feelings to life in a dramatic and resonant performance of Bach’s Passio Secundum Johannem (St John Passion). Joined for this recording by the excellent Charles Daniels, Stephen Varcoe and Stephan Loges, the Yorkshire Baroque Soloists have been a leading light in the world of Early Music performance since their formation in 1973. As dramatically coherent and satisfying as I’ve heard for a while… this is a St John which carries open-hearted conviction and character before it - Gramophone Charles Daniel’s level-headed Evangelist anchors the narrative thrust with suave sagacity - BBC Music Magazine A coherent, articulate and engaging performance that balances well the work’s twin identities as narrative and contemplation - MusicWeb International
  • Performances of Debussy's orchestral classics, performed by the Philharmonia Orchestra under the baton of Geoffrey Simon.
  • Another Debussy recording by Simon here with the Philharmonia, performing some impressionist classics, some originally composed for orchestra, others newly arranged prior to this recording.
  • Borodin: Requiem

    £8.00£12.00
    Together with familiar music from Prince Igor, this CD features the world premiere recording of the unusual Requiem, (which is based on “Chopsticks”), and Glazunov’s orchestration of the charming Petite Suite. Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra. The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia’s younger conductors, the most important to its development was Herbert von Karajan, who though never formally chief conductor was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London’s five symphony orchestras in its first two decades.   All downloads include booklets.
  • Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra and English Chamber Orchestra. Internationally, he has appeared with the Adelaide, Atlanta, Bournemouth, Canberra, City of Birmingham, Fort Worth, Melbourne, Milwaukee, Queensland, Sapporo, Shanghai, St Louis, Sydney, Tasmanian, Vermont and West Australian Symphony Orchestras, the Israel, Moscow, Munich and New Japan Philharmonic Orchestras, the American Symphony, the Residentie Orchestra of The Hague, the Tokyo Metropolitan Symphony and the Australian Opera. Written after Mussorgsky had met Russian artist and designer Viktor Hartmann, Pictures at an Exhibition is by far Mussorgsky’s most played work. The piece was written when Hartmann gave Mussorgsky two ‘pictures.’ Hartmann very suddenly died aged 39; following his death, a memorial exhibition was put on in St. Petersburg. Mussorgsky donated the two ‘pictures’ which Hartmann had given him before he died. Mussorgsky is said to have based the piece on his experiences at this exhibition, which was in memory of Hartmann. The concerto version is performed here by Tamas Ungar in an arrangement by Lawrence Leonard.   All downloads include booklets.
  • The LCO return to disc on Signum with a new programme of French orchestral works by Ravel, Fauré, Poulenc and Ibert. Their ‘LCO Live’ series captures the vibrant, exciting performances they give at their London home of St. John’s, Smith Square.

    Here's a recording guaranteed to put a smile on your face! Enthusiastic and fun, yet with touching, tender moments and a clever awareness of the music's irony, the London Chamber Orchestra delivers a witty, exuberant collection - Classic FM Magazine

    Spry, clipped music-making, and a lovely French programme, capped by Roge's ebullient account of Poulenc's mercurial, flamboyant Piano Concerto - BBC Music Magazine

  • Signum's third disc with the St Petersburg Philharmonic Orchestra and Yuri Temirkanov presents another great work of the Russian musical tradition. Prokofiev's ballet scores for Cinderella and Romeo & Juliet remain popular and often performed to this day, with their success at the time of composition leading to Prokofiev's creation of the orchestral suites performed on this disc. Temirkanov’s St Petersburg strings are unfazed by Prokofiev’s chromatic side shifts and his piercing woodwind players sound completely at ease … purchase with confidence, as playing and recording are superlativeThe Arts Desk

    An anthology to enjoyThe Daily Telegraph

    Performances are marked by decisive tempi, clean phrasing, and immaculate orchestral playing. There is an exuberance of spirit here and touches of legato even in the fastest passages that sometimes eludes his more famous colleague Valery GergievFanfare

  • The Gliere Harp Concerto has always been a favorite among harp enthusiasts; written in the 1930s, the work’s stylistic features are reminiscent of the Viennese classical style united with Russian romantic nationalism. This disc highlights the extraordinary talent of the Official Harpist to H.R.H. the Prince of Wales, Claire Jones. She is joined by renowned flautist William Bennet OBE, and the English Chamber Orchestra to complete the release with Mozart’s Concerto for flute, harp and Orchestra and Debussy’s Danses pour Harpe Chromatique. Claire has performed for members of the Royal Family on more then 70 occasions and has recently performed a brand new Royal Commission by Patrick Hawes at Highgrove House with the Philharmonia Orchestra. ★ I hope Claire Jone’s excellent performance, with the English Chamber Orchestra under Paul Watkins, will bring its many merits to the attention of a wider audience - The Daily Mail ★★★★ [Jones] performs diligently and allows [her] instrument to gleam and twinkle sonically in front of the self-effacing ECO - Classic FM Magazine Jones plays with a warmth, charm and relaxed ease ideal for winter evening listening. Mozart apparently loathed both the flute and harp, but after hearing this performance you would never know itBBC Music Magazine A disc [that] splendidly celebrating the artistry of Claire Jones - Gramophone
  • Africa

    £12.00
    A recording by the LPO and Geoffrey Simon, performing music by Saint-Saëns which is closely associated with Africa.
  • Fantastic recordings of Saint-Saëns' orchestral classics, including his Requiem and his Organ Symphony.
  • Percy Grainger was one of the great “originals” of 20th century music. Australian-born, he studied with his mother while a boy and later went to Germany where his career as a virtuoso pianist began. As a composer he was largely self-taught and strongly influenced by the folk music of Great Britain and Ireland, Many of his “miniatures”-such titles as Country Gardens, Handel in the Strand and Molly on the Shore - established his composing credentials very early on. But Grainger was also an inveterate innovator and experimenter in music, and the kaleidoscopic aspects of his compositional creativity-evident in highly imaginative works often with unprecedented rhythms, harmonies and scoring-are fully represented in the programme heard on this recording. The music was digitally recorded with the Melbourne Symphony Orchestra in February 1989, at the acoustically excellent South Melbourne Town Hall. The album was originally released in Australia by ABC Classics and elsewhere by Koch International. Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra.
  • "The B minor". That phrase alone resonates with gravity in the hearts and minds of those who love as no other the music of J.S. Bach. This disc sees the Rodolfus Choir at their best, as renowned Bach interpreters, having played his works across the UK to great acclaim. Following a live broadcast on BBC Radio 3 and performance at Holy Trinity Guildford at the end of 2009, this disc, recorded in the chapel of Charterhouse School continues their evergrowing catalogue of extraordinary recordings. Performance ★★★★ Recording ★★★★ The soloists are a fine team. In 'Domine Deus', Sophie Bevan and Ben Johnson match perfectly in imitation... Highly recommended- BBC Music Magazine There is uncanny vocal empathy between Sophie Bevan and Clint van der Linde, which, in 'Et in unum Dominum', results in the most extraordinary complementing of vocal lines... both stimulating and refreshing - International Record Review If some forty young singers can produce a recorded account of the B Minor Mass of this quality then the future for British choral music is bright indeed - MusicWeb International
  • Recorded at the Queen Elizabeth Hall in February 2006, the next disc in Signum's series of live orchestral recordings with the Philharmonia features the late Sir Charles Mackerras conducting Mahler's Symhpony No.4. No matter how many performances of Mahler's Fourth you possess or may have heard, make time for this one. It's prime Charles Mackerras, capturing the essence of this symphony in the most memorable and life-enhancing manner as well as a comprehensive roll-call of the myriad qualities that made him such a special musician - International Record Review A very distinguished account of Mahler’s Fourth Symphony; it is also a splendid memorial to the late Sir Charles Mackerras’s long-term and vital association with the Philharmonia Orchestra - Classical Source The massed strings of the Philharmonia have seldom sounded silkier after the opening jingle and the third movement is tranquil as a child staring at the skies on a cloudless day - Norman Lebrecht
  • The outstanding British cellist Jamie Walton returns to disc on Signum, accompanied by the Philharmonia Orchestra under Alexander Briger. This disc includes William Walton's 1975 revision to the final movement of the cello concerto, which has never before been recorded or publically performed (as well as a performance of the original final movement).
  • Hideko Udagawa has performed extensively throughout the world and captivates international audiences with her artistry and enthusiasm. As a protégée of Nathan Milstein, she has inherited the great Russian romantic tradition of violin playing, and brings it to the fore in this collection of works by Rimsky-Korsakov, Tchaikovsky, Glazounov, Gade and Ysase. Alongside the Philharmonia Orchestra this disc includes two world premiere recordings of works by Eugène Ysaÿe – Mazurka No.2 Op.10 and Saltarelle Carnavalesque, Op.Posth. Udagawa's mastery of the Russian Romantic school of violin playing is a tour de force. Her distinctly northern European style suits this repertoire perfectly - Classic FM Magazine
  • Signum’s fourth disc with the St Petersburg Philharmonic Orchestra continues their series of the great core Russian repertoire. Featuring the Orchestral suite of one of Tchaikovsky’s most famous ballets Swan Lake, complemented with Rachmaniov’s final composition Symphonic Dances.
  • A unique disc from one of Scotland's most dynamic and versatile groups – the Scottish Ensemble is a tight-knit band of outstanding string players from around Europe who perform regularly together under Artistic Director, Jonathan Morton. This disc – one of their first solo releases following acclaimed discs with artists such as Alison Balsom and Toby Spence – contrasts Vivaldi's timeless Four Seasons with Piazzolla's tango-inspired The Four Seasons of Buenos Aires. Combining Vivaldi and Piazzola together like this underlines the meteorological and cultural differences between Mediterranean Europe and the heart of South America. To have them performed side by side creates a fascinating programme of similarities and contrasts. The playing standard is excellent, with the strings of the Scottish Ensemble finding a light and suitably transparent texture in the Vivaldi, matched by bright, stylish solos from Jonathan Morton - Gramophone The relationship between the violin soloist and the ensemble is just right … the Scottish Ensemble succeed in bringing this paradoxical idea to fruition - Classical-CD-Reviews.com
  • A close brush with his own mortality eighteen months ago was the driving force behind Mike Sheppard's decision to focus solely on his composing, putting aside his other commercial interests as a music publisher and producer. The Soul Rests Eternal marks the first fruits of this new direction.

    The works take the listener on a journey exploring the emotional landscape of grief, bereavement and loss, but also hope, optimism and a celebration of life. Seen through the twin perspectives of the composer's eyes and a more global view, the album takes an emotional journey from the immediate to the eternal; the banal to the sublime. A 'radio-friendly' collection of three to six minute works, Classic FM have confirmed playlisting for the album upon its release in November.

    Performances on the disc come from internationally renowned cellist Caroline Dale and the English Chamber Orchestra, conducted by the emmy-award nominated musican Steve Sidwell.

    It would be hard for anyone to top the humanity of Caroline Dale's interpretationClassic FM Magazine

    I can think of many reasons to listen to this music, but none more profound than the fact that all of us can sees a mirror image of portions of our own souls in it. Warmly recommendedAudiophile Audition

    Caroline Dale [is] as eloquent a soloist as one could hope for … The recording is excellent: present, and the perfect reflection of Sheppard's haunting languageFanfare

    If you enjoy the music of Karl Jenkins and Jon Lord, then this will work for youMusicWeb International

  • Walton’s Violin Concerto was composed during a stay at the stunning Villa Cimbrone on Italy's Amalfi coast, and reflects this environment in different ways – some more apparent than others (the 2nd movement is based on a ‘tarantella’, after Walton suffered a tarantula bite whilst there). The piece has endured as one of his most popular works, and is contrasted here by Barber’s Violin Concerto and famous Adagio for Strings. Making his debut recording as a soloist on Signum, Thomas Bowes has built a firm reputation as an orchestral leader, soloist and chamber musician. He has also concert-mastered many film scores – the most recent credit being for "The King's Speech." The Malmö Opera Orchestra and conductor Joseph Swensen join him for this recording. A masterly account … with Bowes essaying flickering rhapsodic moments, assailed by striking orchestral flourishes - The Independent Bowes yields to none of the Walton's great interpreters – Heifetz (the dedicatee), Menuhin, Franccscatti, Chung, Kennedy – in his dazzling passage work … with his gorgeous portamento and rubato - The Times What is so remarkable about Bowes as a soloist is not just his technical assurance, his flawless intonation over the widest range, tonal and dynamic, but his natural feeling for warmly romantic expressiveness … Altogether a resounding success - Gramophone
  • Charles Ramirez is a guitarist of rare skill. A preeminent performer in the generation of guitarists that followed Segovia, he has held the post of Professor of Guitar at the Royal College of Music since the age of 25, raising the profile of the instrument through his concerts and education activities since mid-1970s. This disc is the first in a new series of recordings featuring Charles Ramirez and sees him perform works by Joaquín Rodrigo with the Chamber Orchestra of Europe – the Concierto de Aranjuez and Fantasia para un gentilhombre – under conductor and founding member of the orchestra Douglas Boyd. The programme is completed with Rodrigo’s enchanting solo-guitar piece Elogio de la guitara. Guitar virtuoso Charles Ramirez is on supple, sensitive form on this collection of Rodrigo suites - The Independent Concierto de Aranjuez sparkles in the hands of Charles Ramirez. Even more impressive is the more virtuosic Elogio de la guitarra, where Ramirez sustains some fiendish fingerworkThe Daily Telegraph Ramirez is technically masterful, his tone rich, his musical ideas intelligent - Classic FM Magazine
  • This new disc from the Philharmonia completes the collection of Brahms symphonies conducted by Christoph Von Dohnányi. These live performances are about subtle shading and unexaggerated, probing thoughtfulness, bringing out the Classical rather than the Romantic side of Brahms - Classic FM Magazine A very sensitive interpreter… the slow movement [of the First Symphony] is very lyrical with some effective instrumental dovetailing and plenty of light and shade, and the finale generates an impressive sense of joyous release - Gramophone
    Both performances are well played by the Philharmonia from whom the conductor obtains a sound that is lean and muscular - MusicWeb International
  • A fascinating musical journey through the Italian arias of Mozart, from one of his earliest works Lucio Silla (composed when he was just 16) through to his final Italian opera La Clemenza di Tito. The English tenor Jeremy Ovenden has established himself as being among the best Mozart tenors of his generation (notably in the role of Don Ottavio) and has become a familiar figure on the stages of the world's opera houses and concert halls and at major festivals. He is joined for this, his first solo recording, by the Orchestra of the Age of Enlightenment and conductor Jonathan Cohen. ★★★★  Ovenden proves complete master of his chosen repertory … for its artistic use, and for the close partnership Ovenden achieves with the OAE under Jonathan Cohen, l have only admiration - BBC Music Magazine The fine tenor … sings with an engaging commitment to these joyous creations. A delightful selection - The Observer A most imaginative idea … his rhythm, diction and easy flexibility of voice are exemplary - The Sunday Times
  • The next disc in Signum’s series of live orchestral recordings with the Philharmonia features the late Sir Charles Mackerras conducting Tchaikovsky’s Symphony No.6 (Pathétique). This was Tchaikovsky’s final completed symphony, premiered in St Petersberg under the baton of the composer in 1893, nine days before his death, dedicated to his nephew Vladimir ‘Bob’ Davydov. The Philharmonia Orchestra are widely recognised as the UK’s finest performers with an impressive recording legacy. The orchestra prides itself on collaborations with the finest musicians of our day. ★★★★★ If there were no further releases in the series, the composer's final symphony would make a fine valedictory effort for Mackerras, who leads the Philharmonia seamlessly through the piece's emotional roller-coaster… A brilliant recording - The Independent This is a superb record - a magnificent and highly original live account of the 'Pathetique' Symphony that can stand comparison with the most exacting competition - International Record Review So much of what Mackerras did was governed by an acute sense of what articulation can achieve – and this is a superb example - Gramophone
  • Beethoven’s euphoric Symphony No. 9, like his Symphony No. 5, is one of those pieces of classical music which transcends the barrier between musical genres – one of the few pieces of the classical canon in the popular consciousness. Few can fail to be uplifted and caught up in the joyous Ode to Joy finale. For this performance, recorded live at the Edinburgh International Festival in 1994, the Orchestra of the Age of Enlightenment were joined by the renowned conductor and long-time collaborator, Sir Charles Mackerras, a partnership between him and the OAE that lasted almost a quarter of a century. ★★★★★ One of the most thrilling Beethoven interpretations I have ever heard. It bristles with revolutionary spirit … The OAE play like gods and demons - The Financial Times ★★★★★ The slow movement is full of spiritual balm. The outer movements are elemental in proper revolutionary style; the finale’s found British soloists are excellent. Highly recommended - The Mail on Sunday Fine choral singing by the New Company, and Mackerras's masterly control, make the finale as electrifying as only it can be - The Times
  • Recorded live at the Royal Festival Hall’s Southbank Centre, the Philharmonia Orchestra are led by Christoph von Dohnányi in these captivating live recordings of Brahms’ Four Symphonies. The Philharmonia Orchestra is widely recognised as the UK’s finest orchestra with an impressive recording legacy. Christoph von Dohnányi has been principle conductor of the Philharmonia since 1997 and was appointed Honorary Conductor for life in 2008. These live performances are about subtle shading and unexaggerated, probing thoughtfulness, bringing out the classical rather than the romantic side of Brahms - Classic FM magazine A very sensitive interpreter ... the slow movement [of the first symphony] is very lyrical, with some effective instrumental dovetailing and plenty of light and shade, and the finale generates an impressive sense of joyous release - Gramophone Throughout the set the Philharmonia plays excellently – the rapport with the conductor is evident… these Dohnányi readings are consistent and very rewarding - MusicWeb International
  • Continuing Signum’s series of live orchestral releases with the Philharmonia Orchestra, on this new disc Christoph von Dohnányi leads a performance of Bruckner’s Symphony No.4, Romantic. Bruckner stands out from other 19th-century symphonists; his large-scale works demonstrate a unique fusion of conservative and radical elements, notably influenced by composers such as Wagner and Beethoven. He appended not only the title 'Romantic' but even included a programme for the Fourth Symphony, sometime after composition. Though he later withdrew it, the scenario is a mediaeval Romantic ideal, where knights awaken to the sound of horns, rejoice and repair to prayer, before the inevitable hunt and ensuing festivities. Orchestral Disc of the Month: There's much worth celebrating on this excellent new recording of Bruckner's Fourth Symphony - Gramophone The performance is notable for some really sensitive chamber-music-like interaction between wind and strings and particularly subtle phrasing from the violas in the chorale melody - BBC Music Magazine A powerful live account of Bruckner's Fourth, played in the Robert Haas edition... a vast, thrilling drama of tension and relaxation, and triumph - The Times Dohnanyi makes the finale something of a tour de force - Classical Source
  • Parapraxis

    £12.00
    A seductive and fascinating disc for fans of contemporary music, this collection of works for Bassoon with choir and orchestra feature works by British composer Stephen Frost and Norwegian composer Kjell Mørk Karlsen. The disc’s title work Parapraxis, for solo bassoon and choir, melds together a mix of sacred latin text and secular English poetry, pushing and playing with the illusory ‘boundary’ that seems to exist between the two. The other two works – Frost’s Bassoon Concerto and Karlsen’s Serenata – are beguiling and stimulating pieces that show off the talents of Norwegian bassoonist Sigyn Birkeland and the Belarusian State Chamber Orchestra. In demand as a soloist, Sigyn Birkeland has been Principal Bassoon in the Norwegian Radio Orchestra since 1992. She continues to champion the instrument by commissioning, performing and recording new works for the instrument in a variety of unique ensembles and settings.
  • In this live recording from the Royal Festival Hall the OAE shines its musical torch into the realms of some later repertoire, shedding new light on the music of Mahler. Conducted by Principal Artist Vladimir Jurowski, this CD includes Mahler’s Lieder eines fahrenden Gesellen (Songs of a Wayfarer), written in the wake of an unhappy affair with a soprano, and the extraordinarily exciting and powerful Totenfeier, Mahler’s first foray into orchestral music, and later reworked into the opening movement of his second symphony.
    The OAE's period instruments emphasise its rawness, just as they point up the anguished detail of the accompaniments to the Lieder eines Fahrenden Gesellen, in which mezzo Sarah Connolly allows the words and Mahler's treatment of them to speak for themselves, without unnecessary gilding - The Guardian Vladimir Jurowski’s brisk and thrusting account with the period instrument players of the Orchestra of the Age of Enlightenment makes a strong case for the composer’s original thoughts - The Irish Times
  • Serge Diaghilev’s choice of composers for his Ballet Russes productions (often acknowledged as one of the 20th century’s most influential ballet companies) has led to the creation of some of the most engaging and exhilarating music in the classical world. This new 3 CD set of live orchestral recordings by the BBC National Orchestra of Wales – made in their home venue of BBC Hoddinott Hall, Cardiff – captures Stravinsky’s three great ballet scores (The Firebird, Petrushka and The Rite of Spring) as well as works by fellow Ballet Russes composers Poulenc (Les Biches) and Liadov (Baba-Yaga, The Enchanted Lake and Kikimora).

    This fresh sounding live recording from the BBC National Orchestra of Wales under Thierry Fischer, the first made in the BBC Hoddinott Hall in Cardiff, certainly has a sense of occasion about it, with the audience erupting as the finale chorale [Firebird] reaches its exultant conclusionBBC Music Magazine

    [Thierry Fischer’s] Petrushka, notably beautiful, is graciously touching rather than violent or eruptive, the clean-textured, superbly detailed playing from the BBC National Orchestra Wales reminds us just how startlingly original Stravinsky's sonoritiesThe Guardian

    You should buy this for the generous, unusual coupling with Francis Poulenc’s rowdy, witty 1924 ballet Les biches …. As with the Rite, the performance is immaculateThe Arts Desk

  • An exciting start to a new orchestral collaboration for Signum Records, this disc is the first of a new series with the London Sinfonietta – one of the world’s elite contemporary music ensembles with a reputation built on the virtuosity of its performances and ambitious programming. This live recording brings together the UK premiere of Anaïs Nin, a new work for soprano and small ensemble, alongside his famed work De Staat.

    Anaïs Nin is a monodrama based on the diaries of the same famed author, as well as those of her lovers (Antonin Artaud, René Allendy, Henry Miller and her own Father). A sometimes disturbing tale of desire and passion, Andriessen felt that the music should "closely track the irony, despair and passion of this brilliant, many-sided woman."

    De Staat remains one of Andriessen's supreme achievements, an epic rechannelling of Stravinskyan rhythmic energy into his own raw-edged minimalismThe Guardian Don’t get too bogged down in trying to comprehend Andriessen’s long-winded attempts to explain what the piece is about – just enjoy the noise. It’s fantasticThe Arts Desk
  • Sometimes known as ‘The Tragic’ – a title suggested but then withdrawn by the composer – Mahler’s Sixth Symphony embodies much of the inner turmoil and superstition of its composer. Conceived at perhaps one of the happiest periods of Mahler’s life, it seems to foreshadow the personal tragedies that would later befall him – with his wife Alma writing that “The music and what it foretold touched us deeply.” The brass are heroic and dauntingly present throughout – from the tuba that executes a fiendish trill in the finale to the clarion trumpets fan faring the doom-marches - BBC Music Magazine This is a terrific Mahler 6… Where Gergiev achieves a generalised superficial excitement, Salonen’s closer consideration is more rewarding and repays more generously repeated listening - MusicWeb International [Salonen’s] performance is purposeful and revealing - Classic FM Magazine
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