• The four coronations of the twentieth century were enormous and extravagant. Replete with festive pageantry, these ceremonies were joyful celebrations of British music, employing tremendous forces. Choirs from across London and beyond were marshalled to provide a chorus of over 400 voices; a full-size symphony orchestra was squeezed into Westminster Abbey, whilst bands of fanfare trumpeters led the pomp and celebration. In the imposing surroundings of Ely Cathedral, Paul McCreesh and Gabrieli bring the history, ceremony and liturgy of these extraordinary events to life. With his renowned creative flair, McCreesh’s painstaking research provides the springboard for their latest ground-breaking recreation project. The result is a joyful celebration of five centuries of choral music, performed with the same vast forces as were heard at the coronation services. Alongside an orchestra of rare early-twentieth century instruments, an extended Gabrieli Consort is amplified by the energetic sound and fresh faces of several hundred young singers from Gabrieli’s choral training programme Gabrieli Roar. The music is interspersed by the coronation liturgy, with Simon Russell Beale speaking the part of the Archbishop of Canterbury. Performance ★★ Recording★★★★★ McCreesh at his considerable best - BBC Music Magazine ★ Paul McCreesh has magnificently recreated this unique coronation rite... truly heart-warming - Choir & Organ ★ An astonishing recording - The Times ★ McCreesh has conceived and executed a magnificent project - Classical Source ★ Palpable enthusiasm and engagement - Planet Hugill One can imagine the virtuosity required by every contributor, at every turn, to make this a reality, let alone a dazzling triumph - Gramophone A most recommendable treat - MusicWeb International This is something very special - Cross Rhythms
  • Beethoven & Barry Vol. 1

    £8.00£18.00
    The highly anticipated recording of Thomas Adès and the Britten Sinfonia playing Beethoven and Barry; specifcally the Beethoven Symphony Cycle and a selection of Barry’s works. This CD features Beethoven’s first three symphonies, interspersed with Barry’s piece Beethoven and his Piano Concerto. Beethoven intended to stake his claim to be the rightful successor to the Viennese classical tradition with the first of his symphonies, premiered in 1800. He had already began to lose his hearing by this point, and when he composed his second symphony, he placed on the page his spirit of defiance and determination against his deafness. The third marks a significant turning point in his style, as well as in the framwork of how a symphony was expected to be composed. Gerald Barry grew up in rural Ireland. His music shows us how his upbringing had an effect on his compositional style - giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. Do not be fooled by this however; his music shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.   All downloads include booklets. 
  • The Godfather

    £8.00£14.00
    The musical world of eighteenth-century Europe was a small one. Despite the problems presented by contemporary standards of transport, it was quite normal for composers in one part of Europe to be entirely au fait with what was happening elsewhere. This is borne out by the closeness of three German composers: Telemann, godfather to C.P.E. Bach; Pisendel; and J.S. Bach, who admired both his compatriots and composed some astoundingly difficult music for the violinist Pisendel. This programme celebrates their music as well as the music of those who contributed to their musical heritage. Included alongside the German triumvirate are works by Vivaldi who physically helped with the composition of Pisendel’s A minor concerto movement, Fasch who was a great friend of Pisendel and Telemann, and Brescianello, an Italian who helped the dissemination of Italian instrumental music throughout the German-speaking lands and whose concertos were played in Dresden by Pisendel.   All downloads include booklets.
  • Sturm und Drang Volume 1

    £8.00£14.00
    This is the first project in a seven-volume series exploring the ‘Sturm und Drang’ movement, which swept through all art forms in the between the early 1760s and 1780s. The purpose of this movement were to frighten and perturb through the use of wild and subjective emotional means of expression. This series of ‘Sturm und Drang’ recordings incorporates iconic compositions by Mozart, Gluck and, above all, Joseph Haydn, but it also includes largely forgotten or neglected works by less familiar names. The music featured on this disc was all composed in the 1760s. It includes ballet and opera as well as symphonies, but is drawn together by the hallmarks of the remarkably visceral and dynamic style of music that we now call ‘Sturm und Drang’.   All downloads include booklets.
  • Messiah…Refreshed!

    £8.00£18.00
    The Goossens Messiah, recorded for the first and only time by the Royal Philharmonic Orchestra and Chorus under Sir Thomas Beecham, has stood as a landmark of the classical catalogue for sixty years. Goossens’ richly orchestrated version is set to reach a new audience thanks to Maestro Griffith and DCINY, New York City’s leading promoter of classical music. They gathered at Abbey Road Studios in London in July 2019, to record the work with the Royal Philharmonic Orchestra and a chorus comprising of sixty members of The Jonathan Griffith Singers, drawn from around the world and sixty members of the National Youth Choir of Great Britain. The new recording has captured the score’s vibrant tone colours in thrilling high-definition sound. An acclaimed conductor, educator and lecturer, Dr. Jonathan Griffith has led performances across North America, Europe, and Asia. Griffith is Co-Founder and Artistic Director of Distinguished Concerts International New York (DCINY), which has brought together, under Griffith’s artistic leadership, thousands of musicians and choral singers in concert at prestigious venues across the United States, including Carnegie Hall, Lincoln Center, and Disney Hall. The founder and Music Director of the Distinguished Concerts Orchestra, Griffith also oversees DCINY’s mentoring program for conductors. Founded in 1983 as a single choir of 100 of the best singers in the nation, the National Youth Choir is now the flagship ensemble of an Arts Council England National Portfolio youth music organisation and registered charity, the National Youth Choir of Great Britain (NYCGB), which runs five membership choirs, a nationwide outreach programme for schools and Music Hubs, and provides professional training for the next generation of choral singers, composers and leaders.   All downloads include booklets.
  • The Gabrieli Consort continue their series of award-winning collaborations with the National Forum of Music, Wrocław, Poland with a new version of Haydn’s great oratorio The Seasons. Using a new performing edition by Paul McCreesh this recording is the first to feature the large orchestral forces that Haydn called for, including a string section of 60, 8 horns and a choir of 70. As well as the combined forces of the Gabrieli Consort & Players, Wrocław Baroque Orchestra and National Forum of Music Choir, the recording features solo performances from British singers Carolyn Sampson, Jeremy Ovenden and Andrew Foster-Williams. All booklet texts are printed in both English and Polish translations.
  • Around the time The King’s Singers was starting up, one of the most productive periods of song- writing in history was coming to a close in America, starting with composers such as Gershwin, Kern, Berlin and Porter in the early 1920s, and continuing through to the early 1960s.

    In this new 2-CD studio recording – featuring brand new a cappella arrangements by jazz composer and arranger Alexander L’Estrange, and swing-orchestra performances with the South Jutland Symphony Orchestra – The King’s Singers bring their own unique performance style to this wonderful music. The King’s Singers bring their unique style to some of the most beloved hits from the golden era of songwritingThe Lady
  • Extra Time

    £8.00£14.00
    This recording by La Serenissima began life when the ensemble were recording for an earlier release. An issue with budget for a previous release meant these gems had to be left out. Since that release in 2015, La Serenissima have firmly established themselves as one of the leading performing ensembles of Italian Baroque. Following on from their highly acclaimed ‘The Godfather;’ released on Signum last year, this release shows the class act that they are, with these recordings making for one incredible album. La Serenissima was formed in 1994 for a performance of Antonio Vivaldi’s La Sena festeggiante and has now firmly established itself as one of the leading exponents of the music of eighteenth-century Venice and connected composers. The entire repertoire of La Serenissima is edited by director Adrian Chandler from manuscript or contemporary printed sources, a testament to its vision to enrich life by sharing its passion for Italian baroque music.   All downloads include booklets.
  • In his new Saxophone Concerto, Gabriel Prokofiev explores a side of classical music usually seen as forbidden by modern contemporary composers: melody. This aspect was incorporated at the request of the soloist, Branford Marsalis, allowing Prokofiev to revisit characteristics of the classical tradition not usually heard in contemporary music, giving the saxophone an open canvas. Prokofiev’s Bass Drum Concerto shows the versatility of the instrument, despite only being used in a very basic fashion in classical music as a whole. Prokofiev experiments with how the bass drum is struck, where it is struck, and what it is struck with throughout the piece, producing a variety of sounds, colours and textures. 
  • Originating as a sexy dance in South America, the ‘chacona’ crossed the Atlantic and established itself in Spain as an irresistible temptation. In 1615, it was banned from Spanish theatres for being ‘lascivious, dishonest, offensive to pious ears’, but the attractions of the chaconne held sway. From the Ground Up traces its allure from early Spanish chaconnes, through the worlds of Purcell and Piccinini, to Bach’s magisterial example for solo violin. Reanimating the ‘lascivious’, Purcell’s ground basses furnish a harmonic groove for readings from Shakespeare by British actor Samuel West, accompanied by New York rapper Baba Israel.
  • Christopher Gunning has composed twelve symphonies, as well as concertos for the piano, violin, cello, flute, oboe, clarinet, saxophone, and guitar; many of these have now been recorded. He has also composed many scores for films and television dramas, including Agatha Christie’s ‘Poirot’, La Vie en Rose, Middlemarch, Cold Lazarus, Rebecca, Under Suspicion, Firelight, The Big Battalions, Wild Africa, When the Whales Came and Porterhouse Blue. With a career spanning 50 years, he has won 4 BAFTA and 3 Ivor Novello Awards, and BASCA’s prestigious Gold Badge Award. Christopher studied composition with Edmund Rubbra and Sir Richard Rodney Bennett at the Guildhall School of Music and Drama. After a hugely successful career writing for the big and small screen he is now focussed on his classical work and releases.   All downloads include booklets.
  • Signum Records are proud to present the debut orchestral recording from Grace Davidson, one of the UK’s leading British sopranos specialising in Baroque music. She is joined by some of Europe’s leading Baroque musicians from the Academy of Ancient Music to perform a selection of works by Handel and Vivaldi, with performaces led by violinist Bojan Čičić under artistic director Joseph Crouch.

    Grace won the Early Music Prize while studying singing at London’s Royal Academy of Music. Since then, she has worked with the leading Baroque ensembles of our day, singing under the batons of Sir John Eliot Gardiner, Paul McCreesh, Philippe Herreweghe and Harry Christophers. Her discography includes a decade of CDs with The Sixteen, many of which feature her as soloist – Handel’s Jeptha (as Angel), Dixit Dominus, Monteverdi’s Vespers of 1610, Pianto della Madonna, and the Lutheran Masses of Bach.

    Davidson is outstanding for her seraphic purity and evenness of tone - Gramophone The voice is radiantly fresh and clean - The Times Grace Davidson…voice seems to have been especially created to sing baroque musicCross Rhythms Each performance carves out an atmosphere of thoughtful, reflective poise capturing the settings' interior spirit  - Classical Source
  • Arcadia

    £12.00
    Oliver Davis graduated from the Royal Academy of Music in 1994 and has since composed numerous concertos, ballet scores, albums, soundtracks and television scores working with many of the major London orchestras. The Infinite Ocean was composed for choreographer Edwaard Liang and was commissioned by San Francisco Ballet for the Unbound festival, 2018. Liang requested the work to be in six sections and to feature a solo violin. The aim of Arcadia was to create a piece which evoked an idyllic serene place. Gemini was specifically composed for violinist Kerenza Peacock and was designed to explore the contrasting styles of her playing. The Suite for piano and orchestra was written for Huw Watkins on piano and heavily involves thematic development throughout. Inferno began life as a short orchestral sketch, which gradually evolved into a full, single-movement piece. Lastly, The Elements was commissioned by The Hanke Brothers, who specifically wanted a piece describing the four elements. The ensemble containing piano, viola, recorder and tuba, produces a unique timbre, and the piece explores the possible various aspects of this timbre.
  • Founded in 1973 by Trevor Pinnock, The English Concert has been a leading light in the performance of Baroque and Classical music for for over 40 years. Under their present Artistic Director Harry Bicket and with distinguished guest artists they continue to perform with the passion, sophistication and technical mastery established at their creation.

    Such is the commitment and passion that their players bring to every performance. Drawn not only from home-grown talent, The English Concert can boast a truly international cast of musicians. Soloists in their own right, and backed-up by scholarly knowledge of style and genre, the close-knit relationship between their musicians makes for a truly special blend of sound. This new recording features the talents of these soloists in performances of Concertii by Telemann, Marcello, Dall’Abaco, Tartini and Porpora.

    Performance: ★★★★ Recording: ★★★★★ Here's that increasing rarity: A Baroque disc with no conceptual axe to grind, no over-arching theme - save for giving the members of The English Concert a concerto moment in the sun - and seemingly out to do little more than delight (which it does so in spades) - BBC Music Magazine [Harry] directs from the harpsichord, bringing both vitality and cohesion to the performancesAndrew Benson-Wilson A nice way to spend 70 minutes of your timeGramophone
  • The Chineke! Orchestra return to disc on Signum in a new live orchestral recording from the Royal Festival Hall, London.

    Drawn from exceptional musicians from across the continent, the orchestra is part of the Chineke! Foundation – a non-profit organisation that provides career opportunities to young Black and Minority Ethnic (BME) classical musicians in the UK and Europe. Their motto is ‘Championing Change and Celebrating Diversity in Classical Music’.

    The Chineke! Orchestra is the brainchild of Chi-chi Nwanoku OBE, FRAM, who says: ‘My aim is to create a space where BME musicians can walk on stage and know that they belong, in every sense of the word. If even one BME child feels that their colour is getting in the way of their musical ambitions, then I hope to inspire them, give them a platform, and show them that music, of whatever kind, is for all people.’

    In this live concert recording under conductor Roderick Cox they perform Sibelius’s 2nd Symphony and Rachmaninov’s Piano Concerto No.3, featuring multi-award-winning pianist Gerard Aimontche.

    The playing of both works... is most pleasing, the colours vivid, the excitement palatable, while Aimontche's sweeping reading of Rachmaninov's Piano Concerto No 3 astutely combines the intimate and epic, his tone never forced - The Sunday Times An excellent follow-up to their first recording for Signum Classics - BBC Radio 3 Record Review
  • Julian Bliss performs the Clarinet Concertos of Mozart and Nielsen – often thought of as the two greatest such works in the repertoire: twin examples of what can be achieved by composers who have been truly inspired to write for the clarinet, using its uniquely expressive qualities to produce enduring and comprehensively masterly compositions. Alongside these Julian Bliss presents two of his own clarinet arrangements of two Mozart arias, Der Liebe himmlisches Gefu?hl, K. 119  and Non che non sei capace, K. 419. The brilliant Julian Bliss continues to demonstrate his considerable talent ... A youthful addition to the many excellent versions of the Mozart already available, and a fine introduction to the Nielsen for those who are not familiar with itClassic FM Highly recommended - Northern Echo  Bliss integrates the bottom register smoothly, in a performance matching that of the Nielsen in flair, intimacy and spontaneity - BBC Music Magazine
  • This is the first in a new series of releases from the world-renowned conductor Paul McCreesh and his Gabrieli Consort. Recorded in Poland as part of the Wratislava Cantans Festival (of which McCreesh is artistic director) this staggering performance of Berlioz's 'Grand Mass for the Dead' is produced by a force of over 400 performers - drawn from the Gabrieli Consort and Players, the Wroclaw Philharmonic Orchestra and Choir and students from Chetham's School of Music. Future releases with McCreesh will include Mendelssohn's Elijah, Haydn's The Seasons, Britten's War Requiem and a re-recording of their famed disc 'A Venetian Coronation'. Founded in 1982 by Artistic Director Paul McCreesh, Gabrieli Consort & Players are worldrenowned interpreters of great choral and instrumental repertoire, spanning from the renaissance to the present day. Their performances encompass virtuosic a cappella programmes, mould-breaking reconstructions of music for historical events, and major works from the oratorio tradition. They are regular visitors to the world's most prestigious concert halls and festivals and have built a large and distinguished discography. Anyone in search of a transformative listening experience, Berlioz agnostics among them, should make this release a priority purchaseClassic FM Magazine The contrapuntal intricacy of Berlioz's choral writing is done with precision and firm accents, the haunted atmosphere of the 'Quid sum miser' interpreted with restrained, eloquently inflected choral singing and poignant instrumental interjectionsGramophone Berlioz’s 1837 Grande Messe has rarely sounded so thrilling or transparentThe Independent on Sunday
  • Sturm und Drang Vol. 2

    £8.00£14.00
    The second volume in a ground-breaking seven-part series, The Mozartists and director Ian Page’s ‘Sturm und Drang’ recordings incorporate iconic compositions by Mozart, Gluck and, above all, Joseph Haydn, but it also includes largely forgotten or neglected works by less familiar names. All of the music featured on this second recording was composed between 1765 and 1770, with three turbulent minor-key symphonies alternating with sacred and operatic arias. The ‘Sturm und Drang’ movement swept through all art forms in between the early 1760s and 1780s, with the general objective to frighten and perturb through the use of wildly subjective and emotional means of expression, envoking ground-breaking extremes of passion and sentimentality.
  • Signum are proud to present the debut recording from the Chineke! Orchestra, in a new live orchestral recording from The Royal Festival Hall, London.
    Drawn from exceptional musicians from across the continent, the orchestra is part of the Chineke! Foundation – a non-profit organisation that provides career opportunities to young Black and Minority Ethnic (BME) classical musicians in the UK and Europe. Their motto is ‘Championing Change and Celebrating Diversity in Classical Music.
    The orchestra is the brainchild of Chi-chi Nwanoku MBE, FRAM, who describes the project’s aim as being “... to create a space where BME musicians can walk on stage and know that they belong, in every sense of the word. If even one BME child feels that their colour is getting in the way of their musical ambitions, then I hope to inspire them, give them a platform, and show them that music, of whatever kind, is for all people.” In this first release in a new series, Chineke! orchestra perform two beguiling works – Sibelius’s Finlandia and Dvořák’s much loved Symphony No. 9 ‘From the New World’. Both pieces encompass different aspects of BME influences in Western Classical music: Sibelius’s Finlandia embodied a national sentiment in both the composer’s homeland of Finland as well as for other small nations seeking to free themselves from subjugation from other countries (becoming the national anthem of Biafra during the civil war of 1967-1970), and although underplayed by critics at the time, Dvorak’s work rings with melodies influenced by the folk music and spirituals sung to him by his African- American student and assistant, Harry Burleigh, and with rhythms and pentatonic sections inspired by the music of the Sioux Indians, all wrapped up in the format of a Western Classical symphony. Music Web International A remarkable testament to a remarkable orchestra. Norther Echo This live recording of the works at the Royal Festival Hall, under the baton of Kevin John Edusai, oozes dynamism with fine playing in the quieter passages. The Kansas City Star pick
  • Avant garde. Eccentric. A maniac. Wild and adventurous. Off the wall. Extraordinary. No marketing hyperbole - this is how the players of the Orchestra of the Age of Enlightenment describe Carl Philip Emmanuel Bach and his music. One of the many children of JS Bach, CPE Bach always lived in his father’s shadow, and now is an almost unknown figure at least beyond the classical cogniscenti. How can such an unknown be considered a gamechanger? A listen to his music reveals just why – it constantly shifts, wrongfooting the listener when they least expect it with wild changes of direction and colour – it is bright, effervescent, and is a fascinating link between the music of his father (and the Baroque era) and Joseph Haydn (and the Classical era). ★★★★ It is the sense of adventure that comes across vivaciously here in a fusion of stylistic taste, smooth and supple phrasing and an exuberant thrust - The Daily Telegraph Editor's Choice: Self-critical perspective is clearly not a problem for these artists ... the unfurling description of of a lover's kisses permit all kinds of glorious opportunities for the singers' seemingly telepathic understanding for chiaroscuro, impeccable tuning and innate grammatical sense - Gramophone The OAE under Rebecca Miller play with an accuracy and passion that's infectious: this is among the most exciting, adrenalin-filled period instrument recordings you'll hear - The Arts Desk Symphonies that embrace the strangeness and originality of the writing as well as the beauty of some of the middle movements and the feistiness of the finales. Made live, but they’ve emerged in excellent shape - BBC Radio 3 Record Review The orchestra's playing here is bright, effervescent and fascinating – truly positioning C.P.E. Bach as the missing link between his father and the music of Haydn - Classic FM These energetic, committed performances of five symphonies dating from between 1757 - when Haydn was first writing in the genre - and 1780 show the period band has lost none of its verve and enthusiasm for this strange, dramatic music from the dawn of the "classical" era - The Sunday Times
  • Lux et Veritas (Light and Truth) is the new album from Will Todd with the professional chamber choir Tenebrae. Todd’s music has a universal appeal and he has been hailed as “one of the UK’s most sought-after, versatile composers” (Tempo Magazine). For this collection of sumptuous new choral works Tenebrae are accompanied by the English Chamber Orchestra, conducted by the choir’s director Nigel Short. This new release follows Will Todd’s last choral album The Call of Wisdom, featuring music commissioned for HRH The Queen’s Diamond Jubilee service in St Paul’s Cathedral in 2012. Throughout, the excellent Tenebrae under Nigel Short's sensitive direction deliver the sequence of 14 short pieces with commitment and great beauty of tone - Choir & Organ One of this year's finest releases - Classic FM Don't miss this movingly accessible and genuinely sensitive choral collection - MusicWeb International Sumptuous, soothing and reflective music for all occasions - Northern Echo
  • With its vivid poetry and technical ingenuity, Vivaldi’s Four Seasons was ground breaking at the time of its release and to this day remains as influential and transfixing as ever. In this recording, violinist Kati Debretzeni directs the Orchestra of the Age of Enlightenment in an energetic, historically informed performance. From the commanding heat of the Summer sun, to Winter’s foreboding darkness, the power of Vivaldi’s masterpiece is inescapable. The booklet includes a ‘Guided tour of the Four Seasons’, allowing listeners to follow the poetry that inspired Vivaldi as they hear the performances on the disc, including additional composer’s notes from Vivaldi’s own scores. This is a recording of the evergreen Four Seasons to remember and return to. The playing is sublime. Kati Debretzeni is a breath of fresh air at any time of the year. The chamber ensemble from the Orchestra of the Age of Enlightenment, led here by Alison Bury, includes a core of players that has been there from its formation who continue to play with the same joyful camaraderie and artistic precisionGramophone Debretzeni sets out to highlight the descriptive aspect of the music by finding many more colours and contrasts in the orchestral texture than are usually heard, and the period instruments give the familiar movements a new attack, making the work sound as fresh today as the day it was written - Classic FM

    This is probably one of the noteworthy period-instrument 'Seasons' recordingsEarly Music Review

     
  • Under the direction of Margaret Faultless the OAE shine on these new recordings of Mozart’s horn Concertos, featuring sublime performances by Roger Montgomery on the natural (valveless) horn. As well as lesser-known gems of Mozart’s horn repertoire, at the centre of the collection comes the lyrical fourth horn Concerto (K.495), featuring thrilling fanfares and brilliant dialogue between the solo instrument and orchestra.

  • A unique disc from one of Scotland's most dynamic and versatile groups – the Scottish Ensemble is a tight-knit band of outstanding string players from around Europe who perform regularly together under Artistic Director, Jonathan Morton. This disc – one of their first solo releases following acclaimed discs with artists such as Alison Balsom and Toby Spence – contrasts Vivaldi's timeless Four Seasons with Piazzolla's tango-inspired The Four Seasons of Buenos Aires. Combining Vivaldi and Piazzola together like this underlines the meteorological and cultural differences between Mediterranean Europe and the heart of South America. To have them performed side by side creates a fascinating programme of similarities and contrasts. The playing standard is excellent, with the strings of the Scottish Ensemble finding a light and suitably transparent texture in the Vivaldi, matched by bright, stylish solos from Jonathan Morton - Gramophone The relationship between the violin soloist and the ensemble is just right … the Scottish Ensemble succeed in bringing this paradoxical idea to fruition - Classical-CD-Reviews.com
  • Beethoven’s euphoric Symphony No. 9, like his Symphony No. 5, is one of those pieces of classical music which transcends the barrier between musical genres – one of the few pieces of the classical canon in the popular consciousness. Few can fail to be uplifted and caught up in the joyous Ode to Joy finale. For this performance, recorded live at the Edinburgh International Festival in 1994, the Orchestra of the Age of Enlightenment were joined by the renowned conductor and long-time collaborator, Sir Charles Mackerras, a partnership between him and the OAE that lasted almost a quarter of a century. ★★★★★ One of the most thrilling Beethoven interpretations I have ever heard. It bristles with revolutionary spirit … The OAE play like gods and demons - The Financial Times ★★★★★ The slow movement is full of spiritual balm. The outer movements are elemental in proper revolutionary style; the finale’s found British soloists are excellent. Highly recommended - The Mail on Sunday Fine choral singing by the New Company, and Mackerras's masterly control, make the finale as electrifying as only it can be - The Times
  • Borodin: Requiem

    £8.00£12.00
    Together with familiar music from Prince Igor, this CD features the world premiere recording of the unusual Requiem, (which is based on “Chopsticks”), and Glazunov’s orchestration of the charming Petite Suite. Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra. The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia’s younger conductors, the most important to its development was Herbert von Karajan, who though never formally chief conductor was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London’s five symphony orchestras in its first two decades.   All downloads include booklets.
  • Gabriel Prokofiev’s famous first Concerto for Turntables reached a global audience when performed by Mr. Switch at the 2011 BBC Proms, under the baton of Vladimir Jurowski. It has since been performed 55 times worldwide, with the 5th movement being performed 20 times as part of the BBC’s Ten Piece’s project. The aim of the piece is demonstrate the main DJing techniques, with each movement showing off a specific one. Prokofiev’s Cello Concerto was composed in 2012 and is the third concerto he composed. It was the most conventional of his concertos, with the other two (at that point) being for Bass Drum and Turntables. Despite this, Prokofiev still manages to explore influences of electronic and dance music in the concerto, whilst also exploring the traditional lyrical side of the cello.   All downloads include booklets. 
  • Mark van de Wiel joins the Philharmonia Orchestra under Christopher Warren-Green in the premiere recording of Joseph Phibbs’ Clarinet Concerto, praised by The Sunday Times following its UK debut as a work “that will surely be performed all over the world ”. Following a long friendship between composer and soloist, Phibbs and van de Wiel collaborated to create this stunning and virtuosic new work for the clarinet and orchestra, which features a thrilling cadenza at the end of the first movement. It is paired with a scintillating live concert-recording of Mozart’s timeless Concerto for Basset Clarinet in A Major, K. 622, performed with the London Chamber Orchestra.
  • Above the opening notes of The Protecting Veil, John Tavener wrote Transcendent With Awesome Majesty, communicating the scale of this universal, timeless, structurally perfect and emotionally powerful work. In the composer’s words, “the cello represents The Mother of God and never stops singing.” Indeed, the cello sings without stopping for the entire 46 minutes of the piece, requiring huge mental and physical stamina. Matthew Barley leads Sinfonietta Rīga in this exploration of Tavener’s musical works and inspirations, interspersing performances with readings of WB Yeats and Frithjof Schuon by renowned actors Julie Christieand Olwyn Fouéré. The influence Tavener drew from Indian music in The Protecting Veil is also explored further in Barley’s performance with tabla player Sukhvinder ‘Pinky’ Singh in The Song of Separation and Waiting by Pandit Sultan Khan. Matthew Barley is known internationally as a cellist, improviser, arranger, music animateur, and as Artistic Director of Between The Notes. His musical world is focused on projects that connect people in different ways, blurring the boundaries that never really existed between genres and people.
  • Led by Lorin Maazel, the Philharmonia Orchestra are captured at their very best in these live performances of Mahler’s Nine Symphonies. Recorded in concert at London’s Royal Festival Hall, the symphonies include performances by soloists and ensembles including Sarah Connolly, Michelle DeYoung, Philharmonia Voices and the BBC Symphony Chorus. Praise for these performances has been near universal. This 15-CD box set includes a 96-page booklet of biographies, programme notes and full texts for each symphony, as well as Lorin Maazel’s introduction to the collection. You get that audience perspective as if you were sitting in the hall, and its got all the energy and focus of a live or concert recording - BBC Radio 3 Maazel could sustain this score in a way that seemed to transcend reality ... a tremendously moving experience - Classical Source An extraordinary reading of the Ninth ... a performance touched by greatness - MusicWeb International
  • Featuring Rebecca Bottone, Cora Burggraaf, Allan Clayton, Klara Ek, Martene Grimson, Jennifer Johnston, Susan Gritton, Anna Leese, Matthew Rose, Andrew Staples & Mark Stone Signum are proud to reissue Classical Opera’s debut CD, ‘The A-Z of Mozart Opera’, selected for Gramophone magazine’s annual Critic’s Choice in 2007. Based on the coincidence that Mozart’s first opera (Apollo et Hyacinthus) begins with ‘A’ and his last (Die Zauberflöte) with ‘Z’, this disc takes the listener on a chronological journey through Mozart’s operatic canon, featuring an aria or ensemble from fifteen of his operas. My personal pick for giving this year is the Classical Opera Company’s glorious The A-Z of Mozart Opera, which is fresh, diverse, insightful and illuminatingGramophone
    A lovely disc which manages to introduce both Mozart's genius and a range of lovely lyric voices, all in stylish performances which certainly make you want to hear morePlanet Hugill Page, to my mind one of the most talented of today's younger British conductors, immediately announced himself with this CD as a natural MozartianEarly Music Review  
  • This recording is a hybrid CD/SACD recording, which will work in both a standard CD or SACD player. 

    Acknowledged as the UK’s foremost musical pioneers, with an extraordinary recording legacy, the Philharmonia leads the field for its quality of playing. Together with its relationships with the most sought-after artists, most importantly its Principal Conductor and Artistic Advisor Esa-Pekka Salonen, the Philharmonia Orchestra is at the heart of British musical life. Esa-Pekka Salonen made his London conducting debut with the Philharmonia Orchestra in September 1983 and he has returned to conduct the Orchestra on a regular basis ever since. This is the first in our series of Philharmonia releases that feature Salonen as conductor and is a hybrid SACD/CD in both stereo and surround. Forthcoming recordings as part of Salonen’s new partnership with the Philharmonia Orchestra and Signum include Mahler’s 6th and 9th symphonies and Berlioz’s Symphonie Fantastique. Sometimes less is not more. More is exhilarating. ... the music-making was superb ... And what terrific soloists! - The Times The opening songs have a featherweight transparency, the interludes a natural fluency … and the choral climax transmits a properly ecstatic, pantheistic glowThe Financial Times Salonen cracks into Schoenberg’s stacked layers of activity and strikingly schizophrenic mood shifts, revealing clarity and sonic grandeur. His soloists are top-notch too. Essential listening - Classic FM Magazine
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