• A sumptuous new recording of Gabrieli Consort & Players’ first, award-winning CD, A Venetian Coronation 1595. Nearly 25 years later, Paul McCreesh has reworked his imaginative reconstruction of a glorious late 16th century Coronation Mass at St Mark’s, Venice. This is an exciting new version of one of Gabrieli’s most influential and enduringly popular programmes, available for the very first time on Vinyl, and recently awarded a Gramophone Award for Best Early-Music recording 2013. Double, 180g Vinyl Release, plays at 33rpm Even if you own the classic Virgin disc, this new version is a must-buyThe Sunday Times Never less than enthrallingThe Independent McCreesh's new take on his classic recording is a triumph … Highly recommended to both first- and second-time buyers, and on track to inspire yet another generation - International Record Review
  • Following the huge success of their recent album release ‘Timelapse’ (Jan 2021), Orchestra of the. Swan presents Vivaldi Sleep, a project that was initiated by the orchestra during the first national lockdown of 2020. Eleven artists from a broad range of genres – including klezmer, folk, electronica and jazz – were invited to add a solo part in response to the orchestra’s recording of the second movement of Autumn from Vivaldi’s Four Seasons. Guest artists recorded their solo parts at home and were given free rein to start prior to the orchestra’s recording and continue after it had finished if they wished. Manipulation of the source material was also allowed. Formed in 1995, Orchestra of the Swan is a British chamber orchestra which, under the artistic direction of David Le Page, is passionate about audience inclusivity and blurring the lines between genres through its adventurous and accessible programming. This album demonstrates this ethos exactly.
  • Arne: Artaxerxes

    £8.00£18.00 Available May 14, 2021.
    A composer inextricably linked with London’s Covent Garden, Thomas Arne’s greatest opera, Artaxerxes, was premièred at the Theatre Royal, the predecessor of the Royal Opera House, on 2 February 1762 and remained in the Covent Garden repertory until the late 1830s, where it received a documented 111 performances before 1790. The young Mozart almost certainly attended a performance when he came to London in the mid1760s and Haydn was also acquainted with the work, enthusiastically exclaiming that he “had no idea we had such an opera in the English language.” The Mozartists, under the dynamic leadership of conductor and artistic director Ian Page, are leading exponents of the music of Mozart and his contemporaries. Originally called Classical Opera, the company was founded in 1997 and has received widespread international acclaim for its stylish and virtuosic period-instrument orchestra, its imaginative and innovative programming and its ability to nurture and develop world-class young artists. Renowned for their fresh and insightful interpretations of well-known masterpieces as well as for their ability to bring rare and neglected works to light, they have mounted staged productions of many of Mozart’s operas. In 2015 the company launched MOZART 250, a ground-breaking 27-year project exploring the chronological trajectory of Mozart’s life, works and influences. Described by The Observer as “among the most audacious classical music scheduling ever,” this flagship project presents 250th Anniversary performances of most of Mozart’s important works, placing them in context alongside other significant works by Mozart’s contemporaries
  • A work bringing together performers from across the globe, the Lim Fantasy of Companionship for Piano and Orchestra is an engaging and heartfelt work that explores disruptive technologies – the intersection between technology and humanity – in the form of robotics and AI, via music. The idea that human engineering of the inanimate may ultimately produce companions previously unimagined, brought to life in a Fantasy of Companionship composed by Manu Martin.
  • Following an acclaimed debut recording of Tchaikovsky’s Swan Lake with the Philharmonia in 2020, Santtu-Matias Rouvali returns with a recording of Sergei Prokofiev’s iconic Symphony No. 5. Prokofiev’s Symphony No. 5 was first performed in 1944, 14 years after his previous symphony. Prokofiev described his Fifth Symphony as a “hymn to free and happy Man, to his mighty powers, his pure and noble spirit,” explaining that, “I cannot say that I deliberately chose this theme. It was born in me and clamoured for expression. The music matured within me. It filled my soul.”
  • Oliver Davis: Solace

    £8.00£12.00
    Recorded at the height of the international Covid lockdown, Oliver Davis’s sixth album for Signum is a feat of both technological as well as artistic achievement. Following from draws together artists from across the globe for a selection of moving works for a variety of forces – recording a violinist in Los Angeles, a piano duo in The Netherlands, a guitarist in Argentina and the Budapest Scoring Orchestra conducted by Péter Illényi in Budapest. Davis’s previous albums with Signum have reached the top 10 on both iTunes Classical and UK Specialist Classical Charts multiple times, receiving numerous five-star reviews and well over a million streams on Apple Music. British composer Oliver Davis has parlayed a long record as a composer of film and television scores into a successful career as a composer of orchestral music that in performance have attracted top-notch London orchestras and soloists. He has also been active as a composer of ballet – most recently premiering Lineage with choreographer Edwaard Liang at New York City Ballet’s prestigious Fall Fashion Gala.
  • ‘Settecento’ is the style of art, music and architecture that emerged in Italy in the early 18th century, celebrated here by La Serenissima and Adrian Chandler with a collection of works from that era. The works are grouped by the areas of Italy where each composer worked, including the Kingdom of Naples (Scarlatti, Mancini), Republic of Venice (Dall’Abaco, Vandini, Tartini & Vivaldi) and the Papal States / Bologna (Brescianello). The ensemble La Serenissima is recognised as the UK’s leading exponent of the music of 18th-century Venice and connected composers. Uniquely, the group’s entire repertoire is edited from manuscript or contemporary sources. It has become synonymous with virtuosity, dynamism and accessibility, uncovering new repertoire and making it available to all through live performance, recordings and educational initiatives.
  • Timelapse creates a space where sounds of the past and present collide to form a unique musical landscape. Although the pieces were written, in some cases, centuries apart and in culturally disparate eras, it is striking how much these contrasting works inhabit such similar emotional territory. Intriguing pairings of works by Rameau and Radiohead, Schubert and The Smiths, Adés and Grieg, Satie and Reich, compliment each other beautifully in the context of Timelapse. This recording by Orchestra of the Swan provides a place where notions of time and style have become irrelevant.
  • Beethoven & Barry Vol. 3

    £8.00£18.00
    The final installment in the BEETHOVEN & BARRY recording series which, over three volumes, has traced all nine of Beethoven’s Symphonies coupled with music by the celebrated Irish composer Gerald Barry. “This set [Vol.1] cuts pristine interpretations of Beethoven’s early symphonies with Gerald Barry’s 21st- century zesty homage ... tightly knit performances ...” BBC Music Magazine
  • Beethoven Piano Concertos

    £24.00£42.00
    The culmination of the fabulous Beethoven 250 series by French pianist Elizabeth Sombart, conductor Pierre Vallet and the Royal Philharmonic Orchestra; a boxset featuring spectacular performances of Beethoven’s piano concertos and his ‘Triple’ Concerto. Sombart and the RPO examine each concerto in sublime detail, demonstrating the various contrasts of each piece in an elegant and passionate fashion. Richard Harwood on cello and Duncan Riddell on violin enter the recordings with a bang for the final piece in the series, and immediatly connect with Sombart, Vallet and the RPO to produce an epic culmination to this great series.
  • Peter Cigleris performs with the BBC National Orchestra of Wales in a programme of four ‘rediscovered’ clarinet concertante works of the first half of the 20th Century. Composed between 1930 and 1947, the works span a time of change in the musical landscape of Great Britain; Pre 1939/40 the two predominant styles within British music were those of Post-Romanticism and Nationalism, whereas Post 1945, with the influence of the BBC, Modernism became the dominant style. By chance it also happens that two prominent British clarinettists tie these four works together; Fredrick Thurston and Reginald Kell were both involved in performances of the works at various points during their careers. A renowned soloist and chamber musician, Peter Cigleris has performed with the CBSO, BBCCO, ENB, Philharmonic, Royal Ballet Sinfonia and Orchestra of the Swan, as well as for a time holding the principal seat with the Symphony Orchestra of India in performances under Charles Dutoit and Rafael Payare amongst others. He has worked with musicians such as Martin Cousins, John Lenehan, Mark Bebbington, Julian Lloyd Webber and the Tippett Quartet, performing for various music clubs and festivals around the UK including the Windsor and Wooburn Festival, English Music Festival, Carlisle International Music Festival, Groba Festival in Spain and the ICA ‘ClarinetFest’.
  • Strauss / Copland

    £8.00£12.00
    The four works on this disc, all composed in the 1940s, embrace the lingering end of one musical tradition and the vigorous upsurge of another. Mellifluous, retrospective and playful, the Duet Concertino and Prelude to Capriccio were works of Richard Strauss’s Indian Summer – an old man’s refuge from the barbarism of war and its aftermath. What the public thought of them was incidental, even irrelevant. In the same decade, Aaron Copland and other younger American composers were reaching out, via radio, recordings and film, to a new mass audience. The European influence of Appalachian Spring and the Clarinet Concerto, though inescapable, was minimised in a populist, vernacular idiom that absorbed native folk music and jazz. Richard Stamp unites some of the finest instrumentalists from the UK and Europe in these performances – featuring celebrated orchestras the Academy of London and the Royal Northern Sinfonia with renowned Austrian soloists Ernst Ottensamer and Stepan Turnovsky. Stepan Turnovsky joined the Vienna State Opera and the Vienna Philharmonic Orchestra in 1978 and has kept the position of Solo Bassoonist there since 1985, performing with conductors such as Herbert von Karajan, Leonard Bernstein, Karl Böhm, Carlos Kleiber amongst many others. The late Ernst Ottensamer was a former principal clarinettist at the Vienna Philharmonic and an avid performer of chamber music – founding numerous ensembles and collaborating with musicians such as Sir Simon Rattle, André Previn, Daniel Barenboim and Rudolf Buchbinder amongst others. In 2005 he found a clarinet trio with his sons Daniel and Andreas Ottensamer – themselves the Principal Clarinettists of the Vienna Philharmonic and Berlin Philharmonic Orchestras. This present performance represents his last concerto recording.
  • Swan Lake

    £8.00£14.00
    In the 2019/20 season Santtu-Matias Rouvali continued as Chief Conductor of Gothenburg Symphony and as Principal Conductor Designate of the Philharmonia Orchestra, where he succeeds Esa-Pekka Salonen as Principal Conductor in 2021/22. Alongside these posts he retains his longstanding position as Chief Conductor with Tampere Philharmonic Orchestra, close to his home in Finland. His international profile continues to flourish. He debuted the season with the New York Philharmonic, Berlin Philharmonic and Royal Concertgebouw orchestras in wide-ranging repertoire. He conducted the New York premiere of Bryce Dessner’s Wires, and at the Concertgebouw he conducted the world premiere of Ariadne by Theo Verbey, as well as Stravinsky’s Oedipus Rex. He has built a loyal following internationally after successful tour concerts last season with Gothenburg Symphony in Vienna, where he returned in December to conduct the Wiener Symphoniker and Nicola Benedetti. In 2019/20 he returned to several orchestras across Europe, including the Orchestre Philharmonique de Radio France and Deutsches Symphonie-Orchester Berlin. A self-critical composer, Tchaikovsky once said “‘I listened to the Delibes ballet Sylvia... what charm, what elegance, what wealth of melody, rhythm, and harmony. I was ashamed, for if I had known of this music then, I would not have written Swan Lake.” It's ironic that Tchaikovsky's words apply also to Swan Lake itself; “what charm, what elegance, what wealth of melody, rhythm, and harmony.”   All downloads include booklets.
  • A frequent collaborator with both the BBC Philharmonic Orchestra and Jac van Steen, David Matthews’ new recording explores both the natural world and the symphonic idea, the second of which has, in his words, “obsessed me since I started composing at the age of 16”. As well the Sinfonia and Symphony No. 8, the programme includes Toward Sunrise; inspired by the sound of the sun (a rising fourth of C-F), as recorded by scientists at Sheffield University, and A Vision of the Sea; drawn from the sights and sounds of English Channel near the composers’ home in Deal, Kent. With a singular body of work spanning almost 60 years, David Matthews has established an international reputation as one of the leading symphonists of our time. Born in London in 1943, he began composing at the age of sixteen. He read Classics at the University of Nottingham – where he has more recently been made an Honorary Doctor of Music – and afterwards studied composition privately with Anthony Milner. He was also helped by the advice and encouragement of Nicholas Maw and spent three years as an assistant to Benjamin Britten in the late 1960s. In the 1970s a friendship with the Australian composer Peter Sculthorpe (leading to collaboration and numerous trips to Sydney) helped Matthews find his own distinctive voice.
  • Flare (Digital Only)

    £8.00£9.75
    Described in The Guardian (2019) as one of today’s leading composers for voice, Joanna Marsh is a British composer who since 2007 has divided her time between Dubai and the UK. Her life in the Middle East has lead to many unique musical opportunities including writing an orchestral work to celebrate the building of the Burj Khalifa. Most recently she was commissioned by Dubai Opera to write an orchestral work for the first BBC Proms in Dubai in March 2017. This lead to her writing the 6 minute work Flare, for the BBC Symphony Orchestra, based on a short story called Oil Field, by Saudi writer Mohammed Hasan Alwan. Joanna has been Composer in Residence, at Sidney Sussex College, Cambridge from 2015 through to 2020 and during that time has written a number of choral works for the college choir and the college organ. She is a Co-Founder of ChoirFest Middle East in Dubai, an annual celebration of the region’s choral music scene which is reached its eighth edition in March 2020. She is also Founder and Artistic Director of the Dubai Opera Festival Chorus a large body of singers that was set up for the BBC Proms in Dubai and continues to undertake concert performances of various types across the UAE.   Available as a disc on demand from Presto Classical.
  • Extra Time

    £8.00£14.00
    This recording by La Serenissima began life when the ensemble were recording for an earlier release. An issue with budget for a previous release meant these gems had to be left out. Since that release in 2015, La Serenissima have firmly established themselves as one of the leading performing ensembles of Italian Baroque. Following on from their highly acclaimed ‘The Godfather;’ released on Signum last year, this release shows the class act that they are, with these recordings making for one incredible album. La Serenissima was formed in 1994 for a performance of Antonio Vivaldi’s La Sena festeggiante and has now firmly established itself as one of the leading exponents of the music of eighteenth-century Venice and connected composers. The entire repertoire of La Serenissima is edited by director Adrian Chandler from manuscript or contemporary printed sources, a testament to its vision to enrich life by sharing its passion for Italian baroque music.   All downloads include booklets.
  • Beethoven & Barry Vol. 2

    £8.00£18.00
    The second volume of celebrated pianist, composer and conductor Thomas Adès and the Britten Sinfonia’s collaborative performances of the works of Beethoven and Gerald Barry. Beethoven’s 4th, 5th and 6th symphonies are interspersed with Barry’s ‘Viola Concerto’ (featuring Lawrence Power) and piece for orchestra and bass ‘The Conquest of Ireland’ (featuring Joshua Bloom). The pairing is ideal, for Gerald Barry’s compositional style was greatly influenced by Beethoven, giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. His music also shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.   All downloads include booklets.
  • This release by the London Chamber Orchestra marks the start of the build up to the orchestras 100th anniversary year. Featuring three sublime recordings of pieces for strings, this is a nod to the fact that the orchestra truly are one of the best in the country. When you go to an LCO concert, you do not just go to listen to a concert, you go to experience a performance. This live recording from Cadogan Hall, in June of 2019 is no exception. Christopher Warren-Green and the orchestra capture the quintessential ‘Englishness’ of Vaughan Williams’ Fantasia on a Theme of Thomas Tallis perfectly. They then explore the emotional Serenade for Strings of both Josef Suk and Antonín Dvořák, examining the similarities between the pieces.   All downloads include booklets.
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth received the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change. This third instalment of this series features Beethoven’s mighty 5th piano concerto as well as his ever popular triple concerto, featuring Duncan Riddell on violin and Richard Harwood on cello.   All downloads include booklets.
  • Sturm und Drang Vol. 2

    £8.00£14.00
    The second volume in a ground-breaking seven-part series, The Mozartists and director Ian Page’s ‘Sturm und Drang’ recordings incorporate iconic compositions by Mozart, Gluck and, above all, Joseph Haydn, but it also includes largely forgotten or neglected works by less familiar names. All of the music featured on this second recording was composed between 1765 and 1770, with three turbulent minor-key symphonies alternating with sacred and operatic arias. The ‘Sturm und Drang’ movement swept through all art forms in between the early 1760s and 1780s, with the general objective to frighten and perturb through the use of wildly subjective and emotional means of expression, envoking ground-breaking extremes of passion and sentimentality.
  • Gabriel Prokofiev’s famous first Concerto for Turntables reached a global audience when performed by Mr. Switch at the 2011 BBC Proms, under the baton of Vladimir Jurowski. It has since been performed 55 times worldwide, with the 5th movement being performed 20 times as part of the BBC’s Ten Piece’s project. The aim of the piece is demonstrate the main DJing techniques, with each movement showing off a specific one. Prokofiev’s Cello Concerto was composed in 2012 and is the third concerto he composed. It was the most conventional of his concertos, with the other two (at that point) being for Bass Drum and Turntables. Despite this, Prokofiev still manages to explore influences of electronic and dance music in the concerto, whilst also exploring the traditional lyrical side of the cello.   All downloads include booklets. 
  • Christopher Gunning returns with recordings of his Violin Concerto, Cello Concerto and Birdflight. Not composed until 2011, Gunning's Violin Concerto was composed after inspiration whilst the composer was out hiking in Wales. The violin is supposed to represent ducking and weaving, rather like the insects and animals found in the Welsh hills and valleys. However, despite this positive venture for the composer, the emotions of sadness and melancholy are never far from this music - feelings which never seem far from Gunning's music. The Cello Concerto is quite different. Although composed hard on the heels of the Violin Concerto, it is generally darker though equally expressive. The third piece, Birdflight, is for the orchestra alone; a kind of tone poem. At the opening and close there is some quiet night music with spacious strings. The birds take flight but encounter a problem; a hawk is on their tail. The birds manage to hide and there is a pause. Then, when danger has passed, they take off and once again enjoy the sheer pleasure of flying.   All downloads include booklets.
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth received the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change.  
  • Sturm und Drang Volume 1

    £8.00£14.00
    This is the first project in a seven-volume series exploring the ‘Sturm und Drang’ movement, which swept through all art forms in the between the early 1760s and 1780s. The purpose of this movement were to frighten and perturb through the use of wild and subjective emotional means of expression. This series of ‘Sturm und Drang’ recordings incorporates iconic compositions by Mozart, Gluck and, above all, Joseph Haydn, but it also includes largely forgotten or neglected works by less familiar names. The music featured on this disc was all composed in the 1760s. It includes ballet and opera as well as symphonies, but is drawn together by the hallmarks of the remarkably visceral and dynamic style of music that we now call ‘Sturm und Drang’.   All downloads include booklets.
  • Beethoven & Barry Vol. 1

    £8.00£18.00
    The highly anticipated recording of Thomas Adès and the Britten Sinfonia playing Beethoven and Barry; specifcally the Beethoven Symphony Cycle and a selection of Barry’s works. This CD features Beethoven’s first three symphonies, interspersed with Barry’s piece Beethoven and his Piano Concerto. Beethoven intended to stake his claim to be the rightful successor to the Viennese classical tradition with the first of his symphonies, premiered in 1800. He had already began to lose his hearing by this point, and when he composed his second symphony, he placed on the page his spirit of defiance and determination against his deafness. The third marks a significant turning point in his style, as well as in the framwork of how a symphony was expected to be composed. Gerald Barry grew up in rural Ireland. His music shows us how his upbringing had an effect on his compositional style - giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. Do not be fooled by this however; his music shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.   All downloads include booklets. 
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth recieved the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change.   All downloads include booklets.
  • Gustavo Díaz-Jerez is one of the leading composers and pianists in Spain. His compositional output spans all genres, from solo works to opera. His works have been premiered by prestigious ensembles and orchestras. His orchestral work Ymarxa, commissioned by the XXVII Canary Islands Music Festival, was premiered by the Royal Philharmonic Orchestra, conducted by Charles Dutoit. In 2018, his first opera was premiered, La casa imaginaria. This album represents the culmination of more than ten years of compositional work. A unique endeavour in the history of music in the Canary Islands, it comprises seven symphonic poems – almost two and a half hours of music – which evoke the landscapes and natural beauty of the Canaries. The cycle takes its name, Maghek (“the one who creates brightness”), from the sun-goddess of the Guanches, the aboriginal inhabitants of the Canary Islands. Each piece is inspired by a specific locale on a different island; some resurrect forgotten stories. Naturalistic tonal painting (the sea, the wind, the rugged scenery) is a constant feature throughout the cycle.   All downloads include booklets.
  • Messiah…Refreshed!

    £8.00£18.00
    The Goossens Messiah, recorded for the first and only time by the Royal Philharmonic Orchestra and Chorus under Sir Thomas Beecham, has stood as a landmark of the classical catalogue for sixty years. Goossens’ richly orchestrated version is set to reach a new audience thanks to Maestro Griffith and DCINY, New York City’s leading promoter of classical music. They gathered at Abbey Road Studios in London in July 2019, to record the work with the Royal Philharmonic Orchestra and a chorus comprising of sixty members of The Jonathan Griffith Singers, drawn from around the world and sixty members of the National Youth Choir of Great Britain. The new recording has captured the score’s vibrant tone colours in thrilling high-definition sound. An acclaimed conductor, educator and lecturer, Dr. Jonathan Griffith has led performances across North America, Europe, and Asia. Griffith is Co-Founder and Artistic Director of Distinguished Concerts International New York (DCINY), which has brought together, under Griffith’s artistic leadership, thousands of musicians and choral singers in concert at prestigious venues across the United States, including Carnegie Hall, Lincoln Center, and Disney Hall. The founder and Music Director of the Distinguished Concerts Orchestra, Griffith also oversees DCINY’s mentoring program for conductors. Founded in 1983 as a single choir of 100 of the best singers in the nation, the National Youth Choir is now the flagship ensemble of an Arts Council England National Portfolio youth music organisation and registered charity, the National Youth Choir of Great Britain (NYCGB), which runs five membership choirs, a nationwide outreach programme for schools and Music Hubs, and provides professional training for the next generation of choral singers, composers and leaders.   All downloads include booklets.
  • The Godfather

    £8.00£14.00
    The musical world of eighteenth-century Europe was a small one. Despite the problems presented by contemporary standards of transport, it was quite normal for composers in one part of Europe to be entirely au fait with what was happening elsewhere. This is borne out by the closeness of three German composers: Telemann, godfather to C.P.E. Bach; Pisendel; and J.S. Bach, who admired both his compatriots and composed some astoundingly difficult music for the violinist Pisendel. This programme celebrates their music as well as the music of those who contributed to their musical heritage. Included alongside the German triumvirate are works by Vivaldi who physically helped with the composition of Pisendel’s A minor concerto movement, Fasch who was a great friend of Pisendel and Telemann, and Brescianello, an Italian who helped the dissemination of Italian instrumental music throughout the German-speaking lands and whose concertos were played in Dresden by Pisendel.   All downloads include booklets.
  • Christopher Gunning has composed twelve symphonies, as well as concertos for the piano, violin, cello, flute, oboe, clarinet, saxophone, and guitar; many of these have now been recorded. He has also composed many scores for films and television dramas, including Agatha Christie’s ‘Poirot’, La Vie en Rose, Middlemarch, Cold Lazarus, Rebecca, Under Suspicion, Firelight, The Big Battalions, Wild Africa, When the Whales Came and Porterhouse Blue. With a career spanning 50 years, he has won 4 BAFTA and 3 Ivor Novello Awards, and BASCA’s prestigious Gold Badge Award. Christopher studied composition with Edmund Rubbra and Sir Richard Rodney Bennett at the Guildhall School of Music and Drama. After a hugely successful career writing for the big and small screen he is now focussed on his classical work and releases.   All downloads include booklets.
  • Arcadia

    £12.00
    Oliver Davis graduated from the Royal Academy of Music in 1994 and has since composed numerous concertos, ballet scores, albums, soundtracks and television scores working with many of the major London orchestras. The Infinite Ocean was composed for choreographer Edwaard Liang and was commissioned by San Francisco Ballet for the Unbound festival, 2018. Liang requested the work to be in six sections and to feature a solo violin. The aim of Arcadia was to create a piece which evoked an idyllic serene place. Gemini was specifically composed for violinist Kerenza Peacock and was designed to explore the contrasting styles of her playing. The Suite for piano and orchestra was written for Huw Watkins on piano and heavily involves thematic development throughout. Inferno began life as a short orchestral sketch, which gradually evolved into a full, single-movement piece. Lastly, The Elements was commissioned by The Hanke Brothers, who specifically wanted a piece describing the four elements. The ensemble containing piano, viola, recorder and tuba, produces a unique timbre, and the piece explores the possible various aspects of this timbre.
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