• Led by Lorin Maazel, the Philharmonia Orchestra are captured at their very best in these live performances of Mahler’s Nine Symphonies. Recorded in concert at London’s Royal Festival Hall, the symphonies include performances by soloists and ensembles including Sarah Connolly, Michelle DeYoung, Philharmonia Voices and the BBC Symphony Chorus. Praise for these performances has been near universal. This 15-CD box set includes a 96-page booklet of biographies, programme notes and full texts for each symphony, as well as Lorin Maazel’s introduction to the collection. You get that audience perspective as if you were sitting in the hall, and its got all the energy and focus of a live or concert recording - BBC Radio 3 Maazel could sustain this score in a way that seemed to transcend reality ... a tremendously moving experience - Classical Source An extraordinary reading of the Ninth ... a performance touched by greatness - MusicWeb International
  • Beethoven Piano Concertos

    £24.00£42.00
    The culmination of the fabulous Beethoven 250 series by French pianist Elizabeth Sombart, conductor Pierre Vallet and the Royal Philharmonic Orchestra; a boxset featuring spectacular performances of Beethoven’s piano concertos and his ‘Triple’ Concerto. Sombart and the RPO examine each concerto in sublime detail, demonstrating the various contrasts of each piece in an elegant and passionate fashion. Richard Harwood on cello and Duncan Riddell on violin enter the recordings with a bang for the final piece in the series, and immediatly connect with Sombart, Vallet and the RPO to produce an epic culmination to this great series.
  • A sumptuous new recording of Gabrieli Consort & Players’ first, award-winning CD, A Venetian Coronation 1595. Nearly 25 years later, Paul McCreesh has reworked his imaginative reconstruction of a glorious late 16th century Coronation Mass at St Mark’s, Venice. This is an exciting new version of one of Gabrieli’s most influential and enduringly popular programmes, available for the very first time on Vinyl, and recently awarded a Gramophone Award for Best Early-Music recording 2013. Double, 180g Vinyl Release, plays at 33rpm Even if you own the classic Virgin disc, this new version is a must-buyThe Sunday Times Never less than enthrallingThe Independent McCreesh's new take on his classic recording is a triumph … Highly recommended to both first- and second-time buyers, and on track to inspire yet another generation - International Record Review
  • Serge Diaghilev’s choice of composers for his Ballet Russes productions (often acknowledged as one of the 20th century’s most influential ballet companies) has led to the creation of some of the most engaging and exhilarating music in the classical world. This new 3 CD set of live orchestral recordings by the BBC National Orchestra of Wales – made in their home venue of BBC Hoddinott Hall, Cardiff – captures Stravinsky’s three great ballet scores (The Firebird, Petrushka and The Rite of Spring) as well as works by fellow Ballet Russes composers Poulenc (Les Biches) and Liadov (Baba-Yaga, The Enchanted Lake and Kikimora).

    This fresh sounding live recording from the BBC National Orchestra of Wales under Thierry Fischer, the first made in the BBC Hoddinott Hall in Cardiff, certainly has a sense of occasion about it, with the audience erupting as the finale chorale [Firebird] reaches its exultant conclusionBBC Music Magazine

    [Thierry Fischer’s] Petrushka, notably beautiful, is graciously touching rather than violent or eruptive, the clean-textured, superbly detailed playing from the BBC National Orchestra Wales reminds us just how startlingly original Stravinsky's sonoritiesThe Guardian

    You should buy this for the generous, unusual coupling with Francis Poulenc’s rowdy, witty 1924 ballet Les biches …. As with the Rite, the performance is immaculateThe Arts Desk

  • Lorin Maazel and the Philharmonia Orchestra perform Mahler’s Fourth, Fifth and Sixth Symphonies. This is the second set in a series that will encompass Mahler’s Nine Symphonies, featuring live orchestral recordings from London’s Royal Festival Hall of Maazel and the Philharmonia’s much-lauded Mahler Cycle.

    This second volume, along with the first, is a treasured set on my shelves. I cannot wait for the final volume, Symphonies 7-9 - Classical Source The first movement, launched at a crisp, no-nonsense pace, offers numerous instances of warm, tender phrasing; clean textural contrasts and balances; and delicate, evocative solos - MusicWeb International
  • Lorin Maazel leads the Philharmonia Orchestra and a star-studded ensemble of performers in Mahler’s first three Symphonies. This is the first 5-CD Set in a series that will encompass Mahler’s Nine Symphonies, featuring live orchestral recordings from London’s Royal Festival Hall of Maazel and the Philharmonia’s much-lauded Mahler Cycle.

    Wonderfully stylish: that hesitant Viennese-style playing-around and a lovely warm string sound ...You get that audience perspective as if you were sitting in the hall, and its got all the energy and focus of a live or concert recording - BBC Radio 3 Record Review The most successful reading is Symphony No.1, in which the mystery of the hushed opening, the gutsy resonance of the second movement and the frenzied launch of the finale are comparable with some of the best versions - BBC Music Magazine I love these performances, truly and deeply, and just a little madly - Classical Ear
  • Beethoven & Barry Vol. 3

    £8.00£18.00
    The final installment in the BEETHOVEN & BARRY recording series which, over three volumes, has traced all nine of Beethoven’s Symphonies coupled with music by the celebrated Irish composer Gerald Barry. “This set [Vol.1] cuts pristine interpretations of Beethoven’s early symphonies with Gerald Barry’s 21st- century zesty homage ... tightly knit performances ...” BBC Music Magazine
  • Arne: Artaxerxes

    £8.00£18.00 Available May 14, 2021.
    A composer inextricably linked with London’s Covent Garden, Thomas Arne’s greatest opera, Artaxerxes, was premièred at the Theatre Royal, the predecessor of the Royal Opera House, on 2 February 1762 and remained in the Covent Garden repertory until the late 1830s, where it received a documented 111 performances before 1790. The young Mozart almost certainly attended a performance when he came to London in the mid1760s and Haydn was also acquainted with the work, enthusiastically exclaiming that he “had no idea we had such an opera in the English language.” The Mozartists, under the dynamic leadership of conductor and artistic director Ian Page, are leading exponents of the music of Mozart and his contemporaries. Originally called Classical Opera, the company was founded in 1997 and has received widespread international acclaim for its stylish and virtuosic period-instrument orchestra, its imaginative and innovative programming and its ability to nurture and develop world-class young artists. Renowned for their fresh and insightful interpretations of well-known masterpieces as well as for their ability to bring rare and neglected works to light, they have mounted staged productions of many of Mozart’s operas. In 2015 the company launched MOZART 250, a ground-breaking 27-year project exploring the chronological trajectory of Mozart’s life, works and influences. Described by The Observer as “among the most audacious classical music scheduling ever,” this flagship project presents 250th Anniversary performances of most of Mozart’s important works, placing them in context alongside other significant works by Mozart’s contemporaries
  • Beethoven & Barry Vol. 2

    £8.00£18.00
    The second volume of celebrated pianist, composer and conductor Thomas Adès and the Britten Sinfonia’s collaborative performances of the works of Beethoven and Gerald Barry. Beethoven’s 4th, 5th and 6th symphonies are interspersed with Barry’s ‘Viola Concerto’ (featuring Lawrence Power) and piece for orchestra and bass ‘The Conquest of Ireland’ (featuring Joshua Bloom). The pairing is ideal, for Gerald Barry’s compositional style was greatly influenced by Beethoven, giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. His music also shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.   All downloads include booklets.
  • Beethoven & Barry Vol. 1

    £8.00£18.00
    The highly anticipated recording of Thomas Adès and the Britten Sinfonia playing Beethoven and Barry; specifcally the Beethoven Symphony Cycle and a selection of Barry’s works. This CD features Beethoven’s first three symphonies, interspersed with Barry’s piece Beethoven and his Piano Concerto. Beethoven intended to stake his claim to be the rightful successor to the Viennese classical tradition with the first of his symphonies, premiered in 1800. He had already began to lose his hearing by this point, and when he composed his second symphony, he placed on the page his spirit of defiance and determination against his deafness. The third marks a significant turning point in his style, as well as in the framwork of how a symphony was expected to be composed. Gerald Barry grew up in rural Ireland. His music shows us how his upbringing had an effect on his compositional style - giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. Do not be fooled by this however; his music shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.   All downloads include booklets. 
  • Messiah…Refreshed!

    £8.00£18.00
    The Goossens Messiah, recorded for the first and only time by the Royal Philharmonic Orchestra and Chorus under Sir Thomas Beecham, has stood as a landmark of the classical catalogue for sixty years. Goossens’ richly orchestrated version is set to reach a new audience thanks to Maestro Griffith and DCINY, New York City’s leading promoter of classical music. They gathered at Abbey Road Studios in London in July 2019, to record the work with the Royal Philharmonic Orchestra and a chorus comprising of sixty members of The Jonathan Griffith Singers, drawn from around the world and sixty members of the National Youth Choir of Great Britain. The new recording has captured the score’s vibrant tone colours in thrilling high-definition sound. An acclaimed conductor, educator and lecturer, Dr. Jonathan Griffith has led performances across North America, Europe, and Asia. Griffith is Co-Founder and Artistic Director of Distinguished Concerts International New York (DCINY), which has brought together, under Griffith’s artistic leadership, thousands of musicians and choral singers in concert at prestigious venues across the United States, including Carnegie Hall, Lincoln Center, and Disney Hall. The founder and Music Director of the Distinguished Concerts Orchestra, Griffith also oversees DCINY’s mentoring program for conductors. Founded in 1983 as a single choir of 100 of the best singers in the nation, the National Youth Choir is now the flagship ensemble of an Arts Council England National Portfolio youth music organisation and registered charity, the National Youth Choir of Great Britain (NYCGB), which runs five membership choirs, a nationwide outreach programme for schools and Music Hubs, and provides professional training for the next generation of choral singers, composers and leaders.   All downloads include booklets.
  • The four coronations of the twentieth century were enormous and extravagant. Replete with festive pageantry, these ceremonies were joyful celebrations of British music, employing tremendous forces. Choirs from across London and beyond were marshalled to provide a chorus of over 400 voices; a full-size symphony orchestra was squeezed into Westminster Abbey, whilst bands of fanfare trumpeters led the pomp and celebration. In the imposing surroundings of Ely Cathedral, Paul McCreesh and Gabrieli bring the history, ceremony and liturgy of these extraordinary events to life. With his renowned creative flair, McCreesh’s painstaking research provides the springboard for their latest ground-breaking recreation project. The result is a joyful celebration of five centuries of choral music, performed with the same vast forces as were heard at the coronation services. Alongside an orchestra of rare early-twentieth century instruments, an extended Gabrieli Consort is amplified by the energetic sound and fresh faces of several hundred young singers from Gabrieli’s choral training programme Gabrieli Roar. The music is interspersed by the coronation liturgy, with Simon Russell Beale speaking the part of the Archbishop of Canterbury. Performance ★★ Recording★★★★★ McCreesh at his considerable best - BBC Music Magazine ★ Paul McCreesh has magnificently recreated this unique coronation rite... truly heart-warming - Choir & Organ ★ An astonishing recording - The Times ★ McCreesh has conceived and executed a magnificent project - Classical Source ★ Palpable enthusiasm and engagement - Planet Hugill One can imagine the virtuosity required by every contributor, at every turn, to make this a reality, let alone a dazzling triumph - Gramophone A most recommendable treat - MusicWeb International This is something very special - Cross Rhythms
  • O/Modernt, Swedish for ‘Un/Modern’, is the concept devised by violinist Hugo Ticciati that explores vital connections between artistic and intellectual creations, old and new. At the heart of White Light is a dialectic between contemplation and ecstatic joy: a journey that leads within and without. The ensō (Japanese for ‘circle’) drawn by Antony Gormley on the front cover invites us into the prismatic now of listening. ensō: a continuous brushstroke that expresses a moment in time when the mind is released, leaving the body free to listen and create. Looking inwards, we embrace that which we find outside ourselves before finally returning to inner peace and silence. The sound worlds of Arvo Pärt, John Tavener, Pēteris Vasks, The Beatles, and the rhythms and melodies of India are woven together through improvisation to invite a two-way sense of reflection and surprise. The music roams from the weird to the wonderfulCross Rhythms Here it is the combination of material that matters, and I found the programme both seductive and thought provokingPlanet Hugill
  • The Gabrieli Consort continue their series of award-winning collaborations with the National Forum of Music, Wrocław, Poland with a new version of Haydn’s great oratorio The Seasons. Using a new performing edition by Paul McCreesh this recording is the first to feature the large orchestral forces that Haydn called for, including a string section of 60, 8 horns and a choir of 70. As well as the combined forces of the Gabrieli Consort & Players, Wrocław Baroque Orchestra and National Forum of Music Choir, the recording features solo performances from British singers Carolyn Sampson, Jeremy Ovenden and Andrew Foster-Williams. All booklet texts are printed in both English and Polish translations.
  • Following their acclaimed recordings of Berlioz’s Grande Messe des Morts and Mendelssohn’s Elijah, Paul McCreesh has once again assembled the mass forces of Gabrieli Consort & Players and Wrocaw Phiharmonic Choir to record one of the iconic masterpieces of the twentieth-century oratorio repertoire.
    The work reflects Britten’s long-held and committed pacifist beliefs. Composed to mark the consecration of a new Cathedral in Coventry, Britten combines the Latin text of the Missa pro Defunctis with nine poems by the First World War poet Wilfred Owen, which vide a moving (and frequently uncomfortable) commentary on the liturgical text.
    This series has already garnered substantial critical claim and a number of prestigious awards, including a Gramophone Award, BBC Music Magazine Award and two Diapason d'Or awards.
    It’s a very well-paced performance, and Susan Gritton, John Mark Ainsley and Christopher Maltman are excellent soloists, totally engaged with Britten’s combination of the Latin Mass for the Dead and Wilfred Owen’s war poetry. It’s an outstanding recording for the Winged Lion Label from Signum ClassicsBBC Radio 3 CD Review
  • Britten’s powerful and masterful evocation of the North Sea in all its moods has to audiences all over the world become inextricably linked with the Aldeburgh that was home to George Crabbe (author of the ‘The Borough’ from which the story originates) in the eighteenth century and Britten in the twentieth.
    Steuart Bedford leads a vast and accomplished ensemble on this new live recording, created shortly before the group’s unique staging of the work on the beach at Aldeburgh as part of the town’s world-renowned festival. The mix here is imperceptible and the sound unobtrusive; engineer Mike Hatch deserves a credit twice the size and conductor Steuart Bedford pulls off an extraordinary feat of coherence and endurance. But it’s Oke who makes the case for Peter Grimes and steals the show. There used to be two great Grimes on record: Peter Pears and Jon Vickers. Now there are threeSinfini Music
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