• Percy Grainger was one of the great “originals” of 20th century music. Australian-born, he studied with his mother while a boy and later went to Germany where his career as a virtuoso pianist began. As a composer he was largely self-taught and strongly influenced by the folk music of Great Britain and Ireland, Many of his “miniatures”-such titles as Country Gardens, Handel in the Strand and Molly on the Shore - established his composing credentials very early on. But Grainger was also an inveterate innovator and experimenter in music, and the kaleidoscopic aspects of his compositional creativity-evident in highly imaginative works often with unprecedented rhythms, harmonies and scoring-are fully represented in the programme heard on this recording. The music was digitally recorded with the Melbourne Symphony Orchestra in February 1989, at the acoustically excellent South Melbourne Town Hall. The album was originally released in Australia by ABC Classics and elsewhere by Koch International. Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra.
  • In this live recording from the Royal Festival Hall the OAE shines its musical torch into the realms of some later repertoire, shedding new light on the music of Mahler. Conducted by Principal Artist Vladimir Jurowski, this CD includes Mahler’s Lieder eines fahrenden Gesellen (Songs of a Wayfarer), written in the wake of an unhappy affair with a soprano, and the extraordinarily exciting and powerful Totenfeier, Mahler’s first foray into orchestral music, and later reworked into the opening movement of his second symphony.
    The OAE's period instruments emphasise its rawness, just as they point up the anguished detail of the accompaniments to the Lieder eines Fahrenden Gesellen, in which mezzo Sarah Connolly allows the words and Mahler's treatment of them to speak for themselves, without unnecessary gilding - The Guardian Vladimir Jurowski’s brisk and thrusting account with the period instrument players of the Orchestra of the Age of Enlightenment makes a strong case for the composer’s original thoughts - The Irish Times
  • With its vivid poetry and technical ingenuity, Vivaldi’s Four Seasons was ground breaking at the time of its release and to this day remains as influential and transfixing as ever. In this recording, violinist Kati Debretzeni directs the Orchestra of the Age of Enlightenment in an energetic, historically informed performance. From the commanding heat of the Summer sun, to Winter’s foreboding darkness, the power of Vivaldi’s masterpiece is inescapable. The booklet includes a ‘Guided tour of the Four Seasons’, allowing listeners to follow the poetry that inspired Vivaldi as they hear the performances on the disc, including additional composer’s notes from Vivaldi’s own scores. This is a recording of the evergreen Four Seasons to remember and return to. The playing is sublime. Kati Debretzeni is a breath of fresh air at any time of the year. The chamber ensemble from the Orchestra of the Age of Enlightenment, led here by Alison Bury, includes a core of players that has been there from its formation who continue to play with the same joyful camaraderie and artistic precisionGramophone Debretzeni sets out to highlight the descriptive aspect of the music by finding many more colours and contrasts in the orchestral texture than are usually heard, and the period instruments give the familiar movements a new attack, making the work sound as fresh today as the day it was written - Classic FM

    This is probably one of the noteworthy period-instrument 'Seasons' recordingsEarly Music Review

     
  • The Godfather

    £8.00£14.00
    The musical world of eighteenth-century Europe was a small one. Despite the problems presented by contemporary standards of transport, it was quite normal for composers in one part of Europe to be entirely au fait with what was happening elsewhere. This is borne out by the closeness of three German composers: Telemann, godfather to C.P.E. Bach; Pisendel; and J.S. Bach, who admired both his compatriots and composed some astoundingly difficult music for the violinist Pisendel. This programme celebrates their music as well as the music of those who contributed to their musical heritage. Included alongside the German triumvirate are works by Vivaldi who physically helped with the composition of Pisendel’s A minor concerto movement, Fasch who was a great friend of Pisendel and Telemann, and Brescianello, an Italian who helped the dissemination of Italian instrumental music throughout the German-speaking lands and whose concertos were played in Dresden by Pisendel.   All downloads include booklets.
  • Christopher Gunning has composed twelve symphonies, as well as concertos for the piano, violin, cello, flute, oboe, clarinet, saxophone, and guitar; many of these have now been recorded. He has also composed many scores for films and television dramas, including Agatha Christie’s ‘Poirot’, La Vie en Rose, Middlemarch, Cold Lazarus, Rebecca, Under Suspicion, Firelight, The Big Battalions, Wild Africa, When the Whales Came and Porterhouse Blue. With a career spanning 50 years, he has won 4 BAFTA and 3 Ivor Novello Awards, and BASCA’s prestigious Gold Badge Award. Christopher studied composition with Edmund Rubbra and Sir Richard Rodney Bennett at the Guildhall School of Music and Drama. After a hugely successful career writing for the big and small screen he is now focussed on his classical work and releases.   All downloads include booklets.
  • Messiah…Refreshed!

    £8.00£18.00
    The Goossens Messiah, recorded for the first and only time by the Royal Philharmonic Orchestra and Chorus under Sir Thomas Beecham, has stood as a landmark of the classical catalogue for sixty years. Goossens’ richly orchestrated version is set to reach a new audience thanks to Maestro Griffith and DCINY, New York City’s leading promoter of classical music. They gathered at Abbey Road Studios in London in July 2019, to record the work with the Royal Philharmonic Orchestra and a chorus comprising of sixty members of The Jonathan Griffith Singers, drawn from around the world and sixty members of the National Youth Choir of Great Britain. The new recording has captured the score’s vibrant tone colours in thrilling high-definition sound. An acclaimed conductor, educator and lecturer, Dr. Jonathan Griffith has led performances across North America, Europe, and Asia. Griffith is Co-Founder and Artistic Director of Distinguished Concerts International New York (DCINY), which has brought together, under Griffith’s artistic leadership, thousands of musicians and choral singers in concert at prestigious venues across the United States, including Carnegie Hall, Lincoln Center, and Disney Hall. The founder and Music Director of the Distinguished Concerts Orchestra, Griffith also oversees DCINY’s mentoring program for conductors. Founded in 1983 as a single choir of 100 of the best singers in the nation, the National Youth Choir is now the flagship ensemble of an Arts Council England National Portfolio youth music organisation and registered charity, the National Youth Choir of Great Britain (NYCGB), which runs five membership choirs, a nationwide outreach programme for schools and Music Hubs, and provides professional training for the next generation of choral singers, composers and leaders.   All downloads include booklets.
  • Gustavo Díaz-Jerez is one of the leading composers and pianists in Spain. His compositional output spans all genres, from solo works to opera. His works have been premiered by prestigious ensembles and orchestras. His orchestral work Ymarxa, commissioned by the XXVII Canary Islands Music Festival, was premiered by the Royal Philharmonic Orchestra, conducted by Charles Dutoit. In 2018, his first opera was premiered, La casa imaginaria. This album represents the culmination of more than ten years of compositional work. A unique endeavour in the history of music in the Canary Islands, it comprises seven symphonic poems – almost two and a half hours of music – which evoke the landscapes and natural beauty of the Canaries. The cycle takes its name, Maghek (“the one who creates brightness”), from the sun-goddess of the Guanches, the aboriginal inhabitants of the Canary Islands. Each piece is inspired by a specific locale on a different island; some resurrect forgotten stories. Naturalistic tonal painting (the sea, the wind, the rugged scenery) is a constant feature throughout the cycle.   All downloads include booklets.
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth recieved the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change.   All downloads include booklets.
  • Sturm und Drang Volume 1

    £8.00£14.00
    This is the first project in a seven-volume series exploring the ‘Sturm und Drang’ movement, which swept through all art forms in the between the early 1760s and 1780s. The purpose of this movement were to frighten and perturb through the use of wild and subjective emotional means of expression. This series of ‘Sturm und Drang’ recordings incorporates iconic compositions by Mozart, Gluck and, above all, Joseph Haydn, but it also includes largely forgotten or neglected works by less familiar names. The music featured on this disc was all composed in the 1760s. It includes ballet and opera as well as symphonies, but is drawn together by the hallmarks of the remarkably visceral and dynamic style of music that we now call ‘Sturm und Drang’.   All downloads include booklets.
  • Gabriel Prokofiev’s famous first Concerto for Turntables reached a global audience when performed by Mr. Switch at the 2011 BBC Proms, under the baton of Vladimir Jurowski. It has since been performed 55 times worldwide, with the 5th movement being performed 20 times as part of the BBC’s Ten Piece’s project. The aim of the piece is demonstrate the main DJing techniques, with each movement showing off a specific one. Prokofiev’s Cello Concerto was composed in 2012 and is the third concerto he composed. It was the most conventional of his concertos, with the other two (at that point) being for Bass Drum and Turntables. Despite this, Prokofiev still manages to explore influences of electronic and dance music in the concerto, whilst also exploring the traditional lyrical side of the cello.   All downloads include booklets. 
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth received the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change.  
  • Beethoven & Barry Vol. 1

    £8.00£18.00
    The highly anticipated recording of Thomas Adès and the Britten Sinfonia playing Beethoven and Barry; specifcally the Beethoven Symphony Cycle and a selection of Barry’s works. This CD features Beethoven’s first three symphonies, interspersed with Barry’s piece Beethoven and his Piano Concerto. Beethoven intended to stake his claim to be the rightful successor to the Viennese classical tradition with the first of his symphonies, premiered in 1800. He had already began to lose his hearing by this point, and when he composed his second symphony, he placed on the page his spirit of defiance and determination against his deafness. The third marks a significant turning point in his style, as well as in the framwork of how a symphony was expected to be composed. Gerald Barry grew up in rural Ireland. His music shows us how his upbringing had an effect on his compositional style - giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. Do not be fooled by this however; his music shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.   All downloads include booklets. 
  • Christopher Gunning returns with recordings of his Violin Concerto, Cello Concerto and Birdflight. Not composed until 2011, Gunning's Violin Concerto was composed after inspiration whilst the composer was out hiking in Wales. The violin is supposed to represent ducking and weaving, rather like the insects and animals found in the Welsh hills and valleys. However, despite this positive venture for the composer, the emotions of sadness and melancholy are never far from this music - feelings which never seem far from Gunning's music. The Cello Concerto is quite different. Although composed hard on the heels of the Violin Concerto, it is generally darker though equally expressive. The third piece, Birdflight, is for the orchestra alone; a kind of tone poem. At the opening and close there is some quiet night music with spacious strings. The birds take flight but encounter a problem; a hawk is on their tail. The birds manage to hide and there is a pause. Then, when danger has passed, they take off and once again enjoy the sheer pleasure of flying.   All downloads include booklets.
  • Extra Time

    £8.00£14.00
    This recording by La Serenissima began life when the ensemble were recording for an earlier release. An issue with budget for a previous release meant these gems had to be left out. Since that release in 2015, La Serenissima have firmly established themselves as one of the leading performing ensembles of Italian Baroque. Following on from their highly acclaimed ‘The Godfather;’ released on Signum last year, this release shows the class act that they are, with these recordings making for one incredible album. La Serenissima was formed in 1994 for a performance of Antonio Vivaldi’s La Sena festeggiante and has now firmly established itself as one of the leading exponents of the music of eighteenth-century Venice and connected composers. The entire repertoire of La Serenissima is edited by director Adrian Chandler from manuscript or contemporary printed sources, a testament to its vision to enrich life by sharing its passion for Italian baroque music.   All downloads include booklets.
  • Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra and English Chamber Orchestra. Internationally, he has appeared with the Adelaide, Atlanta, Bournemouth, Canberra, City of Birmingham, Fort Worth, Melbourne, Milwaukee, Queensland, Sapporo, Shanghai, St Louis, Sydney, Tasmanian, Vermont and West Australian Symphony Orchestras, the Israel, Moscow, Munich and New Japan Philharmonic Orchestras, the American Symphony, the Residentie Orchestra of The Hague, the Tokyo Metropolitan Symphony and the Australian Opera. Written after Mussorgsky had met Russian artist and designer Viktor Hartmann, Pictures at an Exhibition is by far Mussorgsky’s most played work. The piece was written when Hartmann gave Mussorgsky two ‘pictures.’ Hartmann very suddenly died aged 39; following his death, a memorial exhibition was put on in St. Petersburg. Mussorgsky donated the two ‘pictures’ which Hartmann had given him before he died. Mussorgsky is said to have based the piece on his experiences at this exhibition, which was in memory of Hartmann. The concerto version is performed here by Tamas Ungar in an arrangement by Lawrence Leonard.   All downloads include booklets.
  • Born in Strasbourg, Elizabeth Sombart studied piano from the age of seven. She studied all over the world with various teachers, including Bruno-Leonardo Gelber, Peter Feuchtwanger, Hilde Langer-Rühl and Sergiu Celibidache. Elizabeth received the rank of Chevalier de l’Ordre National du Mérite in 2006 and then was awarded the Chevalier de l’Ordre des Arts et des Lettres in 2008, both in reference to her career in music. Elizabeth has a strong relationship with the RPO and will be continuing this Beethoven Piano Concerto cycle with them over the coming months. Beethoven is one of the single most influential figure in the history of Western music. Starting out with Mozart and Haydn as his spiritual mentors; he wrestled off the shackles of 18th century Classicism, forging uncompromising musical landscapes with a visionary intensity that left most musicians quivering in his wake. For centuries, music had lagged behind the other arts, but with Beethoven’s iron-clad will, it found itself at the cutting edge of social change. This third instalment of this series features Beethoven’s mighty 5th piano concerto as well as his ever popular triple concerto, featuring Duncan Riddell on violin and Richard Harwood on cello.   All downloads include booklets.
  • Flare (Digital Only)

    £8.00£9.75
    Described in The Guardian (2019) as one of today’s leading composers for voice, Joanna Marsh is a British composer who since 2007 has divided her time between Dubai and the UK. Her life in the Middle East has lead to many unique musical opportunities including writing an orchestral work to celebrate the building of the Burj Khalifa. Most recently she was commissioned by Dubai Opera to write an orchestral work for the first BBC Proms in Dubai in March 2017. This lead to her writing the 6 minute work Flare, for the BBC Symphony Orchestra, based on a short story called Oil Field, by Saudi writer Mohammed Hasan Alwan. Joanna has been Composer in Residence, at Sidney Sussex College, Cambridge from 2015 through to 2020 and during that time has written a number of choral works for the college choir and the college organ. She is a Co-Founder of ChoirFest Middle East in Dubai, an annual celebration of the region’s choral music scene which is reached its eighth edition in March 2020. She is also Founder and Artistic Director of the Dubai Opera Festival Chorus a large body of singers that was set up for the BBC Proms in Dubai and continues to undertake concert performances of various types across the UAE.   Available as a disc on demand from Presto Classical.
  • Swan Lake

    £8.00£14.00
    In the 2019/20 season Santtu-Matias Rouvali continued as Chief Conductor of Gothenburg Symphony and as Principal Conductor Designate of the Philharmonia Orchestra, where he succeeds Esa-Pekka Salonen as Principal Conductor in 2021/22. Alongside these posts he retains his longstanding position as Chief Conductor with Tampere Philharmonic Orchestra, close to his home in Finland. His international profile continues to flourish. He debuted the season with the New York Philharmonic, Berlin Philharmonic and Royal Concertgebouw orchestras in wide-ranging repertoire. He conducted the New York premiere of Bryce Dessner’s Wires, and at the Concertgebouw he conducted the world premiere of Ariadne by Theo Verbey, as well as Stravinsky’s Oedipus Rex. He has built a loyal following internationally after successful tour concerts last season with Gothenburg Symphony in Vienna, where he returned in December to conduct the Wiener Symphoniker and Nicola Benedetti. In 2019/20 he returned to several orchestras across Europe, including the Orchestre Philharmonique de Radio France and Deutsches Symphonie-Orchester Berlin. A self-critical composer, Tchaikovsky once said “‘I listened to the Delibes ballet Sylvia... what charm, what elegance, what wealth of melody, rhythm, and harmony. I was ashamed, for if I had known of this music then, I would not have written Swan Lake.” It's ironic that Tchaikovsky's words apply also to Swan Lake itself; “what charm, what elegance, what wealth of melody, rhythm, and harmony.”   All downloads include booklets.
  • Beethoven & Barry Vol. 2

    £8.00£18.00 Available October 23, 2020.
    The second volume of celebrated pianist, composer and conductor Thomas Adès and the Britten Sinfonia’s collaborative performances of the works of Beethoven and Gerald Barry. Beethoven’s 4th, 5th and 6th symphonies are interspersed with Barry’s ‘Viola Concerto’ (featuring Lawrence Power) and piece for orchestra and bass ‘The Conquest of Ireland’ (featuring Joshua Bloom). The pairing is ideal, for Gerald Barry’s compositional style was greatly influenced by Beethoven, giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. His music also shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.   All downloads include booklets.
  • This release by the London Chamber Orchestra marks the start of the build up to the orchestras 100th anniversary year. Featuring three sublime recordings of pieces for strings, this is a nod to the fact that the orchestra truly are one of the best in the country. When you go to an LCO concert, you do not just go to listen to a concert, you go to experience a performance. This live recording from Cadogan Hall, in June of 2019 is no exception. Christopher Warren-Green and the orchestra capture the quintessential ‘Englishness’ of Vaughan Williams’ Fantasia on a Theme of Thomas Tallis perfectly. They then explore the emotional Serenade for Strings of both Josef Suk and Antonín Dvořák, examining the similarities between the pieces.   All downloads include booklets.
  • Borodin: Requiem

    £8.00£12.00
    Together with familiar music from Prince Igor, this CD features the world premiere recording of the unusual Requiem, (which is based on “Chopsticks”), and Glazunov’s orchestration of the charming Petite Suite. Australian conductor Geoffrey Simon is resident in London and has appeared there with the London Philharmonic Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Chamber Orchestra, London Mozart Players and English Chamber Orchestra. The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia’s younger conductors, the most important to its development was Herbert von Karajan, who though never formally chief conductor was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London’s five symphony orchestras in its first two decades.   All downloads include booklets.
  • Sturm und Drang Vol. 2

    £8.00£14.00
    The second volume in a ground-breaking seven-part series, The Mozartists and director Ian Page’s ‘Sturm und Drang’ recordings incorporate iconic compositions by Mozart, Gluck and, above all, Joseph Haydn, but it also includes largely forgotten or neglected works by less familiar names. All of the music featured on this second recording was composed between 1765 and 1770, with three turbulent minor-key symphonies alternating with sacred and operatic arias. The ‘Sturm und Drang’ movement swept through all art forms in between the early 1760s and 1780s, with the general objective to frighten and perturb through the use of wildly subjective and emotional means of expression, envoking ground-breaking extremes of passion and sentimentality.
  • Beethoven’s euphoric Symphony No. 9, like his Symphony No. 5, is one of those pieces of classical music which transcends the barrier between musical genres – one of the few pieces of the classical canon in the popular consciousness. Few can fail to be uplifted and caught up in the joyous Ode to Joy finale. For this performance, recorded live at the Edinburgh International Festival in 1994, the Orchestra of the Age of Enlightenment were joined by the renowned conductor and long-time collaborator, Sir Charles Mackerras, a partnership between him and the OAE that lasted almost a quarter of a century. ★★★★★ One of the most thrilling Beethoven interpretations I have ever heard. It bristles with revolutionary spirit … The OAE play like gods and demons - The Financial Times ★★★★★ The slow movement is full of spiritual balm. The outer movements are elemental in proper revolutionary style; the finale’s found British soloists are excellent. Highly recommended - The Mail on Sunday Fine choral singing by the New Company, and Mackerras's masterly control, make the finale as electrifying as only it can be - The Times
  • Sometimes known as ‘The Tragic’ – a title suggested but then withdrawn by the composer – Mahler’s Sixth Symphony embodies much of the inner turmoil and superstition of its composer. Conceived at perhaps one of the happiest periods of Mahler’s life, it seems to foreshadow the personal tragedies that would later befall him – with his wife Alma writing that “The music and what it foretold touched us deeply.” The brass are heroic and dauntingly present throughout – from the tuba that executes a fiendish trill in the finale to the clarion trumpets fan faring the doom-marches - BBC Music Magazine This is a terrific Mahler 6… Where Gergiev achieves a generalised superficial excitement, Salonen’s closer consideration is more rewarding and repays more generously repeated listening - MusicWeb International [Salonen’s] performance is purposeful and revealing - Classic FM Magazine
  • An exciting start to a new orchestral collaboration for Signum Records, this disc is the first of a new series with the London Sinfonietta – one of the world’s elite contemporary music ensembles with a reputation built on the virtuosity of its performances and ambitious programming. This live recording brings together the UK premiere of Anaïs Nin, a new work for soprano and small ensemble, alongside his famed work De Staat.

    Anaïs Nin is a monodrama based on the diaries of the same famed author, as well as those of her lovers (Antonin Artaud, René Allendy, Henry Miller and her own Father). A sometimes disturbing tale of desire and passion, Andriessen felt that the music should "closely track the irony, despair and passion of this brilliant, many-sided woman."

    De Staat remains one of Andriessen's supreme achievements, an epic rechannelling of Stravinskyan rhythmic energy into his own raw-edged minimalismThe Guardian Don’t get too bogged down in trying to comprehend Andriessen’s long-winded attempts to explain what the piece is about – just enjoy the noise. It’s fantasticThe Arts Desk
  • The Royal Scottish National Orchestra’s Christmas concerts are one of the highlights of this celebrated ensemble’s musical year. Joined by the RSNO Junior Chorus, this disc captures some highlights of these concerts with a selection of festive favourites both old and new. The mix is infectious and the performances full of fun and panache - The Daily Telegraph There are plenty of Christmas albums around, as you know, but this one is blessed with an extra dose of charm. Listening to it, I can almost smell the cranberry sauce - Classic FM Magazine
  • This new disc from the Philharmonia completes the collection of Brahms symphonies conducted by Christoph Von Dohnányi. These live performances are about subtle shading and unexaggerated, probing thoughtfulness, bringing out the Classical rather than the Romantic side of Brahms - Classic FM Magazine A very sensitive interpreter… the slow movement [of the First Symphony] is very lyrical with some effective instrumental dovetailing and plenty of light and shade, and the finale generates an impressive sense of joyous release - Gramophone
    Both performances are well played by the Philharmonia from whom the conductor obtains a sound that is lean and muscular - MusicWeb International
  • Christina Rossetti’s 19th Century poem Goblin Market has long divided and bemused readers as to its meaning and intent. The story of two sisters and their encounters with the sinister Goblin men and their ‘forbidden’ fruit, has been variously interpreted as an allegory of proto-feminism, a critique on the rise of advertising in pre-capitalist England, and an exploration of feminine sexuality in relation to the Victorian world. This multitude of interpretations only adds to the poems mystique and imagery, captured here by the Pulitzer Prize winning composer Aaron Jay Kernis. Performed by London-based ensemble The New Professionals under Rebecca Miller, the work is a unique concoction of music, mime and masks that delves into the overripe and at times grotesque and shocking imagery of Christina Rossetti’s poem. Goblin Market explores both the Victorian repression coded into its text as well as its parallels with contemporary social issues. An inventive treatment of music theatre - The Guardian This should be heard … not a moment that's not ear-catching - International Record Review It is no exaggeration to say that Goblin Market is one of the great musical works of art for theatre of the 20th century - MusicWeb International Well-balanced sound as well as detailed annotations add to the attractions of this worthwhile release - Gramophone
  • In recent years, Patrick Hawes has emerged as one of the country’s most popular and inspirational composers. Born in Lincolnhire, he studied music as an organ scholar at Durham University, and soon went on to make an impact in the world of choral music. ★★★★★ Patrick Hawes has carved out a niche as a contemporary composer who writes melodic, atmospheric and, frankly, beautiful music - Gramophone Hawes’s admirers will find much here to confirm their warm response to his music’s quiet strength and individuality... The excellent performances feature the tawny loveliness of Julian Lloyd Webber’s cello-playing, plus two fine solo singers - Classic FM Magazine
  • If it were not for the operas of Gioachino Rossini, the operatic repetory of the mezzo soprano would lack some of its most interesting characters and music. Silvia Tro Santafé proves herself a true ‘Rossini Mezzo’ in this collection of scenes and arias, accompanied by the excellent Orquesta Sinfónica de Narvarra and Lluís Vich Vocalis. This voice is one fine instrument, at times as luxuriant as rippling grey silk, at others glinting like flexible metal, always thoroughly enjoyable as pure sound - Opera Magazine A most impressive recital - The Gramophone Tro Santafé's unique vocal qualities illuminate the music with fresh colors and interpretive accents … this is an excellent disc that more than stands up to the competition - MusicalCriticism.com
  • Since her American debut in the early nineties, Silvia Tro Santafé has become one of the most sought after coloratura mezzos of her generation. On this disc we hear the proof of her operatic talents, performing some of the greatest and most passionate arias of any operatic mezzo soprano. Though Silvia Tro Santafé is no newcomer in the recording stakes this was my first encounter with her and this recital has definitely whetted the appetite for more - MusicWeb International
  • Charles Ramirez is a guitarist of rare skill. A preeminent performer in the generation of guitarists that followed Segovia, he has held the post of Professor of Guitar at the Royal College of Music since the age of 25, raising the profile of the instrument through his concerts and education activities since mid-1970s. This disc is the first in a new series of recordings featuring Charles Ramirez and sees him perform works by Joaquín Rodrigo with the Chamber Orchestra of Europe – the Concierto de Aranjuez and Fantasia para un gentilhombre – under conductor and founding member of the orchestra Douglas Boyd. The programme is completed with Rodrigo’s enchanting solo-guitar piece Elogio de la guitara. Guitar virtuoso Charles Ramirez is on supple, sensitive form on this collection of Rodrigo suites - The Independent Concierto de Aranjuez sparkles in the hands of Charles Ramirez. Even more impressive is the more virtuosic Elogio de la guitarra, where Ramirez sustains some fiendish fingerworkThe Daily Telegraph Ramirez is technically masterful, his tone rich, his musical ideas intelligent - Classic FM Magazine
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