• The Gabrieli’s first Handel recording in over a decade is particularly special, recreating in painstaking detail the very first performance of L’Allegro, il Penseroso ed il Moderato, given in 1740, with additional instrumental repertoire including a Handel organ concerto and two concerti grossi. With a reputation as peerless Handelians, Paul McCreesh and the Gabrieli Consort & players bring meticulous research to every performance and recording project, and are joined on this disc by a stunning selection of soloists.
    ★★★★★ This is quite simply life-enhancing music making, a glorious achievement in every respect - Early Music Today ★★★★★ McCreesh finds all the expressive opportunities in a blissful production, at times breathtakingly beautiful - Choir & Organ ★★★★★ The choral elements are scrupulously handled by the Gabrieli Consort - BBC Music Magazine McCreesh's superb Gabrieli Consort and Players present all this...with flair, a pristine sense of style and infectious energy - The Times Handel's ravishing score [is] realised to perfection by Paul McCreesh and Gabrieli... A glorious recording - The Observer
  • The King’s Singers perform the complete Italian madrigal collection Il Trionfo di Dori. Commissioned by Venetian nobleman Leonardo Sanudo in 1592, the collection features 29 works, each written by a different composer and poet, and set for nine voices. Among them are Vecchi, Gabrieli, Marenzio, de Monte, Striggio, Anerio, Gastoldi, Porta and Palestrina.
    ★★★★★ The King's Singers bring this great monument of Italian music history to striding life - Sinfini Music ★★★★★ The King’s Singers are on top form, singing with a sunny freshness appropriate to this happy music, blending beautifully, and moving as one into crescendos and decrescendos, ranging in dynamic from a whispering pianissimo to declamatory episodes of high drama - Early Music Review It is hard to imagine a group with greater potential to do justice to this music of love and mythology than they - Gramophone The King's Singers turn out their characteristic, highly polished finish: diction is razor-sharp, ensemble and intonation are well-nigh flawless - BBC Music Magazine A masterclass in delicate phrasing, elegant lines, exemplary Italian and effortless madrigalian expression with standards of intonation to languish after...delizioso - Choir & Organ If you have to make a single choice The King's Singers will appeal more and it's also beautifully recorded in a venue, which is at least new to this reviewer - Music Web International
  • Following its nomination for a Gramophone Early Music Award in 2014, Contrapunctus releases an album of motets from the Baldwin Tudor partbooks, on the theme of mortality.  Conducted by Owen Rees, the album includes Sheppard’s epic Media vita and works by Byrd, Parsons, Mundy, Teverner, Gerarde and Tallis, with Contrapunctus’s own reconstructions of the missing tenor parts. ★★★★★ Contrapunctus really knows what to do with these pieces and from the very first item the tuning is superb and the ensemble rock solid. Moreover, Owen Rees’s interpretations are revelatory and even visionary - BBC Music Magazine ★★★★ Whether you listen in Lenten penitence or in general hope of spiritual balm, the message is universal, the singing superb - The Observer Rees’s choir brings an intensity of sound and dramatic dynamics, in music that contemplates the pain of death in ecstatic elation and sublime devotion - The Sunday Times The undeniable jewel in the crown of this selection is Sheppard’s magisterial setting of Media vita … Contrapunctus is the ideal group for this superb repertoire, and I look forward with eager anticipation to future CDs in this series - Early Music Review There’s lovely balance and clarity of sound from as fine a clutch of voices - Choir & Organ
  • Avant garde. Eccentric. A maniac. Wild and adventurous. Off the wall. Extraordinary. No marketing hyperbole - this is how the players of the Orchestra of the Age of Enlightenment describe Carl Philip Emmanuel Bach and his music. One of the many children of JS Bach, CPE Bach always lived in his father’s shadow, and now is an almost unknown figure at least beyond the classical cogniscenti. How can such an unknown be considered a gamechanger? A listen to his music reveals just why – it constantly shifts, wrongfooting the listener when they least expect it with wild changes of direction and colour – it is bright, effervescent, and is a fascinating link between the music of his father (and the Baroque era) and Joseph Haydn (and the Classical era). ★★★★ It is the sense of adventure that comes across vivaciously here in a fusion of stylistic taste, smooth and supple phrasing and an exuberant thrust - The Daily Telegraph Editor's Choice: Self-critical perspective is clearly not a problem for these artists ... the unfurling description of of a lover's kisses permit all kinds of glorious opportunities for the singers' seemingly telepathic understanding for chiaroscuro, impeccable tuning and innate grammatical sense - Gramophone The OAE under Rebecca Miller play with an accuracy and passion that's infectious: this is among the most exciting, adrenalin-filled period instrument recordings you'll hear - The Arts Desk Symphonies that embrace the strangeness and originality of the writing as well as the beauty of some of the middle movements and the feistiness of the finales. Made live, but they’ve emerged in excellent shape - BBC Radio 3 Record Review The orchestra's playing here is bright, effervescent and fascinating – truly positioning C.P.E. Bach as the missing link between his father and the music of Haydn - Classic FM These energetic, committed performances of five symphonies dating from between 1757 - when Haydn was first writing in the genre - and 1780 show the period band has lost none of its verve and enthusiasm for this strange, dramatic music from the dawn of the "classical" era - The Sunday Times
  • Peter Seymour and the Yorkshire Baroque Soloists present a new edition of Bach’s first version of the Matthäus-Passion, probably first performed on Good Friday 1727 and one of the greatest works of J.S. Bach’s prodigious output. Recorded at the National Centre for Early Music in York, the Yorkshire Baroque Soloists are joined by the renowned soloists Charles Daniels and Peter Harvey. Significant readings that inspire further thinking about the greatest of all Passions - Choir and Organ Seymour’s pacing often has a comfortable feeling of ‘rightness’ and integrity - Gramophone
  • Early-music pioneers Charivari Agreable perform an engaging collection of overtures from the Italian Baroque Opera, best described by Kah- Ming Ng as being “lucidly crafted for the purpose of turning heads”. In a decadent era when the antics of theatre-goers was often as intriguing as the performances taking place on stage, these works were composed with the express intention of thrilling, beguiling and engaging an often hard-to-impress audience.
    This disc is full of insight and revelation, and to be highly recommendedEarly Music Review An inspired piece of programming ... a sense of sheer delight that brings these enticing scores resplendently to life - International Record Review [The disc] is very enjoyable and the music is brilliantly played... another gem [in an] already impressive discographyMusic Web International
  • Swiss guitarist Christoph Denoth explores the enchanting lute music of John Dowland, in collection of his own arrangements made from Dowland’s original handwritten scores. Christoph Denoth writes on the appeal of Dowland: “Dowland, the melancholic poet of the silvery sound of the lute, is free of any instrumental limitation that might have affected his compositions. The melodic and, at the same time, contrapuntal and harmonic approach of his music is both wonderful and unique. Its expression is one of noble sadness, melancholy, and tears, but the beauty is genuine and always caught my attention and appealed to my heart.”
    The melancholy, private lute music by John Dowland gets an infusion of fresh color in this recording by Christoph Denoth. Transposed to the modern guitar, the light-and-shadow contrasts of Dowland’s compositions become starker; the flights of counterpoint more brilliant. But it’s in the quietly meditative galliards that Mr. Denoth’s guitar sounds most lutelikeThe New York Times It’s beautiful playing; there are real beautiful moments in the recordingBBC Radio 3 Record Review The arrangements are superb -  Gramophone
  • An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review

  • A sumptuous new recording of Gabrieli Consort & Players’ first, award-winning CD, A Venetian Coronation 1595. Nearly 25 years later, Paul McCreesh has reworked his imaginative reconstruction of a glorious late 16th century Coronation Mass at St Mark’s, Venice. This is an exciting new version of one of Gabrieli’s most influential and enduringly popular programmes, available for the very first time on Vinyl, and recently awarded a Gramophone Award for Best Early-Music recording 2013. Double, 180g Vinyl Release, plays at 33rpm Even if you own the classic Virgin disc, this new version is a must-buyThe Sunday Times Never less than enthrallingThe Independent McCreesh's new take on his classic recording is a triumph … Highly recommended to both first- and second-time buyers, and on track to inspire yet another generation - International Record Review
  • Coupling powerful interpretations with path-breaking scholarship, the choir Contrapunctus presents music by the best-known composers as well as unfamiliar masterpieces. Directed by Owen Rees, a specialist in music of the sixteenth and seventeenth centuries, the group presents imaginative programmes revealing previously undiscovered musical treasures and throwing new light on familiar works. This recording explores the musical ‘cries of the oppressed’ from opposite ends of Europe, which include some of the most powerful works composed in England and Portugal during this period by Byrd, Tallis, Monte and Cardoso. The highlight perhaps is the first recording of a newly reconstructed vocal work by Thomas Tallis, Libera nos. This has long been thought to be an instrumental work, and has been recorded as such, but there’s persuasive historical evidence for us to be confident that this is in fact a choral setting of the antiphon Libera nos, and it is performed here with the relevant text restored to the five vocal parts. A rich seam of material by such as Tallis, Byrd and Cardoso - The Independent Exemplary... Pristine performances by Owen Rees’s Contrapunctus choir - The Times Experience and vocal excellence merge in the singing of Contrapunctus to produce performances extraordinary even by the British vocal group’s own high standards - Sinfini
  • Orlande de Lassus, Europe’s most famous musician during his lifetime, created nothing finer than the Lagrime di San Pietro, a collection of twenty spiritual madrigals and one motet for seven voices; A cycle of intense reflections on the sorrows of St Peter following his denial of Christ, it was assembled shortly before the composer’s death in 1594 and dedicated to Pope Clement VIII. Into this collection Lassus pours every dramatic nuance and piece of harmonic invention he could possibly muster, hurling the listener through the stages of Peter’s rage, remorse and resignation, and concluding with a motet that presents Christ’s response to the world. Gallicantus's robust and committed account will hearten those who fear for the future of this repertory on disc. The countertenors on the top lines are a vigorous alternative to women's voices - Gramophone Magazine Recording of the Month: This recording is something that absolutely must be experienced. You will not regret it at all - MusicWeb International
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist, Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres, featuring a number of world-class artists including:
    • A Cappella and Choral Music (The King's Singers, Tenebrae, VOCES8, The Swingle Singers, Rodolfus Choir)
    • Orchestral and Chamber Music (Philharmonia Orchestra, London Sinfonietta, Gabrieli Consort & Players, OAE, LCO, Smith Quartet),
    • Instrumental Soloist Recitals (Jamie Walton, Alessio Bax, Matthew Barley, Llyr Williams, James Rhodes)
    • Art song and Lieder (Iain Burnside, Malcolm Martineau, John Mark Ainsley, Mark Padmore, Ailish Tynan, Felicity Lott, Sarah Connolly, Jonathan Lemalu)
    In our new anniversary series we have drawn on this extensive catalogue to form six collectable releases, assembled around the themes of A Cappella, Early Music, Organ Music, Choral Music, Art Song, and Piano Music. Buy all 6 together for just £20
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this Early Music collection, you can hear a wide rage of works by Gallicantus, the OAE, Gabrieli Consort, Chapelle du Roi and many more all on one disc - all selected from titles across the Signum catalogue.
    Extracts from 26 discs of composers ranging from Tallis to Telemann provide Signum Classics with a colourful shop window from which we can pick and chooseBBC Music Magazine
  • The Gabrieli Consort and Players return to the programme that put them on the musical map when it was originally recorded and released in 1990: A Venetian Coronation 1595 is a musical re-creation evoking the grand pageantry of the Coronation Mass for Venetian Doge Marino Grimani. His love of ceremony and state festivals fuelled an extraordinary musical bounty during his reign and formed the background to the musical riches of the period, especially to the works of Giovanni Gabrieli. With cornetts, sackbuts and an all-male consort, Paul McCreesh fully exploits the dazzling polyphony of Andrea and Giovanni Gabrieli’s music and captivates the audience in a theatrical and ceremonious performance. Two decades later, the Gabrieli's New Venetian Coronation takes advantage of huge developments in early instruments, performance techniques and research into the pieces that were on the original (as well as advances in recording techniques). Even if you own the classic Virgin disc, this new version is a must-buy - The Sunday Times Never less than enthralling - The Independent McCreesh's new take on his classic recording is a triumph … Highly recommended to both first- and second-time buyers, and on track to inspire yet another generationBBC Radio 3 Record Review
  • Jean-Philippe Rameau’s modest output of works for keyboard (around 50 in total) are a crowning influence in French 18th-century instrumental music – summed up by one commentator as being “a paradigm of his mastery, for surveying it is to review many facets of his greatness”. Famed for his additional contributions to French opera and for his advances in musical theory of the day, his keyboard works are beguiling in their mix of subtle beauty and virtuosity. The characterful works invoke both pictorial and poetic themes – a style that performer Jill Crossland describes as an “ability to characterise, to construct a miniature world in a few instants.” One's reminded of Bach's Well-Tempered Clavier, but with the formality tempered by a blitheness of spirit and a modern elegance that prefigures the Romantics - The Independent Crossland here claims Rameau for the piano and her programme is elegantly plotted - BBC Music Magazine
  • On a new disc to celebrate the 2012 Diamond Jubilee, The King's Singers present a selection of works from the past 500 years written in honour of the great Monarchs of Britain. Starting with works for (and in some cases by) Henry VIII, the programme covers the Elizabethan 'Triumphs of Oriana' by composers such as Gibbons, Mundy and Dowland; a very Victorian selection of dedicatory works by Elgar, Parry and Parratt; choral arrangements from the opera 'Glorianna' by Benjamin Britten; and a new piece by Paul Drayton that comically pens 'A Rough Guide to the Royal Succession'. Drayton is perhaps best known to fans of The King's Singers as the composer of their much-loved encore work Masterpiece. A notably intelligent, enjoyable Jubilee offering - BBC Music Magazine Premier English a cappella group provides its own celebrations in Jubilee Year - New Zealand Herald