• Until quite recently it was thought that the viola da gamba died with the death of one its most loved exponents, Charles Frederick Abel, in 1787; and that it was literally buried with the composer in St Pancras Old Church, near Kings Cross Station in north London. Then it was believed to have been forgotten, until Arnold Dolmetsch pioneered a revival at the end of the nineteenth century. Not so. In fact, now we know that there has always been someone playing the viol, all through the nineteenth century, and that what Dolmetsch revived was the idea of the viol consort and an interest in the music written for the instrument. So the viol family, developed from a common ancestor of the guitar, the vihuela around the end of the fifteenth century in Spain, has a continuous history from then until the present day, in a similar way to the violin family, which was born around the same time. The programme here seeks to reflect that extended history and bring music written specifically for viols, from whatever century, alongside that which has been arranged for them.
  • The King's Singershave combined one of the greatest vocal compositions of all time with modern recording technology and customary style to produce a truly stunning recording of Thomas Tallis' Spem in alium. This is a unique opportunity to hear every part in Spem sung and recorded to perfection, with the six King's Singers dividing the forty parts of Spem in alium between them, in this multi-track recording the disc is in full surround sound, and is a CD/SACD hybrid. This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. A bold and fascinating performance - Classic FM So impressive - Choir & Organ
  • Signum Records presents a world first – a CD single, from a new edition of the magnificent 40-part Thomas Tallis motet Spem in Alium and the English version Sing and Glorify. Spem in alium is surely not just the greatest of all Thomas Tallis’ musical achievements, but one of the great musical compositions of all time. Writing for 40 independent voices, Thomas Tallis created a noble and imaginative masterpiece. The earliest surviving manuscript of this great work, the Egerton manuscript, is laid out with an English rendition, Sing and glorify heaven’s high majesty. The English words are not a translation of the Latin, but a new poem written as a syllable-for-syllable replacement. A fine recording as well, beautifully captured in the wide open spaces of All Hallows Church - BBC Radio 3 Record Review Their interpretation at times almost touches the visionary - Gramophone Not only does Alistair Dixon shape the music beautifully, but he has a first-rate team of singers who respond to the music’s every nuance - Goldberg
  • Julie Andrews frolicked across the Alps singing it in The Sound of Music and generations of children have learnt their musical scales by remembering it. Now Do-Re-Mi has been traced back more than 2000 years to one of the greatest poets of ancient Rome. According to a book to be published next month, the origins of the song lie far from the female deer and ray of golden sun in the Rodgers and Hammerstein version sung by Andrews to the von Trapp children. Instead it was penned as a mnemonic by a medieval Italian monk who drew on a melody which accompanied Horace's Ode to Phyllis, written in the 1st century BC. The research has been carried out by Stuart Lyons, who won a classics scholarship to King's College, Cambridge. "The monk who invented Do-Re-Mi told a lie about it because he didn't want to go to the stake (for heresy)," Lyons said. "The melody truly belonged to the Ode," said Lyons. "It is the most exciting thing that has ever happened to me in academic discovery. It is incredible to solve a mystery that is 1,000 years old. " A fascinating and highly recommended CD of the Ode’s first performance in modern times, performed by King’s Singer Christopher Gabbitas and lutenist David Miller - Musical Opinion Pleasantly performed by Christopher Gabbitas- of the King's Singers - and the excellent lutenist David Miller, the results are pleasant and intriguing listening - MusicWeb International  
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this Early Music collection, you can hear a wide rage of works by Gallicantus, the OAE, Gabrieli Consort, Chapelle du Roi and many more all on one disc - all selected from titles across the Signum catalogue.
    Extracts from 26 discs of composers ranging from Tallis to Telemann provide Signum Classics with a colourful shop window from which we can pick and chooseBBC Music Magazine
  • Peter Seymour and the Yorkshire Baroque Soloists present a new edition of Bach’s first version of the Matthäus-Passion, probably first performed on Good Friday 1727 and one of the greatest works of J.S. Bach’s prodigious output. Recorded at the National Centre for Early Music in York, the Yorkshire Baroque Soloists are joined by the renowned soloists Charles Daniels and Peter Harvey. Significant readings that inspire further thinking about the greatest of all Passions - Choir and Organ Seymour’s pacing often has a comfortable feeling of ‘rightness’ and integrity - Gramophone
  • In Chains of Gold Vol. 1

    £8.00£14.00
    Leading performers of 17th-century music Fretwork, His Majestys Sagbutts and Cornetts and the Magdalena Consort (directed by Peter Harvey) combine forces under the artistic direction of William Hunt for this rst complete recording of the consort anthems of Orlando Gibbons. Gibbons’ music is one of the artistic glories of the rst Stuart reign. Amongst his sacred compositions, verse anthems such as is is the record of John and Behold, thou hast made my days are long acknowledged masterpieces, amongst the greatest in all English sacred music, but best known to most in their setting for choir and organ. Here they are presented together with an array of other great anthems, some of them scarcely known, in their more intricate and colourful versions for consort accompaniment. Following the instruction of such contemporary writers as Morley and Caccini, these radical new performances place communication of text at the forefront, seeking to rediscover the dramatic essence of the verse anthem that made it arguably the most effective musical creation of the English Reformation. With the incisive declamatory skill of several of the UK’s leading period performers, they reveal the extraordinary rhetorical and poetic power of this music, as it might have been heard in the Chapel Royal and the private domestic chapels of early 17th century England. ★★★★★ Subtle, seductively supple and sinuous singing and playing… Volume 2 from this dream-team will be eagerly awaitedChoir and Organ ★★★★★ This is the finest recording of this quintessentially English music that we are likely to have…  a real treat, and an impressive master-class in how these texts should be declaimedEarly Music Review Gibbons at his most alluring: a glorious fusion of the intimate and ceremonial in richly-voiced, warmhearted performances - BBC Radio 3 Thomas Morley's lovely phrase evoking music's ability to link earthly listeners to heavenly contemplationThe Times The effect, in the three In nomines recorded here, is of uncanny beauty, familiar notes polished up to a new sheen and lustre - Gramophone
      All downloads include booklets.
  • In Chains of Gold Vol. 2

    £8.00£14.00
    Leading performers of 17th-century music the Magdalena Consort, Fretwork and His Majestys Sagbutts and Cornetts combine forces under the artistic direction of William Hunt for their second release exploring the English Pre-Restoration Verse Anthem – Psalms and Royal Anthems, particularly those of William Byrd. More than any composer before him, William Byrd catered prolifically to a wide variety of musicians. Connoisseurs of Latin motets at home and abroad, troupes of boy actors with their viols and their unbroken voices, solo keyboard players, the choirs of the established English church, and the underground ensembles of Catholic households where mass was celebrated in secret— performers of all these kinds could look to Byrd for quantities, in some cases vast, of music of the highest excellence.   All downloads include booklets.
  • This is a musical trip from the mid-sixteenth century to around 1700, involving music in Late Renaissance style, carrying Spanish Catholicism across the Atlantic to supplant an indigenous culture. Once the invasion had taken root with the conquest of Tenochtitlán and its transformation to Mexico City, the country became the target of fervent friars and preachers. Franciscans were first in 1523, then Dominicans, all fired with Christian zeal to convert the native population. From the outset they used music to great effect. The accounts that survive show how successful they were in teaching singing and playing, training choirs to perform liturgical music. By the mid-century it was claimed that standards had reached that of Charles V’s chapel. Churches and cathedrals were established throughout the rapidly expanding New Spain. Conquest and Christianity imposed an almost exact replica of Old Spain. Liturgical books, prints of plainchant and polyphony were shipped in throughout the century. In this recording the singers present music by eight composers. Four of them never went to the New World; their music did. Three of them were born in Spain and were trained in music there; they held appointments in Spain and later emigrated to the new colonial cities. One more became the first composer-choirmaster to be born there of Spanish parents, thus criollo.   All downloads include booklets.
  • Extra Time

    £8.00£14.00
    This recording by La Serenissima began life when the ensemble were recording for an earlier release. An issue with budget for a previous release meant these gems had to be left out. Since that release in 2015, La Serenissima have firmly established themselves as one of the leading performing ensembles of Italian Baroque. Following on from their highly acclaimed ‘The Godfather;’ released on Signum last year, this release shows the class act that they are, with these recordings making for one incredible album. La Serenissima was formed in 1994 for a performance of Antonio Vivaldi’s La Sena festeggiante and has now firmly established itself as one of the leading exponents of the music of eighteenth-century Venice and connected composers. The entire repertoire of La Serenissima is edited by director Adrian Chandler from manuscript or contemporary printed sources, a testament to its vision to enrich life by sharing its passion for Italian baroque music.   All downloads include booklets.
  • This recording is compiled from Armonico Consort’s ‘Naked Byrd’ programme, featuring music by Tavener, Purcell, Barber and Byrd, composers who wore their hearts on their sleeves, and whose art saw their emotions laid bare, in an atmospheric concert where magical musical moments are intertwined with sublime passages of plainchant and violin improvisation. ‘Naked Byrd Two’ follows on from their December 2009 release (‘Naked Byrd’). Armonico Consort is, at its heart, a highly talented vocal ensemble that stages a wide variety of concerts. The quality of the performances they stage is reflected in the praise they have recently received: An achingly beautiful selection - Classic FM Superb!The Times A beautiful soundBBC Radio 3 Record Review [A] splendid second volume in the Armonico Consort’s Naked Byrd seriesThe Independent
    [A] disc of unending delight - Gramophone
  • In 1612, Prince Henry Frederick, son of James I and heir to the thrones of England and Scotland, died from a suspected bout of typhoid fever. His untimely death inspired a massive outpouring of artistic tributes in both verse and music, reflecting the mood of a nation mourning the loss of this popular future king at just 18 years of age. 'Dialogues of Sorrow' is the second disc from early music consort group Gallicantus, here joined by lutenist Elizabeth Kenny to perform familiar masterpieces and undiscovered treasures of the late English Renaissance, composed at the time of the young prince's death. The release follows the group's critically acclaimed debut recording, 'Hymns, Psalms and Lamentations' - music by Robert White. Editor's Choice: This is a perfect selection … lovingly and movingly performed - Early Music Today This is a well-sung, intelligently produced and exhaustively researched project, which deserves great success - International Record Review One of the the year’s best choral releases - TheArtsDesk.com
  • The early music ensemble Gallicantus was born within the ranks of the world-class choir Tenebrae, when five of the choir’s regulars, each with a wealth of experience in the world of consort singing, decided to form a separate group dedicated to renaissance music. Literally meaning Rooster Song or cock crow, Gallicantus is a word from monastic antiquity for the office held just before the dawn. It evokes the renewal of life offered by the coming day. The group is bound by a shared love of communicating text, and is committed to creating performances which draw out unifying themes within apparently diverse repertoire: To this end they are as meticulous about providing context and insight for audiences as they are about crafting interpretations of the music they love. What better respite from the secular pressures of Christmas shopping than these sublime sacred sounds from the late 16th century … beautifully recorded - The Observer Taste the final amens in Exaudiat te, Dominus, where imitative exchanges spiral in ecstasy. Impassioned, exciting musicThe Times What an outstanding disc … never once is there a loss of clarity, a hint of muddinessGramophone
     
  • The King's Singers' collaboration with Signum Records continues with this outstanding collection of madrigals from 23 composers including Thomas Morley, John Bennet, Michael Cavendish and Thomas Weelkes. A collection of 25 madrigals from 23 different composers - from the famous to the obscure - make up this Elizabethan curiosity, published in 1601 by Thomas Morley. A musical dedication to Queen Elizabeth I, The Triumphs of Oriana displays the talents of English songwriters, long overshadowed by their European counterparts, conjuring up an image of an idealised and mythical England of old. ★★★★ The King's Singers deliver these songs with insistent voices, the imitative pairs beautifully balanced across the stereo, the intonation faultless and the diction unmistakable - The Times This disc is a triumph of majestic vocal ensemble - Classic FM Magazine Long live the King's Singers - Goldberg Magazine  
  • The debut disc of world-renowned early-music ensemble Charivari Agréable on Signum Records. Music for Philip of Spain and His Four Wives is complementary to SIGCD004 and presents secular music associated with Philip II from the four European countries of his wives - Portugal, England, Austria and France. Bravo!Gramophone Highly recommendedEarly Music Review Exquisite performances ... a highly intelligent programmeEarly Music Today
  • Signum Records is delighted to announce that the choir of Magdalen College Oxford will release their first disc with Signum in early 2003. Entitled The Songs of Angels the disc will consist of repertoire written by the distinguished 15th and 16th century Magdalen Informator Choristarum.  These young choral scholars are an impressive group of musicians - BBC Radio 3 Record Review A superb release, as much for its historical interest as for the unarguable excellence of the music-making - Gramophone
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