• Man I Sing

    £12.00
    The world-renowned choral composer and conductor Bob Chilcott leads the BBC Singers, as well as the internationally recognised soloists Simone Rebello and Paul Silverthorne, in these new performances of some of his best and most loved choral works. ‘He has the knack of exploring highly effective uncomplicated choral devices, and providing both singers and listeners with a complete cycle that leaves them fulfilled yet still prepared for more ... It is all splendidly entertaining.’

    Choir & Organ

    The Making of the Drum The Modern Man I Sing
    My Prayer Beach
    Advent Antiphons And Every Stone Shall Cry
    The Shepherd's Carol Simple Pictures of Tomorrow
    Pange Lingua Weather Report
  • Recorded in the beatiful church of Notre Dame, Rozay-en-Brie, by Concerto Delle Donne, this CD celebrates 300 years of Marc-Antoine Charpentier, whose works ranged from simple settings of hymns composed for unaccompanied solo voice to works of great complexity and virtuosity for soloists, double choir and double orchestra. Here, the focus is on the sacred works that Charpentier composed for two and three solo women's voices. The three principal sopranos of of Concerto delle Donne all feature as soloists. Other composers included on this disc are Jean-Baptiste Lully, Nicholas-Antoine Lebègue & Guillame-Gabriel Nivers. The singers' delectably pure, sweet sound, rhythmic liveliness and stylish ornamentation perfectly capture the spirit of some beautiful and inventive music, ideally suited to its very specific purpose - The Daily Telegraph Ravishing music draws some exquisite singing in response... [a] superb disc - Gramophone There is much stunning music here... [an] essential for lovers of the most sublime composer of the French Baroque - Early Music America These are charming performances of charming music. Warmly recommended - MusicWeb International
  • Tenebrae Consort is an outstanding group of musicians, with singers hand-picked from the award winning chamber choir Tenebrae. Known for their instinctive ensemble skills, the singers and instrumentalists are directed from within the Consort by Nigel Short who leads the group to attain music making of the highest quality. Focussing on the repertoire originally written for consort performance, particularly early music, Tenebrae Consort aim to shed new interpretative light on works through the combination of both passion and precision, creating an intimate and unique concert experience. On this recording they explore classic works at the very heart of the Medieval and early-Renaissance British Choral Tradition. [The recording displays] this group's famous sensitivity toward musical structure, as well as their exquisite harmonic control - BBC Music Magazine The velvety tones of the Tenebrae Consort singing Sarum chant associated with Compline for Passiontide made me wonder just how this music actually sounded in the Middle Ages - Early Music Review Following on from Tenebrae's Russian disc this is a highly imaginative programme. It takes a nicely purist view and gives us the complete Compline service and with the additions makes a satisfying whole. I do hope that they record more - Planet Hugill
  • At the time of its first performances in 1846, Elijah was hailed as one of the great oratorios alongside Handel’s Messiah. It tells the story of the prophet with imposing grandeur, inspirational orchestration and beautiful arias, recitatives and choruses. This mighty piece requires mighty orchestral and choir forces and Gabrieli singers are reinforced with talented young singers from the Gabrieli Young Singers’ Scheme and the Wroclaw Philharmonic Choir. This recording sees over 440 musicians taking part, including 92 string players and over 300 singers.
    The musical milieu is still Victorian but, rather like the cleaned-up Albert Memorial in Kensington Gardens, it gleams anew and radiates light. ... a definite first choice - The Telegraph In all this is staggeringly good. Approaching the work in this way fills a gap which I didn’t even realise was there, but now I’ve heard it I think it will be first choice for a while to come. Thoroughly recommended - Presto Classical
  • Messiah…Refreshed!

    £8.00£18.00
    The Goossens Messiah, recorded for the first and only time by the Royal Philharmonic Orchestra and Chorus under Sir Thomas Beecham, has stood as a landmark of the classical catalogue for sixty years. Goossens’ richly orchestrated version is set to reach a new audience thanks to Maestro Griffith and DCINY, New York City’s leading promoter of classical music. They gathered at Abbey Road Studios in London in July 2019, to record the work with the Royal Philharmonic Orchestra and a chorus comprising of sixty members of The Jonathan Griffith Singers, drawn from around the world and sixty members of the National Youth Choir of Great Britain. The new recording has captured the score’s vibrant tone colours in thrilling high-definition sound. An acclaimed conductor, educator and lecturer, Dr. Jonathan Griffith has led performances across North America, Europe, and Asia. Griffith is Co-Founder and Artistic Director of Distinguished Concerts International New York (DCINY), which has brought together, under Griffith’s artistic leadership, thousands of musicians and choral singers in concert at prestigious venues across the United States, including Carnegie Hall, Lincoln Center, and Disney Hall. The founder and Music Director of the Distinguished Concerts Orchestra, Griffith also oversees DCINY’s mentoring program for conductors. Founded in 1983 as a single choir of 100 of the best singers in the nation, the National Youth Choir is now the flagship ensemble of an Arts Council England National Portfolio youth music organisation and registered charity, the National Youth Choir of Great Britain (NYCGB), which runs five membership choirs, a nationwide outreach programme for schools and Music Hubs, and provides professional training for the next generation of choral singers, composers and leaders.   All downloads include booklets.
  • Wells Cathedral Choir under Matthew Owens explore and celebrate the life and works of the late British composer Sir John Tavener (1944- 2013), in a new programme centred around his Missa Wellensis

    The disc features several world-premiere recordings of works commissioned especially for the choir, including his Preces and Responses and They are all gone into the world of light. 

  • Music of the seventeenth century was little known to the concertgoing or record-buying public, up until fifty years or so ago when Monteverdi’s Vespers were performed under the inspiration of figures such as Michael Tippett as part of a modern revival of early music. Subsequently, it has been one of the most celebrated works both with choral societies and early music specialists. Here, the Rodolfus Choir offer their interpretation of one of the most magnificent works of the seventeenth century. Following their highly successful release with Signum earlier this year, Choral Arrangements by Clytus Gottwald, the Rodolfus Choir perform earlymusic as sensitively and musically as they perform music of the twentieth-century.
    Title page of the 1610 edition of Monteverdi's Vespers
    The English Cornett & Sackbut Ensemble can be found at: www.ecse.co.uk
  • Signum Records is delighted to announce  the release of Tenebrae's second disc, Mother and Child. In its short existence, Tenebrae has made a considerable impact with fresh and vital re-interpretations of classic works in the choral repertoire. On this new recording, innovatory and lesser-known repertoire is drawn from contemporary sources, reflecting an exploratory approach which places the group artistically at the cutting edge. This is a distinctive and distinguished collection of works by a number of living composers, many of whom have established themselves at the creative forefront of the choral scene in recent times. A very classy piece of singing [and] a remarkable range of colours thanks to the mixture of voices... one of the best sounding CDs I have had on the desk this week - BBC Radio 3 This is a CD of exceptional stature. It seems to me that everything about it – performances, documentation, sound quality and, above all, the music itself – is of the highest quality - MusicWeb International A highly dramatic work [that makes] the fullest use of  the choral resources available and with a very challenging organ part superbly played by Jeremy Filsell - International Record Review Pott’s impassioned My Song is Love Unknown stands out as a small masterpiece of choral writing - Classical News This is a wonderful disc, a program that all choral lovers should hear, not least because it gives proof that very fine sacred choral music is still being written – and given the first-rate attention it deserves by world-class performers - ClassicsToday.com
  • Signum Records is delighted to present Chapelle du Roi’s eleventh release with the label. This recording offers a selection of music spanning the life and reign of Charles V, undoubtedly the most powerful man in 16th-century Europe, from his early teenage years to his death in 1558. Charles was a devout Catholic, and maintained a chapel employing some of the most notable composers of the period, including Nicolas Gombert and Thomas Crecquillon, who Charles referred to as ‘the truest Opheus of the age’. Closely identified with the Order of the Golden Fleece, which gave rise to the L’homme armé tradition, Charles V was said to have a musical ear. A great deal of music survives that is associated directly with him and his patronage – a selection of which is presented on this recording. The music composed for rulers frequently mixed the heavenly with the secular, and a great many pieces were written to celebrate political conquests and occasions within the court. For example, Cristóbal Morales possibly wrote his Missa L'homme armé as an offering for Charles’s wedding to Isabella of Portugal. Near the end of Charles’s reign, the young composer Orlandus Lassus was just starting his career, and seeking preferment. He offered his secular motet, Heroum Soboles to Charles in the hope that he would join the prestigious Capilla Flamenca. He was unsuccessful, however Charles’s minister, Bishop Granvelle of Arras helped Lassus to secure his position at the court of Duke Albrecht of Bavaria – a musical establishment that was no less magnificent. The last years of Charles life were troubled by his failure to convert the Protestants back into the Roman Catholic Church, and to lead a universal Catholic empire. His death resounded throughout the Empire, and Don Fernando de las Infantas marked his passing with a setting of Parce Mihi Domine, the best-known of the texts from Matins pro defunctis.
  • Phillip II of Spain died at first light on Sunday 13th September, 1598. Released in his 400th anniversary year this disc commemorates the death of this most catholic king with music associated with him during his lifetime, and with the sumptuous six part Requiem mass of Jean Richafort that may well have been used at his obsequiries The programme begins with a motet written by Gombert for the birth of Philip; other motets include one of Infantas' finest works Domine Ostende, and within the context of the mass is included the celebrated Versa est in luctum by Lobo.
  • The debut disc of world-renowned early-music ensemble Charivari Agréable on Signum Records. Music for Philip of Spain and His Four Wives is complementary to SIGCD004 and presents secular music associated with Philip II from the four European countries of his wives - Portugal, England, Austria and France. Bravo!Gramophone Highly recommendedEarly Music Review Exquisite performances ... a highly intelligent programmeEarly Music Today
  • With a stunning selection of choral music that is truly fit for a King, Andrew Gant leads the Choir of the Chapel Royal & The Musicians Extra-Ordinary to re-create the music that accompanied the coronation of James II and Queen Mary in 1685.  
    William Child Te Deum in E Flat
    John Blow Behold, O God our defender
    William Turner The King shall rejoice
    Henry Lawes Zadok, the Priest
    Henry Purcell I was glad, My heart is inditing
    Thomas Tallis Litany
      Recorded in the Chapel Royal at St James's Palace, this disc is a perfect representation of one of the country's most illustrious and historic musical institutions
  • Mark Williams leads the Choir of the Jesus College Cambridge through an evocative selection of choral works inspired in varying ways by the songs of Solomon. Songs of love have been written from the earliest records of human existence. None are more passionately ecstatic than the Song of Solomon, which occupies a unique place in the Holy Bible in both style and content. It contains lyric poems of love and courtship, as might have been sung at Jewish weddings. For Christians, these poems speak to the beauty of the union of Christ and his ‘bride’, the Church. The present collection presents a diverse group of choral works written between the 16th century and the present day, with most inspired by this unique sacred text. Under Mark Williams direction, the choirs make a clear elegant and focussed sound, and clarity is very much the watchword in the performancesMusicWeb International This CD features both the Jesus College Choir (top line women) and the all-male Chapel Choir. The two sounds are well differentiated, the fresh clarity of the boys contrasting with the more mature sounds of the young womenChoir and Organ Superlative singingNorthern Echo
  • As one of Britain’s most respected and versatile musicians, Sir Richard Rodney Bennett has produced over two hundred works for the concert hall, and fifty scores for film and television, as well as having been a writer and performer of jazz songs for over fifty years. This disc of compositions and arrangements performed by the BBC Singers showcases some of his most popular and beguiling works for choir and voice, drawn from classical and jazz music and featuring his ever-popular work A Good-Night. There's not a note out of place or a phrase that seems second-handThe Guardian
    This CD offers an excellent overview of Bennett’s a cappella choral works, demonstrating the breadth of this compositional interests and versatility across a wide range of genres from contemporary classical to jazz to Christmas musicStudio Flamingo With the Singers' impeccable intonation, warm vocal blend, this CD is a must-buy for anyone interested in contemporary British choral musicChoir & Organ
  • Naked Byrd

    £12.00
    The varied programme of this recording identifies, as Armonico Consort’s director, Christopher Monks describes, ‘... a wide range of pieces united by the tendency of their composers to wear their hearts on their sleeves and their ability to fix a sense of raw emotion on paper’. For the majority of the composers represented here, the reasons for revealing naked sentiments through their music is as a response to a religious theme, whether through the suppression of particular relgious practices or the influence of relgious ideals themselves. Crossing several centuries, from the sixteenth to the present day this disc displays how every generation has been inspired to use both sacred and secular music as a powerful medium to express their personal emotions. Includes Allegri's Miserere Mei
  • This recording is compiled from Armonico Consort’s ‘Naked Byrd’ programme, featuring music by Tavener, Purcell, Barber and Byrd, composers who wore their hearts on their sleeves, and whose art saw their emotions laid bare, in an atmospheric concert where magical musical moments are intertwined with sublime passages of plainchant and violin improvisation. ‘Naked Byrd Two’ follows on from their December 2009 release (‘Naked Byrd’). Armonico Consort is, at its heart, a highly talented vocal ensemble that stages a wide variety of concerts. The quality of the performances they stage is reflected in the praise they have recently received: An achingly beautiful selection - Classic FM Superb!The Times A beautiful soundBBC Radio 3 Record Review [A] splendid second volume in the Armonico Consort’s Naked Byrd seriesThe Independent
    [A] disc of unending delight - Gramophone