• Piangete

    £12.00

    Signum Records is delighted to announce that the ensemble Concerto delle Donne will release their first disc on Signum Records in 2003. The disc will feature the cantatas and motets of Giacomo Carissimi.

    Carissimi is sometimes thought of as a "one-work composer" known to the average music-lover only for his oratorio Jephte. Choral Societies looking for 17th century music earlier than Purcell are therefore likely to choose Jephte.

    Alastair Ross first became interested in Carissimi’s music for the 3-soprano Concerto delle Donne line-up when he was asked to prepare a programme “Handel and his predecessors in Italy” for the 1977 Göttingen Festival. A review of Carissimi's oeuvre showed that there were several pieces by Carissimi in the library of Christ Church Oxford just waiting to be performed by the group! He chose the cantata Siam tre miseri piangenti which has become a regular item in their concerts and which is central to this recording. It’s a marvellous piece, full of pain, suffering and anger. The three voices really are equal in the way they intertwine and react to one another. Donna Deam’s solo Piangete and Gill Ross' and Elin Thomas’s duet Ahi, non torna are similar in mood. Maybe in our cynical 21st century we find it difficult to relate to these highly emotional, self-obsessed, texts, but there’s no denying that they inspired some wonderful music! Va dimanda al mio pensiero’ and Si dia bando, alla speranza are lighter in mood – both attractive, tuneful pieces.

    There is plenty of variety in the church music as well. Cum reverteretur David, which begins the CD, is brilliant and virtuosic, a dramatic account of the rivalry between David and Saul. The duet Exulta, gaude, filia Sion is a joyful celebration of Christmas. In Benedictus Deus et Pater the voices weave rich dissonances to convey the suffering of the text; there’s something of the mood of Allegri’s Miserere here.

    In addition to the vocal pieces the disc includes a set of variations by Frescobaldi and Michelangelo Rossi’s flamboyant and chromatic Toccata Settima for harpsichord, together with Kapspereger’s charming improvisations for chittarone.

    We believe that only one of the Carissimi pieces on this CD, Exulta, gaude, filia Sion, has been recorded before, so the disc will be an important event in the recorded-music world, and one which we hope will revive interest in this unjustly neglected composer.

    ★★★★ An impressive release - Choir & Organ An important and rewarding release - Early Music Review
  • The debut disc of world-renowned early-music ensemble Charivari Agréable on Signum Records. Music for Philip of Spain and His Four Wives is complementary to SIGCD004 and presents secular music associated with Philip II from the four European countries of his wives - Portugal, England, Austria and France. Bravo!Gramophone Highly recommendedEarly Music Review Exquisite performances ... a highly intelligent programmeEarly Music Today
  • The King's Singers present a disc of some of their best and most requested repertoire. We are all shaped, perhaps unconsciously, by the landscape and time in which we live. This evocative and spiritual programme, which contains five King's Singers commissions, explores the links between human life and it's surroundings through the different personal languages of poets and composers.
    Richard Rodney Bennet The Seasons of His Mercies
    John McCabe Scenes in America Deserta
    Cyrillus Kreek Taaveti laulud
    Jackson Hill Remembered Love
    Peter Maxwell Davies House of Winter
    Jean Sibelius Rakastava
    Zoltán Kodály Esti Dal
    Bob Chilcott Even Such is Time
     
  • On The Vasari Singers' debut disc with Signum Records we present a deeply intimate recording of personal and moving works by Herbert Howells and Frank Martin. In 1935 Herbert Howells’ son died at the age of nine. Howells sought release and consolation in his writing, and composed the a cappella six-movement Requiem as a private document to his son. Indeed, Howells considered his Requiem so personal an outpouring that he felt the need to withhold it from publication. It was not released until 1980, only three years before the composer ’s own death. The motet Take him, earth, for cherishing has the dedication "To the honoured memory of John Fitzgerald Kennedy, President of the United States of America", and was composed for the commemoration in Washington on 6th June 1964. Frank Martin was a deeply religious man. He composed the Mass for Double Choir, early in his career. The work embodies the profound nature of his beliefs, and was the only work that Martin wrote purely for liturgical purposes. Such was the intensely intimate nature of the work, that, like Howells, the composer withheld it, and kept the manuscript safely in a drawer for over forty years. As Martin himself wrote, "This was something between God and me, that concerned nobody else". Over the last two decades, The Vasari Singers has built up an enviable reputation for excellence, versatility and sensitivity in both live performances and recordings. They perform these pieces with passion and devotion, and capture the very private and deep-rooted feelings contained within each work.
  • A stellar line-up of soloists, conductor, choir and orchestra combine forces in the re-mastered 2 CD set of Mozart's arrangement of Handel's much loved 'Messiah'. In April 1742, shortly after the first performance of Messiah in Dublin for the city's Charitable Musical Society, the Dublin Journal reported that the oratorio "was allowed by the greatest of Judges to be the finest Compostion of Musick that was ever heard". Sir Charles Mackerras continues the constantly evolving performance history of one of the world's most enduring masterpieces. Highly enjoyable - BBC Music Magazine  
  • Signum Records is delighted to announce the debut disc of Cantabile - Lullabyes and Goodbyes. The disc has been long in preparation and is the first to be recorded by Cantabile since On the Tracks of the Comedian Harmonists. Cantabile, are one of Britain’s longest- established vocal ensembles. Since they became widely known in the early nineteen-eighties they have mastered a wide array of musical styles and their flair for the stage continues to keep them in demand in theatres and cabaret as well as in concert halls and at festivals. The four voices blend beautifully and there isn't a sour note to be heard. Diction is consistently crystal clear [and] the contribution of Malcolm Martineau is first rateMusicWeb International
  • In their debut disc on Signum, the Caius choir celebrates the relationship between seven British contemporary composers and their influences drawn from the Medieval period. Fascinating stuff - Classic FM Magazine One or two surprisingly mature voices step out for solos from this young choir, and the blend and tuning are generally of a very high standard - Choir and Organ The Choir of Gonville & Caius College, Cambridge is impressively at home in this consummately difficult repertoire - Classics Today
  • Man I Sing

    £12.00
    The world-renowned choral composer and conductor Bob Chilcott leads the BBC Singers, as well as the internationally recognised soloists Simone Rebello and Paul Silverthorne, in these new performances of some of his best and most loved choral works. ‘He has the knack of exploring highly effective uncomplicated choral devices, and providing both singers and listeners with a complete cycle that leaves them fulfilled yet still prepared for more ... It is all splendidly entertaining.’

    Choir & Organ

    The Making of the Drum The Modern Man I Sing
    My Prayer Beach
    Advent Antiphons And Every Stone Shall Cry
    The Shepherd's Carol Simple Pictures of Tomorrow
    Pange Lingua Weather Report
  • A Christmas album you’ll want to return to year after year, from the fabulous Swingle Singers... There are few music lovers in this world who haven’t heard heard the name the Swingle Singers. Since the release of their ground - breaking debut album Jazz Sebastien Bach in 1963, this eight-voice a cappella group has performed in every continent and in the world’s most famous stages, sustaining over four decades a level of international popularity beyond the dreams of its founder, American born Ward Swingle. The current line-up of young, gorgeous and talented singers is, of course, several incarnations of “Swingles” younger than the original team. Ward Swingle affectionately refers to them as his “grandchildren”. What defines this unique group is not the personnel, nor even the choice of music, but the intimate, close microphone, quasi-instrumental sound with which they stunned the world all those years ago. They continue to do so today both live and in the studio. unwrapped will help to make Christmas an even more special occasion, Swingles-style. The quality of these vocal arrangements here is splendid ... A wonderful record, for home listening in intimate surroundings - International Record Review
  • Choral music from the sixteenth-century, right up to the late-twentieth-century features on this beautiful eleven-track album, with stunning performances from The Choir of Royal Holloway. The Chapel Choir was established in 1886 for women’s voices & became a mixed choir in 1965. Forty-three years on and the choir have made 14 CD recordings & have toured most European countries, under the guidance of Rupert Gough, who began his musical training as a chorister at the Chapel Royal, St James’s Palace.
  • The Flemish-born Giaches de Wert was one of many foreigners to dominate the Italian music scene in the mid to late sixteenth century, therefore to this day his music is largely unknown to many. It is the second of three books of Motets which appears on this disc, written when his skill as a madrigalist had reached its height. As part of the Kings College Choir, the choral scholars of Collegium Regale perform independently of the choir, singing a repertoire that encompasses 15th Century sacred music, jazz, folksongs and pop. Directed by Kings College’s and the BBC Singer’s renowned director Stephen Cleobury.
  • A new disc of works by the world renowned choral composer Bob Chilcott. Bob has been involved in choral music for most of his life and since he became a professional composer in 1997 he has had over 100 works published by Oxford University Press. He was hailed by Gramophone magazine as “one of the finest choral composers at work in Britain today.” This CD includes tracks with The Sirens, an ensemble of young professional women's voices specially created for this recording. Also featuring are a jazz trio with Alexander Hawkins on piano, Michael Chilcott on bass and Dereck Scurll on drums. The works included here reflect the strong support and interest that Bob’s vocal music generates, with commissions from a wide variety of choral societies, children & youth choirs and professional choruses.
  • 'I Love all Beauteous Things' explores a great collection of works by the British Composer Herbert Howells, featuring performances of some of his lesser-known choral and organ music. The Choir of Christ Church Cathedral, Dublin have had a long and prosperous history: they were recorded as having taken part in the first performance of Handel's 'Messiah' in 1742. Since 1972 the new mixed voice choir, lead by Judy Martin, has been highly active with concerts tours and regular broadcasts for the RT? and BBC, as well as continuing worship in the cathedral.
  • The BBC Singers, led by David Hill, are the UK's only full-time professional chamber choir, and their repertoire and virtuosic versatility are almost boundless. The BBC Singers regularly work with the BBC's own orchestras as well as a number of period instrument and contemporary ensembles both in concert and in the recording studio. This disc features the compositional talent of one of the BBC Singer's former members, Judith Bingham. Bingham is considered a talented all-round composer, having written for a variety of different ensembles including symphonic wind ensembles, brass bands and solo instrumentalists, Despite this she is best known for her choral work, in which she has been commissioned by such ensembles as The King's Singers, the BBC Symphony Chorus and King's College Choir, Cambridge, She has won numerous awards including the Barlow Prize for a cappela music and three British Composer awards.
  • The composer Patrick Hawes has established a reputation as one of the most popular contemporary English composers working today. This new disc of choral and organ works centres on the mystery and beauty of the words of the Old Testament, with stunning performances from Welsh soprano Elin Manahan Thomas and Patrick’s own choral group Conventus, as well as accompaniment from The English Chamber Orchestra. Taking the Old testament as his inspiration, Classic FM's former composer in residence has come up with a new choral disc of mystery and beauty - Classic FM Magazine
  • Signum Records are proud to present the first release in a new series of live orchestral recordings featuring the illustrious St Petersburg Philharmonic Orchestra, led by their chief conductor Yuri Temirkanov. These new recordings have been made possible thanks to the recent refurbishment of their home concert venue, the Grand Philharmonic Hall, allowing many of us to hear for the first time the excitement of the Philharmonic’s performances in their resident city of St Petersburg. This release will be followed later in the year with their live performance of Shostakovich’s Symphony No. 7 (Leningrad). The orchestra moved like a single unit, swelling and surging, natural rubato raising tension, pacing and placing impeccably judged - The Independent This is a full-blooded performance of Verdi’s late work … Full marks for passion - The Daily Telegraph [Temirkanov] has been in charge of the St Petersburg Philharmonic since 1988 and the orchestra plays splendidly for him here. What particularly marks out the performance is his attention to dynamics - Classic FM Magazine Yuri Temirkanov’s mature and considered performance wears its own character with pride, rather than complying with any perfectionist norm. The reading sounds Russian: dark and edgy - The Sunday Times
  • Another highlight of Scotland's musical life comes from the National Youth Choir of Scotland (NYCoS) National Girls Choir. Joined by Claire Jones, the official harpist to HRH The Prince of Wales, Christopher Bell leads performances of Benjamin Britten's A Ceremony of Carols, An English Day-Book - an exciting rarity by English composer Elizabeth Poston - and two contemporary works by Scottish composer Oliver Iredale Searle and Irish composer Stephen Deazley. ★★★★★ This debut recording by Christopher Bell's NYCoS National Girls Choir could so easily have been just another recording of Britten's A Ceremony of Carols, but for two things: the wholesome confidence of the choir itself … and the successful partnering of Britten's masterpiece with Elizabeth Poston's edgy and colourful An English Day-BookThe Scotsman The voices are rich toned, well-balanced and powered by developing teenage musculatureClassic FM Magazine Clear as a jingle-bell, the NYCoS National Girls Choir take Britten’s unadorned carols without fear or sentiment in a translucent readingLa Scena Musicale
  • "The B minor". That phrase alone resonates with gravity in the hearts and minds of those who love as no other the music of J.S. Bach. This disc sees the Rodolfus Choir at their best, as renowned Bach interpreters, having played his works across the UK to great acclaim. Following a live broadcast on BBC Radio 3 and performance at Holy Trinity Guildford at the end of 2009, this disc, recorded in the chapel of Charterhouse School continues their evergrowing catalogue of extraordinary recordings. Performance ★★★★ Recording ★★★★ The soloists are a fine team. In 'Domine Deus', Sophie Bevan and Ben Johnson match perfectly in imitation... Highly recommended- BBC Music Magazine There is uncanny vocal empathy between Sophie Bevan and Clint van der Linde, which, in 'Et in unum Dominum', results in the most extraordinary complementing of vocal lines... both stimulating and refreshing - International Record Review If some forty young singers can produce a recorded account of the B Minor Mass of this quality then the future for British choral music is bright indeed - MusicWeb International
  • The Temple Church is one of the most historic and beautiful churches in London. Situated between Fleet Street and the Thames Embankment, its recorded musical history extends back to its restoration in 1841, although a church has stood on the site for over 800 years.

    The modern choir is comprised of 18 boy choristers and 12 professional choirmen – an excellent opportunity for the choristers who receive singing and theory tuition as well as generous scholarships towards their education. The programme explores three fascinating and contrasting settings of the Te Deum: A stalwart of the church liturgy (first conceived as far back as AD 387), these settings span over 300 years of English music history, composed respectively in 1694 (Purcell), 1897 (Elgar) and 1944 (Howells).

    This disc is complemented by the release of James Vivian’s English Organ Music from the Temple Church. 

     

     

     
  • This disc represents a new orchestra partnership for Signum Records with The Orchestra of the Age of the Englightenment, one of London and the world’s leading period-instrument ensembles. Led by Robert Howarth, the recording was made at Kings Place following the orchestras successful 2010 tour of the work.

    'Not all orchestras are the same,' runs the message on the cover, and it’s true: … a shimmering, captivating choral sound that seems to float effortlessly through the psalmsThe Independent

    What is impressive is the grammatical sense (underpinned by flexible accentuation) that the choir brings to the projection of the words in Dixit Dominus and at many other places. Also, as we might expect, the instrumentalists are terrificBBC Music Magazine In a word it is magnificent … this is one of the most enjoyable I have heard in recent yearsMusicWeb International