• A new festive release from the Choir of Jesus College, Cambridge under their director Mark Williams – with additional performances from organists Robert Dixon and Timothy Lambourn, and trumpeter Rebecca Crawshaw. A very well chosen selection of Christmas Choral music magnificently sung - MusicWeb International It's a performance of full, rich sounds from a group who are among the unsung heroes of a collegiate choir circuit currently dominated by the larger colleges - BBC Music Magazine
  • After the triumphant success of the King’s Singers last Christmas Album released in 2003 entitled ‘Christmas’, this new disc sets an eclectic assortment of modern Christmas classics with special arrangements of some much loved favourites.
    Stand-out moments include Tchaikovsky's thoughtful The Crown of Roses, Lawson's gentle Lullay my Liking and Pierpont's hyperactively jolly jingle bells, which they whizz through as though the words 'technically challenging' had vanished from the dictionaryBBC Music Magazine An eminently enjoyable release that will please fans of The King’s Singers and lovers of Christmas music alikeMusicWeb International A delightful holiday releaseAll Music Guide
  • The BBC Singers continue their critically lauded and award- nominated series of composer-led recordings with a new disc of works by Master of the Queen’s Music Judith Weir.

    Recorded in the unique acoustic of the Temple Church, London, the BBC Singers are joined by the church’s choristers and the contemporary music ensemble Endymion, in a retrospective of Weir’s works drawn from a 25-year period.

  • Signum Records is delighted to release The King's Singers debut album on the Signum label. King’s Singers Christmas comprises 24 carols for each day of Advent, and a bonus 25th track which pays homage to one of their famous songs. Featured on the disc are such celebrated carols as Away in a Manger, specially arranged for the group and other traditional carols performed in their original versions. Even though nearly every piece on this disc could be heard in an English church carol service, the variety of musical styles covered is immense. Five centuries of music are represented here including works from various different countries. "As a group that spends much of its life on the road, we are fortunate to be able to gather music from many cultures and traditions beyond our own" says Gabriel Crouch. "Several pieces collected on our travels have found their way onto this playlist, including La Peregrinaçion by the Argentinian Ariel Ramirez, and the Polish-Ukranian song Szczo to za Prediwo, which we first heard performed by a choir from Warsaw at a King’s Singers workshop". In addition to the choice of traditional Christmas carols we have chosen pieces by Peter Warlock, John McCabe, John Rutter, Bo Holton and our own Philip Lawson, as representative of the living tradition amongst English institutions for commissioning new carols. A King’s Singers Christmas album would not be complete, however, without a little musical twist or two. These are delivered in the form of Tchaikovsky’s The Crown of Roses which has been arranged by the great jazz arranger Jeremy Lubbock and a new version with Christmas words by Philip Lawson of the perennial King’s Singer’s favourite You are the New Day, sung to the accompaniment of a String Quartet. Nothing fazes them, however tough the demands, and there is a combination of precision and warmth to the singing, captured in sympathetic acoustics - Daily Telegraph The King's Singers' style is beautifully detailed, and even the most familiar carols sound fresh - Classic FM Magazine If you love Christmas music recordings, well, what are you waiting for? This is one of the best ever - ClassicsToday.com Precise intonation, instinctive articulation, a downy, luxuriant tone, all captured in an excitingly lifelike recording - International Record Review  
  • The Choir of St John’s College, Cambridge return to disc with three 20th Century European masterpieces: Poulenc’s Mass in G Major (last recorded by the choir over 40 years ago under the iconic George Guest), Kodály’s Missa Brevis, and Janáček’s Otčenáš (Our Father). All works make use of highly distinctive musical languages, yet all three are tonal and highly accessible. This disc follows the choir’s debut release of works by Jonathan Harvey Deo (SIGCD456), which was awarded the choral prize at the 2017 BBC Music Magazine Awards. ★★★★★ The choir sing with their justly famed blend and perfect intonation… An essential disc - Choir and Organ ★★★★There is a transparency, delicacy and clarity to the textures on this disc… there is a wonderful edge to the more jagged harmonies. There is lightness and control, but steel too in the Sanctus & Benedictus, and the beautiful thread of solo treble at the opening of the Agnus Dei leads to a magical ending - Planet Hugill The Choir captures the other-wordly atmosphere… these well-recorded performances are certainly recommendable - BBC Music Magazine These compelling accounts come highly recommended - Northern Echo
  • The King's Singers present a disc of some of their best and most requested repertoire. We are all shaped, perhaps unconsciously, by the landscape and time in which we live. This evocative and spiritual programme, which contains five King's Singers commissions, explores the links between human life and it's surroundings through the different personal languages of poets and composers.
    Richard Rodney Bennet The Seasons of His Mercies
    John McCabe Scenes in America Deserta
    Cyrillus Kreek Taaveti laulud
    Jackson Hill Remembered Love
    Peter Maxwell Davies House of Winter
    Jean Sibelius Rakastava
    Zoltán Kodály Esti Dal
    Bob Chilcott Even Such is Time
     
  • Eton College Chapel Choir perform an enchanting selection of 20th Century French Choral and Organ music. As well as music by composers who were at the heart of French musical life in Paris, such as Olivier Messiaen and Francis Poulenc, this disc features works by lesser-known composers such as Déodat de Severac and Pierre Villette.

    The choir’s history can be charted back to the founding of Eton in 1441 by Henry VI. The present day choir is comprised of Eton students (with the occasional master), about half of whom have been choristers at cathedrals or chapels before they come to Eton for their secondary education.

  • Orlande de Lassus, Europe’s most famous musician during his lifetime, created nothing finer than the Lagrime di San Pietro, a collection of twenty spiritual madrigals and one motet for seven voices; A cycle of intense reflections on the sorrows of St Peter following his denial of Christ, it was assembled shortly before the composer’s death in 1594 and dedicated to Pope Clement VIII. Into this collection Lassus pours every dramatic nuance and piece of harmonic invention he could possibly muster, hurling the listener through the stages of Peter’s rage, remorse and resignation, and concluding with a motet that presents Christ’s response to the world. Gallicantus's robust and committed account will hearten those who fear for the future of this repertory on disc. The countertenors on the top lines are a vigorous alternative to women's voices - Gramophone Magazine Recording of the Month: This recording is something that absolutely must be experienced. You will not regret it at all - MusicWeb International
  • During the last twenty years of his life, Orlande de Lassus was the most celebrated composer in Europe. From the time that he took up the duties of maestro di cappella in the Court of the Duke of Bavaria at Munich, he began to be called 'prince of musicians' and 'the divine Olrande'. The pieces selected for this recording represent Lassus' treatment of the theme of dealth during the mature period. The first group considered the death of Christ: second, the death of a christian.
  • Patrick Hawes returns to disc on Signum with the premiere recording of his Lazarus Requiem, for Choir, Orchestra and Soloists. Blending the liturgical text of the Requiem Mass with the story of Lazarus from the New Testament, the composer creates a work in which “the mystery of life and death, the pain of grief and the hope of a risen life are held in taut symmetry”.

    The work begins with an orchestral Elegy for Lazarus. This depicts the dying man and sets the scene for the first tableau where we are informed “a certain man was ill”. Mary and Martha, the sisters of Lazarus, send for Jesus and the drama of the miracle unfolds.

    An attractive, sincere and thoughtful piece. This very good first recording should bring it to the attention of a wider audience - MusicWeb International What the Lazarus Requiem does do - and to striking effect - is bring into sharp relief Hawes's unerring gift for evocative orchestral texture and beautiful melodic lineChoir & Organ
  • In the centenary year of the Armistice of 1918, thoughts turn to the great human cost of the First World War and many subsequent armed conflicts. Released in support of the charity Combat Stress, this commemorative recording explores the themes associated with human conflict. The programme brings together texts and music pointing to the frailty that leads to the violence of war, but also to triumphs of the human spirit that so often arise from situations of the deepest desolation.

    The Choir of Chichester Cathedral are led by Charles Harrison in this collection of works by composers affected by the Great War, including Stanford, Bainton, Ireland, Howells, Parry and Elgar.

    Such understated yet beautifully moulded singing - Gramophone No other collection matches this - MusicWeb International Lest We Forget brings together eloquent pieces of music and text that reach remarkable depths of musical and artistic expression that still resonate in the modern day - Chichester Observer Both singing and playing are first class within the clear acoustic of Chichester Cathedral - Cross Rhythms Farrington's imaginative re-working of the orchestral score for organ should win it many devotees, especially in this fine performance - Planet Hugill
  • The Armonico Consort return to disc on Signum (following their highly-regarded Naked Byrd CD series) with a new disc celebrating the glorious combination of soprano and trumpet in baroque music – featuring the soaring talents of Elin Manahan Thomas and Crispian Steele-Perkins. Widely-praised for their imaginative and inventive programming, this disc features works by JS Bach (Jauchzet Gott in allen Landen), GP Telemann (Trumpet Concerto in D major), Alessandro Scarlatti (Su le sponde del Tebro) and a special compilation of works by Handel devised by Crispian Steele-Perkins. The tone is immediately set by Crispian Steele-Perkins' trilling trumpet on Bach's Jauchzet Gott in alien Landen, which also features quite thrilling counterpoints between him and soprano Elin Manahan ThomasThe Independent
    The whole thing seems suffused with light reflected from Manahan Thomas’ voice, and Steele-Perkins’ effortlessly projected trumpetBBC Radio 3 Record Review
  • One of the most versatile musicians of his generation, Richard Rodney Bennett was at the forefront of British musical life for nearly half a century. This new recording from the National Youth Choir of Scotland's National Girls Choir compiles a programme of Bennett's choral works from across his compositional life, as well as a collection of charming folk-tunes and nursery rhymes for piano duet (Over the Hills and Far Away).
     
    This is Signum's second release with NYCoS, who in 2011 became the first youth arts organization to receive a Royal Philharmonic Society Award.
     
  • Coupling powerful interpretations with path-breaking scholarship, the choir Contrapunctus presents music by the best-known composers as well as unfamiliar masterpieces. Directed by Owen Rees, a specialist in music of the sixteenth and seventeenth centuries, the group presents imaginative programmes revealing previously undiscovered musical treasures and throwing new light on familiar works. This recording explores the musical ‘cries of the oppressed’ from opposite ends of Europe, which include some of the most powerful works composed in England and Portugal during this period by Byrd, Tallis, Monte and Cardoso. The highlight perhaps is the first recording of a newly reconstructed vocal work by Thomas Tallis, Libera nos. This has long been thought to be an instrumental work, and has been recorded as such, but there’s persuasive historical evidence for us to be confident that this is in fact a choral setting of the antiphon Libera nos, and it is performed here with the relevant text restored to the five vocal parts. A rich seam of material by such as Tallis, Byrd and Cardoso - The Independent Exemplary... Pristine performances by Owen Rees’s Contrapunctus choir - The Times Experience and vocal excellence merge in the singing of Contrapunctus to produce performances extraordinary even by the British vocal group’s own high standards - Sinfini
  • Now and again a choir director finds he has an exceptional voice at his disposal. Andrew Swait was only ten years old when this disc was made - his voice was the original inspiration for the disc - and it features his outstandingly colourful tone quality and musicianship. In choosing the repertoire, we kept in mind the integrity of the great English church music tradition. We decided to do what choirs - their men and boys - do best in this country; sing, enjoy and relish the music of that tradition. Solo arias are interspersed with full choir numbers, some featuring treble solos and duets. Works by Schubert and Rachmaninoff are coupled with works from our own English masters, Sir Hubert Parry and John Rutter. Morten Lauridsen’s setting of Ubi caritas, combines a lushness of texture with the age-old plainsong melody. We hope you will enjoy this collection from Tewkesbury. Benjamin Nicholas
  • The King's Singers celebrate their 40-year anniversary with a live BBC Proms performance from the Royal Albert Hall. This disc demonstrates the skill, flair and versatility you would come to expect from a King's Singers performance, sampling the besrt from their vast repertoire. The King's Singers have maintained their place at the apex of a cappella singing and are amongst the world's elite classical performers. Following this concert The Daily telegraph said "every edge was bevelled smooth" and the Guardian described it as "flawlessly realised". Click here to see the DVD version of this disc
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