• Owen Rees leads early-music consort Contrapunctus alongside The Choir of The Queen’s College, Oxford in performances of John Taverner’s masterwork, the Missa Gloria tibi trinitas. A virtuosic work, it has pride of place in the Forrest-Heyther partbooks (in the Bodleian Library in Oxford), which it has been variously argued originated at Cardinal College or at the Chapel Royal. It might well have been heard on Trinity Sunday in the chapel of Cardinal Thomas Wolsey’s palace at Hampton Court. The work is accompanied by other sacred choral works by Taverner, including his Ave Maria composed for Wolsey’s Cardinal College, Oxford, and one of his most widely copied works, Gaude plurimum – a dramatic work where Taverner exploits the power of his full forces to evoke Christ’s harrowing of hell and the breaking of ‘the bloody powers of the prince of eternal death.’ Contrapunctus is an early-music vocal ensemble dedicated to passionate interpretations informed by authoritative insight and understanding. Directed by Owen Rees, a specialist in music of the sixteenth and seventeenth centuries, the group presents imaginative programmes revealing previously undiscovered musical treasures and throwing new light on familiar works. Performance ★★★★ Recording ★★★★★ Rees brings together both of his crack ensembles [and] the 40-strong collective recreates [Taverner's] lavish sound - BBC Music Magazine ★★★★★ Rees has a natural affinity for this music, whether underlining differences of mood, allowing phrases to bloom or deftly judging cadential arrivals, his touch is instinctive - Classical Source ★★★★★ [A] thrilling new recording - Planet Hugill 9/10 Between them the music of John Taverner comes alive and whether your interest is in Tudor polyphony of acappella choral singing this release will bring much pleasure - Cross Rhythms This glorious programme of polyphony by John Taverner offers much opportunity for contrast as delicate, sinuous passages of vocal chamber music open up into densely populated choral vistas - Choir & Organ The full ensemble brings an undeniable grandeur - Gramophone A must for early music devotees - The Northern Echo A very fine album - MusicWeb International Beautifully recorded by Signum, this is a novel and beautiful Tudor choral release - AllMusic
  • Four CDs for £20 Four early discs from the professional chamber-choir Tenebrae, who since their formation by former King's Singer Nigel Short have become one of the finest choral-groups in the UK. The combined experiences of the choirs members (who between them have worked with The Monteverdi Choir, the choirs of Westminster Abbey and Cathedral,  King’s College, Cambridge, I Fagiolini, The Tallis Scholars, The Swingle Singers, The King's Singers Gallicantus, Covent Garden, English National Opera) allows an extraordinary range of depth and precision to their performances and interpretations. These four discs are the first they released on Signum - covering music by Rachmaninov, Karl Jenkins, Howells and many others. The Dream of Herod features music for Advent, anthems for the Mother & Child, music for Christmas, and The Dream of Herod, a semi-dramatic contemporary work with a particular resonance at Christmas. Mother and Child is a distinctive and distinguished collection of works by a number of living composers, many of whom have established themselves at the creative forefront of the choral scene in recent times. Includes premiere recordings of works by Sir John Tavener, Francis Pott, Alexander L’Estrange and Jeremy Filsell. Gaudete was arranged by Classic FM's Hall of Fame 2004 'top-ten-composer' Karl Jenkins, sung by crack professional choir - Tenebrae - Gaudete is released on Signum Classics both with drums and percussion and as a pure, unadulterated, a cappella version. This EP release also features works by Steve Reich, Alexander L'Estrange and Sir John Tavener. Rachmaninoff Vespers is a live recording of the stirring performance by Tenebrae of Rachmaninoff’s ‘All-Night Vigil’ (Vsenoshchnoye bdeniye, Op. 37).
     
  • As part of Signum's 15th anniversary year we are delighted to release this celebratory collection of The Best of 'The King's Singers' – a 2-CD collection drawn from their now extensive catalogue on Signum.
     
    The first CD includes titles from Christmas (the groups debut album with Signum,  released in 2004), along with music from Landscape and Time, Treason and Dischord, Gesualdo’s Tenebrae Responsories, Sacred Bridges, Siglio d’Oro, Romance du soir, From the heart, High Flight and the 2012 release Royal Rhymes and Rounds.
     
    The second CD presents songs from four albums: Six, their most recent light album Swimming over London and the Grammy® Award winning Simple Gifts.
     

     

  • Will Todd is one of the UKs most popular and performed modern choral composers. His output includes works for choir, stage works, and orchestral works, and his music has been featured on BBC Radio 2, 3 and 4 and Classic FM, and performed all over the UK, Europe and the USA. On this disc, Nigel Short conducts superlative performances of his works by his BBC Music Magazine Award-winning choir Tenebrae and the English Chamber Orchestra. This compilation of his works includes the premiere recording of a new comission 'The Call of Wisdom', which on June 5th 2012 will be presented on the occasion of a Service of Thanksgiving at St Paul’s Cathedral for the Diamond Jubilee of HM Queen Elizabeth II. [A] disc of miniature but perfectly formed musical marvelsGramophone
  • Following their highly successful releases on Signum (the Hymns Album and Handel’s Messiah conducted by Sir Charles Mackerras) the Huddersfield Choral Society is back in force with a magnificent collection of Christmas carols. This CD will be a perfect Christmas gift or glorious self-indulgence, absorbing the sacred and profane alike, beautifully performed and recorded for the festive season.
  • Following its successful premiere performance earlier this year, Francis Pott’s highly anticipated recording of The Cloud of Unknowing is likely to be musical milestone and a choral great. Drawing together a variety of texts and musical influences, Pott weaves together a deep and emotional work with an ethos reminiscent of Michael Tippett’s ‘War Oratorio’. Featuring:
    The Vasari Singers
    James Gilchrist, tenor
    Jeremy Filsell, organ
    Jeremy Backhouse, conductor

  • Tenebrae's latest disc on Signum sees their return to the repertoire of Russian composer Alexander Levine. The Divine Liturgy of St John Chrysostom is Levine’s most significant large-scale religious work to date. Inspired by the humility and humanity of the murdered Russian priest (and friend of Levine) Fr. Alexander Men and composed over a three-month period of

    spiritual immersion, research and contemplation (similar to that described by his great forebears Tchaikovsky and Rachmaninov), the work traces a continuous spiritual growth towards the central point of the Liturgy – the Holy Communion.

     

  • The Dream of Herod features music for Advent, anthems for the Mother & Child, music for Christmas, and The Dream of Herod, a semi-dramatic contemporary work with a particular resonance at Christmas. Inspired repertoire selection - Classic fm An almost ecstatic tenderness - Gramophone More polished choral singing would be hard to find anywhere - BBC Music Magazine
  • The Choir of Jesus College Cambridge’s new release on Signum blends a selection of ancient and modern works from the 16th and 20th Centuries, all centred on the theme of evening. A gorgeous blended sound... the atmospheric singing of the choristers is of a high standardEarly Music Review The choir have a delicacy and a musical responsiveness that's particularly suited to this softer-edged programme of evening musicGramophone As an unguent to tired limbs, is this gorgeously dreamy recital to the soul: calorific with comfort, it pleases with delightful contrasts, sensitive, sustained singing and shapely interpretationsChoir & Organ Most enjoyableCross Rhythms
  • The Rodolfus Choir mark both Benjamin Britten’s centenary year and the 30th anniversary of the choir’s first concert with this new programme of works by both composers. The disc includes the premiere recording of Paul Mealor’s Praise, which was commissioned especially for the Rodolfus Choir.

    The choir’s previous disc of choral works by Elgar was widely-praised by critics:

    Recording of the Month: The Rodolfus Choir shine strongly in these well-loved Elgar part-songs choral worksMusicWeb International

    Elgarians and others tempted by the works assembled in this new collection can be assured that it is on a par with the best of themInternational Record Review

  • The first disc to be released in The King’s Singers 40th anniversary year celebrates music by Portuguese, Spanish and Mexican composers from the period known as the Siglo de Oro, The Golden Age. The idea for the disc came from the King’s Singers church concert programmes, where the acoustics allowed great scope for drama. The music featured is exceptionally beautiful and deeply moving, with a combination of joyful and sorrowful s e ttings, indicating the substantial outpouring of music during this period. Regularly performing over 100 concerts per season, the King’s Singers delight audiences a round the world. As the London Times states, they are ‘still unmatched for their musicality and sheer ability to entertain’.

  • The Choir of The Queen’s College, Oxford celebrate the works of choral music icon Herbert Howells in a disc that sets his works alongside pieces that they inspired and influenced – such as Nico Muhly’s Like as the Hart for choir, solo violin and percussion – as well as works that in turn influenced him. The disc features two world premiere recordings by David Bednall: settings of two Marian antiphons Alma redemptoris mater and Ave regina caelorum that ‘complete’ the partly-lost set of works that Howells wrote for Westminster Cathedral.

    Led by their director Owen Rees, the Choir of The Queen’s College, Oxford is among the finest and most active university choirs in the UK. Its wide-ranging repertory includes a rich array of music from Renaissance and Baroque masterpieces to contemporary works, including commissions.

    ★ A distinguished disc - Choir and Organ

    An excellent disc: the singing is incredibly tight, in the manner to which it has become increasingly accustomed under its musical director, Owen Rees, and Bednall’s writing is ingenious Gramophone

    This is a welcome disc of some lesser-known repertoire - Cathedral Music Magazine A well planned collection of British sacred musicMusic Web International
  • The Huddersfield Choral Society has an international reputation as the UK's leading choral society. producing a unique and full-bodied 'Huddersfield Sound'. This disc features some of our nation's most loved hymns and we hope that you'll agree that no better expression of the joy engendered by a goodly number of voices singing these hymns may be found than in the grand forces of the Huddersfield Choral Society. Our range attempts to cover an unaffected, pure lyricism through to a vast, full-throated sound that might shake the rafters of the sturdiest church. Our previous two hymn and carol albums were released in 1985; both received gold discs for achieving over 100,000 sales.
  • Hymns are part of the UK’s national culture, available to believers and non-believers alike. Some of the most popular hymn-tunes featured here – such as O Sacred Head, Sore Wounded or Good Christians All – are over four hundred years old, while others date from the latter half of the 20th century. Founded in 1836, the internationally renowned Huddersfield Choral Society is one of UK’s leading choral groups. Famed for their ‘Huddersfield Sound’, they have a long established histoy of recordings and performances, appearing at the BBC Proms in 2018 as well as broadcasing regualarly on radio and television. A must for choral devotees - The Northern Echo
  • 5 much loved King’s Singers albums - boxed set of 5 CDs

    Exclusively on Signum Records To celebrate The King’s Singers 40th anniversary year, the group are releasing five of their bestselling Signum released albums from the last 6 years in a fantastic new CD boxed-set collection. The King’s Singers Collection includes Tallis’s masterpiece, Spem in alium, alongside magical works of our day (Landscape & Time), the overwhelming beauty of William Byrd (Treason & Dischord) and Gesualdo and with some ‘icing on the cake’ - King’s Singers lollipops on Six. After 40 years The King's Singers show no sign of slowing down. The five albums in this set were made in the space of three years and display the diversity and flexibility of the world's premiere a cappella ensemble.
    Gesualdo: Powerful and harmonically daring music, the dark texts for Holy Week resonated with the Italian prince Carlo Gesualdo's own life, which was mired in murder, guilt and obsession. His music sounds as fresh as the day he composed it.
    Six: Classic jazz and pop arrangements plus a commission from Joby Talbot, displaying the group's famous blended sound, perfect intonation and customary style.
    1605: Follow the story of how a group of young religious zealots tried to change the faith of a nation by force. With music from Catholics and Protestants, this fascinating programme ends with a commission from Francis Pott which finds grim resonances with today's religious intolerances.
    Spem: Historians may not know exactly why Tallis wrote Spem in alium, but nobody disagrees that this majestic 40-part motet is one of the glories of renaissance art.
    Landscape & Time: We are all shaped by the surroundings and age in which we live. Listen to music, including five commissions, which give us different perspectives from England, Scotland, America, Japan, Hungary, Finland and Estonia.
  • Based at Windsor Castle, the members of The Queen’s Six make up half of the Lay Clerks of St George’s Chapel, whose homes lie within the Castle walls. This rare privilege demands the highest musical standards, as they sing regularly for the Royal family at both private and state occasions. In 2018 this included the weddings of Princess Eugenie and Mr Jack Brooksbank, and Prince Harry and Ms Meghan Markle, both held in St George’s Chapel. Most significantly however, it is the familiarity of living and singing together in Chapel every day that lends this group its distinctive closeness and blend, as well as an irresistible informality and charm. Individually, members of The Queen’s Six have appeared in many of the most prestigious vocal ensembles on the circuit, including The Tallis Scholars, Tenebrae, and The Sixteen. Their repertoire extends far beyond the reach of the choir stalls: from austere early chant, florid Renaissance polyphony, lewd madrigalsand haunting folk songs to upbeat Jazz and Pop arrangements.
  • Acclaimed for their life-affirming virtuosity and irresistible charm, The King’s Singers are in global demand. Their work – synonymous with the best in vocal ensemble performance – appeals to a vast international audience. The Library is the name of a series of EP releases that celebrates our ‘close-harmony’ library, both historically and as it grows each year. Close-harmony is the phrase we have always used to describe its lighter repertoire, and we see The Library as our chance to make sure this rich vein of great song-writing and arranging gets the place of prominence it deserves. The Library recording series will involve regular releases which will come out alongside other touring and recording projects, giving us an output for revisiting some of these old favourites and commissioning brand new close harmony from recent releases. Every volume in The Library series will capture a variety of songs, celebrating the wonderful diversity of music in our world today.
  • The Temple Church is one of the most historic and beautiful churches in London. Situated between Fleet Street and the Thames Embankment, its recorded musical history extends back to its restoration in 1841, although a church has stood on the site for over 800 years.

    The modern choir is comprised of 18 boy choristers and 12 professional choirmen – an excellent opportunity for the choristers who receive singing and theory tuition as well as generous scholarships towards their education. The programme explores three fascinating and contrasting settings of the Te Deum: A stalwart of the church liturgy (first conceived as far back as AD 387), these settings span over 300 years of English music history, composed respectively in 1694 (Purcell), 1897 (Elgar) and 1944 (Howells).

    This disc is complemented by the release of James Vivian’s English Organ Music from the Temple Church. 

     

     

     
  • A stellar line-up of soloists, conductor, choir and orchestra combine forces in the re-mastered 2 CD set of Mozart's arrangement of Handel's much loved 'Messiah'. In April 1742, shortly after the first performance of Messiah in Dublin for the city's Charitable Musical Society, the Dublin Journal reported that the oratorio "was allowed by the greatest of Judges to be the finest Compostion of Musick that was ever heard". Sir Charles Mackerras continues the constantly evolving performance history of one of the world's most enduring masterpieces. Highly enjoyable - BBC Music Magazine  
  • As 2014 heralds the composer’s 80th year, Harrison Birtwistle remains one of the most popular voices in contemporary composition in the UK and beyond. This new collection of premiere recordings draws together recent commissions with older works to mark the occasion, with characteristically flawless performances from the BBC Singers under Nicholas Kok. They are joined on this disc by the Nash Ensemble and baritone Roderick Williams.

    Best Classical CDs of 2014 The Guardian ★★★★★ Recorded after a memorable Proms UK premiere last year, The Moth Requiem is one of Birtwistle's most austerely beautiful works ... The Ring Dance of the Nazarene, featuring a standout contribution from Williams, is similarly striking, as are performances and recording - Classical Music Magazine Birtwistle’s characteristic melodic angularity and rhythmic complexity are duly represented in six pieces written between 1965 and 2012, including two strikingly evocative recent triumphs — the buoyantly mystic Ring Dance of the Nazarene and the shadowy, haunting Moth Requiem — with all of it sung supremely well - The New York Times Birtwistle is scaling new heights just now, and the elegiacMoth Requiem transports us to a sonic world of beguiling mystery. These singers have his music in their bones, presenting it with precision and sensitivity, be it the stark, monumental Carmen Paschale, a glistening gem of a Lullaby or the dynamic Ring Dance of the Nazarene- BBC Music Magazine
  • This 3CD set comprises a selection of great albums by the Rodolfus Choir, made up of singers aged from 16 to 25 who have been chosen from past and present members of Eton College's summer choral courses for prospective choral scholars. The disc devoted to Francis Grier is an exceptionally fine one … The performances are generally excellent, so too the recordings - Musicweb International Recommended without reservation and, as they say, the further volumes are eagerly awaited - Musical Pointers
  • Former King's Singer Bob Chilcott conducts a stellar array of his choral music, in a collaborative performance with the Wroclaw Philharmonic Choir. Described by the Observer as “a contemporary hero of British Choral Music”, Bob Chilcott works tirelessly as a composer and choral conductor - August 2012 saw the first performance of The Angry Planet in the BBC Proms at the Royal Albert Hall, and he has recently completed commissions for The Bach Choir, BBC Singers and National Youth Choir of Great Britain.
  • The King's Singers' collaboration with Signum Records continues with this outstanding collection of madrigals from 23 composers including Thomas Morley, John Bennet, Michael Cavendish and Thomas Weelkes. A collection of 25 madrigals from 23 different composers - from the famous to the obscure - make up this Elizabethan curiosity, published in 1601 by Thomas Morley. A musical dedication to Queen Elizabeth I, The Triumphs of Oriana displays the talents of English songwriters, long overshadowed by their European counterparts, conjuring up an image of an idealised and mythical England of old. ★★★★ The King's Singers deliver these songs with insistent voices, the imitative pairs beautifully balanced across the stereo, the intonation faultless and the diction unmistakable - The Times This disc is a triumph of majestic vocal ensemble - Classic FM Magazine Long live the King's Singers - Goldberg Magazine  
  • William Byrd, favourite of Queen Elizabeth I, was a confirmed and practising catholic who worshipped in defiance of the Queen. His status and perhaps even his life was preserved thanks partly to the undeniable mastery of his music, and to the fact that he was careful to maintain an output of music appropriate for a Protestant Rite (simple and English) as well as a Catholic one (florid and Latin). Byrd was by no means the only major Catholic composer working in England during these years. Furthermore, there were English composers whose faith drove them to work abroad, as well as foreign composers who offered sympathy and encouragement to English catholics. Included in this latter category was the Flemish composer Phillipe De Monte who entered into a fascinating compositional correspondence with Byrd. Verses of Psalm 136 ‘Super Flumina Babylonis’ (containing many allegorical references to the plight of catholics unable to practice their faith openly) were set to music and exchanged, in what is now seen as an encoded message of mutual support and friendship between brothers in faith. Gallicantus are perfectly placed here to compare the works of William Byrd and Philippe de Monte - The Independent The singing is beyond exemplary: deeply felt, tenderly phrased, perfectly balanced, with the most profound understanding, seemingly bred in the bone - Choir & Organ The intensity of the music is reflected in Gallicantus's beautifully shaped performances - The Sunday Times In Mark Chambers, Gallicantus boast a countertenor 'lead' of near-flawless poise and eloquence - Gramophone
  • Jonathan Dove wrote There Was a Child as a tribute to a friend’s son who died tragically young. Filled with both joyous celebration and heartfelt emotion, it’s a big, warm-hearted modern masterpiece in the spirit of Britten and vaughan Williams – following in an evergreen english tradition and featuring the combined forces of the CBSO and CBSO Chorus, Youth Chorus and Junior Chorus with soloists Joan Rodgers and Toby Spence.

    [Dove] has thus achieved the near-impossible: a work that commemorates an event which is surely every parent's darkest fear but which at the same time truly and positively fulfils the commissioner's brief, 'to celebrate' this young, short lifeInternational Record Review Joyous, vibrant, passionate ... There Was a Child is a major addition to the choral repertoireFinancial Times Dove's adroit choice of poetry, orchestrated with imagination and humour, provides an endearing story of a boy through to adolescence, and although there is pathos it is never mawkish - Choir & Organ
  • The Choir of the West is the premier choral ensemble of the Department of Music at Pacific Lutheran University, located in Tacoma, Washington. The choir was founded in 1926, and was the third Lutheran college choir to tour extensively throughout the United States. Choir of the West has toured to Europe, Scandinavia, Japan and China, and has been selected to appear at several regional and national conferences of the National Association for Music Education and the American Choral Directors Association. In November of 2015 the choir was a featured ensemble at the National Collegiate Choral Organization Conference, held in Portland, Oregon, performing with renowned conductor Simon Carrington. During the summer of 2011, Choir of the West competed among choirs from 47 nations at the prestigious Harmonie Festival in Lindenholzhausen, Germany, winning two gold certificates and one silver. In 2015 the choir competed in the Anton Bruckner Choir Competition, held in Linz, Austria. This record celebrates the music of Latvian composer Ēriks Ešenvalds. One of the most sought-after composers of today, Ešenvalds studied both in Latvia and the UK. He has had works premiered by the Boston Symphony Orchestra and the City of Birmingham Symphony Orchestra, which have won him many awards.
  • Signum Records is delighted to announce the completion of Chapelle du Roi's recordings of the complete works of Thomas Tallis. This major project has taken seven years to complete. It was the brain child of Alistair Dixon and brought to fruition jointly by Chapelle du Roi and the engineering and production company Floating Earth.
  • This disc is the first in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). Not for nothing is Tallis known as the "father of church music" – with his colleagues at the Chapel Royal he created most of the church music genres that we take for granted today. Volume one in the series of nine contains much of the music that Tallis wrote during the reign of Henry VIII. The two early votive antiphons Ave Dei and Ave Rosa open the disc and it concludes with one of Tallis's masterpieces Salve Intemerata. Unusually for an English composer of the time, Tallis wrote a "parody" mass based on material from Salve Intemerata. Also included are two beautiful miniatures not previously recorded – Alleluia: Ora pro nobis and Euge celi porta. This was the first disc to be recorded by Chapelle du Roi and was Signum Records' debut disc in February 1997. The singing is of great distinction - Goldberg Magazine The quality of this disc will surely put these talented performers on the musical map - BBC Music Magazine
  • This disc is the second in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). As the 1540s developed, the Reformation began to take hold and the style of music required from composers such as Tallis altered radically. The large-scale melismatic votive antiphons (for example those on disc 1) were no longer required; the emphasis moved away from Marian devotion to a more syllabic and compact style and, eventually, to settings of English rather than Latin texts. Disc two traces this development from the Jesus antiphon Sancte Deus, to the mass for four voices, the three early English anthems including If ye love me, the Te Deum for meanes and the Elizabethan Magnificat and Nunc dimittis. A stimulating second volume in this distinguished series - Penguin Guide to Compact Discs A beautiful homogeneous quality and are pure and uncomplicated - Footloose Magazine
  • This disc is the third in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). Not for nothing is Tallis known as the "father of church music" – with his colleagues at the Chapel Royal he created most of the church music genres that we take for granted today. In chronological terms Volume 3 follows on quickly from the Edwardine music of Volume 2 with repertoire written for the Marian reversion to Catholicism in 1553. Here we meet Tallis the composer of music for the old English liturgy in both a modern “continental” style and a self-consciously old fashioned English style. The music includes the extraordinary seven part mass Puer natus est nobis of 1554 and the similarly-scored motet Suscipe Quaeso. A speculative reconstruction Beati immaculati opens the disc and it concludes with the monumental six part votive antiphon Gaude Gloriosa. Alistair Dixon, the conductor and founder of Chapelle du Roi, has shaped a remarkably beautiful CD here - Evening Standard The sound is finely honed and balanced, in the British tradition ... this is wonderful music, wonderfully sung - Goldberg
  • This disc is the fourth in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). Not for nothing is Tallis known as the "father of church music" – with his colleagues at the Chapel Royal he created most of the church music genres that we take for granted today. Volumes 4 and 5 both focus on music written for the office hours – the daily services found mainly in the monasteries that eventually suffered at the hands of Henry VIII’s dissolution. Here we have a selection of hymns and Responds from the Henrician and Marian periods, each matched with their accompanying plainchant taken from contemporary sources.
  • This disc is the fifth in a series of nine that covers Thomas Tallis’s complete surviving output from his five decades of composition. In this disc we continue to explore the choral music of the Divine Office, progressing with the choral hymns and responories not found in volume 4. Music for the Divine Office  is completed with Tallis’s liturgical organ music: five hymns and three antiphons for the Divine Office, an Alleluia for the Lady Mass and an extended setting of the offertory Felix Namque. Tallis’s written music for the liturgy is modest in style, inventive and very appealing. His surviving output of written keyboard music is very small in light of his reputation. It is possible that much of this written music has been lost, and even more likely that the majority of his keyboard performances were improvised, and therefore not strictly notated. This CD offers reconstructions based on what is known of liturgical practice at the time when this music was most probably written (the later years of Henry VIII and those of Queen Mary I). Recording the organ works of Tallis involves a number of difficult decisions, not least the choice of organ, as there are no surviving English organs from the sixteenth century. The organ in the late medieval private chapel of Knole, a vast country house in Kent, is arguably the oldest playable organ in England. It’s joints can sound rather rattley, and it has some trouble breathing at times (although the regular creak of the bellows being pumped by foot is a reassuring link with the pre-electric past). However, the sound of this organ in the Knole chapel acoustic might not be far off from what Tallis knew from inside the Chapel Royal. Once again Chapelle du Roi presents an inspired and historically informed performance of the sacred renaissance repertoire for which they are celebrated. ★★★★★ The singing is shapely and serene with a satisfying edge, and the recorded sound is generous without obscuring detail - Choir & Organ ★★★★ Beautiful contemplative music - The Times ★★★★ [A] magnificent recording - Goldberg Magazine