• When an ensemble like the BBC Singers, renowned for its commitment to the music of our own time, sets out to record a Christmas CD you can be sure that the repertoire will include material rather different from the usual run of popular standards and arrangements! One star at last includes eight new carols (six of them specially-commissioned by BBC Radio 3), several premiere recordings, and a selection of music - serious and light-hearted, contemplative and joyful - by some of the leading British, European and North American choral composers of the day. Astonishingly high standards of choral singing ... excellent performances and the organ contributions by Robert Quinney are all splendid ... Enthusiastically recommendedMusicweb International
  • A beautiful collection of songs, Only a Singing Bird features Michael Head’s best-known works, The Ships of Arcady and The Little Road to Bethlehem, as well as his beautifully-imagined, nostalgic song-cycle, Snowbirds.

    NYCoS National Girls Choir is joined by its patron and world renowned mezzo soprano, Karen Cargill for this incredible new recording.

     

     

  • The Choir of Jesus College Cambridge present this album of sacred works which follows events in the Church calendar.  From Ash Wednesday, through to the final feast of the year – Trinity, the recording features works by Bryd, Purcell, Casals, Elgar, Stanford, Britten, Tallis and James MacMillan, all directed by Mark Williams. ★★★★★ Bairstow's The Lamentation is interpreted with marvellous subtlety hereChoir & Organ Brooding and refinedThe Telegraph Fresh, engaging performances of works spanning the church year, from a choir moving swiftly up the Oxbridge pecking order. The Rorem and MacMillan pieces get especially fine performancesBBC Music Magazine
  • The Choral Scholars of University College Dublin and Artistic Director Desmond Earley follow up their debut release with a programme of new choral music inspired by the evocative imagery of the natural world in traditional Irish and Scottish folksong and poetry. The disc includes a number of world-premiere recordings of new works and arrangements commissioned by the choir. The Choral Scholars of University College Dublin, under the artistic direction of Desmond Earley, is Ireland’s leading collegiate choral ensemble. With a large repertoire ranging from art to popular music, and stretching from the medieval to the contemporary in style, this choir gives many concerts throughout the academic year, both in Ireland and abroad. This whole project exudes quality - Gramophone Excellently sung - BBC Music Magazine Earley [shapes] a sequence of traditional Irish settings with contemporary material, [and his] setting of 'Danny Boy' [is] quite beautiful - Choir & Organ
  • Piangete

    £12.00

    Signum Records is delighted to announce that the ensemble Concerto delle Donne will release their first disc on Signum Records in 2003. The disc will feature the cantatas and motets of Giacomo Carissimi.

    Carissimi is sometimes thought of as a "one-work composer" known to the average music-lover only for his oratorio Jephte. Choral Societies looking for 17th century music earlier than Purcell are therefore likely to choose Jephte.

    Alastair Ross first became interested in Carissimi’s music for the 3-soprano Concerto delle Donne line-up when he was asked to prepare a programme “Handel and his predecessors in Italy” for the 1977 Göttingen Festival. A review of Carissimi's oeuvre showed that there were several pieces by Carissimi in the library of Christ Church Oxford just waiting to be performed by the group! He chose the cantata Siam tre miseri piangenti which has become a regular item in their concerts and which is central to this recording. It’s a marvellous piece, full of pain, suffering and anger. The three voices really are equal in the way they intertwine and react to one another. Donna Deam’s solo Piangete and Gill Ross' and Elin Thomas’s duet Ahi, non torna are similar in mood. Maybe in our cynical 21st century we find it difficult to relate to these highly emotional, self-obsessed, texts, but there’s no denying that they inspired some wonderful music! Va dimanda al mio pensiero’ and Si dia bando, alla speranza are lighter in mood – both attractive, tuneful pieces.

    There is plenty of variety in the church music as well. Cum reverteretur David, which begins the CD, is brilliant and virtuosic, a dramatic account of the rivalry between David and Saul. The duet Exulta, gaude, filia Sion is a joyful celebration of Christmas. In Benedictus Deus et Pater the voices weave rich dissonances to convey the suffering of the text; there’s something of the mood of Allegri’s Miserere here.

    In addition to the vocal pieces the disc includes a set of variations by Frescobaldi and Michelangelo Rossi’s flamboyant and chromatic Toccata Settima for harpsichord, together with Kapspereger’s charming improvisations for chittarone.

    We believe that only one of the Carissimi pieces on this CD, Exulta, gaude, filia Sion, has been recorded before, so the disc will be an important event in the recorded-music world, and one which we hope will revive interest in this unjustly neglected composer.

    ★★★★ An impressive release - Choir & Organ An important and rewarding release - Early Music Review
  • Postcards

    £12.00
    The King’s Singers explore the folk songs and melodies of the world in a new programme entitled Postcards. In their own words: “In our travels we have amassed a wonderful collection of folksongs and popular songs from numerous countries, many of which we use as encores when we visit. The influences and sources are extraordinarily far-ranging, and each song has its own local characteristics. To celebrate the diversity of music that we perform and the numerous countries we visit each concert season, we have recorded an album of some of our favourite folksongs from around the world.”  Typically immaculate performances of songs collected by the King's Singers on their global travels, and used as encores. Velvet vocal blending is a given, and mellifluous arrangementsBBC Music Magazine
  • Hymns are a living link with the past, yet they still find freshness and relevance in the twenty- first century. Saint Thomas Aquinas comments that ‘hymns are the praise of God with song; a song is the exultation of the mind dwelling on eternal things, bursting forth in the voice’ and this explains neatly the vital place that hymnody has enjoyed throughout the ages, and continues to do so today. Praise my soul celebrates this glorious tradition of hymnody and showcases some of the hymns heard in Jesus College Chapel in their own regular pattern of choral services. Some of these, including Drop, drop, slow tears and Glory to thee, my God, this night have been sung regularly for hundreds of years. Others such as All my hope on God is founded or Christ Triumphant have become classics over the last half-century.

    The Choir of Jesus College Cambridge return to disc on Signum with their seventh release, and their first under choral director Richard Pinel.

    A magnificent disc of fine hymn tunes and outstanding music making - MusicWeb International
  • Prayers for Mankind celebrates the life and writings of Father Alexander Men, a Russian Orthodox Christian priest who, whilst being little known outside of his home country during his lifetime, has come to be hailed as a saint and martyr by thousands all over the world. 2010 marks the anniversary of what would have been his 85th Birthday, as well as 20 years since his brutal assassination on the way to a Sunday morning service.

    Following years of religious suppression under the communist regime, Father Alexander Men emerged as a leading Christian and humanitarian figure in Russia, through radio and TV broadcasts and his prolific written works. These prayers, set by Russian composer Alexander Levine, capture the beauty and humanity of Men’s view of the world, and is brought vividly to life by Nigel Short’s professional chamber choir Tenebrae.

    A recent review for Tenebrae (from their June disc - Figure Humaine, SIGCD197)

    “… they seem to have an extra gear, a kind of choral over-drive that allows them to soar almost serenely over corners that have some of the finest vocal ensembles showing the strain.” BBC Radio 3, CD Review, Andrew McGregor, May 2010

     
  • This programme explores that vast twentieth-century secular English choral repertoire which goes under the generic title ‘partsongs’. It is an extraordinarily rich repertoire to which almost all the famous composers contributed. Buried amongst vast quantities of slightly twee pastoralism – the much-derided “cow-pat” school – are to be found many settings of glorious poetry, forming a corpus of sublime twentieth-century madrigals at least as fine as their famous renaissance forebears. However, this programme has another particular theme: how poets and composers reflect upon the natural world as a metaphor for our own emotional experience. At the heart of this programme is the complex relationship between man and nature, the bitter-sweetness of a radiant and beautiful dawn creating the same unbearable sadness of a ravishing song, and both with intimations of mortality. ★★★★★ This is a simply gorgeous CD, superbly executed - Choir and Organ ★★★★ The Gabrieli Consort, conducted by Paul McCreesh, sings Stanford’s The Blue Bird with such abstracted beauty that enchantment sets in from the opening minutes. Their collection of English part-songs mostly inhabits a dreamy, pastoral world, the home ground of Howells, Warlock and Vaughan Williams, though Elgar’s bleak Owls (loneliness or foreboding of death?) goes further. Outgoing narrative settings by Jonathan Dove and Grainger add story-telling and a dash of bold colours - Financial Times ★★★★ The effect is arresting, and typical of the attention to text and score demonstrated by Paul McCreesh and his singers. These miniatures are rich, each in need of proper savouring - The Observer ★★★★ The selection of pieces is evocative and thoughtful… Stanford’s The Blue Bird is concentrated and controlled, with a lovely clarity of line and a fine-grained elegance of sound. This song exemplifies the many virtues of the performances on this disc - Planet Hugill The result is a clever mixture of moods – a disc that takes the part-song into the 21st century not only in repertoire but also in style - Gramophone Successful and very cherishable… The key to its success is the gorgeous attention to detail which draws the most exquisite sounds from the choir - Music Web International
  • Purcell’s ever-green chamber opera Dido & Aeneas, its story drawn from Virgil’s epic, the Aeneid, is performed by the Armonico Consort with an astounding selection of soloists. Armonico Consort is one of the largest and most innovative organisations of its kind in the UK, existing to inspire audiences with its unique programmes. ★★★★ Lithe, colourful, tastefully phrased and dynamically astute playing...[the cast] sing compellingly and inhabit their roles with the same sensitivity that distinguishes the whole performanceThe Daily Telegraph
    A clean, uncluttered account featuring crystalline voices, good diction, safe tempos and well-defined phrasing...vocal ensembles are luminous and the instrumental playing is bright and streamlined. Best of all is Rachael Lloyd's dignified Dido, rich-voiced, poetic and flawlessly deliveredThe Guardian The Armonico Consort and its musical director, Christopher Monks, capture this abundance of inspiration in a performance full of life and variety...Rachael Lloyd's dignified Dido and Elin Manahan Thomas's bright Belinda are well contrastedFinancial Times This small-scale version of Purcell's evergreen masterpiece has much to commend itEarly Music Today
  • Signum Classics are proud to release a LIVE recording of the stirring performance by Tenebrae of Rachmaninoff’s ‘All-Night Vigil’ (Vsenoshchnoye bdeniye, Op. 37). The recording was made live at the North Wales International Music Festival in conjunction with Boosey & Hawkes, Music Publishers Ltd. The roots of the Russian Orthodox Church are traceable back into the Third Century A.D. Whilst Western forms of Christianity continued to evolve, the Orthodox tradition has been preserved largely intact since the 11th Century, despite persecution of the Church under an intolerant Communist regime in Russia. The music of the Russian Orthodox Church features vocal chants, the oldest of which is known as znamenny (from the Slavonic znamia meaning “sign”). The melody of this chant is extremely simple, and whilst other composers added their characteristic harmonic effects, Rachmaninoff consciously preserved the modal purity of the original in his setting of the Vespers. The all-night vigil is celebrated on the eve of the main feasts of the Orthodox Church. Originally it lasted all night and consisted of three separate services to celebrate the beauty of the setting sun, and to reflect on the spiritual light of Christ as the new light of the coming day and the eternal light of heaven. Rachmaninoff’s setting of the vigil was written in 1915, in the middle of the First World War. He has used authentic znamenny chant in seven movements, with two movements employing Greek chants. “Even in my dreams I could not have imagined that I would write such a work” Rachmaninoff told the singers at the first performance in March 1915. The work is dedicated to the scholar Stephan Vasilevitch Smolensky who introduced Rachmaninoff to the repertoire of the church, however the composer’s inspiration was as much politically motivated as spiritually – the composition was a powerful affirmation of nationalism during the war. Nigel Short and Tenebrae have just the right balance of control and passion, reverence and exuberance that makes for such a superb performance - The Organ Intimate and powerfully atmospheric, shedding new and memorable light on what usually comes across as a massive choral spectacular - Classic FM Magazine
  • The BBC Singers, led by David Hill, are the UK's only full-time professional chamber choir, and their repertoire and virtuosic versatility are almost boundless. The BBC Singers regularly work with the BBC's own orchestras as well as a number of period instrument and contemporary ensembles both in concert and in the recording studio. This disc features the compositional talent of one of the BBC Singer's former members, Judith Bingham. Bingham is considered a talented all-round composer, having written for a variety of different ensembles including symphonic wind ensembles, brass bands and solo instrumentalists, Despite this she is best known for her choral work, in which she has been commissioned by such ensembles as The King's Singers, the BBC Symphony Chorus and King's College Choir, Cambridge, She has won numerous awards including the Barlow Prize for a cappela music and three British Composer awards.
  • On The Vasari Singers' debut disc with Signum Records we present a deeply intimate recording of personal and moving works by Herbert Howells and Frank Martin. In 1935 Herbert Howells’ son died at the age of nine. Howells sought release and consolation in his writing, and composed the a cappella six-movement Requiem as a private document to his son. Indeed, Howells considered his Requiem so personal an outpouring that he felt the need to withhold it from publication. It was not released until 1980, only three years before the composer ’s own death. The motet Take him, earth, for cherishing has the dedication "To the honoured memory of John Fitzgerald Kennedy, President of the United States of America", and was composed for the commemoration in Washington on 6th June 1964. Frank Martin was a deeply religious man. He composed the Mass for Double Choir, early in his career. The work embodies the profound nature of his beliefs, and was the only work that Martin wrote purely for liturgical purposes. Such was the intensely intimate nature of the work, that, like Howells, the composer withheld it, and kept the manuscript safely in a drawer for over forty years. As Martin himself wrote, "This was something between God and me, that concerned nobody else". Over the last two decades, The Vasari Singers has built up an enviable reputation for excellence, versatility and sensitivity in both live performances and recordings. They perform these pieces with passion and devotion, and capture the very private and deep-rooted feelings contained within each work.
  • On their premiere recording, the Old Royal Naval College Trinity Laban Chapel Choir, directed by celebrated choral conductor Ralph Allwood, perform the works of British Choral Award winner Roderick Williams. Based in Greenwich, East London the choir is comprised of both students from the conservatoire (including several choral scholars) as well as outstanding volunteer singers. It is unique amongst cathedral, church and collegiate choirs in the UK in that it has ready access to the wide range of musical resources at the Conservatoire, collaborating frequently in a wide variety of genres as well as performing for services at the beautiful 18th Century Chapel of St Peter & St Paul. As well as being renowned as a singer Roderick Williams is also well-respected as a composer, and his works have been premiered at the Wigmore and Barbican Halls, the Purcell Room and live on national radio. ★★★★ This is a well presented introduction to a contemporary composer of whom I hope and expect to hear more - Cross Rhythms This vivid choral anthology has given continued pleasure throughout the year, filled as it is with an astonishing versatility of moods and styles - Gramophone This disc shows another equally distinguished side to one of the UK’s leading singers. It’s very well worth hearing - MusicWeb International
  • Combining perennial favourites with wonderful new discoveries, these immediately appealing pieces reflect the much-loved repertoire at the heart of a King’s Singers programme, performed with the skill and flair that distinguishes the group as one of the world’s most popular a cappella ensembles. Includes works by Elgar, Schumann, Schubert and Saint-Saëns, as well as a new piece by popular American composer Libby Larsen. This latest venture between Signum Classics and The King’s Singers follows hot on the heels of a Live DVD and CD release of their 2008 performance for the BBC Proms in the Royal Albert Hall (SIGDVD005 and SIGCD150), and the 2008 Grammy-nominated album Simple Gifts (SIGCD121).
  • One of the UK’s most lauded composers, Roxanna Panufnik celebrates her 50th birthday with a new release of her previously unrecorded choral music, performed by leading British choir Ex Cathedra under Jeffrey Skidmore. Known for her interest in world music, the programme includes performances from Indian arts organisation Milapfest on Unending Love, as well as the a recording of Child of Heaven: Dawn Chorus III – a new commission from Ex Cathedra that sets a Hymn to Dawn from the Rig Veda.

    Roxanna has written a wide range of pieces including opera, ballet, music theatre, choral works, chamber compositions and music for film and television which are regularly performed all over the world. This disc follows the 2017 release of 99 Words (SIGCD519), combining works by Panufnik and Sir John Tavener.

    ★★★★ Beguiling and soothing, it’s Panufnik at her most individual - Classical Source ★★★★ Very exciting - All Music A pleasurable disc - Gramophone

    The work is elegantly-shaped and full of warmth, rather like this disc as a whole - BBC Music Magazine

    This album is a fine and nicely varied birthday gift from Ex Cathedra to Roxanna Panufnik - Music Web International

  • On a new disc to celebrate the 2012 Diamond Jubilee, The King's Singers present a selection of works from the past 500 years written in honour of the great Monarchs of Britain. Starting with works for (and in some cases by) Henry VIII, the programme covers the Elizabethan 'Triumphs of Oriana' by composers such as Gibbons, Mundy and Dowland; a very Victorian selection of dedicatory works by Elgar, Parry and Parratt; choral arrangements from the opera 'Glorianna' by Benjamin Britten; and a new piece by Paul Drayton that comically pens 'A Rough Guide to the Royal Succession'. Drayton is perhaps best known to fans of The King's Singers as the composer of their much-loved encore work Masterpiece. A notably intelligent, enjoyable Jubilee offering - BBC Music Magazine Premier English a cappella group provides its own celebrations in Jubilee Year - New Zealand Herald
  • Russian Treasures is the twentieth album from award-­winning professional choir, Tenebrae, and the first release on new label Bene Arte, established exclusively to record the choir and associated artists. Russian choral music has been a feature in Tenebrae’s concert performances since the choir’s inception and over the years they have worked extensively with Russian language coaches whilst nurturing their own characteristics of passion and precision to deliver a special and heartfelt tribute to the music of these great composers.

    This disc was inspired by the rare manuscripts collected by director Nigel Short during his travels around Russia.

    The exquisite collection includes some little-­known gems, rarely heard outside Russia and never before recorded in the UK, as well as some familiar favourites from this vast area of choral repertoire.

     
  • Signum Classics are proud to release the King's Singers fifth disc on Signum; Sacred Bridges. For thousands of years, the biblical Psalter has been the liturgical “heart” of the three main book religions: Judaism, Christianity and Islam. The Psalms announce the word of God and, simultaneously, contain the full range of human experience. Jews, Christians and Muslims sing and listen to the same songs of lament and joy, confessions of sin, hymns of praise and adoration. In this project of the King’s Singers and Sarband, psalm settings by composers from three religions give an example of how psalms can be a source of spirituality, a political instrument, a link between tradition and modernity and, above all, a bridge connecting human beings. Immaculate blend, perfect tuning and crystal diction ... Superb performances across the cultural divide show that great art transcends political differences - The Times A fascinating, attractive, beautifully performed-album - Gramophone Perfectly judged and beautifully blended sound - Classic FM Magazine An intriguing disc, and far more than a curiosity - Early Music Review A real gift to ... music lovers that need a special musical holiday gift - Mid West Record Recap
  • There was a craze for the music of Josquin Desprez in sixteenth-century Spain. All three of the greatest Spanish composers of the age – Morales, Guerrero, and Victoria – were directly inspired by one particular rhetorical effect developed by Josquin: ostinato, the repetition throughout a piece of a musical motto. This album explores Josquin’s legacy as manifest in the motets of Morales, Guerrero, and Victoria, and in Victoria’s great six-voice Missa Gaudeamus. In the hands of such composers the use of ostinato produces results that are dynamic, compelling, and striking in expressive impact. These work show the Spanish composers not just emulating Josquin but also competing to out do him in inventiveness.
  • Shared Ground is a set of works by the British composer Alec Roth, featuring several poems and sung texts by the Indian writer Vikram Seth. The title piece of the same name is inspired by Seth’s poetry following a decision to buy and live in the Old Rectory in Bemerton – the former home of the 17thcentury poet and priest George Herbert. Other works on the disc expand this idea of a shared home or dwelling, with Earthrise – the reflections of Apollo astronauts on viewing the planet from orbit – and Hymn to Gaia.

    This disc follows the 2008 release of Roth’s Songs in Time of War (SIGCD124), featuring the tenor Mark Padmore with Philippe Honoré, Alison Nichols (harp) and Morgan Szymanski (guitar).

     

     

     

  • Sibylla

    £12.00

    Literally meaning ‘rooster song’ or ‘cock crow’, Gallicantus takes its name from monastic antiquity; the name of the office held just before dawn, it was a ceremony which evoked the renewal of life offered by the coming day. Dedicated to renaissance music and directed by Gabriel Crouch, the membership of this early music group boasts a wealth of experience in consort singing.

    Renowned for their critically-acclaimed and researched programmes, Gallicantus present Sibylla. At the heart of the programme is Orlandus Lassus’s 16th Century Prophetiae Sibyllarum, which sets to music the texts of ancient Sibylline prophecies telling of the coming of Christ.

    One of the composer’s most renowned and celebrated works, it is performed alongside settings by the ‘Sibyl of the Rhine’ Hildegard von Bingen, as well contemporary responses to Lassus’s work. Dmitri Tymoczko’s Prophetiae Sibyllarum sets poems by Jeff Dolven which recast the sibyls’ role: this time to the teller of grim truths of present life in post-industrial America. As an epilogue the album finishes with Elliot Cole’s ‘I saw you under the fig tree’ (part of his suite Visions) – a simple 4-part setting beneath an extraordinary countertenor glissando, setting Jesus Christ’s response to Nathaniel.

    ★★★★★ The extraordinary Gallicantus sing with micrometrical precise articulation and flawless pitching - Choir and Organ This CD is evidence of an intimate understanding of this challenging music and is as fine an account of the score as has been committed to CD to date - Early Music Review
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist, Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres, featuring a number of world-class artists including:
    • A Cappella and Choral Music (The King's Singers, Tenebrae, VOCES8, The Swingle Singers, Rodolfus Choir)
    • Orchestral and Chamber Music (Philharmonia Orchestra, London Sinfonietta, Gabrieli Consort & Players, OAE, LCO, Smith Quartet),
    • Instrumental Soloist Recitals (Jamie Walton, Alessio Bax, Matthew Barley, Llyr Williams, James Rhodes)
    • Art song and Lieder (Iain Burnside, Malcolm Martineau, John Mark Ainsley, Mark Padmore, Ailish Tynan, Felicity Lott, Sarah Connolly, Jonathan Lemalu)
    In our new anniversary series we have drawn on this extensive catalogue to form six collectable releases, assembled around the themes of A Cappella, Early Music, Organ Music, Choral Music, Art Song, and Piano Music. Buy all 6 together for just £20
  • After a gap of 10 years, The King's Singers have once again made a full a cappella studio album featuring sixteen stunning arrangements of pop ballads, spirituals and folksongs. Each track on this album has earned its place because of its great melody and, coupled with the impeccable style for which the group are justly famous, this album will delight its huge worldwide fan base. The King's Singers' incredible blend and tuning ensures that this is the classiest recording of its genre for a long time.
  • When Sir Michael Tippett first worked with the BBC Singers in 1944, the experience was such that he recalled nearly 50 years later that "It was to be the first of many such occasions when a composer's dreams were brought to fulfillment." Now under their Conductor Laureate, Stephen Cleobury, the present-day BBC Singers return the compliment with this programme of his works for choir, both unaccompanied and with organ. Includes the works: The Windhover Plebs Angleica The Weeping Babe Magnificat & Nunc Dimitis Four Songs from the British Isles The Source Lullaby Negro Spirituals from A Child of Our Time & two premiere recordings: Over the Sea to Skye Unto the Hills (Wadhurst)
  • SIX

    £5.00
    Signum Records present a special CD release from the King’s Singers, celebrating over 35 years of popular repertoire that has left audiences delighted across the globe. Formed in 1968 by six Choral Scholars from King’s College, Cambridge, the King’s Singers quickly became a prominent musical force in the UK. The rest of the world soon followed so that today the group’s engagements are spread throughout the four corners of the globe. The ensemble are renowned for their commitment to blend balance and intonation in their performances, but above all it is their simple enjoyment of what they do that has captured the imagination of the public, and kept the King’s Singers at the top of their game for over three and a half decades. This album presents six pieces performed by the six vocalists over the years. The titles were selected to span the life of the group so far: After the explosive rock decade of the 1960s in which the group was founded, you can almost hear the hair lengthen in Neil Young’s 1970 song After the Goldrush. This was originally sung by the group with Nana Mouskouri on her BBC TV show, and has remained popular ever since; Irving Berlin’s much-loved jazz classic Blue Skies is here sung in a cool and reflective arrangement by Richard Rodney Bennett; the Beatle’s Blackbird is one of the most requested encores happily sung to ecstatic audiences, and Daryl Runswick’s arrangement perfectly maintains the feel of the original song. The remaining three tracks are all newly recorded pieces from the 21st century. Down to the River to Pray, a spiritual, appeared in the Coen brothers movie “O Brother Where art Thou?”; Billy Joel’s Lullaby Goodnight My Angel is an example of the songwriter at his lyric best. Finally, The Wishing Tree was commissioned by the King’s Singers and the BBC for the 2002 Proms, celebrating the present Queen’s Golden Jubilee. Joby Talbot, formerly of The Divine Comedy, was asked to compose a work in which to reflect Queen Elizabeth II’s life, as well as incorporating a 16th century madrigal-element, in reference to the reign of the first Queen Elizabeth. Six new tracks from the lads with the voices of spun gold. The irresistible verve of this much-changed group's mid-1970s peak is less evident, but for sheer polish and style these singers are truly 'kings' - BBC Music Magazine Think gorgeous close harmony, think crossover-with-integrity, and enjoy - Classic FM Magazine  
  • The composer Patrick Hawes has established a reputation as one of the most popular contemporary English composers working today. This new disc of choral and organ works centres on the mystery and beauty of the words of the Old Testament, with stunning performances from Welsh soprano Elin Manahan Thomas and Patrick’s own choral group Conventus, as well as accompaniment from The English Chamber Orchestra. Taking the Old testament as his inspiration, Classic FM's former composer in residence has come up with a new choral disc of mystery and beauty - Classic FM Magazine
  • Philip Langridge is joined by a fine cast of musicians for this recording of songs from the Georgian era, centred around the rural paradises in and around London, the Pleasure Gardens. Featuring works by some of the foremost composers of the day, this is a hugely entertaining and dramatic collection of songs where love, lust and lament are the main players.
    William Boyce William Jackson
    William Croft John Blow
    John Eccles Daniel Purcell
    George Munro Maurice Green
    James Hook Thomas Arne
    Thomas Linley Stephen Storace
    Philip Langridge David Owen Norris Jennifer Langridge Malcolm Layfield Tristan Gurney
    Philip Langridge is one of the world’s most distinguished singers, whose musical and dramatic qualities ensure that he is in constant demand throughout Europe, the USA and Japan. In recognition of these qualities, he was made a Commander of the British Empire in the Queen’s Birthday Honours of 1994.
  • Signum Records is delighted to announce that the choir of Magdalen College Oxford will release their first disc with Signum in early 2003. Entitled The Songs of Angels the disc will consist of repertoire written by the distinguished 15th and 16th century Magdalen Informator Choristarum.  These young choral scholars are an impressive group of musicians - BBC Radio 3 Record Review A superb release, as much for its historical interest as for the unarguable excellence of the music-making - Gramophone
  • The King's Singershave combined one of the greatest vocal compositions of all time with modern recording technology and customary style to produce a truly stunning recording of Thomas Tallis' Spem in alium. This is a unique opportunity to hear every part in Spem sung and recorded to perfection, with the six King's Singers dividing the forty parts of Spem in alium between them, in this multi-track recording the disc is in full surround sound, and is a CD/SACD hybrid. This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. A bold and fascinating performance - Classic FM So impressive - Choir & Organ
  • Signum Records presents a world first – a CD single, from a new edition of the magnificent 40-part Thomas Tallis motet Spem in Alium and the English version Sing and Glorify. Spem in alium is surely not just the greatest of all Thomas Tallis’ musical achievements, but one of the great musical compositions of all time. Writing for 40 independent voices, Thomas Tallis created a noble and imaginative masterpiece. The earliest surviving manuscript of this great work, the Egerton manuscript, is laid out with an English rendition, Sing and glorify heaven’s high majesty. The English words are not a translation of the Latin, but a new poem written as a syllable-for-syllable replacement. A fine recording as well, beautifully captured in the wide open spaces of All Hallows Church - BBC Radio 3 Record Review Their interpretation at times almost touches the visionary - Gramophone Not only does Alistair Dixon shape the music beautifully, but he has a first-rate team of singers who respond to the music’s every nuance - Goldberg
  • Founded in 1836, the Huddersfield Choral Society has long been a major part of the town’s vibrant musical tradition. Under a succession of distinguished principal condutors and chorus masters it has developed an international reputation as the UK’s leading choral society. Although enjoying a close working relationship with any leading professional orchestras and conductors, the Society is a independent and self-governing amateur choir, drawing talented singers from a wide area across Yokshire and the north of England. This is the Huddersfield Choral Society’s fourth release with Signum Records. Other releases include SIGCD074 Messiah, SIGCD079 The Hymns Album and SIGCD108 The Carols Album. ★★★★ The Crucifixion is a work of its time, but a performance as good as this one shows that its expressive quality is timeless - The Daily Telegraph This style of performance by the Huddersfield Choral Society under Joseph Cullen’s highly sensitive direction provides a vital instance of how The Crucifixion was conceived – that is, to be sung with romantic, emotional conviction, by a choir that revels in the sound of rich, chromatic harmony - Gramophone This is an excellent recording wholeheartedly recommended - Classic FM