• Gaudete

    £5.00
    Arranged by Classic FM's Hall of Fame 2004 'top-ten-composer' Karl Jenkins, sung by crack professional choir - Tenebrae - Gaudete is released on SignumClassics both with drums and percussion and as a pure, unadulterated, a cappella version Founded as recently as 2001, Tenebrae has been embraced by the public and critics alike as one of the most innovative and gifted groups in Britain. Tenebrae’s motto is “passion and precision”, but they also believe in accessibility, performing various different types of music as long as it’s good music, sung well. Gaudete (“rejoice”) is an anonymous composition that was first published in 1582 in a collection of carols and other religious songs called Piae Cantiones. This collection, made by a Scandinavian called Peter Nyland, included a huge number of other Christmas melodies that have since become ‘standards’, but it only gives music for the chorus of Gaudete; the verses, which tell of the wonder of God’s arrival on earth in human form, have been taken from a Czech medieval song about the Virgin Mary, Ezechielis Porta.
  • Gesangbuch

    £12.00
    Edward Cowie’s unique compositional voice stems from his wide-ranging interdisciplinary interests in both the sonic and visual arts, with many of his works inspired by ideas and concepts from artworks and from the natural world. The opening piece of this recording – a 2011 commission for BBC Radio 3 – creates a complex musical tapestry and soundscape from the call of the Australian bell-bird, opening with translations of choruses of several species of Australian frogs. In 2002 Cowie become the BBC Singers’ first ‘Associate Composer’, marking a relationship between the composer that began in the mid-1970s and continues to this day. A fine tribute to an underrated composer - The Guardian The BBC Singers are joined by the Endymion ensemble for the lengthy “Gesangbuch”, a four-part choral work whose wordless vocals and darting, sprite-like musical tones create a work of suitably elemental spirits animated by the changing seasonal round - The Independent
  • Gesualdo

    £12.00
    Signum Records is proud to announce the release of the latest recording by The King's Singers: Gesualdo's Tenebrae Responsories for Maundy Thursday. The Italian Prince, Carlos Gesualdo, is probably most famous for the obsessive double murder of his first wife along with her lover, but his music is not always accredited with the same sense of celebrity. Gesualdo is known in traditional history books as an amateur composer. His music is characterised by wild gesticulation and abrupt starts and stops, particular to a composer who just didn’t know what he was doing. However, the 20th century has now uncovered our composer’s place in history as part of a larger movement of Neapolitan artists, and as perhaps the most forward-thinking, expressive and sensual composer of his time. The King’s Singers were fascinated by the naked honesty that is heard within this 400 year old music. It is so startling that it keeps its freshness of surprise even on many repeated hearings. The music portrays a desperate and wretched, but also passionate and loving person who is set on composing "further out" than anyone else. Gesualdo moved in the highest circles of Italy and was extremely wealthy. His decadent lifestyle allowed him to do and write exactly as he pleased, and at the tender age of 19 it brought him into close contact with one of the most attractive and admired women in Naples. Maria d’Avalos was twice widowed by the age of 25. Her marriage to Gesualdo was initially promising. However, Maria’s rich social life soon dominated the relationship and a profound and constant jealousy took possession of the young and highly sensitive composer. After four years of turmoil he hired professional murderers to assist him in killing wife and lover while they were in bed together. The violence and rage of the act is well-documented. After the murder of Maria, Gesualdo suffered from severe and increasing feelings of guilt. Penitence never left him and he was moved to compose church music of a most black and self-reproachful nature. The programme on this CD represents part of the liturgy for the Matins Offices on the final three days of Holy Week, the Triduum Sacrum. Each of the Matins services is divided into three nocturns, each containing psalmody, three lessons and three responsaries. The attention given to word-painting is exemplary - The Times A no holds barred, immaculately sung performance from the King's Singers. Unmissable - Classic FM Magazine
  • Around the time The King’s Singers was starting up, one of the most productive periods of song- writing in history was coming to a close in America, starting with composers such as Gershwin, Kern, Berlin and Porter in the early 1920s, and continuing through to the early 1960s.

    In this new 2-CD studio recording – featuring brand new a cappella arrangements by jazz composer and arranger Alexander L’Estrange, and swing-orchestra performances with the South Jutland Symphony Orchestra – The King’s Singers bring their own unique performance style to this wonderful music. The King’s Singers bring their unique style to some of the most beloved hits from the golden era of songwritingThe Lady
  • Drawing international media attention following their founding in 2014, The Girls’ Choir of Canterbury Cathedral have quickly become leading lights in the British choral music landscape. For their first recording with Signum – led by their director David Newsholme – they draw on the rich catalogue of what have become British cathedral anthems from the 16th Century to the 20th, performing works by composers including Tallis, Byrd, Stanford, Parry and Howells. They are joined on this recording by the Men of Canterbury Cathedral choir, as well as organists Aidan Bawtree and Nicholas Wearne. ★★★★ A highly enjoyable, well recorded CD that flows well and contains some wonderful singing… Go ahead and buy it! - iClassical The Girls and Men of Cantebury Cathedral Choir [draw] in the rich catalogue of what have become British cathedral anthems - Northern Echo
  • Greensleeves is a celebration of music spanning the length and breadth of the British Isles, featuring mesmerising new arrangements by Geoffrey Webber and Toby Young of some of the most beautiful folk music ever written. The recording includes Loch Lomond, Lisa La?n and of course, perhaps the most famous British melody ever written - Greensleeves.

     

  • The Huddersfield Choral Society continue their esteemed relationship with Signum Records with arguably the best-loved musical work of all time Messiah, more than two and a half centuries on from that celebrated first performance in Dublin’s New Music Hall in April 1742. The buoyant chorus, under Glover's incisive direction, goes from strength to strength - The Times Glover's emphasis on firm tempi and natural articulation pushes this version to the head of the queue, for newcomers and adepts alike … a rugged and utterly musical Messiah - Choir & Organ A modern symphonic chorus in good form, well drilled by chorus master Joseph Cullen and thoroughly prepared for the considerable demands of Jane Glover's fleet-footed interpretation … Elizabeth Watts and Catherine Wyn-Rogers add deep emotional impact to the performance - Classic FM Magazine
  • The Gabrieli Consort continue their series of award-winning collaborations with the National Forum of Music, Wrocław, Poland with a new version of Haydn’s great oratorio The Seasons. Using a new performing edition by Paul McCreesh this recording is the first to feature the large orchestral forces that Haydn called for, including a string section of 60, 8 horns and a choir of 70. As well as the combined forces of the Gabrieli Consort & Players, Wrocław Baroque Orchestra and National Forum of Music Choir, the recording features solo performances from British singers Carolyn Sampson, Jeremy Ovenden and Andrew Foster-Williams. All booklet texts are printed in both English and Polish translations.
  • Hear my words ye people by Hubert Parry, a former chorister at Eton College is the first track on the album featuring some of the bestloved anthems in the church repertoire, beautifully performed by the Eton College Chapel Choir. The choir, formed in the 14th-Century has changed a great deal since the choir school was succeeded by a music scholarship system, designed to facilitate talented choristers with their education. Although life has changed at Eton, the music passed down over five hundred years still possesses a power to stir.
  • A must-have for choral-aficionados everywhere that sees perhaps the world’s finest a cappella ensemble The King’s Singers join forces with The Concordia Choir – one of the USA’s best collegiate groups – to perform works by choral composers Eric Whitacre, Bob Chilcott and Morten Lauridsen.

    One of the world’s most celebrated ensembles, The King’s Singers have a packed schedule of concerts, recordings, media and education work that spans the globe. Championing the work of young and established composers, they remain consummate entertainers; a class-act with a delightfully British wit. From Gesualdo and György Ligeti to Michael Bublé, The King’s Singers are instantly recognisable for their spot-on intonation, their impeccable vocal blend, the flawless articulation of the text and incisive timing.

     

    The Concordia Choir of Moorhead, Minnesota is one of America’s finest a cappella choirs. Since 1920, the 72-voice choir has performed in nearly every major hall including Carnegie Hall and Kennedy Center and has taken numerous international tours. The Choir is broadcast throughout the United States on public radio stations and on television via its Emmy-award winning Concordia Christmas Concert.

    Includes the world premiere recordings of Alone by Eric Whitacre, and High Flightanyone lived in a pretty how town and Days by Bob Chilcott

     

     

     

     

  • The King’s Singers return with a new early-music recording that features 12 of Giovanni Pierluigi da Palestrina’s beautiful polyphonic choral settings of the ‘Canticum Canticorum’ – better known as ‘The Song of Songs’ or Canticles, a collection of poetry in the Hebrew Bible on the theme of the joy and ecstasy of human love. These settings are framed by four of Palestrina’s Marian motets, works in honour of the Virgin Mary which he composed throughout his life. This recording is the first to feature performances from the group’s new tenor Julian Gregory. An admirably cool approach - The Observer
    At it's best - The King's Singers' sweetness of tone seems perfectly to match the sense of the textGramophone Wonderful music beautifully deliveredThe Northern Echo They sing in a beautifully blended style with individual voices often subsumed into the overall sound image. These performances have a significant amount of surface polish, poise and style, technically they are very impressivePlanet Hugill Admirers of The King's Singers will certainly not be disappointed -MusicWeb International
  • Following a string of five-star reviews for their previous discs of 20th-century French choral music (Poulenc’s Figure Humaine – SIGCD197) and Renaissance polyphony (Victoria’s Requiem Mass – SIGCD248), the professional chamber-choir Tenebrae go from strength to strength with this new recording of British partsongs and choral music – centered on Hubert Parry’s Songs of Farewell. Composed towards the end of Parry’s life, the Songs of Farewell have taken on something of an epithetical interpretation; they are almost a musical summation of his compositional life, reflecting Parry’s love of English renaissance madrigals and partsongs as much as the influence on his work from German composers like Brahms – made more complicated as these works were composed as the country (and its music) fell out of favour at the start of the Great War. This disc also includes works by Tavener, Sullivan, Holst, Rodney Bennett, Howells, Elgar and Vaughan Williams. Editor's Choice: Precision, spot-on intonation and sensitive phrasing inform Tenebrae's affectionate performances of these settings of great English poets, the texts of which are provided in the classily produced booklet - Classic FM Magazine A tour-de-force of feather-light, eight-part polyphony - The Independent Performed with Tenebrae’s customary poise - The Financial Times Conductor Nigel Short extracts the themes of desperate longing beautifully from a clean and well balanced choral sound - BBC Music Magazine
  • The early music ensemble Gallicantus was born within the ranks of the world-class choir Tenebrae, when five of the choir’s regulars, each with a wealth of experience in the world of consort singing, decided to form a separate group dedicated to renaissance music. Literally meaning Rooster Song or cock crow, Gallicantus is a word from monastic antiquity for the office held just before the dawn. It evokes the renewal of life offered by the coming day. The group is bound by a shared love of communicating text, and is committed to creating performances which draw out unifying themes within apparently diverse repertoire: To this end they are as meticulous about providing context and insight for audiences as they are about crafting interpretations of the music they love. What better respite from the secular pressures of Christmas shopping than these sublime sacred sounds from the late 16th century … beautifully recorded - The Observer Taste the final amens in Exaudiat te, Dominus, where imitative exchanges spiral in ecstasy. Impassioned, exciting musicThe Times What an outstanding disc … never once is there a loss of clarity, a hint of muddinessGramophone
     
  • Following in Signum’s series of composer-led releases with the BBC Singers, this new disc represents the culmination of a collaboration between British composer Bernard Hughes and the choir that began in 2002. Combining modern poetry by E. E. Cummings and Siegfried Sassoon alongside Norse poetry, Hughes combines both ancient and modern elements into his compositions, which are ably performed by the BBC Singers under Paul Brough.

     

    Bernard Hughes’s music has been performed at major venues in Britain and abroad and received a number of broadcasts on BBC Radio 3. He was runner-up at the 2009 British Composer Awards for the choral work The Death of Balder (featured on this recording).

     

     
  • 'I Love all Beauteous Things' explores a great collection of works by the British Composer Herbert Howells, featuring performances of some of his lesser-known choral and organ music. The Choir of Christ Church Cathedral, Dublin have had a long and prosperous history: they were recorded as having taken part in the first performance of Handel's 'Messiah' in 1742. Since 1972 the new mixed voice choir, lead by Judy Martin, has been highly active with concerts tours and regular broadcasts for the RT? and BBC, as well as continuing worship in the cathedral.
  • The King’s Singers perform the complete Italian madrigal collection Il Trionfo di Dori. Commissioned by Venetian nobleman Leonardo Sanudo in 1592, the collection features 29 works, each written by a different composer and poet, and set for nine voices. Among them are Vecchi, Gabrieli, Marenzio, de Monte, Striggio, Anerio, Gastoldi, Porta and Palestrina.
    ★★★★★ The King's Singers bring this great monument of Italian music history to striding life - Sinfini Music ★★★★★ The King’s Singers are on top form, singing with a sunny freshness appropriate to this happy music, blending beautifully, and moving as one into crescendos and decrescendos, ranging in dynamic from a whispering pianissimo to declamatory episodes of high drama - Early Music Review It is hard to imagine a group with greater potential to do justice to this music of love and mythology than they - Gramophone The King's Singers turn out their characteristic, highly polished finish: diction is razor-sharp, ensemble and intonation are well-nigh flawless - BBC Music Magazine A masterclass in delicate phrasing, elegant lines, exemplary Italian and effortless madrigalian expression with standards of intonation to languish after...delizioso - Choir & Organ If you have to make a single choice The King's Singers will appeal more and it's also beautifully recorded in a venue, which is at least new to this reviewer - Music Web International