• Path of Miracles, for a cappella choir, was commissioned by Tenebrae from Joby Talbot and premiered last year. The work is based on the most enduring route of Catholic pilgrimage - the great Pilgramage to Santiago. The four movements of Path of Miracles are titled with the names of the four main staging posts of the 'Camino Frances,' the central axis of a network of pilgrimage routes to Santiago. Talbot's music has been performed by, amongst others, the London Sinfonietta, The BBC Symphony Orchestra, The Brunel Ensemble, Evelyn Glennie and The Duke Quartet. In addtion, Talbot also writes for the big and small screen. Credits include, The League of Gentlemen and The Hitchiker's Guide to the Galaxy. Tenebrae, founded and directed by former King's Singer Nigel Short, is a professional vocal ensemble, whose motto is passion and precision. Tenebrae has built an impressive reputation for innovative and memorable performances throughout the UK and Europe This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. An evocative odyssey - The Times Joby Talbot's ambitious a cappella Path of Miracles is little short of a musical miracle in itselfNick Breckenfield It's an interesting musical journey for composer, performers and listeners alike - Classic FM Joby Talbot has been making quite a name for himself recently. Path of miracles can only add to that reputation: it's a real achievementInternational Record Review This a cappella work is very demanding of its singers and Tenebrae answer every question asked of them. It is a tour de force and absolutely stunning - Choir and Organ
  • During the last twenty years of his life, Orlande de Lassus was the most celebrated composer in Europe. From the time that he took up the duties of maestro di cappella in the Court of the Duke of Bavaria at Munich, he began to be called 'prince of musicians' and 'the divine Olrande'. The pieces selected for this recording represent Lassus' treatment of the theme of dealth during the mature period. The first group considered the death of Christ: second, the death of a christian.
  • In their debut disc on Signum, the Caius choir celebrates the relationship between seven British contemporary composers and their influences drawn from the Medieval period. Fascinating stuff - Classic FM Magazine One or two surprisingly mature voices step out for solos from this young choir, and the blend and tuning are generally of a very high standard - Choir and Organ The Choir of Gonville & Caius College, Cambridge is impressively at home in this consummately difficult repertoire - Classics Today
  • Now and again a choir director finds he has an exceptional voice at his disposal. Andrew Swait was only ten years old when this disc was made - his voice was the original inspiration for the disc - and it features his outstandingly colourful tone quality and musicianship. In choosing the repertoire, we kept in mind the integrity of the great English church music tradition. We decided to do what choirs - their men and boys - do best in this country; sing, enjoy and relish the music of that tradition. Solo arias are interspersed with full choir numbers, some featuring treble solos and duets. Works by Schubert and Rachmaninoff are coupled with works from our own English masters, Sir Hubert Parry and John Rutter. Morten Lauridsen’s setting of Ubi caritas, combines a lushness of texture with the age-old plainsong melody. We hope you will enjoy this collection from Tewkesbury. Benjamin Nicholas
  • Signum Records is delighted to announce the debut disc of Cantabile - Lullabyes and Goodbyes. The disc has been long in preparation and is the first to be recorded by Cantabile since On the Tracks of the Comedian Harmonists. Cantabile, are one of Britain’s longest- established vocal ensembles. Since they became widely known in the early nineteen-eighties they have mastered a wide array of musical styles and their flair for the stage continues to keep them in demand in theatres and cabaret as well as in concert halls and at festivals. The four voices blend beautifully and there isn't a sour note to be heard. Diction is consistently crystal clear [and] the contribution of Malcolm Martineau is first rateMusicWeb International
  • Signum Records is delighted to announce  the release of Tenebrae's second disc, Mother and Child. In its short existence, Tenebrae has made a considerable impact with fresh and vital re-interpretations of classic works in the choral repertoire. On this new recording, innovatory and lesser-known repertoire is drawn from contemporary sources, reflecting an exploratory approach which places the group artistically at the cutting edge. This is a distinctive and distinguished collection of works by a number of living composers, many of whom have established themselves at the creative forefront of the choral scene in recent times. A very classy piece of singing [and] a remarkable range of colours thanks to the mixture of voices... one of the best sounding CDs I have had on the desk this week - BBC Radio 3 This is a CD of exceptional stature. It seems to me that everything about it – performances, documentation, sound quality and, above all, the music itself – is of the highest quality - MusicWeb International A highly dramatic work [that makes] the fullest use of  the choral resources available and with a very challenging organ part superbly played by Jeremy Filsell - International Record Review Pott’s impassioned My Song is Love Unknown stands out as a small masterpiece of choral writing - Classical News This is a wonderful disc, a program that all choral lovers should hear, not least because it gives proof that very fine sacred choral music is still being written – and given the first-rate attention it deserves by world-class performers - ClassicsToday.com
  • Signum Classics are proud to release a LIVE recording of the stirring performance by Tenebrae of Rachmaninoff’s ‘All-Night Vigil’ (Vsenoshchnoye bdeniye, Op. 37). The recording was made live at the North Wales International Music Festival in conjunction with Boosey & Hawkes, Music Publishers Ltd. The roots of the Russian Orthodox Church are traceable back into the Third Century A.D. Whilst Western forms of Christianity continued to evolve, the Orthodox tradition has been preserved largely intact since the 11th Century, despite persecution of the Church under an intolerant Communist regime in Russia. The music of the Russian Orthodox Church features vocal chants, the oldest of which is known as znamenny (from the Slavonic znamia meaning “sign”). The melody of this chant is extremely simple, and whilst other composers added their characteristic harmonic effects, Rachmaninoff consciously preserved the modal purity of the original in his setting of the Vespers. The all-night vigil is celebrated on the eve of the main feasts of the Orthodox Church. Originally it lasted all night and consisted of three separate services to celebrate the beauty of the setting sun, and to reflect on the spiritual light of Christ as the new light of the coming day and the eternal light of heaven. Rachmaninoff’s setting of the vigil was written in 1915, in the middle of the First World War. He has used authentic znamenny chant in seven movements, with two movements employing Greek chants. “Even in my dreams I could not have imagined that I would write such a work” Rachmaninoff told the singers at the first performance in March 1915. The work is dedicated to the scholar Stephan Vasilevitch Smolensky who introduced Rachmaninoff to the repertoire of the church, however the composer’s inspiration was as much politically motivated as spiritually – the composition was a powerful affirmation of nationalism during the war. Nigel Short and Tenebrae have just the right balance of control and passion, reverence and exuberance that makes for such a superb performance - The Organ Intimate and powerfully atmospheric, shedding new and memorable light on what usually comes across as a massive choral spectacular - Classic FM Magazine
  • The Dream of Herod features music for Advent, anthems for the Mother & Child, music for Christmas, and The Dream of Herod, a semi-dramatic contemporary work with a particular resonance at Christmas. Inspired repertoire selection - Classic fm An almost ecstatic tenderness - Gramophone More polished choral singing would be hard to find anywhere - BBC Music Magazine
  • The Huddersfield Choral Society has an international reputation as the UK's leading choral society. producing a unique and full-bodied 'Huddersfield Sound'. This disc features some of our nation's most loved hymns and we hope that you'll agree that no better expression of the joy engendered by a goodly number of voices singing these hymns may be found than in the grand forces of the Huddersfield Choral Society. Our range attempts to cover an unaffected, pure lyricism through to a vast, full-throated sound that might shake the rafters of the sturdiest church. Our previous two hymn and carol albums were released in 1985; both received gold discs for achieving over 100,000 sales.
  • Signum Classics are proud to release the second disc from the Vasari Singers on Signum Classics, Anthems for the 21st Century. To celebrate its first twenty-five years of vibrant music making, the Vasari Singers commissioned ten composers to each write an anthem that would in their eyes reflect the state of the world at the start of the new millennium. The brief indicated that each work should be suitable as an anthem in an Anglican cathedral Evensong, and that it could also look beyond any constraints of Liturgy or formal religious doctrine to embrace a wider, ecumenical audience. Perhaps something more humanistic that would have a voice in the multi-cultural, multi-faith societies of the new 21st century world? ★★★★ The consistently high level of invention and diverse styles contribute to the album's overall success - Classic FM Magazine The Vasari Singers and Jeremy Backhouse have few equals - Gramophone The choir sings with feeling and perception - Choir & Organ
  • On The Vasari Singers' debut disc with Signum Records we present a deeply intimate recording of personal and moving works by Herbert Howells and Frank Martin. In 1935 Herbert Howells’ son died at the age of nine. Howells sought release and consolation in his writing, and composed the a cappella six-movement Requiem as a private document to his son. Indeed, Howells considered his Requiem so personal an outpouring that he felt the need to withhold it from publication. It was not released until 1980, only three years before the composer ’s own death. The motet Take him, earth, for cherishing has the dedication "To the honoured memory of John Fitzgerald Kennedy, President of the United States of America", and was composed for the commemoration in Washington on 6th June 1964. Frank Martin was a deeply religious man. He composed the Mass for Double Choir, early in his career. The work embodies the profound nature of his beliefs, and was the only work that Martin wrote purely for liturgical purposes. Such was the intensely intimate nature of the work, that, like Howells, the composer withheld it, and kept the manuscript safely in a drawer for over forty years. As Martin himself wrote, "This was something between God and me, that concerned nobody else". Over the last two decades, The Vasari Singers has built up an enviable reputation for excellence, versatility and sensitivity in both live performances and recordings. They perform these pieces with passion and devotion, and capture the very private and deep-rooted feelings contained within each work.
  • The King's Singers' collaboration with Signum Records continues with this outstanding collection of madrigals from 23 composers including Thomas Morley, John Bennet, Michael Cavendish and Thomas Weelkes. A collection of 25 madrigals from 23 different composers - from the famous to the obscure - make up this Elizabethan curiosity, published in 1601 by Thomas Morley. A musical dedication to Queen Elizabeth I, The Triumphs of Oriana displays the talents of English songwriters, long overshadowed by their European counterparts, conjuring up an image of an idealised and mythical England of old. ★★★★ The King's Singers deliver these songs with insistent voices, the imitative pairs beautifully balanced across the stereo, the intonation faultless and the diction unmistakable - The Times This disc is a triumph of majestic vocal ensemble - Classic FM Magazine Long live the King's Singers - Goldberg Magazine  
  • The King's Singers present a disc of some of their best and most requested repertoire. We are all shaped, perhaps unconsciously, by the landscape and time in which we live. This evocative and spiritual programme, which contains five King's Singers commissions, explores the links between human life and it's surroundings through the different personal languages of poets and composers.
    Richard Rodney Bennet The Seasons of His Mercies
    John McCabe Scenes in America Deserta
    Cyrillus Kreek Taaveti laulud
    Jackson Hill Remembered Love
    Peter Maxwell Davies House of Winter
    Jean Sibelius Rakastava
    Zoltán Kodály Esti Dal
    Bob Chilcott Even Such is Time
     
  • The debut disc of world-renowned early-music ensemble Charivari Agréable on Signum Records. Music for Philip of Spain and His Four Wives is complementary to SIGCD004 and presents secular music associated with Philip II from the four European countries of his wives - Portugal, England, Austria and France. Bravo!Gramophone Highly recommendedEarly Music Review Exquisite performances ... a highly intelligent programmeEarly Music Today
  • Signum Classics are proud to release the fourth disc from The King's Singers on Signum Classics - 1605: Treason and Dischord. On 5 November 1605 Guy Fawkes was caught preparing to detonate 36 barrels of gunpowder under the House of Lords unveiling an act of attempted treason that shocked the whole of Europe. What led a group of young Catholic men to risk their lives for their faith? 400 years later the King’s Singers and Concordia illuminate the dangers of hearing Mass in secret, of conspiracy and downfall, and of protestant relief and celebration, through a project of music and prose. The music, structured around Byrd’s perfect 4-part Mass, contains motets by Catholic composers, balanced with protestant anthems celebrating the downfall of the plot, and a commission from the British composer, Francis Pott. Master Tresham: His Ducke reflects on the ‘9/11’ of its day - 5/11/1605. The script, drawing on historic texts and written by Deborah Mackay for the quatercentenary concert series related to this CD, uses the dramatised persona of William Byrd, the most famous composer of his age, to recreate the atmosphere of change and hope in the Jacobean court. ★★★★ The performers bring verve and forceful emotional fervour to these works of protest - Classic FM Magazine A brilliant fusion of Renaissance and contemporary idioms - The Scotsman Strongly recommended - International Record Review There is never a question of technical polish and precision with the King’s Singers - American Record Guide
  • Gesualdo

    £12.00
    Signum Records is proud to announce the release of the latest recording by The King's Singers: Gesualdo's Tenebrae Responsories for Maundy Thursday. The Italian Prince, Carlos Gesualdo, is probably most famous for the obsessive double murder of his first wife along with her lover, but his music is not always accredited with the same sense of celebrity. Gesualdo is known in traditional history books as an amateur composer. His music is characterised by wild gesticulation and abrupt starts and stops, particular to a composer who just didn’t know what he was doing. However, the 20th century has now uncovered our composer’s place in history as part of a larger movement of Neapolitan artists, and as perhaps the most forward-thinking, expressive and sensual composer of his time. The King’s Singers were fascinated by the naked honesty that is heard within this 400 year old music. It is so startling that it keeps its freshness of surprise even on many repeated hearings. The music portrays a desperate and wretched, but also passionate and loving person who is set on composing "further out" than anyone else. Gesualdo moved in the highest circles of Italy and was extremely wealthy. His decadent lifestyle allowed him to do and write exactly as he pleased, and at the tender age of 19 it brought him into close contact with one of the most attractive and admired women in Naples. Maria d’Avalos was twice widowed by the age of 25. Her marriage to Gesualdo was initially promising. However, Maria’s rich social life soon dominated the relationship and a profound and constant jealousy took possession of the young and highly sensitive composer. After four years of turmoil he hired professional murderers to assist him in killing wife and lover while they were in bed together. The violence and rage of the act is well-documented. After the murder of Maria, Gesualdo suffered from severe and increasing feelings of guilt. Penitence never left him and he was moved to compose church music of a most black and self-reproachful nature. The programme on this CD represents part of the liturgy for the Matins Offices on the final three days of Holy Week, the Triduum Sacrum. Each of the Matins services is divided into three nocturns, each containing psalmody, three lessons and three responsaries. The attention given to word-painting is exemplary - The Times A no holds barred, immaculately sung performance from the King's Singers. Unmissable - Classic FM Magazine