• Christmas presents a golden opportunity to present brand new music to wide audiences, and the role played by St John’s College Choir in this area has been significant, as demonstrated by new recording of traditional and contemporary choral works. The recording features Michael Finnissy’s John the Baptist, written for the Choir for its BBC Advent broadcast in 2014. The programme begins with Bob Chilcott’s The Shepherd’s Carol commissioned by Stephen Cleobury (a former St John’s organ scholar) for King’s College Choir, and also includes Creator of the Stars of Night, composed by another former St John’s organ scholar, John Scott. The Choir of St John’s College, Cambridge is one of the finest choirs of men and boys in the world, known and loved by millions from its recordings, broadcasts and concert tours. A cornerstone of the great English choral tradition since the 1670s, the Choir is recognised for its distinctive, rich and expressive sound and is today directed by Andrew Nethsingha.
    An evocatively sung collection from the Cambridge choir glowing with devotional joy - Choir and Organ
  • This disc represents a new orchestra partnership for Signum Records with The Orchestra of the Age of the Englightenment, one of London and the world’s leading period-instrument ensembles. Led by Robert Howarth, the recording was made at Kings Place following the orchestras successful 2010 tour of the work.

    'Not all orchestras are the same,' runs the message on the cover, and it’s true: … a shimmering, captivating choral sound that seems to float effortlessly through the psalmsThe Independent

    What is impressive is the grammatical sense (underpinned by flexible accentuation) that the choir brings to the projection of the words in Dixit Dominus and at many other places. Also, as we might expect, the instrumentalists are terrificBBC Music Magazine In a word it is magnificent … this is one of the most enjoyable I have heard in recent yearsMusicWeb International
  • Hertfordshire Chorus continue to build on their reputation for commissioning and performing some of the very best in contemporary choral music. In their first recording with Signum they are joined by the BBC Concert Orchestra for a 2CD set featuring James McCarthy’s Codebreaker (an exploration of the life of the pioneering computer scientist and mathematician Alan Turing) and Will Todd’s Ode to a Nightingale (setting the famous poem by John Keats). The BBC Concert Orchestra offer superb support to both composers and the engineering is up to Signum’s customary excellence. This important release should be in every keen choral singer’s Christmas stockingGramophone Splendidly recorded and performed… I give a thorough recommendation to this issueMusic Web International For me, this is undoubtedly the choral album of the yearThe High Arts
  • Couperin and Gesualdo

    £8.00£14.00
    Some of the most atmospheric music from the numerous Liturgical settings in Holy Week is that composed for the Office of Tenebrae. Victoria’s are the most well-known, but equally beautiful and arguably more dramatic are the settings composed by Gesualdo and Couperin. The Gesualdo is intense with the Couperin atmospheric, yet both compliment each other perfectly on another world-class recording from Tenebrae. Described as “phenomenal” (The Times) and “devastatingly beautiful” (Gramophone Magazine), award-winning choir Tenebrae, under the direction of Nigel Short, is one of the world’s leading vocal ensembles renowned for its passion and precision. These are Tenebrae’s core values and with their continued dedication to performance of the highest quality, Tenebrae’s vision is to deliver dramatic programming, flawless performances and unforgettable experiences, allowing audiences around the world to be moved by the power and intimacy of the human voice.   All downloads include booklets.
  • Welcome all Wonders: A Christmas Cantata is a large-scale work for choir, organ, and trumpet spanning 15 movements. It celebrates the Christmas story through an imaginative selection and juxtaposition of poetry and liturgical texts, and provides a multifaceted telling of the familiar narrative. The celebratory aspects of Christmas are tainted by darker themes that are inherent to the story but are easily overlooked, culminating in an enlightened and engaging work that explores the Christmas story in a profound manner. The Choir of The Queen’s College, Oxford is among the finest and most active university choirs in the UK. Its wide-ranging repertory includes a rich array of Renaissance and Baroque music and contemporary works. An excellent disc: the singing is incredibly tight, in the manner to which it has become increasingly accustomed under its musical director, Owen Rees, and Bednall’s writing is ingenious, embedded in a profound understanding of the workings of the choir and organ- both as distinct entries and as a partnership - Gramophone Magazine Bednall’s work makes a bright, immediate impression, the idiom, accessible without being superficial - BBC Music Magazine An original and very rewarding addition to the Christmas choral repertoire - MusicWeb International Bednall is honoured with what is surely a splendid performance from the Choir of Queen’s College, Oxford with organists Olivia Clark and Paul Manley and trumpeter Simon Desbruslais, directed by Owen Rees - International Record Review
  • 2018 Grammy Award nominees Tenebrae perform a new collection of choral works by Polish composer Paweł Łukaszewski.

    Born in southern Poland in 1968 in the city of Częstochowa and described by Gramophone as writing “enchanting choral music…beautifully measured phrases, immaculately tailored textures and ingenious use of light and shade to invoke light shining in darkness”, Łukaszewski has secured a place in the forefront of European sacred music with performances throughout the world and his works featuring on over one hundred recordings. He studied at the Fryderyk Chopin Academy of Music, where he still teaches, and is now the Artistic Director and Conductor of Musica Sacra Cathedral Choir in Warsaw.

    This collection of sacred choral works bears an easily-discernible cultural link with his Polish predecessors such as Lutosławski and Penderecki, but the influence of Henryk Górecki and the Estonian Arvo Pärt is evident too in the fervent but restrained spiritual aspect of Łukaszewski’s music, and his individual voice never stoops to mere imitation.

    There is always a sense of rhythmic and harmonic displacement about his work, which makes it not only difficult to deliver but curiously timeless  - Choir and Organ Very effectiveGramophone I would strongly recommend this as a CD of great interest, wonderfully well sung - Cathedral Music Magazine Moving and upliftingCross Rhythms I offer plaudits to Nigel Short and Tenebrae for their quality of singing and commitment - iClassical
  • DEO

    £12.00
    The Choir of St John’s College Cambridge launch their new series of recordings with Signum by exploring the close connections between the college and celebrated British composer Jonathan Harvey (1939-2012), in a disc of works for choir and organ. Harvey’s music has influenced a generation of composers, described by The Guardian’s Tom Service as being “at once vividly contemporary and timeless”. The Choir’s director Andrew Nethsingha reflects on his own experiences and work with the Jonathan Harvey in CD’s programme note, in particular as the choir collaborated on what would be Jonathan Harvey’s final work for the choir, The Annunciation (2011).
  • In 1612, Prince Henry Frederick, son of James I and heir to the thrones of England and Scotland, died from a suspected bout of typhoid fever. His untimely death inspired a massive outpouring of artistic tributes in both verse and music, reflecting the mood of a nation mourning the loss of this popular future king at just 18 years of age. 'Dialogues of Sorrow' is the second disc from early music consort group Gallicantus, here joined by lutenist Elizabeth Kenny to perform familiar masterpieces and undiscovered treasures of the late English Renaissance, composed at the time of the young prince's death. The release follows the group's critically acclaimed debut recording, 'Hymns, Psalms and Lamentations' - music by Robert White. Editor's Choice: This is a perfect selection … lovingly and movingly performed - Early Music Today This is a well-sung, intelligently produced and exhaustively researched project, which deserves great success - International Record Review One of the the year’s best choral releases - TheArtsDesk.com
  • Combining Gerorian chant with his own unique compostional style, Duruflé's Requiem has proved to be one of the most popular and enduring choral works of the 20th Century. On this recording, Jeremy Backhouse leads the celebrated Vasari Singers, as well as star soloists Sarah Connolly and Christopher Maltman , in a performance of this alongside works by Duruflé's musical contemporary, Jean-Jaques Grunenwald. The singing of the Vasari Singers is nothing short of superb… The catalogue boasts several fine recordings of the Duruflé Requiem but I think this one is now first choice, its attraction enhanced by the imaginative couplings - MusicWeb International ★★★★★ This superb disc is very strongly recommended - Musical Opinion Magazine
  • The choral works of Duruflé, like his organ works, are small in number but beautifully crafted. Frequently written and rewritten until he was completely satisfied, he was a composer who rethought and reconfigured his music right up to the moment he had to let go of it. Often described as a man out of step with his times, his pieces look back to Gregorian chant and plainsong at a time when the musical life of his home city of Paris was steeped in radical new compositional ideas – a testament perhaps to Duruflé’s enduring love of France’s choral heritage. In a new recording produced by Grammy® winning producer Blanton Alspaugh, the Houston Chamber Choir are led by artistic director Robert Simpson on their first release with Signum Records. ★★★★★ Houston Chamber Choir here offer beautifully presented accounts of all of Duruflé’s choral music - Choir & Organ ★★★★ No listener could fail to be impressed by both the quality of the compositions and performances - Cross Rhythms ★★★★ Beautifully crafted - Classical Source [Ken Cowan] certainly adds real distinction to this performance of the Requiem - Gramophone The Houston Chamber Choir, led  by their artistic director Robert Simpson, present an immaculate account of these works- The Northern Echo Beautiful, artistic singing and thoughtful, sensitive music-making at every turn - Dale Warland A superb recording to be treasured - Simon Carrington All downloads include booklets.
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this Early Music collection, you can hear a wide rage of works by Gallicantus, the OAE, Gabrieli Consort, Chapelle du Roi and many more all on one disc - all selected from titles across the Signum catalogue.
    Extracts from 26 discs of composers ranging from Tallis to Telemann provide Signum Classics with a colourful shop window from which we can pick and chooseBBC Music Magazine
  • Drawn from across the composer's lengthy career, this collection of Part-Songs and Choral Works explores the great variety and range within Elgar's work for choir and voices. Along with more well-known works such as Love and Deep in my Soul there are early pieces such as O Salutaris hostia (composed for small amateur choirs) that give hints of his later mature style, through to the 1928 piece I sing the Birth – a work that shows Elgar's ability to adapt to more contemporary styles of 20th-century choral composition. The Rodolfus Choir have established themselves as one of the leading youth choirs in Britain, made up of singers aged from 16 to 25 who have been chosen from past and present members of the Eton Choral Courses for prospective choral scholars. Many members of the Choir are choral scholars, some are at music college, and most hope to make a career in music. The Rodolfus Choir and Ralph Allwood are well-known for imaginative programming, and for presenting new music. The Rodolfus Choir’s recent CD recordings with Signum include music as diverse as Howells, Monteverdi, Grier, Tallis and the German Romantics. Elgarians and others tempted by the works assembled in this new collection can be assured that it is on a par with the best of them -International Record Review Trained impeccably by their director Ralph Allwood, the sound of these young voices is a mixture of sheer delight and sensitive musicianship ... For me the outstanding interpretation is of the Five Part Songs – it's simply stunning - Choir & Organ Give unto the Lord [rounds off] this hugely enjoyable disc with aplomb - Gramophone The Rodolfus Choir shine strongly in these well-loved Elgar part-songs choral worksMusicWeb International
  • Espana

    £12.00

    Coro Cervantes is the only U.K. choir dedicated to the classical music of the Iberan Peninsula and Latin America. It was founded in 1995 by Carlos Aransay, under the auspices of the Instituto Cervantes in London. Its repertoire spans a wide variety of music from the Middle Ages and the Renaissance to the 21st Century, with a special emphasis on Romantic Music. Coro Cervantes often performs with distinguished solists and instrumentalists and contributes to the international propagation of Hispanic choral music through its performances, recordings and research. Its repertoire includes works sung in Latin, Spainsh (Castilian). Quechua (language of the Incas), Nahuatl (language of the Aztecs), Mediaeval Galician, Catalan, Basque and even in English.

    "What a contrast: the spiritual mysticism of Castelnuovo-Tedesco's Romancero Gitano to the drama of Carlos Surinach's Andalusian-spiced Via Crucis and then the climax - Marias Nobre's Yanomami, a vivid depiction of Brazilian indigenous ritual, with fine tenor solos from Julian Stocker. The choir performs with a fluidity that boasts expertise in Iberian style."
    SIGCD166 - Classical Music Magazine

  • Francis Poulenc is now considered to be among the most important composers of choral music of the 20th Century. Yet his early career reveals no trace of the dazzling and idiosyncratic unaccompanied choral textures so abundantly produced in the second half of his life.

    This new collection of Poulenc's choral works is centered on his masterwork, the Figure Humaine. Even though it is only 20 minutes in length, the work is a supreme test of stamina, technical agility, range, aural skill and musicianship. The professional chamber choir Tenebrae (directed by former King's Singer Nigel Short) are more than capable of tackling this repertoire, and this disc promises to provide a new benchmark in interpretations of the work.

    This disc follows from December 2009's well received Christmas album What Sweeter Music (SIGCD182).

  • Finding Harmony

    £8.00£14.00
    Finding Harmony is a new mission for The King's Singers; a mission celebrating music which binds people together in times of hardship. "Singing together binds us together. From the Protestant Reformation in Europe during the 1500s to the U.S. Civil Rights Movement, there have been countless moments in history when songs have united nations, cultures and causes. This is still the case in today’s world. Finding Harmony is evidence that music has always been our common language. A unique collection of pieces that span the globe – including music that’s too often forgotten – each song is the key to a powerful true story about who we are and how we’ve got here. Together, Finding Harmony proves how deeply we can be moved by all kinds of stories when songs connect us to them, and to each other."   All downloads include booklets.
  • Described in The Guardian (2019) as one of today’s leading composers for voice, Joanna Marsh is a British composer who since 2007 has divided her time between Dubai and the UK. Her life in the Middle East has lead to many unique musical opportunities including writing an orchestral work to celebrate the building of the Burj Khalifa. Most recently she was commissioned by Dubai Opera to write an orchestral work for the first BBC Proms in Dubai in March 2017. This lead to her writing the 6 minute work Flare, for the BBC Symphony Orchestra, based on a short story called Oil Field, by Saudi writer Mohammed Hasan Alwan. Joanna has been Composer in Residence, at Sidney Sussex College, Cambridge from 2015 through to 2020 and during that time has written a number of choral works for the college choir and the college organ. She is a Co-Founder of ChoirFest Middle East in Dubai, an annual celebration of the region’s choral music scene which is reached its eighth edition in March 2020. She is also Founder and Artistic Director of the Dubai Opera Festival Chorus a large body of singers that was set up for the BBC Proms in Dubai and continues to undertake concert performances of various types across the UAE.   Available as a disc on demand from Presto Classical.
  • Described by The Times as "thrilling. contemporary, and original... impressive and profoundly affecting", Francis Pott's  writing provides a treasure-trove of astonishingly beautiful composition. Meditations & Remembrances is a new collection of choral and organ pieces of extraordinary tenderness and masterly technique. Francis Pott began his musical life as a chorister at New College Oxford. He held open music scholarships at Winchester College and Magdalene College, Cambridge. Francis was appointed Administrative Head of Music at London College of Music and Media in 2001, subsequently becoming its Head of Composition and Research Development on Music, Media and Creative Technologies. He was also a member of Winchester Cathedral Choir under David Hill from 1991 until 2001. Francis remains an active pianist and accompanist, uniting both compositon and academic research. Christ Church Cathedral Choir enjoys an enviable reputation as one of Ireland's most outstanding choirs. Under the direction of Judy Martin, Director of Music at the cathedral, the present choir is a mixed ensemble of 20 adult singers. In addition to the full part it plays in the worship in the cathedral, the Cathedral Choir is active with concerts, tours and regular broadcasts.
  • Music to commemorate the 400th anniversary of the death of Francisco Guerrero. This recording celebrates the music of Francisco Guerrero and presents music form his collection of music written for the office of Vespers. The second half of the disc consists of Guerrero's Requiem mass in its original form. The style of plainchant heard and performed in Spain was rather different from that heard in other European territories. On this recording Chapelle du Roi has followed the instructions for semi-mensural performance given by Guerrero's colleague at Seville, Villafranca.
     
  • The BBC Singers continue their series of releases featuring works by their official Associate Composer – a unique chance for some of the most talented artists to create compositions for the ensemble – with a new collection of world premiere recordings of works by British composer Gabriel Jackson.

    The central work of the programme – Airplane Cantata – explores the early days of aviation through the journals, news reports and accounts that surrounded this world- changing era. Featuring characteristically precise performances from the BBC Singers, they are joined on this disc by the world-renowned pianola player Rex Lawson.

     

  • Gaudete

    £5.00
    Arranged by Classic FM's Hall of Fame 2004 'top-ten-composer' Karl Jenkins, sung by crack professional choir - Tenebrae - Gaudete is released on SignumClassics both with drums and percussion and as a pure, unadulterated, a cappella version Founded as recently as 2001, Tenebrae has been embraced by the public and critics alike as one of the most innovative and gifted groups in Britain. Tenebrae’s motto is “passion and precision”, but they also believe in accessibility, performing various different types of music as long as it’s good music, sung well. Gaudete (“rejoice”) is an anonymous composition that was first published in 1582 in a collection of carols and other religious songs called Piae Cantiones. This collection, made by a Scandinavian called Peter Nyland, included a huge number of other Christmas melodies that have since become ‘standards’, but it only gives music for the chorus of Gaudete; the verses, which tell of the wonder of God’s arrival on earth in human form, have been taken from a Czech medieval song about the Virgin Mary, Ezechielis Porta.
  • Gesangbuch

    £12.00
    Edward Cowie’s unique compositional voice stems from his wide-ranging interdisciplinary interests in both the sonic and visual arts, with many of his works inspired by ideas and concepts from artworks and from the natural world. The opening piece of this recording – a 2011 commission for BBC Radio 3 – creates a complex musical tapestry and soundscape from the call of the Australian bell-bird, opening with translations of choruses of several species of Australian frogs. In 2002 Cowie become the BBC Singers’ first ‘Associate Composer’, marking a relationship between the composer that began in the mid-1970s and continues to this day. A fine tribute to an underrated composer - The Guardian The BBC Singers are joined by the Endymion ensemble for the lengthy “Gesangbuch”, a four-part choral work whose wordless vocals and darting, sprite-like musical tones create a work of suitably elemental spirits animated by the changing seasonal round - The Independent
  • Gesualdo

    £12.00
    Signum Records is proud to announce the release of the latest recording by The King's Singers: Gesualdo's Tenebrae Responsories for Maundy Thursday. The Italian Prince, Carlos Gesualdo, is probably most famous for the obsessive double murder of his first wife along with her lover, but his music is not always accredited with the same sense of celebrity. Gesualdo is known in traditional history books as an amateur composer. His music is characterised by wild gesticulation and abrupt starts and stops, particular to a composer who just didn’t know what he was doing. However, the 20th century has now uncovered our composer’s place in history as part of a larger movement of Neapolitan artists, and as perhaps the most forward-thinking, expressive and sensual composer of his time. The King’s Singers were fascinated by the naked honesty that is heard within this 400 year old music. It is so startling that it keeps its freshness of surprise even on many repeated hearings. The music portrays a desperate and wretched, but also passionate and loving person who is set on composing "further out" than anyone else. Gesualdo moved in the highest circles of Italy and was extremely wealthy. His decadent lifestyle allowed him to do and write exactly as he pleased, and at the tender age of 19 it brought him into close contact with one of the most attractive and admired women in Naples. Maria d’Avalos was twice widowed by the age of 25. Her marriage to Gesualdo was initially promising. However, Maria’s rich social life soon dominated the relationship and a profound and constant jealousy took possession of the young and highly sensitive composer. After four years of turmoil he hired professional murderers to assist him in killing wife and lover while they were in bed together. The violence and rage of the act is well-documented. After the murder of Maria, Gesualdo suffered from severe and increasing feelings of guilt. Penitence never left him and he was moved to compose church music of a most black and self-reproachful nature. The programme on this CD represents part of the liturgy for the Matins Offices on the final three days of Holy Week, the Triduum Sacrum. Each of the Matins services is divided into three nocturns, each containing psalmody, three lessons and three responsaries. The attention given to word-painting is exemplary - The Times A no holds barred, immaculately sung performance from the King's Singers. Unmissable - Classic FM Magazine
  • Around the time The King’s Singers was starting up, one of the most productive periods of song- writing in history was coming to a close in America, starting with composers such as Gershwin, Kern, Berlin and Porter in the early 1920s, and continuing through to the early 1960s.

    In this new 2-CD studio recording – featuring brand new a cappella arrangements by jazz composer and arranger Alexander L’Estrange, and swing-orchestra performances with the South Jutland Symphony Orchestra – The King’s Singers bring their own unique performance style to this wonderful music. The King’s Singers bring their unique style to some of the most beloved hits from the golden era of songwritingThe Lady
  • Drawing international media attention following their founding in 2014, The Girls’ Choir of Canterbury Cathedral have quickly become leading lights in the British choral music landscape. For their first recording with Signum – led by their director David Newsholme – they draw on the rich catalogue of what have become British cathedral anthems from the 16th Century to the 20th, performing works by composers including Tallis, Byrd, Stanford, Parry and Howells. They are joined on this recording by the Men of Canterbury Cathedral choir, as well as organists Aidan Bawtree and Nicholas Wearne. ★★★★ A highly enjoyable, well recorded CD that flows well and contains some wonderful singing… Go ahead and buy it! - iClassical The Girls and Men of Cantebury Cathedral Choir [draw] in the rich catalogue of what have become British cathedral anthems - Northern Echo
  • Greensleeves is a celebration of music spanning the length and breadth of the British Isles, featuring mesmerising new arrangements by Geoffrey Webber and Toby Young of some of the most beautiful folk music ever written. The recording includes Loch Lomond, Lisa La?n and of course, perhaps the most famous British melody ever written - Greensleeves.

     

  • The Huddersfield Choral Society continue their esteemed relationship with Signum Records with arguably the best-loved musical work of all time Messiah, more than two and a half centuries on from that celebrated first performance in Dublin’s New Music Hall in April 1742. The buoyant chorus, under Glover's incisive direction, goes from strength to strength - The Times Glover's emphasis on firm tempi and natural articulation pushes this version to the head of the queue, for newcomers and adepts alike … a rugged and utterly musical Messiah - Choir & Organ A modern symphonic chorus in good form, well drilled by chorus master Joseph Cullen and thoroughly prepared for the considerable demands of Jane Glover's fleet-footed interpretation … Elizabeth Watts and Catherine Wyn-Rogers add deep emotional impact to the performance - Classic FM Magazine
  • The Gabrieli Consort continue their series of award-winning collaborations with the National Forum of Music, Wrocław, Poland with a new version of Haydn’s great oratorio The Seasons. Using a new performing edition by Paul McCreesh this recording is the first to feature the large orchestral forces that Haydn called for, including a string section of 60, 8 horns and a choir of 70. As well as the combined forces of the Gabrieli Consort & Players, Wrocław Baroque Orchestra and National Forum of Music Choir, the recording features solo performances from British singers Carolyn Sampson, Jeremy Ovenden and Andrew Foster-Williams. All booklet texts are printed in both English and Polish translations.
  • Hear my words ye people by Hubert Parry, a former chorister at Eton College is the first track on the album featuring some of the bestloved anthems in the church repertoire, beautifully performed by the Eton College Chapel Choir. The choir, formed in the 14th-Century has changed a great deal since the choir school was succeeded by a music scholarship system, designed to facilitate talented choristers with their education. Although life has changed at Eton, the music passed down over five hundred years still possesses a power to stir.
  • A must-have for choral-aficionados everywhere that sees perhaps the world’s finest a cappella ensemble The King’s Singers join forces with The Concordia Choir – one of the USA’s best collegiate groups – to perform works by choral composers Eric Whitacre, Bob Chilcott and Morten Lauridsen.

    One of the world’s most celebrated ensembles, The King’s Singers have a packed schedule of concerts, recordings, media and education work that spans the globe. Championing the work of young and established composers, they remain consummate entertainers; a class-act with a delightfully British wit. From Gesualdo and György Ligeti to Michael Bublé, The King’s Singers are instantly recognisable for their spot-on intonation, their impeccable vocal blend, the flawless articulation of the text and incisive timing.

     

    The Concordia Choir of Moorhead, Minnesota is one of America’s finest a cappella choirs. Since 1920, the 72-voice choir has performed in nearly every major hall including Carnegie Hall and Kennedy Center and has taken numerous international tours. The Choir is broadcast throughout the United States on public radio stations and on television via its Emmy-award winning Concordia Christmas Concert.

    Includes the world premiere recordings of Alone by Eric Whitacre, and High Flightanyone lived in a pretty how town and Days by Bob Chilcott

     

     

     

     

  • The King’s Singers return with a new early-music recording that features 12 of Giovanni Pierluigi da Palestrina’s beautiful polyphonic choral settings of the ‘Canticum Canticorum’ – better known as ‘The Song of Songs’ or Canticles, a collection of poetry in the Hebrew Bible on the theme of the joy and ecstasy of human love. These settings are framed by four of Palestrina’s Marian motets, works in honour of the Virgin Mary which he composed throughout his life. This recording is the first to feature performances from the group’s new tenor Julian Gregory. An admirably cool approach - The Observer
    At it's best - The King's Singers' sweetness of tone seems perfectly to match the sense of the textGramophone Wonderful music beautifully deliveredThe Northern Echo They sing in a beautifully blended style with individual voices often subsumed into the overall sound image. These performances have a significant amount of surface polish, poise and style, technically they are very impressivePlanet Hugill Admirers of The King's Singers will certainly not be disappointed -MusicWeb International
  • Following a string of five-star reviews for their previous discs of 20th-century French choral music (Poulenc’s Figure Humaine – SIGCD197) and Renaissance polyphony (Victoria’s Requiem Mass – SIGCD248), the professional chamber-choir Tenebrae go from strength to strength with this new recording of British partsongs and choral music – centered on Hubert Parry’s Songs of Farewell. Composed towards the end of Parry’s life, the Songs of Farewell have taken on something of an epithetical interpretation; they are almost a musical summation of his compositional life, reflecting Parry’s love of English renaissance madrigals and partsongs as much as the influence on his work from German composers like Brahms – made more complicated as these works were composed as the country (and its music) fell out of favour at the start of the Great War. This disc also includes works by Tavener, Sullivan, Holst, Rodney Bennett, Howells, Elgar and Vaughan Williams. Editor's Choice: Precision, spot-on intonation and sensitive phrasing inform Tenebrae's affectionate performances of these settings of great English poets, the texts of which are provided in the classily produced booklet - Classic FM Magazine A tour-de-force of feather-light, eight-part polyphony - The Independent Performed with Tenebrae’s customary poise - The Financial Times Conductor Nigel Short extracts the themes of desperate longing beautifully from a clean and well balanced choral sound - BBC Music Magazine
  • The early music ensemble Gallicantus was born within the ranks of the world-class choir Tenebrae, when five of the choir’s regulars, each with a wealth of experience in the world of consort singing, decided to form a separate group dedicated to renaissance music. Literally meaning Rooster Song or cock crow, Gallicantus is a word from monastic antiquity for the office held just before the dawn. It evokes the renewal of life offered by the coming day. The group is bound by a shared love of communicating text, and is committed to creating performances which draw out unifying themes within apparently diverse repertoire: To this end they are as meticulous about providing context and insight for audiences as they are about crafting interpretations of the music they love. What better respite from the secular pressures of Christmas shopping than these sublime sacred sounds from the late 16th century … beautifully recorded - The Observer Taste the final amens in Exaudiat te, Dominus, where imitative exchanges spiral in ecstasy. Impassioned, exciting musicThe Times What an outstanding disc … never once is there a loss of clarity, a hint of muddinessGramophone
     
  • Following in Signum’s series of composer-led releases with the BBC Singers, this new disc represents the culmination of a collaboration between British composer Bernard Hughes and the choir that began in 2002. Combining modern poetry by E. E. Cummings and Siegfried Sassoon alongside Norse poetry, Hughes combines both ancient and modern elements into his compositions, which are ably performed by the BBC Singers under Paul Brough.

     

    Bernard Hughes’s music has been performed at major venues in Britain and abroad and received a number of broadcasts on BBC Radio 3. He was runner-up at the 2009 British Composer Awards for the choral work The Death of Balder (featured on this recording).

     

     
  • 'I Love all Beauteous Things' explores a great collection of works by the British Composer Herbert Howells, featuring performances of some of his lesser-known choral and organ music. The Choir of Christ Church Cathedral, Dublin have had a long and prosperous history: they were recorded as having taken part in the first performance of Handel's 'Messiah' in 1742. Since 1972 the new mixed voice choir, lead by Judy Martin, has been highly active with concerts tours and regular broadcasts for the RT? and BBC, as well as continuing worship in the cathedral.
  • The King’s Singers perform the complete Italian madrigal collection Il Trionfo di Dori. Commissioned by Venetian nobleman Leonardo Sanudo in 1592, the collection features 29 works, each written by a different composer and poet, and set for nine voices. Among them are Vecchi, Gabrieli, Marenzio, de Monte, Striggio, Anerio, Gastoldi, Porta and Palestrina.
    ★★★★★ The King's Singers bring this great monument of Italian music history to striding life - Sinfini Music ★★★★★ The King’s Singers are on top form, singing with a sunny freshness appropriate to this happy music, blending beautifully, and moving as one into crescendos and decrescendos, ranging in dynamic from a whispering pianissimo to declamatory episodes of high drama - Early Music Review It is hard to imagine a group with greater potential to do justice to this music of love and mythology than they - Gramophone The King's Singers turn out their characteristic, highly polished finish: diction is razor-sharp, ensemble and intonation are well-nigh flawless - BBC Music Magazine A masterclass in delicate phrasing, elegant lines, exemplary Italian and effortless madrigalian expression with standards of intonation to languish after...delizioso - Choir & Organ If you have to make a single choice The King's Singers will appeal more and it's also beautifully recorded in a venue, which is at least new to this reviewer - Music Web International
  • Following its nomination for a Gramophone Early Music Award in 2014, Contrapunctus releases an album of motets from the Baldwin Tudor partbooks, on the theme of mortality.  Conducted by Owen Rees, the album includes Sheppard’s epic Media vita and works by Byrd, Parsons, Mundy, Teverner, Gerarde and Tallis, with Contrapunctus’s own reconstructions of the missing tenor parts. ★★★★★ Contrapunctus really knows what to do with these pieces and from the very first item the tuning is superb and the ensemble rock solid. Moreover, Owen Rees’s interpretations are revelatory and even visionary - BBC Music Magazine ★★★★ Whether you listen in Lenten penitence or in general hope of spiritual balm, the message is universal, the singing superb - The Observer Rees’s choir brings an intensity of sound and dramatic dynamics, in music that contemplates the pain of death in ecstatic elation and sublime devotion - The Sunday Times The undeniable jewel in the crown of this selection is Sheppard’s magisterial setting of Media vita … Contrapunctus is the ideal group for this superb repertoire, and I look forward with eager anticipation to future CDs in this series - Early Music Review There’s lovely balance and clarity of sound from as fine a clutch of voices - Choir & Organ
  • Seasonal Music by Bob Chilcott

    Bob Chilcott’s compositions are beloved with choral societies around the world, and this album represents the fruits of his recent collaborations with the US choir Choralis and their conductor Gretchen Kuhrmann. Featuring festive works for solo choir as well as choir and brass ensemble, at the centre of the programme is Wenceslas, inspired by the legend of the Bohemian King who braved the winter weather with his Page to save the life of a poor peasant, and incorporating the melody of the famous carol into each of its 8 movements. The disc includes the premiere recordings of Chilcott’s Gloria, which was premiered by the choir to great critical acclaim in 2015. These musicians radiate all the warmth of the famous church scene in Home Alone… That underscores Chilcott’s gift as a songwriter and an arrangerGramophone Chilcott’s music undeniably sounds great when sung by a small scale professional chamber choir (such as here) but there’s something equally appealing in the inclusive joy of a performance by a larger group of amateurs. This is a tribute to them, as much as to the composer of the music they sing - MusicWeb International Incorporating the traditional carol Good King Wenceslas it’s a work rich in melodic invention… sung here with becoming warmth, the finale glowing with good tidings… Impeccably directed throughoutPrimephonic This effortlessly fluent, audience-friendly music is hard to dislike. The craft is impeccable, the tunes are memorable and the performers invariably sound as if they’re enjoying themselvesThe Arts Desk
  • An inspiring sequence of Christmas music ancient and modern, culminating in Britten’s virtuosic choral masterpiece, A Boy Was Born: Paul McCreesh leads the Gabrieli Consort (joined by the Trebles of Copenhagen Royal Chapel Choir) in this evocative and contrasting collection of festive works that samples works from the 12th century to the present day.

  • The Choral Scholars of University College Dublin are Ireland’s leading collegiate choral ensemble, and for their first recording on Signum they perform an enchanting and ground-breaking collection of traditional and Celtic-inspired choral music, led by their director Desmond Earley.
    ★★★★ Blending 'folk' voices with choral precision and tight harmony isn't easy, but Desmond Earley has a passionate stake in both and doesn't put a foot wrong - Choir and Organ Bright young thingsThe Irish Times
     
  • The Yorkshire Baroque Soloists and Yorkshire Bach Choir were formed in 1973 as the basis of the famous York Early Music Festival, and have built a firm reputation as one of the finest ensembles in the world in their performance and interpretation of 17th and 18th century music. Under their director Peter Seymour they return to disc with a fine selection of soloists to perform Bach’s Mass in B Minor, BWV 232.

    Their 2009 disc of Bach’s St John Passion on Signum (SIGCD209) was released to excellent reviews:

    “A coherent, articulate and engaging performance that balances well the work's twin identities as narrative and contemplation.”
    MusicWeb International

    "… as dramatically coherent and satisfying as I've heard for a while … this is a St John which carries open-hearted conviction and character before it."
    The Gramophone

    http://www.yorkshirebaroquesoloists.org.uk/

  • J.S. Bach’s ‘Passions’ have been said to employ the word with more than one meaning – as well as telling the story of Christ’s sacrifice, they are simultaneously a celebration of human feeling in the joy and suffering of man’s pilgrimage on earth. The expert early music chamber orchestra Yorkshire Baroque Soloists bring all of these feelings to life in a dramatic and resonant performance of Bach’s Passio Secundum Johannem (St John Passion). Joined for this recording by the excellent Charles Daniels, Stephen Varcoe and Stephan Loges, the Yorkshire Baroque Soloists have been a leading light in the world of Early Music performance since their formation in 1973. As dramatically coherent and satisfying as I’ve heard for a while… this is a St John which carries open-hearted conviction and character before it - Gramophone Charles Daniel’s level-headed Evangelist anchors the narrative thrust with suave sagacity - BBC Music Magazine A coherent, articulate and engaging performance that balances well the work’s twin identities as narrative and contemplation - MusicWeb International
  • Peter Seymour and the Yorkshire Baroque Soloists present a new edition of Bach’s first version of the Matthäus-Passion, probably first performed on Good Friday 1727 and one of the greatest works of J.S. Bach’s prodigious output. Recorded at the National Centre for Early Music in York, the Yorkshire Baroque Soloists are joined by the renowned soloists Charles Daniels and Peter Harvey. Significant readings that inspire further thinking about the greatest of all Passions - Choir and Organ Seymour’s pacing often has a comfortable feeling of ‘rightness’ and integrity - Gramophone
  • "The B minor". That phrase alone resonates with gravity in the hearts and minds of those who love as no other the music of J.S. Bach. This disc sees the Rodolfus Choir at their best, as renowned Bach interpreters, having played his works across the UK to great acclaim. Following a live broadcast on BBC Radio 3 and performance at Holy Trinity Guildford at the end of 2009, this disc, recorded in the chapel of Charterhouse School continues their evergrowing catalogue of extraordinary recordings. Performance ★★★★ Recording ★★★★ The soloists are a fine team. In 'Domine Deus', Sophie Bevan and Ben Johnson match perfectly in imitation... Highly recommended- BBC Music Magazine There is uncanny vocal empathy between Sophie Bevan and Clint van der Linde, which, in 'Et in unum Dominum', results in the most extraordinary complementing of vocal lines... both stimulating and refreshing - International Record Review If some forty young singers can produce a recorded account of the B Minor Mass of this quality then the future for British choral music is bright indeed - MusicWeb International
  • Few composers of any age have enjoyed the widespread admiration and unanimous praise of successive generations as Josquin Desprez. He is considered the greatest creator and innovator of musical composition during the Renaissance, and for some half a millennium his music has stood the test of time. He is remembered as much for his own works as for his lasting influence on those of his contemporaries and students, demonstrated in many of the compositions in tribute of 'the master' featured in this programme. The programme's centrepiece is Jean Richafort's Requiem mass (missa pro defunctis), a tribute that employs several of Josquin's compositional devices. The King's Singers once again demonstrate their versatility and trademark precision in this new programme devised by leading early-music scholar and conductor David Skinner. The centrepiece is Jean Richaford's Requiem, with flowing counterpoint spiced by rich dissonances. But the most astonishing work is Jacquet de Mantua's Dum vastos, weaving together five Josquin 'hits' - The Times All the Kings' Singers' performances are admirably manicured - The Guardian Those voices emerging from sublime textures and tugging at the heartstrings have their own special quality, and I’ve found myself increasingly admiring the qualities of this performance the more I’ve delved into its expressive beneficence - MusicWeb International
  • Tenebrae mark their 15th anniversary season with a celebratory re-release of Joby Talbot’s Path of Miracles, as well as the premiere recording of a new work by Owain Park. Inspired by the Camino Frances pilgrimage route to Santiago de Compostela in Spain, Path of Miracles has quickly become a contemporary classic amongst choral music fans. To mark their anniversary year Tenebrae commissioned British composer Owain Park to compose his new work Footsteps as a companion piece to Path of Miracles. A shorter work, Footsteps is themed on similar concepts of travel, solitude and journeying, and blends texts by eight different authors to structure a narrative that cycles the seasons through the view of a lonely traveller.
  • Path of Miracles, for a cappella choir, was commissioned by Tenebrae from Joby Talbot and premiered last year. The work is based on the most enduring route of Catholic pilgrimage - the great Pilgramage to Santiago. The four movements of Path of Miracles are titled with the names of the four main staging posts of the 'Camino Frances,' the central axis of a network of pilgrimage routes to Santiago. Talbot's music has been performed by, amongst others, the London Sinfonietta, The BBC Symphony Orchestra, The Brunel Ensemble, Evelyn Glennie and The Duke Quartet. In addtion, Talbot also writes for the big and small screen. Credits include, The League of Gentlemen and The Hitchiker's Guide to the Galaxy. Tenebrae, founded and directed by former King's Singer Nigel Short, is a professional vocal ensemble, whose motto is passion and precision. Tenebrae has built an impressive reputation for innovative and memorable performances throughout the UK and Europe This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. An evocative odyssey - The Times Joby Talbot's ambitious a cappella Path of Miracles is little short of a musical miracle in itselfNick Breckenfield It's an interesting musical journey for composer, performers and listeners alike - Classic FM Joby Talbot has been making quite a name for himself recently. Path of miracles can only add to that reputation: it's a real achievementInternational Record Review This a cappella work is very demanding of its singers and Tenebrae answer every question asked of them. It is a tour de force and absolutely stunning - Choir and Organ
  • “I regard The Veil of the Temple as the supreme achievement of my life and the most important work that I have ever composed.” Sir John Tavener

    Signum Records are proud to re-release the landmark recording of Sir John Tavener’s The Veil of the Temple at the start of what would have been Tavener’s 70th year.

    This 2CD set captures the concert-version of this epic 8-hour work, composed to last through the night until dawn in the manner of the grand vigils of the Orthodox Church. Combining the psalms of a number of different religious, Tavener skillfully blends together a work that is truly all-encompasing in its scale and spiritual fervour.

  • A new festive release from the Choir of Jesus College, Cambridge under their director Mark Williams – with additional performances from organists Robert Dixon and Timothy Lambourn, and trumpeter Rebecca Crawshaw. A very well chosen selection of Christmas Choral music magnificently sung - MusicWeb International It's a performance of full, rich sounds from a group who are among the unsung heroes of a collegiate choir circuit currently dominated by the larger colleges - BBC Music Magazine