• Mark Williams leads the Choir of the Jesus College Cambridge through an evocative selection of choral works inspired in varying ways by the songs of Solomon. Songs of love have been written from the earliest records of human existence. None are more passionately ecstatic than the Song of Solomon, which occupies a unique place in the Holy Bible in both style and content. It contains lyric poems of love and courtship, as might have been sung at Jewish weddings. For Christians, these poems speak to the beauty of the union of Christ and his ‘bride’, the Church. The present collection presents a diverse group of choral works written between the 16th century and the present day, with most inspired by this unique sacred text. Under Mark Williams direction, the choirs make a clear elegant and focussed sound, and clarity is very much the watchword in the performancesMusicWeb International This CD features both the Jesus College Choir (top line women) and the all-male Chapel Choir. The two sounds are well differentiated, the fresh clarity of the boys contrasting with the more mature sounds of the young womenChoir and Organ Superlative singingNorthern Echo
  • The Choir of Jesus College Cambridge present this album of sacred works which follows events in the Church calendar.  From Ash Wednesday, through to the final feast of the year – Trinity, the recording features works by Bryd, Purcell, Casals, Elgar, Stanford, Britten, Tallis and James MacMillan, all directed by Mark Williams. ★★★★★ Bairstow's The Lamentation is interpreted with marvellous subtlety hereChoir & Organ Brooding and refinedThe Telegraph Fresh, engaging performances of works spanning the church year, from a choir moving swiftly up the Oxbridge pecking order. The Rorem and MacMillan pieces get especially fine performancesBBC Music Magazine
  • 11-year-old Alice lives in the not terribly exciting town of Grimthorpe. On a boring Wednesday in the summer holidays Alice’s family, wandering around town, gets caught in a downpour. They rush into the nearest shelter, which turns out to be a pet shop – much to Alice’s parents’ delight. Alice is lost in a daydream of exotic holidays... Suddenly she is jolted out of her reverie by one of the animals – a white rabbit – who starts talking to her... Opera Holland Park’s production of Alice’s Adventures in Wonderland, a family opera by composer Will Todd and librettist Maggie Gottlieb, comes to CD for the first time after two critically praised runs in 2013 and 2014.
    The cast sing with impeccable diction, the players never drowning out the voicesArts Desk The cast, headed by Fflur Wun as Alice, and orchestra, conducted by Matthew Waldren, put on a good show - Gramophone Will Todd's Lewis Carroll-inspired opera has proved a huge success both on stage and on disc - BBC Music Magazine The recorded sound is excellent...a release of many pleasures - Opera Magazine
  • The Choir of Jesus College Cambridge’s new release on Signum blends a selection of ancient and modern works from the 16th and 20th Centuries, all centred on the theme of evening. A gorgeous blended sound... the atmospheric singing of the choristers is of a high standardEarly Music Review The choir have a delicacy and a musical responsiveness that's particularly suited to this softer-edged programme of evening musicGramophone As an unguent to tired limbs, is this gorgeously dreamy recital to the soul: calorific with comfort, it pleases with delightful contrasts, sensitive, sustained singing and shapely interpretationsChoir & Organ Most enjoyableCross Rhythms
  • Winchester Cathedral celebrate 50 years since the release of Geoff Stephen’s Winchester Cathedral – a 1966 release for the New Vaudeville Band that reached No.1 in the charts in the USA and Canada, selling over 3 million copies and subsequently winning a Grammy Award for Best Contemporary Recording. For this new disc Geoff Stephens has allowed the words of his tune to be adapted by the Choristers of Winchester Cathedral Choir, under the direction of Andrew Lumsden, “to celebrate the forthcoming 50th Anniversary of the original recording and to present the Cathedral as “a beacon of light” in the dark days through which we live”.

    This special EP release also includes arrangements of Somewhere over the Rainbow and Climb Every Mountain alongside Andrew Lumsden’s new arrangement of Geoff Stephen’s Winchester Cathedral.
     
     
  • Wells Cathedral Choir under Matthew Owens explore and celebrate the life and works of the late British composer Sir John Tavener (1944- 2013), in a new programme centred around his Missa Wellensis

    The disc features several world-premiere recordings of works commissioned especially for the choir, including his Preces and Responses and They are all gone into the world of light. 

  •  The festival of Christmas means many things to many people. Its status as an international public holiday provides a rare opportunity for families and friends from far and wide to come together. Being creatures of habit, many communities establish rituals to prepare for and mark the occasion, finding comfort in the familiarity of an annual structure. For some, the birth of Christ the Saviour is at the centre of these practices, while others regard Christmas as a secular celebration characterised by Santa and mulled wine. These diverse, multifaceted traditions of Advent and Christmas are explored throughout Now may we singen. With works by composers of different generations, backgrounds and musical legacies, Christmas as both ancient holy day and modern, ever evolving holiday is embraced by Timothy Garrard (director), Ben Bloor (organ) and the Choir of Westminster School through bold, characterful musical interpretations.
  • Flare (Digital Only)

    £8.00£9.75
    Described in The Guardian (2019) as one of today’s leading composers for voice, Joanna Marsh is a British composer who since 2007 has divided her time between Dubai and the UK. Her life in the Middle East has lead to many unique musical opportunities including writing an orchestral work to celebrate the building of the Burj Khalifa. Most recently she was commissioned by Dubai Opera to write an orchestral work for the first BBC Proms in Dubai in March 2017. This lead to her writing the 6 minute work Flare, for the BBC Symphony Orchestra, based on a short story called Oil Field, by Saudi writer Mohammed Hasan Alwan. Joanna has been Composer in Residence, at Sidney Sussex College, Cambridge from 2015 through to 2020 and during that time has written a number of choral works for the college choir and the college organ. She is a Co-Founder of ChoirFest Middle East in Dubai, an annual celebration of the region’s choral music scene which is reached its eighth edition in March 2020. She is also Founder and Artistic Director of the Dubai Opera Festival Chorus a large body of singers that was set up for the BBC Proms in Dubai and continues to undertake concert performances of various types across the UAE.   Available as a disc on demand from Presto Classical.
  • Contrapunctus concludes its exploration of the music preserved in John Baldwin’s partbooks with a third album dedicated to this remarkable treasure house of English sacred music, the richest single source of Tudor polyphony to survive. This third recording opens a window on a striking aspect of the history of the English motet, and one that has been neglected: the penchant in England for setting Latin psalms as motets, the so-called ‘psalm motet’. These texts offered rich opportunity for vivid musical response, given their nature as personal and impassioned addresses to God, and led to Richard Sampson – Dean of the English Chapel Royal under Henry VIII – describing the psalms as ‘the sweetest songs’. The principal English composers born between the 1510s and the 1530s all contributed to this genre of motet, but to a significant extent this fascinating repertory has lain in obscurity and remains unfamiliar to modern audiences. More than half of the works on this album are premiere recordings, and they include such glorious motets as Robert White’s Domine, non est exaltatum, William Mundy’s Memor esto verbi tui, and John Sheppard’s Confitebor tibi Domine. Contrapunctus’s trademark combination of ground-breaking scholarship and performances that are ‘revelatory and even visionary’ (BBC Music Magazine) here brings to light and to life some of the finest musical survivals of the Tudor age.
  • Music of the seventeenth century was little known to the concertgoing or record-buying public, up until fifty years or so ago when Monteverdi’s Vespers were performed under the inspiration of figures such as Michael Tippett as part of a modern revival of early music. Subsequently, it has been one of the most celebrated works both with choral societies and early music specialists. Here, the Rodolfus Choir offer their interpretation of one of the most magnificent works of the seventeenth century. Following their highly successful release with Signum earlier this year, Choral Arrangements by Clytus Gottwald, the Rodolfus Choir perform earlymusic as sensitively and musically as they perform music of the twentieth-century.
    Title page of the 1610 edition of Monteverdi's Vespers
    The English Cornett & Sackbut Ensemble can be found at: www.ecse.co.uk
  • The Yorkshire Baroque Soloists and Yorkshire Bach Choir were formed in 1973 as the basis of the famous York Early Music Festival, and have built a firm reputation as one of the finest ensembles in the world in their performance and interpretation of 17th and 18th century music. Under their director Peter Seymour they return to disc with a fine selection of soloists to perform Bach’s Mass in B Minor, BWV 232.

    Their 2009 disc of Bach’s St John Passion on Signum (SIGCD209) was released to excellent reviews:

    “A coherent, articulate and engaging performance that balances well the work's twin identities as narrative and contemplation.”
    MusicWeb International

    "… as dramatically coherent and satisfying as I've heard for a while … this is a St John which carries open-hearted conviction and character before it."
    The Gramophone

    http://www.yorkshirebaroquesoloists.org.uk/

  • This 3CD set comprises a selection of great albums by the Rodolfus Choir, made up of singers aged from 16 to 25 who have been chosen from past and present members of Eton College's summer choral courses for prospective choral scholars. The disc devoted to Francis Grier is an exceptionally fine one … The performances are generally excellent, so too the recordings - Musicweb International Recommended without reservation and, as they say, the further volumes are eagerly awaited - Musical Pointers
  • J.S. Bach’s ‘Passions’ have been said to employ the word with more than one meaning – as well as telling the story of Christ’s sacrifice, they are simultaneously a celebration of human feeling in the joy and suffering of man’s pilgrimage on earth. The expert early music chamber orchestra Yorkshire Baroque Soloists bring all of these feelings to life in a dramatic and resonant performance of Bach’s Passio Secundum Johannem (St John Passion). Joined for this recording by the excellent Charles Daniels, Stephen Varcoe and Stephan Loges, the Yorkshire Baroque Soloists have been a leading light in the world of Early Music performance since their formation in 1973. As dramatically coherent and satisfying as I’ve heard for a while… this is a St John which carries open-hearted conviction and character before it - Gramophone Charles Daniel’s level-headed Evangelist anchors the narrative thrust with suave sagacity - BBC Music Magazine A coherent, articulate and engaging performance that balances well the work’s twin identities as narrative and contemplation - MusicWeb International
  • Prayers for Mankind celebrates the life and writings of Father Alexander Men, a Russian Orthodox Christian priest who, whilst being little known outside of his home country during his lifetime, has come to be hailed as a saint and martyr by thousands all over the world. 2010 marks the anniversary of what would have been his 85th Birthday, as well as 20 years since his brutal assassination on the way to a Sunday morning service.

    Following years of religious suppression under the communist regime, Father Alexander Men emerged as a leading Christian and humanitarian figure in Russia, through radio and TV broadcasts and his prolific written works. These prayers, set by Russian composer Alexander Levine, capture the beauty and humanity of Men’s view of the world, and is brought vividly to life by Nigel Short’s professional chamber choir Tenebrae.

    A recent review for Tenebrae (from their June disc - Figure Humaine, SIGCD197)

    “… they seem to have an extra gear, a kind of choral over-drive that allows them to soar almost serenely over corners that have some of the finest vocal ensembles showing the strain.” BBC Radio 3, CD Review, Andrew McGregor, May 2010

     
  • Signum Records are proud to present the first release in a new series of live orchestral recordings featuring the illustrious St Petersburg Philharmonic Orchestra, led by their chief conductor Yuri Temirkanov. These new recordings have been made possible thanks to the recent refurbishment of their home concert venue, the Grand Philharmonic Hall, allowing many of us to hear for the first time the excitement of the Philharmonic’s performances in their resident city of St Petersburg. This release will be followed later in the year with their live performance of Shostakovich’s Symphony No. 7 (Leningrad). The orchestra moved like a single unit, swelling and surging, natural rubato raising tension, pacing and placing impeccably judged - The Independent This is a full-blooded performance of Verdi’s late work … Full marks for passion - The Daily Telegraph [Temirkanov] has been in charge of the St Petersburg Philharmonic since 1988 and the orchestra plays splendidly for him here. What particularly marks out the performance is his attention to dynamics - Classic FM Magazine Yuri Temirkanov’s mature and considered performance wears its own character with pride, rather than complying with any perfectionist norm. The reading sounds Russian: dark and edgy - The Sunday Times
  • Yanomami

    £12.00
    Coro Cervantes is a unique professional chamber choir. Through its perforamances and recordings it aims to bring the music of Iberia and Latin America to audiences everywhere. This disc of 20th century music for the unusual yet fabulous combination of choir and guitar coincides with the 70th birthday of Brazilian composer Marlos Nobre, whose work Yanomam, inspired by the death rituals of the indigenous Yanomami people, gives the album its title. The choir is accompanied by the Brazilian Fabio Zanon, one of most all embracing talents in the international guitar scene.
    Julian Stocker Fabio Zanon Carlos Fernandez Aransay
    The Yanomami The Yanomami are one of the largest relatively isolated tribes in South America. They live in the rainforests and mountains of northern Brazil and southern Venezuela, and today their total population stands at around 32,000. At over 9.6 million hectares, the Yanomami territory in Brazil is twice the size of Switzerland. In Venezuela, the Yanomami live in the 8.2 million hectare Alto Orinoco - Casiquiare Biosphere Reserve. Together, these areas form the largest forested indigenous territory in the world. The Yanomami live in large, circular, communal houses called yanos or shabonos. Some house up to 400 people. The Yanomami believe strongly in equality among people. Each community is independent from others and they do not recognize ‘chiefs’. Decisions are made by consensus, frequently after long debates where everybody has a say. Like most Amazonian tribes, tasks are divided between the sexes. Men hunt game, often using curare (a plant extract) to poison their prey. Women tend the gardens where they grow around 60 crops and also collect wild honey nuts, shellfish and insect larvae. The spirit world is a fundamental part of Yanomami life. Every creature, rock, tree and mountain has a spirit. Sometimes these are malevolent, attack the Yanomami and are believed to cause illness. Shamans control these spirits by inhaling a hallucinogenic snuff called yakoana. Through their trance like visions, they meet the spirits or xapiripë. During the 1980s, the Yanomami suffered immensely when up to 40,0000 Brazilian goldminers invaded their land. The miners shot them, destroyed many villages, and exposed them to diseases to which they had no immunity. Twenty percent of the Yanomami died in just seven years. After a long international campaign led by Yanomami spokesman, Davi Kopenawa, Survival and the Brazilian NGO, the Pro Yanomami Commission (CCPY), Yanomami land in Brazil was officially recognized as the ‘Yanomami Park’ in 1992 and the miners expelled. However, the Yanomami still face many threats. Cattle ranchers are invading and deforesting the eastern fringe of their land. Over 1,000 gold- miners are now working illegally on Yanomami land, transmitting deadly diseases like malaria and polluting the rivers with mercury. The Brazilian congress is debating a draft bill which, if approved, will legalise large scale mining in Indian lands, a move which is bitterly opposed by the Yanomami. As a result of their increasing contact with outsiders, the Yanomami, CCPY and Survival, set up an education project. Yanomami are being trained to teach reading, writing and maths in their communities. In 2004, Yanomami formed their own organisation, Hutukara (the part of the sky from which the earth was born), to defend their rights. Survival International has been working with the Yanomami for 40 years. To support the Yanomami join Survival International at www.survival-international.org
  • Choral music from the sixteenth-century, right up to the late-twentieth-century features on this beautiful eleven-track album, with stunning performances from The Choir of Royal Holloway. The Chapel Choir was established in 1886 for women’s voices & became a mixed choir in 1965. Forty-three years on and the choir have made 14 CD recordings & have toured most European countries, under the guidance of Rupert Gough, who began his musical training as a chorister at the Chapel Royal, St James’s Palace.
  • Choral director, composer and musicologist, Clytus Gottwald turns his attention to complex and masterly choral arrangements of works from the late nineteenth and early twentieth century. Works by European composers including Wagner, Mahler, Debussy and Webern are arranged in up to sixteen parts, performed by the Rodolfus Choir, directed by Ralph Allwood. ★ Do his arrangements stand up well against the original? The answer is mainly yes. This is thanks to the persuasive performance of the young singers of the Rodolfus Choir, who do not blench at what is sometimes a formidable task - Choir and Organ Gottwald's awesome technical demands put much of this music way beyond the scope of most choirs, and it is greatly to Ralph Allwood's credit that the Rodolfus Choir, most of whom are students and all of whom are under 25, have not only tackled this music at all but have done so with considerable distinction... They clearly relish the vocal harmonics in Ravel's Soupir, they love the bell effects in Debussy's Les Angélus, they positively luxuriate in the warm glow of Gottwald's take on 'O mio babbino caro' and they float around with enormous enthusiasm in the misty textures of Caplet's Présentation - Gramophone
  • Philip Langridge is joined by a fine cast of musicians for this recording of songs from the Georgian era, centred around the rural paradises in and around London, the Pleasure Gardens. Featuring works by some of the foremost composers of the day, this is a hugely entertaining and dramatic collection of songs where love, lust and lament are the main players.
    William Boyce William Jackson
    William Croft John Blow
    John Eccles Daniel Purcell
    George Munro Maurice Green
    James Hook Thomas Arne
    Thomas Linley Stephen Storace
    Philip Langridge David Owen Norris Jennifer Langridge Malcolm Layfield Tristan Gurney
    Philip Langridge is one of the world’s most distinguished singers, whose musical and dramatic qualities ensure that he is in constant demand throughout Europe, the USA and Japan. In recognition of these qualities, he was made a Commander of the British Empire in the Queen’s Birthday Honours of 1994.
  • During the last twenty years of his life, Orlande de Lassus was the most celebrated composer in Europe. From the time that he took up the duties of maestro di cappella in the Court of the Duke of Bavaria at Munich, he began to be called 'prince of musicians' and 'the divine Olrande'. The pieces selected for this recording represent Lassus' treatment of the theme of dealth during the mature period. The first group considered the death of Christ: second, the death of a christian.
  • Now and again a choir director finds he has an exceptional voice at his disposal. Andrew Swait was only ten years old when this disc was made - his voice was the original inspiration for the disc - and it features his outstandingly colourful tone quality and musicianship. In choosing the repertoire, we kept in mind the integrity of the great English church music tradition. We decided to do what choirs - their men and boys - do best in this country; sing, enjoy and relish the music of that tradition. Solo arias are interspersed with full choir numbers, some featuring treble solos and duets. Works by Schubert and Rachmaninoff are coupled with works from our own English masters, Sir Hubert Parry and John Rutter. Morten Lauridsen’s setting of Ubi caritas, combines a lushness of texture with the age-old plainsong melody. We hope you will enjoy this collection from Tewkesbury. Benjamin Nicholas
  • Gaudete

    £5.00
    Arranged by Classic FM's Hall of Fame 2004 'top-ten-composer' Karl Jenkins, sung by crack professional choir - Tenebrae - Gaudete is released on SignumClassics both with drums and percussion and as a pure, unadulterated, a cappella version Founded as recently as 2001, Tenebrae has been embraced by the public and critics alike as one of the most innovative and gifted groups in Britain. Tenebrae’s motto is “passion and precision”, but they also believe in accessibility, performing various different types of music as long as it’s good music, sung well. Gaudete (“rejoice”) is an anonymous composition that was first published in 1582 in a collection of carols and other religious songs called Piae Cantiones. This collection, made by a Scandinavian called Peter Nyland, included a huge number of other Christmas melodies that have since become ‘standards’, but it only gives music for the chorus of Gaudete; the verses, which tell of the wonder of God’s arrival on earth in human form, have been taken from a Czech medieval song about the Virgin Mary, Ezechielis Porta.
  • The Dream of Herod features music for Advent, anthems for the Mother & Child, music for Christmas, and The Dream of Herod, a semi-dramatic contemporary work with a particular resonance at Christmas. Inspired repertoire selection - Classic fm An almost ecstatic tenderness - Gramophone More polished choral singing would be hard to find anywhere - BBC Music Magazine
  • A stellar line-up of soloists, conductor, choir and orchestra combine forces in the re-mastered 2 CD set of Mozart's arrangement of Handel's much loved 'Messiah'. In April 1742, shortly after the first performance of Messiah in Dublin for the city's Charitable Musical Society, the Dublin Journal reported that the oratorio "was allowed by the greatest of Judges to be the finest Compostion of Musick that was ever heard". Sir Charles Mackerras continues the constantly evolving performance history of one of the world's most enduring masterpieces. Highly enjoyable - BBC Music Magazine  
  • The King's Singers' collaboration with Signum Records continues with this outstanding collection of madrigals from 23 composers including Thomas Morley, John Bennet, Michael Cavendish and Thomas Weelkes. A collection of 25 madrigals from 23 different composers - from the famous to the obscure - make up this Elizabethan curiosity, published in 1601 by Thomas Morley. A musical dedication to Queen Elizabeth I, The Triumphs of Oriana displays the talents of English songwriters, long overshadowed by their European counterparts, conjuring up an image of an idealised and mythical England of old. ★★★★ The King's Singers deliver these songs with insistent voices, the imitative pairs beautifully balanced across the stereo, the intonation faultless and the diction unmistakable - The Times This disc is a triumph of majestic vocal ensemble - Classic FM Magazine Long live the King's Singers - Goldberg Magazine  
  • Signum Classics are proud to release the fourth disc from The King's Singers on Signum Classics - 1605: Treason and Dischord. On 5 November 1605 Guy Fawkes was caught preparing to detonate 36 barrels of gunpowder under the House of Lords unveiling an act of attempted treason that shocked the whole of Europe. What led a group of young Catholic men to risk their lives for their faith? 400 years later the King’s Singers and Concordia illuminate the dangers of hearing Mass in secret, of conspiracy and downfall, and of protestant relief and celebration, through a project of music and prose. The music, structured around Byrd’s perfect 4-part Mass, contains motets by Catholic composers, balanced with protestant anthems celebrating the downfall of the plot, and a commission from the British composer, Francis Pott. Master Tresham: His Ducke reflects on the ‘9/11’ of its day - 5/11/1605. The script, drawing on historic texts and written by Deborah Mackay for the quatercentenary concert series related to this CD, uses the dramatised persona of William Byrd, the most famous composer of his age, to recreate the atmosphere of change and hope in the Jacobean court. ★★★★ The performers bring verve and forceful emotional fervour to these works of protest - Classic FM Magazine A brilliant fusion of Renaissance and contemporary idioms - The Scotsman Strongly recommended - International Record Review There is never a question of technical polish and precision with the King’s Singers - American Record Guide
  • When Sir Michael Tippett first worked with the BBC Singers in 1944, the experience was such that he recalled nearly 50 years later that "It was to be the first of many such occasions when a composer's dreams were brought to fulfillment." Now under their Conductor Laureate, Stephen Cleobury, the present-day BBC Singers return the compliment with this programme of his works for choir, both unaccompanied and with organ. Includes the works: The Windhover Plebs Angleica The Weeping Babe Magnificat & Nunc Dimitis Four Songs from the British Isles The Source Lullaby Negro Spirituals from A Child of Our Time & two premiere recordings: Over the Sea to Skye Unto the Hills (Wadhurst)
  • With a stunning selection of choral music that is truly fit for a King, Andrew Gant leads the Choir of the Chapel Royal & The Musicians Extra-Ordinary to re-create the music that accompanied the coronation of James II and Queen Mary in 1685.  
    William Child Te Deum in E Flat
    John Blow Behold, O God our defender
    William Turner The King shall rejoice
    Henry Lawes Zadok, the Priest
    Henry Purcell I was glad, My heart is inditing
    Thomas Tallis Litany
      Recorded in the Chapel Royal at St James's Palace, this disc is a perfect representation of one of the country's most illustrious and historic musical institutions
  • This disc is the fifth in a series of nine that covers Thomas Tallis’s complete surviving output from his five decades of composition. In this disc we continue to explore the choral music of the Divine Office, progressing with the choral hymns and responories not found in volume 4. Music for the Divine Office  is completed with Tallis’s liturgical organ music: five hymns and three antiphons for the Divine Office, an Alleluia for the Lady Mass and an extended setting of the offertory Felix Namque. Tallis’s written music for the liturgy is modest in style, inventive and very appealing. His surviving output of written keyboard music is very small in light of his reputation. It is possible that much of this written music has been lost, and even more likely that the majority of his keyboard performances were improvised, and therefore not strictly notated. This CD offers reconstructions based on what is known of liturgical practice at the time when this music was most probably written (the later years of Henry VIII and those of Queen Mary I). Recording the organ works of Tallis involves a number of difficult decisions, not least the choice of organ, as there are no surviving English organs from the sixteenth century. The organ in the late medieval private chapel of Knole, a vast country house in Kent, is arguably the oldest playable organ in England. It’s joints can sound rather rattley, and it has some trouble breathing at times (although the regular creak of the bellows being pumped by foot is a reassuring link with the pre-electric past). However, the sound of this organ in the Knole chapel acoustic might not be far off from what Tallis knew from inside the Chapel Royal. Once again Chapelle du Roi presents an inspired and historically informed performance of the sacred renaissance repertoire for which they are celebrated. ★★★★★ The singing is shapely and serene with a satisfying edge, and the recorded sound is generous without obscuring detail - Choir & Organ ★★★★ Beautiful contemplative music - The Times ★★★★ [A] magnificent recording - Goldberg Magazine
  • Chapelle du Roi devote this latest volume to music which was composed by Tallis for use during the reformed services announced in The booke of the common prayer which came into effect on Whitsunday (9th June) 1549. Tallis’s music, together with the associated intonations and Collects (for Easter Day at Mattins and for Christmas Eve), is presented for this recording in the normal liturgical sequence for the day; Mattins, Holy Communion, and Evensong. The recording concludes with Tallis’ nine psalm-tune harmonisations which he contributed to Archbishop Matthew Parker’s Psalter, published in 1567. Chapelle du Roi give an inspired and historically informed performance of the sacred renaissance repertoire for which they are celebrated. Sung with plaintive simplicity, exquisite balance and clear diction, virtues that characterise the whole estimable disc - Classic FM Magazine [The singers] cohere in a warm collective that is wonderful to listen to - International Record Review Chapelle du Roi's skill is manifest ... the whole experience of listening to them was like hearing was like hearing a rather special evensong in a college chapel - Gramophone The singing of the Chapelle is as beautifully flawless as ever ... the crowning glory of the disc is the exquisite account of Tallis nine tunes of Archbishop Parker's Psalter - EMF Scotland  
  • Signum Records are delighted to present the final volume of The Complete Works of Thomas Tallis. The final release explores the most obscure and enigmatic corner of Tallis’s output – his secular music. His profession as church musician and member of the Chapel Royal did not require him to write secular songs or pieces, yet some works may have been written for the Tudor court. Other works are thought to have been written for generations of choir boys, who were assisted with their training by the composer. Plays and performances outside of the choirboy’s obligation were popular, as well as instrumental consort music and keyboard pieces associated with their training. Tallis is likely to have been given the opportunity to write his secular works for these occasions. Tallis’s music was admired and used by others far beyond the Chapel Royal and the court. Some of his intended sacred choral works are included on this recording in other guises, arranged by musicians with performance intentions very different to that of the church. His reputation of greatness amongst his friends and contemporaries is reflected in William Byrd’s elegy Ye sacred muses, where he echoes the sentiments of others with the words "Tallis is dead, and Music dies". This musical tribute has justifiably become one of Byrd’s most popular works. Volume 9 of The Complete Works is a double CD release, marking the end of this popular series. Alistair Dixon has realised the project, and directed his choir Chapelle du Roi throughout the earlier volumes. Musicians featured on this final disc are: Andrew Benson-Williams (organ), Laurence Cummings (virginals), the ensemble Charivari Agréable, Lynda Sayce (lute), and Stephen Taylor (counter tenor). Lynda Sayce contributes an astonishing performance ...  the very simple and pure interpretation by Stephen Taylor is most affecting - Early Music America Laurence Cummings [brings the] music wonderfully to life - BBC Music Magazine This recording is a collection of delights ... including the smooth sound of Stephen Taylor’s countertenor voice. ...  a splendid final offering by Chapelle du Roe - Gramophone With the issue of this double CD, we reach the triumphant conclusion of one of the most fascinating and enjoyable complete works projects of recent times - Early Music Scotland A successful conclusion to the series, containing a good deal of previously unrecorded music - Early Music Today
  • Signum Records presents a world first – a CD single, from a new edition of the magnificent 40-part Thomas Tallis motet Spem in Alium and the English version Sing and Glorify. Spem in alium is surely not just the greatest of all Thomas Tallis’ musical achievements, but one of the great musical compositions of all time. Writing for 40 independent voices, Thomas Tallis created a noble and imaginative masterpiece. The earliest surviving manuscript of this great work, the Egerton manuscript, is laid out with an English rendition, Sing and glorify heaven’s high majesty. The English words are not a translation of the Latin, but a new poem written as a syllable-for-syllable replacement. A fine recording as well, beautifully captured in the wide open spaces of All Hallows Church - BBC Radio 3 Record Review Their interpretation at times almost touches the visionary - Gramophone Not only does Alistair Dixon shape the music beautifully, but he has a first-rate team of singers who respond to the music’s every nuance - Goldberg
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