• Christmas presents a golden opportunity to present brand new music to wide audiences, and the role played by St John’s College Choir in this area has been significant, as demonstrated by new recording of traditional and contemporary choral works. The recording features Michael Finnissy’s John the Baptist, written for the Choir for its BBC Advent broadcast in 2014. The programme begins with Bob Chilcott’s The Shepherd’s Carol commissioned by Stephen Cleobury (a former St John’s organ scholar) for King’s College Choir, and also includes Creator of the Stars of Night, composed by another former St John’s organ scholar, John Scott. The Choir of St John’s College, Cambridge is one of the finest choirs of men and boys in the world, known and loved by millions from its recordings, broadcasts and concert tours. A cornerstone of the great English choral tradition since the 1670s, the Choir is recognised for its distinctive, rich and expressive sound and is today directed by Andrew Nethsingha.
    An evocatively sung collection from the Cambridge choir glowing with devotional joy - Choir and Organ
  • The King’s Singers return with a new early-music recording that features 12 of Giovanni Pierluigi da Palestrina’s beautiful polyphonic choral settings of the ‘Canticum Canticorum’ – better known as ‘The Song of Songs’ or Canticles, a collection of poetry in the Hebrew Bible on the theme of the joy and ecstasy of human love. These settings are framed by four of Palestrina’s Marian motets, works in honour of the Virgin Mary which he composed throughout his life. This recording is the first to feature performances from the group’s new tenor Julian Gregory. An admirably cool approach - The Observer
    At it's best - The King's Singers' sweetness of tone seems perfectly to match the sense of the textGramophone Wonderful music beautifully deliveredThe Northern Echo They sing in a beautifully blended style with individual voices often subsumed into the overall sound image. These performances have a significant amount of surface polish, poise and style, technically they are very impressivePlanet Hugill Admirers of The King's Singers will certainly not be disappointed -MusicWeb International
  • Russian Treasures is the twentieth album from award-­winning professional choir, Tenebrae, and the first release on new label Bene Arte, established exclusively to record the choir and associated artists. Russian choral music has been a feature in Tenebrae’s concert performances since the choir’s inception and over the years they have worked extensively with Russian language coaches whilst nurturing their own characteristics of passion and precision to deliver a special and heartfelt tribute to the music of these great composers.

    This disc was inspired by the rare manuscripts collected by director Nigel Short during his travels around Russia.

    The exquisite collection includes some little-­known gems, rarely heard outside Russia and never before recorded in the UK, as well as some familiar favourites from this vast area of choral repertoire.

     
  • A new album bringing classic carols to life under the expert direction of conductor and author Andrew Gant, marking the release later this year of his new book “Christmas Carols, from Village Green to Church Choir.” Everyone loves a carol - in the end, even Scrooge. They have the power to summon up a special kind of midwinter mood, like the aroma of mince pies and mulled wine and the twinkle of lights on a tree. It’s a kind of magic. In this new accompanying recording, Andrew Gant’s choir, Vox Turturis, bring these carols to life with captivating performances of classics such as The Angel Gabriel, Adeste fideles and Hark! The Herald Angels Sing, as well as less-known gems like Célébrons la naissance, Les anges dans nos campagnes and Tempus adest floridum. The CD booklet also includes a short essay by Gant highlighting some of the fascinating stories behind these works. Christmas Carols brims with anecdote, expert knowledge and Christmas spirit. It is a fittingly joyous account of one of our best-loved musical traditions. The recording debut of Gant's youthful professional choir is a spirited one - The Sunday Times The acoustic of St Peter's College Chapel serves these singers well, and the recorded sound is glorious - The Arts Desk This is another well-planned and splendidly performed CD, eminently recommendable - International Record Review
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist, Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres, featuring a number of world-class artists including:
    • A Cappella and Choral Music (The King's Singers, Tenebrae, VOCES8, The Swingle Singers, Rodolfus Choir)
    • Orchestral and Chamber Music (Philharmonia Orchestra, London Sinfonietta, Gabrieli Consort & Players, OAE, LCO, Smith Quartet),
    • Instrumental Soloist Recitals (Jamie Walton, Alessio Bax, Matthew Barley, Llyr Williams, James Rhodes)
    • Art song and Lieder (Iain Burnside, Malcolm Martineau, John Mark Ainsley, Mark Padmore, Ailish Tynan, Felicity Lott, Sarah Connolly, Jonathan Lemalu)
    In our new anniversary series we have drawn on this extensive catalogue to form six collectable releases, assembled around the themes of A Cappella, Early Music, Organ Music, Choral Music, Art Song, and Piano Music. Buy all 6 together for just £20
  • Tomás Luis de Victoria's requiem mass for six voices, written in 1603 and published in 1605, is a masterpiece. It is one of a handful of large-scale works which enjoys mainstream appeal in the 21st century. For many, it represents what Renaissance polyphony is, what it sounds and feels like, and how expressive it can be. The disc also features two well-known works by Victoria's contemporary Alonso Lobo. ★★★★ Victoria’s Requiem Mass is one of the acknowledged masterpieces of Renaissance choral polyphony, and Tenebrae here exquisitely conveys the flowing relationships between its six voices - The Independent ★★★★ Tenebrae’s performance, directed by Nigel Short, is gently sustained, immaculately balanced and wrapped in a luminous acoustic … If you have ever developed a resistance to Renaissance polyphony, this could be the disc to make you think again - The Financial Times This recording does justice both to the genius of Victoria and to the musicality of Tenebrae - BBC Music Magazine  
  • Signum Records are pleased to welcome a new ensemble to the catalogue: The Elysian Singers perform choral works by composer James MacMillan. MacMillan characteristically draws inspiration for his vocal works from recurring themes such as the Catholic Church and Scottish traditional culture. The most substantial work on this recording is Cantos Sagrados ("Sacred Songs"). MacMillan takes the poems of Latin American poets Ariel Dorfman and Ana Maria Mendosa, and combines their settings of political repression with traditional religious texts to create a powerful combination of liberation theology. The result is at times delicate, and then terrifying. The composer’s intentions were to create a work both sacred and secular, being timeless yet contemporary. Of the other works on this disc, the majority are settings of Latin or English religious texts often written for particular occasions or places. A Child’s Prayer, for instance, was dedicated to the victims of the Dunblane tragedy of 1996, where one teacher and sixteen of her pupils were shot dead whilst in class. One of the two secular works on this recording, The Gallant Weaver is a setting of that most Scottish of poets, Robert Burns, to a nostalgic evocation of Celtic folk-music. The Elysian Singers were founded in 1986. Since 1999 they have been directed by Sam Laughton and have established a national reputation as a young and lively chamber choir, winning awards for commissioning new music.
  • SIX

    £5.00
    Signum Records present a special CD release from the King’s Singers, celebrating over 35 years of popular repertoire that has left audiences delighted across the globe. Formed in 1968 by six Choral Scholars from King’s College, Cambridge, the King’s Singers quickly became a prominent musical force in the UK. The rest of the world soon followed so that today the group’s engagements are spread throughout the four corners of the globe. The ensemble are renowned for their commitment to blend balance and intonation in their performances, but above all it is their simple enjoyment of what they do that has captured the imagination of the public, and kept the King’s Singers at the top of their game for over three and a half decades. This album presents six pieces performed by the six vocalists over the years. The titles were selected to span the life of the group so far: After the explosive rock decade of the 1960s in which the group was founded, you can almost hear the hair lengthen in Neil Young’s 1970 song After the Goldrush. This was originally sung by the group with Nana Mouskouri on her BBC TV show, and has remained popular ever since; Irving Berlin’s much-loved jazz classic Blue Skies is here sung in a cool and reflective arrangement by Richard Rodney Bennett; the Beatle’s Blackbird is one of the most requested encores happily sung to ecstatic audiences, and Daryl Runswick’s arrangement perfectly maintains the feel of the original song. The remaining three tracks are all newly recorded pieces from the 21st century. Down to the River to Pray, a spiritual, appeared in the Coen brothers movie “O Brother Where art Thou?”; Billy Joel’s Lullaby Goodnight My Angel is an example of the songwriter at his lyric best. Finally, The Wishing Tree was commissioned by the King’s Singers and the BBC for the 2002 Proms, celebrating the present Queen’s Golden Jubilee. Joby Talbot, formerly of The Divine Comedy, was asked to compose a work in which to reflect Queen Elizabeth II’s life, as well as incorporating a 16th century madrigal-element, in reference to the reign of the first Queen Elizabeth. Six new tracks from the lads with the voices of spun gold. The irresistible verve of this much-changed group's mid-1970s peak is less evident, but for sheer polish and style these singers are truly 'kings' - BBC Music Magazine Think gorgeous close harmony, think crossover-with-integrity, and enjoy - Classic FM Magazine  
  • Sale!

    One Equal Music

    £12.00 £9.60
    The Elysian Singers of London celebrate the enormous and varied contribution of Sir James MacMillan (b. 1959) to the choral repertoire over the last 20 years. Beginning with MacMillan’s blazing 2016 ‘choral fanfare’ Blow the trumpet in the new moon, the programme explores the spiritual and secular texts that have influenced MacMillan, also including his monumental setting of Psalm 51 Miserere. The Elysian Singers of London is one of the UK’s leading chamber choirs. Known for its adventurous programming, the choir performs in and around London and has recorded many widely acclaimed CDs. This is the choir’s second recording of works by James MacMillan, following their critically-acclaimed first disc with Signum Cantos Sagrados.
  • Tenebrae mark their 15th anniversary season with a celebratory re-release of Joby Talbot’s Path of Miracles, as well as the premiere recording of a new work by Owain Park. Inspired by the Camino Frances pilgrimage route to Santiago de Compostela in Spain, Path of Miracles has quickly become a contemporary classic amongst choral music fans. To mark their anniversary year Tenebrae commissioned British composer Owain Park to compose his new work Footsteps as a companion piece to Path of Miracles. A shorter work, Footsteps is themed on similar concepts of travel, solitude and journeying, and blends texts by eight different authors to structure a narrative that cycles the seasons through the view of a lonely traveller.
  • DEO

    £12.00
    The Choir of St John’s College Cambridge launch their new series of recordings with Signum by exploring the close connections between the college and celebrated British composer Jonathan Harvey (1939-2012), in a disc of works for choir and organ. Harvey’s music has influenced a generation of composers, described by The Guardian’s Tom Service as being “at once vividly contemporary and timeless”. The Choir’s director Andrew Nethsingha reflects on his own experiences and work with the Jonathan Harvey in CD’s programme note, in particular as the choir collaborated on what would be Jonathan Harvey’s final work for the choir, The Annunciation (2011).
  • Lux et Veritas (Light and Truth) is the new album from Will Todd with the professional chamber choir Tenebrae. Todd’s music has a universal appeal and he has been hailed as “one of the UK’s most sought-after, versatile composers” (Tempo Magazine). For this collection of sumptuous new choral works Tenebrae are accompanied by the English Chamber Orchestra, conducted by the choir’s director Nigel Short. This new release follows Will Todd’s last choral album The Call of Wisdom, featuring music commissioned for HRH The Queen’s Diamond Jubilee service in St Paul’s Cathedral in 2012. Throughout, the excellent Tenebrae under Nigel Short's sensitive direction deliver the sequence of 14 short pieces with commitment and great beauty of tone - Choir & Organ One of this year's finest releases - Classic FM Don't miss this movingly accessible and genuinely sensitive choral collection - MusicWeb International Sumptuous, soothing and reflective music for all occasions - Northern Echo
  • An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review

  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this Early Music collection, you can hear a wide rage of works by Gallicantus, the OAE, Gabrieli Consort, Chapelle du Roi and many more all on one disc - all selected from titles across the Signum catalogue.
    Extracts from 26 discs of composers ranging from Tallis to Telemann provide Signum Classics with a colourful shop window from which we can pick and chooseBBC Music Magazine
  • Signum Classics are proud to release a LIVE recording of the stirring performance by Tenebrae of Rachmaninoff’s ‘All-Night Vigil’ (Vsenoshchnoye bdeniye, Op. 37). The recording was made live at the North Wales International Music Festival in conjunction with Boosey & Hawkes, Music Publishers Ltd. The roots of the Russian Orthodox Church are traceable back into the Third Century A.D. Whilst Western forms of Christianity continued to evolve, the Orthodox tradition has been preserved largely intact since the 11th Century, despite persecution of the Church under an intolerant Communist regime in Russia. The music of the Russian Orthodox Church features vocal chants, the oldest of which is known as znamenny (from the Slavonic znamia meaning “sign”). The melody of this chant is extremely simple, and whilst other composers added their characteristic harmonic effects, Rachmaninoff consciously preserved the modal purity of the original in his setting of the Vespers. The all-night vigil is celebrated on the eve of the main feasts of the Orthodox Church. Originally it lasted all night and consisted of three separate services to celebrate the beauty of the setting sun, and to reflect on the spiritual light of Christ as the new light of the coming day and the eternal light of heaven. Rachmaninoff’s setting of the vigil was written in 1915, in the middle of the First World War. He has used authentic znamenny chant in seven movements, with two movements employing Greek chants. “Even in my dreams I could not have imagined that I would write such a work” Rachmaninoff told the singers at the first performance in March 1915. The work is dedicated to the scholar Stephan Vasilevitch Smolensky who introduced Rachmaninoff to the repertoire of the church, however the composer’s inspiration was as much politically motivated as spiritually – the composition was a powerful affirmation of nationalism during the war. Nigel Short and Tenebrae have just the right balance of control and passion, reverence and exuberance that makes for such a superb performance - The Organ Intimate and powerfully atmospheric, shedding new and memorable light on what usually comes across as a massive choral spectacular - Classic FM Magazine
  • Tenebrae is a professional chamber choir, founded and directed by Nigel Short in 2001. Often performing by candlelight, the choir creates an atmosphere of spiritual and musical reflection, where medieval chant and renaissance works are interspersed with contemporary compositions. The carefully selected team of singers use the acoustic and atmostphere of the building to enable the audience to experience the power and intimacy of the human voice. Tenebrae has an exceptionally wide repertoire from early, through renaissance, baroque and classical music, to romantic and twentieth century works, plus a range of specially commissioned pieces, the most recent of which is Joby Talbot’s Path of Miracles. What Sweeter Music is a real festive treat, with a sumptuous collection of songs and carols for Christmas - touching on traditional favourites (Silent Night, Away in a Manger), modern classics (The Lamb, What Sweeter Music) and some new light-hearted arrangements (Jingle Bells, We Wish You a Merry Christmas). ★★★★ An exquisite account of Rutter’s There is a flower - Classical Music Magazine Superbly sung and plenty of fun - The Gramophone A jazzy Jingle Bells launches this varied and seductively sung programme - The Telegraph
  • The Choir of the West is the premier choral ensemble of the Department of Music at Pacific Lutheran University, located in Tacoma, Washington. The choir was founded in 1926, and was the third Lutheran college choir to tour extensively throughout the United States. Choir of the West has toured to Europe, Scandinavia, Japan and China, and has been selected to appear at several regional and national conferences of the National Association for Music Education and the American Choral Directors Association. In November of 2015 the choir was a featured ensemble at the National Collegiate Choral Organization Conference, held in Portland, Oregon, performing with renowned conductor Simon Carrington. During the summer of 2011, Choir of the West competed among choirs from 47 nations at the prestigious Harmonie Festival in Lindenholzhausen, Germany, winning two gold certificates and one silver. In 2015 the choir competed in the Anton Bruckner Choir Competition, held in Linz, Austria. This record celebrates the music of Latvian composer Ēriks Ešenvalds. One of the most sought-after composers of today, Ešenvalds studied both in Latvia and the UK. He has had works premiered by the Boston Symphony Orchestra and the City of Birmingham Symphony Orchestra, which have won him many awards.
  • Owen Rees leads early-music consort Contrapunctus alongside The Choir of The Queen’s College, Oxford in performances of John Taverner’s masterwork, the Missa Gloria tibi trinitas. A virtuosic work, it has pride of place in the Forrest-Heyther partbooks (in the Bodleian Library in Oxford), which it has been variously argued originated at Cardinal College or at the Chapel Royal. It might well have been heard on Trinity Sunday in the chapel of Cardinal Thomas Wolsey’s palace at Hampton Court. The work is accompanied by other sacred choral works by Taverner, including his Ave Maria composed for Wolsey’s Cardinal College, Oxford, and one of his most widely copied works, Gaude plurimum – a dramatic work where Taverner exploits the power of his full forces to evoke Christ’s harrowing of hell and the breaking of ‘the bloody powers of the prince of eternal death.’ Contrapunctus is an early-music vocal ensemble dedicated to passionate interpretations informed by authoritative insight and understanding. Directed by Owen Rees, a specialist in music of the sixteenth and seventeenth centuries, the group presents imaginative programmes revealing previously undiscovered musical treasures and throwing new light on familiar works. Performance ★★★★ Recording ★★★★★ Rees brings together both of his crack ensembles [and] the 40-strong collective recreates [Taverner's] lavish sound - BBC Music Magazine ★★★★★ Rees has a natural affinity for this music, whether underlining differences of mood, allowing phrases to bloom or deftly judging cadential arrivals, his touch is instinctive - Classical Source ★★★★★ [A] thrilling new recording - Planet Hugill 9/10 Between them the music of John Taverner comes alive and whether your interest is in Tudor polyphony of acappella choral singing this release will bring much pleasure - Cross Rhythms This glorious programme of polyphony by John Taverner offers much opportunity for contrast as delicate, sinuous passages of vocal chamber music open up into densely populated choral vistas - Choir & Organ The full ensemble brings an undeniable grandeur - Gramophone A must for early music devotees - The Northern Echo A very fine album - MusicWeb International Beautifully recorded by Signum, this is a novel and beautiful Tudor choral release - AllMusic
  • Tenebrae return to the sublime music of Tomás Luis de Victoria on Signum with this recording of his timeless Tenebrae Responsories. The works mix the words of the Gospels with other texts commenting on collective suffering written around the 4th century, and would traditionally have been performed as part of a moving service in which candles are slowly extinguished to mark the progress and suffering of Christ that forms the Passion story.
    Tenebrae's previous disc of works by Victoria (Requiem Mass, 1605) won the BBC Music Magazine Award for Best Choral Album of 2012.
       
  • Drawn from across the composer's lengthy career, this collection of Part-Songs and Choral Works explores the great variety and range within Elgar's work for choir and voices. Along with more well-known works such as Love and Deep in my Soul there are early pieces such as O Salutaris hostia (composed for small amateur choirs) that give hints of his later mature style, through to the 1928 piece I sing the Birth – a work that shows Elgar's ability to adapt to more contemporary styles of 20th-century choral composition. The Rodolfus Choir have established themselves as one of the leading youth choirs in Britain, made up of singers aged from 16 to 25 who have been chosen from past and present members of the Eton Choral Courses for prospective choral scholars. Many members of the Choir are choral scholars, some are at music college, and most hope to make a career in music. The Rodolfus Choir and Ralph Allwood are well-known for imaginative programming, and for presenting new music. The Rodolfus Choir’s recent CD recordings with Signum include music as diverse as Howells, Monteverdi, Grier, Tallis and the German Romantics. Elgarians and others tempted by the works assembled in this new collection can be assured that it is on a par with the best of them -International Record Review Trained impeccably by their director Ralph Allwood, the sound of these young voices is a mixture of sheer delight and sensitive musicianship ... For me the outstanding interpretation is of the Five Part Songs – it's simply stunning - Choir & Organ Give unto the Lord [rounds off] this hugely enjoyable disc with aplomb - Gramophone The Rodolfus Choir shine strongly in these well-loved Elgar part-songs choral worksMusicWeb International
  • Christmas

    £12.00
    The international award-winning octet, VOCES8, has established itself at the forefront of British a cappella. Performing a repertoire ranging from Renaissance polyphony to unique Jazz and Pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. VOCES8’s singing is faultless – jaw-droppingly so in places - The Arts Desk Invariably sophisticated and sensitively done - The Daily Mail Highly recommended - All Music.com
  • A leading light in the world of youth choral music, the Rodolfus Choir is made up of choristers from ages 16-25 who are past and present participants of the Eton Choral Courses, begun by the choir's director Ralph Allwood in 1980. This new Christmas programme mixes the familiar with works not usually heard in carol services – such as Tomas Luis de Victoria's stunning eight-part, two-choir Ave Maria (from an edition prepared by John Rutter), and more recent works such as Chris Chivers' Ecce Puer and Eric Whitacre's Lux Aurumque. Such a programme is well-suited to a choir with the versatility and enthusiasm of the Rodolfus choir. [The choir’s] discipline and diction throughout a testing programme is exemplary - The Daily Mail Beautifully sung - The Daily Telegraph The freshness of attack you get with younger voices is put to incisive use by conductor Ralph Allwood, whose Rodolfus singers are all products of the famous Eton choral courses - BBC Music Magazine
    The sweet/sour harmonies of Warlock's Bethlehem Down are so deliciously balanced that it is difficult not to leap up from the fireside and press the backtrack button to hear this magical performance over and over again - International Record Review  
  • As part of Signum's 15th anniversary year we are delighted to release this celebratory collection of The Best of 'The King's Singers' – a 2-CD collection drawn from their now extensive catalogue on Signum.
     
    The first CD includes titles from Christmas (the groups debut album with Signum,  released in 2004), along with music from Landscape and Time, Treason and Dischord, Gesualdo’s Tenebrae Responsories, Sacred Bridges, Siglio d’Oro, Romance du soir, From the heart, High Flight and the 2012 release Royal Rhymes and Rounds.
     
    The second CD presents songs from four albums: Six, their most recent light album Swimming over London and the Grammy® Award winning Simple Gifts.
     

     

  • Following a string of five-star reviews for their previous discs of 20th-century French choral music (Poulenc’s Figure Humaine – SIGCD197) and Renaissance polyphony (Victoria’s Requiem Mass – SIGCD248), the professional chamber-choir Tenebrae go from strength to strength with this new recording of British partsongs and choral music – centered on Hubert Parry’s Songs of Farewell. Composed towards the end of Parry’s life, the Songs of Farewell have taken on something of an epithetical interpretation; they are almost a musical summation of his compositional life, reflecting Parry’s love of English renaissance madrigals and partsongs as much as the influence on his work from German composers like Brahms – made more complicated as these works were composed as the country (and its music) fell out of favour at the start of the Great War. This disc also includes works by Tavener, Sullivan, Holst, Rodney Bennett, Howells, Elgar and Vaughan Williams. Editor's Choice: Precision, spot-on intonation and sensitive phrasing inform Tenebrae's affectionate performances of these settings of great English poets, the texts of which are provided in the classily produced booklet - Classic FM Magazine A tour-de-force of feather-light, eight-part polyphony - The Independent Performed with Tenebrae’s customary poise - The Financial Times Conductor Nigel Short extracts the themes of desperate longing beautifully from a clean and well balanced choral sound - BBC Music Magazine
  • After a gap of 10 years, The King's Singers have once again made a full a cappella studio album featuring sixteen stunning arrangements of pop ballads, spirituals and folksongs. Each track on this album has earned its place because of its great melody and, coupled with the impeccable style for which the group are justly famous, this album will delight its huge worldwide fan base. The King's Singers' incredible blend and tuning ensures that this is the classiest recording of its genre for a long time.
  • This is the first in a new series of releases from the world-renowned conductor Paul McCreesh and his Gabrieli Consort. Recorded in Poland as part of the Wratislava Cantans Festival (of which McCreesh is artistic director) this staggering performance of Berlioz's 'Grand Mass for the Dead' is produced by a force of over 400 performers - drawn from the Gabrieli Consort and Players, the Wroclaw Philharmonic Orchestra and Choir and students from Chetham's School of Music. Future releases with McCreesh will include Mendelssohn's Elijah, Haydn's The Seasons, Britten's War Requiem and a re-recording of their famed disc 'A Venetian Coronation'. Founded in 1982 by Artistic Director Paul McCreesh, Gabrieli Consort & Players are worldrenowned interpreters of great choral and instrumental repertoire, spanning from the renaissance to the present day. Their performances encompass virtuosic a cappella programmes, mould-breaking reconstructions of music for historical events, and major works from the oratorio tradition. They are regular visitors to the world's most prestigious concert halls and festivals and have built a large and distinguished discography. Anyone in search of a transformative listening experience, Berlioz agnostics among them, should make this release a priority purchaseClassic FM Magazine The contrapuntal intricacy of Berlioz's choral writing is done with precision and firm accents, the haunted atmosphere of the 'Quid sum miser' interpreted with restrained, eloquently inflected choral singing and poignant instrumental interjectionsGramophone Berlioz’s 1837 Grande Messe has rarely sounded so thrilling or transparentThe Independent on Sunday
  • The choral works of Duruflé, like his organ works, are small in number but beautifully crafted. Frequently written and rewritten until he was completely satisfied, he was a composer who rethought and reconfigured his music right up to the moment he had to let go of it. Often described as a man out of step with his times, his pieces look back to Gregorian chant and plainsong at a time when the musical life of his home city of Paris was steeped in radical new compositional ideas – a testament perhaps to Duruflé’s enduring love of France’s choral heritage. In a new recording produced by Grammy® winning producer Blanton Alspaugh, the Houston Chamber Choir are led by artistic director Robert Simpson on their first release with Signum Records. ★★★★★ Houston Chamber Choir here offer beautifully presented accounts of all of Duruflé’s choral music - Choir & Organ ★★★★ No listener could fail to be impressed by both the quality of the compositions and performances - Cross Rhythms ★★★★ Beautifully crafted - Classical Source [Ken Cowan] certainly adds real distinction to this performance of the Requiem - Gramophone The Houston Chamber Choir, led  by their artistic director Robert Simpson, present an immaculate account of these works - The Northern Echo Beautiful, artistic singing and thoughtful, sensitive music-making at every turn - Dale Warland A superb recording to be treasured - Simon Carrington
  • Hymns are a living link with the past, yet they still find freshness and relevance in the twenty- first century. Saint Thomas Aquinas comments that ‘hymns are the praise of God with song; a song is the exultation of the mind dwelling on eternal things, bursting forth in the voice’ and this explains neatly the vital place that hymnody has enjoyed throughout the ages, and continues to do so today. Praise my soul celebrates this glorious tradition of hymnody and showcases some of the hymns heard in Jesus College Chapel in their own regular pattern of choral services. Some of these, including Drop, drop, slow tears and Glory to thee, my God, this night have been sung regularly for hundreds of years. Others such as All my hope on God is founded or Christ Triumphant have become classics over the last half-century.

    The Choir of Jesus College Cambridge return to disc on Signum with their seventh release, and their first under choral director Richard Pinel.

    A magnificent disc of fine hymn tunes and outstanding music making - MusicWeb International
  • Following its nomination for a Gramophone Early Music Award in 2014, Contrapunctus releases an album of motets from the Baldwin Tudor partbooks, on the theme of mortality.  Conducted by Owen Rees, the album includes Sheppard’s epic Media vita and works by Byrd, Parsons, Mundy, Teverner, Gerarde and Tallis, with Contrapunctus’s own reconstructions of the missing tenor parts. ★★★★★ Contrapunctus really knows what to do with these pieces and from the very first item the tuning is superb and the ensemble rock solid. Moreover, Owen Rees’s interpretations are revelatory and even visionary - BBC Music Magazine ★★★★ Whether you listen in Lenten penitence or in general hope of spiritual balm, the message is universal, the singing superb - The Observer Rees’s choir brings an intensity of sound and dramatic dynamics, in music that contemplates the pain of death in ecstatic elation and sublime devotion - The Sunday Times The undeniable jewel in the crown of this selection is Sheppard’s magisterial setting of Media vita … Contrapunctus is the ideal group for this superb repertoire, and I look forward with eager anticipation to future CDs in this series - Early Music Review There’s lovely balance and clarity of sound from as fine a clutch of voices - Choir & Organ
  • Jonathan Dove wrote There Was a Child as a tribute to a friend’s son who died tragically young. Filled with both joyous celebration and heartfelt emotion, it’s a big, warm-hearted modern masterpiece in the spirit of Britten and vaughan Williams – following in an evergreen english tradition and featuring the combined forces of the CBSO and CBSO Chorus, Youth Chorus and Junior Chorus with soloists Joan Rodgers and Toby Spence.

    [Dove] has thus achieved the near-impossible: a work that commemorates an event which is surely every parent's darkest fear but which at the same time truly and positively fulfils the commissioner's brief, 'to celebrate' this young, short lifeInternational Record Review Joyous, vibrant, passionate ... There Was a Child is a major addition to the choral repertoireFinancial Times Dove's adroit choice of poetry, orchestrated with imagination and humour, provides an endearing story of a boy through to adolescence, and although there is pathos it is never mawkish - Choir & Organ
  • Signum Records is delighted to announce the completion of Chapelle du Roi's recordings of the complete works of Thomas Tallis. This major project has taken seven years to complete. It was the brain child of Alistair Dixon and brought to fruition jointly by Chapelle du Roi and the engineering and production company Floating Earth.
  • Gesualdo

    £12.00
    Signum Records is proud to announce the release of the latest recording by The King's Singers: Gesualdo's Tenebrae Responsories for Maundy Thursday. The Italian Prince, Carlos Gesualdo, is probably most famous for the obsessive double murder of his first wife along with her lover, but his music is not always accredited with the same sense of celebrity. Gesualdo is known in traditional history books as an amateur composer. His music is characterised by wild gesticulation and abrupt starts and stops, particular to a composer who just didn’t know what he was doing. However, the 20th century has now uncovered our composer’s place in history as part of a larger movement of Neapolitan artists, and as perhaps the most forward-thinking, expressive and sensual composer of his time. The King’s Singers were fascinated by the naked honesty that is heard within this 400 year old music. It is so startling that it keeps its freshness of surprise even on many repeated hearings. The music portrays a desperate and wretched, but also passionate and loving person who is set on composing "further out" than anyone else. Gesualdo moved in the highest circles of Italy and was extremely wealthy. His decadent lifestyle allowed him to do and write exactly as he pleased, and at the tender age of 19 it brought him into close contact with one of the most attractive and admired women in Naples. Maria d’Avalos was twice widowed by the age of 25. Her marriage to Gesualdo was initially promising. However, Maria’s rich social life soon dominated the relationship and a profound and constant jealousy took possession of the young and highly sensitive composer. After four years of turmoil he hired professional murderers to assist him in killing wife and lover while they were in bed together. The violence and rage of the act is well-documented. After the murder of Maria, Gesualdo suffered from severe and increasing feelings of guilt. Penitence never left him and he was moved to compose church music of a most black and self-reproachful nature. The programme on this CD represents part of the liturgy for the Matins Offices on the final three days of Holy Week, the Triduum Sacrum. Each of the Matins services is divided into three nocturns, each containing psalmody, three lessons and three responsaries. The attention given to word-painting is exemplary - The Times A no holds barred, immaculately sung performance from the King's Singers. Unmissable - Classic FM Magazine