• The Swingle Singers, Featuring Shlomo & The Vocal Orchestra 

    With a stunning selection of brand new arrangements, the Swingles’ return to disc promises some of their best and most memorable performances to date on this studio album.

    The warm, beautiful tone and precision of the groups voices are combined with a modern edge; with vocal percussion and beatboxing featuring guest performances from Shlomo, the world renowned beatboxer, and the Vocal Orchestra.

    ...make it funky now
  • The Choral Scholars is an internationally acclaimed chamber choir of gifted student singers led by founding Artistic Director, Dr. Desmond Earley, based at University College Dublin College of Arts & Humanities. Scholars come from various academic disciplines and commit to an intensive programme of choral study. Be all Merry is one of three new pieces especially composed for the Choral Scholars. This lively carol for choir, orchestra and violin by Irish composer Eoghan Desmond evokes the joyful play of Christmas in the lines ‘Be all merry in this house/Exultet celum laudibus!’. The recording contains a remarkable setting of the Advent plainsong hymn Christe Redemptor Omnium for tenor solo, chorus, violin and violoncello by Ivo Antognini, crafted for Choral Scholars with the kind support of the Swiss Embassy in Dublin. The Adoration of the Magi by American composer Timothy Stephens is a breathtaking setting of W. B. Yeats’ poetry. A beautiful Irish-language lullaby – Cró na Nollag – set by father and son, Adhamhnán and Uinseann Mac Domhnaill, and the much-loved Scottish tune simply titled Suantraí, are also included. The Irish Chamber Orchestra are also featured on a number of tracks including The Wexford Carol and Carol of the Bells. The choir closes the album with the song most associated with friendship, hope and the promise of a new year, Auld Lang Syne. The post-production phase of this recording project took place as the world grappled with the outbreak of COVID-19. American composer Linda Kachelmeier’s piece – We Toast the Days – serves as a reminder of the strength, love and hope that resonates throughout the world not simply at Christmastide but also during periods of hardship.
  • Ash Wednesday marks the start of Lent, the forty-day period of fasting and penitence which precedes Easter. Ashes are placed on worshippers’ foreheads in the shape of a cross, as a sign of repentance. Evensong on this day has been an especially important service in the liturgical year at St John’s; the BBC started transmitting it live in 1972. For several decades the service was broadcast annually; more recently it has been biennial. 2019 was a live broadcast year, however the recording on this release uses our own microphones, permanently installed in St John’s College Chapel for webcasting, rather than those of the BBC. This recording will be released around the same time that the Dean of St John’s, Mark Oakley, releases a book on George Herbert’s poems, called My Sour Sweet Days. The book and the recording go well in tandem, as in the Deans first sermon at St. John’s, he said “I believe that when we walk here (The Chapel), we walk into a poem. The liturgy is poetry in motion, and we sometimes fail to understand its density of suggestion, the eavesdropping on the soul, the sensitive state of consciousness that its poetry can prompt.”
  • Signum Classics are proud to release the second disc from the Vasari Singers on Signum Classics, Anthems for the 21st Century. To celebrate its first twenty-five years of vibrant music making, the Vasari Singers commissioned ten composers to each write an anthem that would in their eyes reflect the state of the world at the start of the new millennium. The brief indicated that each work should be suitable as an anthem in an Anglican cathedral Evensong, and that it could also look beyond any constraints of Liturgy or formal religious doctrine to embrace a wider, ecumenical audience. Perhaps something more humanistic that would have a voice in the multi-cultural, multi-faith societies of the new 21st century world? ★★★★ The consistently high level of invention and diverse styles contribute to the album's overall success - Classic FM Magazine The Vasari Singers and Jeremy Backhouse have few equals - Gramophone The choir sings with feeling and perception - Choir & Organ
  • The four coronations of the twentieth century were enormous and extravagant. Replete with festive pageantry, these ceremonies were joyful celebrations of British music, employing tremendous forces. Choirs from across London and beyond were marshalled to provide a chorus of over 400 voices; a full-size symphony orchestra was squeezed into Westminster Abbey, whilst bands of fanfare trumpeters led the pomp and celebration. In the imposing surroundings of Ely Cathedral, Paul McCreesh and Gabrieli bring the history, ceremony and liturgy of these extraordinary events to life. With his renowned creative flair, McCreesh’s painstaking research provides the springboard for their latest ground-breaking recreation project. The result is a joyful celebration of five centuries of choral music, performed with the same vast forces as were heard at the coronation services. Alongside an orchestra of rare early-twentieth century instruments, an extended Gabrieli Consort is amplified by the energetic sound and fresh faces of several hundred young singers from Gabrieli’s choral training programme Gabrieli Roar. The music is interspersed by the coronation liturgy, with Simon Russell Beale speaking the part of the Archbishop of Canterbury. Performance ★★ Recording★★★★★ McCreesh at his considerable best - BBC Music Magazine ★ Paul McCreesh has magnificently recreated this unique coronation rite... truly heart-warming - Choir & Organ ★ An astonishing recording - The Times ★ McCreesh has conceived and executed a magnificent project - Classical Source ★ Palpable enthusiasm and engagement - Planet Hugill One can imagine the virtuosity required by every contributor, at every turn, to make this a reality, let alone a dazzling triumph - Gramophone A most recommendable treat - MusicWeb International This is something very special - Cross Rhythms
  • Few can argue with Tenebrae's international stature as one of the most competent, versatile, exciting and passionate vocal ensembles in the world today. The beauty of Tenebrae's perfectly blended sound coupled with near-flawless technique is showcased in this recording, featuring a selection of their favourite concert repertoire to create a performance worthy of anyone's collection. Allegri's haunting Miserere is the central point in a journey through music of longing and entreaty, hope and faith. These works spanning the centuries are chosen from the heart of Tenebrae's concert repertoire. Featuring works by Taverner, Holst, Rachmaninov, Lotti, Ireland, Harris, Briten and Kodály.  

  • Anna Lapwood is a trailblazing musician. As a broadcaster she is a regular contributor to BBC Radio 3 and hosts a live, weekly classical music show on BBC Radio Cambridgeshire. This year she makes her TV presenting debut, hosting BBC Four’s coverage of BBC Young Musician 2020. Alongside her work as a conductor, Director of Music and public speaker, she performs an extensive number of organ recitals on some of the greatest instruments across Europe each season. Directed by Anna Lapwood, The Chapel Choir of Pembroke College has one of the most exciting and varied ranges of choral endeavours among Oxbridge choirs. Alongside their primary responsibility of contributing to worship in the College’s Chapel, they engage in regular artistic collaborations, media appearances and outreach work. The Pembroke College Girls’ Choir was founded in October 2018 and has quickly gained a reputation as one of the UK’s leading girls’ choirs. Made up of 18 girls aged 11–18, the Choir sings twice a week in the College Chapel, as well as regularly singing alongside the Chapel Choir. This album is the first commercial release for these choirs and Anna Lapwood as a conductor. It is a recording of some of the Choirs’ favourite music, some of which happens to have been written by women and some by men. It is the hope of all involved that the music on the record becomes more well-known and is performed more throughout the UK and worldwide.
  • In their debut disc on Signum, the Caius choir celebrates the relationship between seven British contemporary composers and their influences drawn from the Medieval period. Fascinating stuff - Classic FM Magazine One or two surprisingly mature voices step out for solos from this young choir, and the blend and tuning are generally of a very high standard - Choir and Organ The Choir of Gonville & Caius College, Cambridge is impressively at home in this consummately difficult repertoire - Classics Today
  • The Choir of St John’s College, Cambridge’s advent service is a staple of the British choral world, and is broadcast on BBC Radio 3 almost every year. The service features much-loved favourites from the festive season alongside a variety of new works commissioned especially for the event. This disc of live recordings features performances by the choir from their four most recent services from 2014-17. ★★★★ This superbly programmed collection will take your Advent listening in unexpected, but entirely apposite, directions - BBC Music Magazine The choir has retained its renowned clarity, flamboyance and readiness to take risks - Gramophone The choir has retained its renowned clarity, flamboyance and readiness to take risks - The Guardian This disc gives a very good flavour of the excellent Advent music one can hear at St John’s - MusicWeb International
  • BBC Music Magazine Award winning choir Tenebrae return to disc on Signum under the expert direction Nigel Short with a sumptuous album of Carols, Hymns and other celebratory works for Christmas. It is probably superfluous to say that the performances by Tenebrae are top class - but they are - Music Web International Crystalline beauty... every voice part is constantly alert to the expressive possibilities of the music and crafts it all with care and musicality. The ensemble's extensive experience [is] belied by the disc's youthful, festive joy - Sinfini This uplifting album captures all the passion and precision for which the choir is renowned - The Lady
  • Continuing Signum’s new partnership with Paul McCreesh and the Gabrieli Consort following the triumphant success of Berlioz’s Grande Messe des Morts (SIGCD280), their latest release is a recording of the groups renowned a cappella programme of music for mourning and consolation. This is a beautifully poignant programme of British choral music, including works by composers as diverse as Morley and Dove, Sheppard and Walton and featuring Howells’ sublime Requiem. An excellent disc - Gramophone Gorgeously melancholic British funeral music for unaccompanied choir... beautifully sung by Paul McCreesh's Gabrieli Consort - The Times
    This album [serves] a vital reminder that there is more depth of feeling, emotional power and intellectual stimulation to the art of music-making than we can ever hope to truly understand. All we can do is applaudClassic FM Magazine
  • An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review

  • A sumptuous new recording of Gabrieli Consort & Players’ first, award-winning CD, A Venetian Coronation 1595. Nearly 25 years later, Paul McCreesh has reworked his imaginative reconstruction of a glorious late 16th century Coronation Mass at St Mark’s, Venice. This is an exciting new version of one of Gabrieli’s most influential and enduringly popular programmes, available for the very first time on Vinyl, and recently awarded a Gramophone Award for Best Early-Music recording 2013. Double, 180g Vinyl Release, plays at 33rpm Even if you own the classic Virgin disc, this new version is a must-buyThe Sunday Times Never less than enthrallingThe Independent McCreesh's new take on his classic recording is a triumph … Highly recommended to both first- and second-time buyers, and on track to inspire yet another generation - International Record Review
  • The Gabrieli Consort and Players return to the programme that put them on the musical map when it was originally recorded and released in 1990: A Venetian Coronation 1595 is a musical re-creation evoking the grand pageantry of the Coronation Mass for Venetian Doge Marino Grimani. His love of ceremony and state festivals fuelled an extraordinary musical bounty during his reign and formed the background to the musical riches of the period, especially to the works of Giovanni Gabrieli. With cornetts, sackbuts and an all-male consort, Paul McCreesh fully exploits the dazzling polyphony of Andrea and Giovanni Gabrieli’s music and captivates the audience in a theatrical and ceremonious performance. Two decades later, the Gabrieli's New Venetian Coronation takes advantage of huge developments in early instruments, performance techniques and research into the pieces that were on the original (as well as advances in recording techniques). Even if you own the classic Virgin disc, this new version is a must-buy - The Sunday Times Never less than enthralling - The Independent McCreesh's new take on his classic recording is a triumph … Highly recommended to both first- and second-time buyers, and on track to inspire yet another generationBBC Radio 3 Record Review
  • Signum’s second disc with the Choir of the Queen’s College Oxford is centred around the concept of ‘relevation’, both divine revelation (particularly the apocalyptic visions of the Book of Revelation) and revelatory visions of earth and heaven. The bulk of the pieces on the recording are inspired by the extraordinary visions of John, the writer of the Book of Revelation, describing the ravaging of the world through divine judgement, the battles between good and evil, and the world’s eventual remaking as ‘a new heaven and a new earth’ in which death and suffering are no more. The disc features three new commissions, by Phillip Cooke, Toby Young and Marco Galvani, who was a final-year student at Queen’s at the time of recording.
  • The Temple Church Choir gives the world premiere recording of Nico Muhly’s Our present charter – a brand new four-movement work commissioned by the choir to celebrate 800 years since the sealing of the Magna Carta.  Directed by Roger Sayer and featuring organist Greg Morris, the recording also features choral works by Parry, Vaughan Williams, Walton, Bairstow, Tavener and Haydn.

    ★★★★★ Sensitive interpretations enhance the excellence of the singing... Highly Reccomended -  Choir & Organ ★★★★ Under their new director Roger Sayer the choir is obviously on strong form - Planet Hugill These superb recordings serve as sonorous reminders of the British choral tradition and its vibrant contemporary lifeOpera News