• Choral director, composer and musicologist, Clytus Gottwald turns his attention to complex and masterly choral arrangements of works from the late nineteenth and early twentieth century. Works by European composers including Wagner, Mahler, Debussy and Webern are arranged in up to sixteen parts, performed by the Rodolfus Choir, directed by Ralph Allwood. ★ Do his arrangements stand up well against the original? The answer is mainly yes. This is thanks to the persuasive performance of the young singers of the Rodolfus Choir, who do not blench at what is sometimes a formidable task - Choir and Organ Gottwald's awesome technical demands put much of this music way beyond the scope of most choirs, and it is greatly to Ralph Allwood's credit that the Rodolfus Choir, most of whom are students and all of whom are under 25, have not only tackled this music at all but have done so with considerable distinction... They clearly relish the vocal harmonics in Ravel's Soupir, they love the bell effects in Debussy's Les Angélus, they positively luxuriate in the warm glow of Gottwald's take on 'O mio babbino caro' and they float around with enormous enthusiasm in the misty textures of Caplet's Présentation - Gramophone
  • One of the UK’s most lauded composers, Roxanna Panufnik celebrates her 50th birthday with a new release of her previously unrecorded choral music, performed by leading British choir Ex Cathedra under Jeffrey Skidmore. Known for her interest in world music, the programme includes performances from Indian arts organisation Milapfest on Unending Love, as well as the a recording of Child of Heaven: Dawn Chorus III – a new commission from Ex Cathedra that sets a Hymn to Dawn from the Rig Veda.

    Roxanna has written a wide range of pieces including opera, ballet, music theatre, choral works, chamber compositions and music for film and television which are regularly performed all over the world. This disc follows the 2017 release of 99 Words (SIGCD519), combining works by Panufnik and Sir John Tavener.

    ★★★★ Beguiling and soothing, it’s Panufnik at her most individual - Classical Source ★★★★ Very exciting - All Music A pleasurable disc - Gramophone

    The work is elegantly-shaped and full of warmth, rather like this disc as a whole - BBC Music Magazine

    This album is a fine and nicely varied birthday gift from Ex Cathedra to Roxanna Panufnik - Music Web International

  • Signum Records are pleased to welcome a new ensemble to the catalogue: The Elysian Singers perform choral works by composer James MacMillan. MacMillan characteristically draws inspiration for his vocal works from recurring themes such as the Catholic Church and Scottish traditional culture. The most substantial work on this recording is Cantos Sagrados ("Sacred Songs"). MacMillan takes the poems of Latin American poets Ariel Dorfman and Ana Maria Mendosa, and combines their settings of political repression with traditional religious texts to create a powerful combination of liberation theology. The result is at times delicate, and then terrifying. The composer’s intentions were to create a work both sacred and secular, being timeless yet contemporary. Of the other works on this disc, the majority are settings of Latin or English religious texts often written for particular occasions or places. A Child’s Prayer, for instance, was dedicated to the victims of the Dunblane tragedy of 1996, where one teacher and sixteen of her pupils were shot dead whilst in class. One of the two secular works on this recording, The Gallant Weaver is a setting of that most Scottish of poets, Robert Burns, to a nostalgic evocation of Celtic folk-music. The Elysian Singers were founded in 1986. Since 1999 they have been directed by Sam Laughton and have established a national reputation as a young and lively chamber choir, winning awards for commissioning new music.
  • Cantos Sagrados

    £8.00£14.00
    The National Youth Choir of Scotland is an outstanding choir for young people aged 16 to 25, directed by world-renowned conductor Christopher Bell. Membership is granted by yearly auditions to singers born, resident or studying in Scotland. In 2012 the choir was presented with the Royal Philharmonic Society’s Ensemble Award. Formed in 1891 as the Scottish Orchestra, the company became the Scottish National Orchestra in 1950, and was awarded Royal Patronage in 1977. The Orchestra’s artistic team is led by Danish conductor Thomas Søndergård, who was appointed RSNO Music Director in October 2018, having previously held the position of Principal Guest Conductor. NYCOS and RSNO join forces to create an eclectic mix of recordings, performing some timeless classics, as well as exploring some contemporary repertoire. The excellent stadards of both ensembles makes for an exciting listen in what is NYCOS’ first recording with Signum. Booklets included with all downloads. 
  • Rupert Gough and The Choir of Royal Holloway release a new single with soprano Laura Wright, raising awareness of mental health and encouraging people to seek support and donate to mental health charities if they feel able to. The track, written by composer Thomas Hewitt Jones and lyricist Matt Harvey, speaks of the loneliness and despair felt by many around the world during the COVID-19 pandemic. All of the musicians involved gave their services for free and hope that the song can be an anthem for kindness, bringing hope all around the world to those suffering with their mental health. Proceeds from the single will be donated to a number of UK-based mental health charities. The music video for Can You Hear Me? can be found HERE.
  • Led by Mark Williams, the Choir of Jesus College, Cambridge continue their critically-praised series of recordings on Signum with this new recording of works by British composers Britten and Byrd. William Byrd and Benjamin Britten, their respective careers separated by about three hundred and fifty years, share one very significant characteristic. They were both, in quite different ways, outsiders. As a devout Catholic existing within an alien environment – a state which ultimately viewed Catholicism as the equivalent of sedition – Byrd was obliged to pursue a kind of double life, expressing his spiritual exile in music of emotional intensity. Like Byrd, Britten became highly regarded by the establishment for his artistic achievements, but reservations regarding his homosexuality prevented his complete acceptance. Both his pacifism and his sexual orientation made him an outsider.
  • Following their acclaimed recordings of Berlioz’s Grande Messe des Morts and Mendelssohn’s Elijah, Paul McCreesh has once again assembled the mass forces of Gabrieli Consort & Players and Wrocaw Phiharmonic Choir to record one of the iconic masterpieces of the twentieth-century oratorio repertoire.
    The work reflects Britten’s long-held and committed pacifist beliefs. Composed to mark the consecration of a new Cathedral in Coventry, Britten combines the Latin text of the Missa pro Defunctis with nine poems by the First World War poet Wilfred Owen, which vide a moving (and frequently uncomfortable) commentary on the liturgical text.
    This series has already garnered substantial critical claim and a number of prestigious awards, including a Gramophone Award, BBC Music Magazine Award and two Diapason d'Or awards.
    It’s a very well-paced performance, and Susan Gritton, John Mark Ainsley and Christopher Maltman are excellent soloists, totally engaged with Britten’s combination of the Latin Mass for the Dead and Wilfred Owen’s war poetry. It’s an outstanding recording for the Winged Lion Label from Signum ClassicsBBC Radio 3 CD Review
  • Britten’s powerful and masterful evocation of the North Sea in all its moods has to audiences all over the world become inextricably linked with the Aldeburgh that was home to George Crabbe (author of the ‘The Borough’ from which the story originates) in the eighteenth century and Britten in the twentieth.
    Steuart Bedford leads a vast and accomplished ensemble on this new live recording, created shortly before the group’s unique staging of the work on the beach at Aldeburgh as part of the town’s world-renowned festival. The mix here is imperceptible and the sound unobtrusive; engineer Mike Hatch deserves a credit twice the size and conductor Steuart Bedford pulls off an extraordinary feat of coherence and endurance. But it’s Oke who makes the case for Peter Grimes and steals the show. There used to be two great Grimes on record: Peter Pears and Jon Vickers. Now there are threeSinfini Music
  • BBC Music Magazine Award-winning choir Tenebrae perform a sumptuous selection of motets by Johannes Brahms and Anton Bruckner. Choral Recording of the Year: Performance ★★★★★ Recording ★★★★★ A beautifully balanced programmeBBC Music Magazine ★★★★★ Complex, rich and beautiful... performances are everything we have come to expect from Tenebrae, likewise Signum's recorded sound - Classical Music ★★★★ Richly Expressive - The Observer Tenebrae score on all counts. They submit with impressive stamina and unfailing intonation to Bruckner’s instrumental scoring and phrasing - Gramophone The dense harmonies suit this well-established professional choir perfectly - The Guardian Beautifully performed, seraphic sequence - The Sunday Times
  • Chilcott’s mighty setting of words from St John’s Gospel is a dramatic yet optimistic retelling of the Passiontide story. The work combines 13th and 17th century English poetry with the King James Bible text settings and, as with Bach’s great Passion settings, the role of the Evangelist is taken by the tenor soloist, who provides a melodious narrative throughout. Including 5 well- known hymn texts set to new, original melodies, the work further confirms Chilcott’s status as one of the world’s most popular active choral composers.

  • Voce’s mission, as articulated by Artistic Director Mark Singleton, is to Serve Harmony. They strive to perform each piece as a unified ensemble – to get straight to the heart of each composition. This cooperative spirit enables them to render music that expresses, as closely as possible, the intent of the composer. Paul Mealor’s music, in turn, comes from a place of deep humility. It stirs the soul, allowing the spirit of all who hear it a direct, unconditioned experience of peace, love, compassion and a profound joy. When Paul came to work with Voce in 2017, it was obvious that Voce and Paul Mealor were a perfect pairing. Some things are just meant to be.   All downloads include booklets.
  • This is the first in a new series of releases from the world-renowned conductor Paul McCreesh and his Gabrieli Consort. Recorded in Poland as part of the Wratislava Cantans Festival (of which McCreesh is artistic director) this staggering performance of Berlioz's 'Grand Mass for the Dead' is produced by a force of over 400 performers - drawn from the Gabrieli Consort and Players, the Wroclaw Philharmonic Orchestra and Choir and students from Chetham's School of Music. Future releases with McCreesh will include Mendelssohn's Elijah, Haydn's The Seasons, Britten's War Requiem and a re-recording of their famed disc 'A Venetian Coronation'. Founded in 1982 by Artistic Director Paul McCreesh, Gabrieli Consort & Players are worldrenowned interpreters of great choral and instrumental repertoire, spanning from the renaissance to the present day. Their performances encompass virtuosic a cappella programmes, mould-breaking reconstructions of music for historical events, and major works from the oratorio tradition. They are regular visitors to the world's most prestigious concert halls and festivals and have built a large and distinguished discography. Anyone in search of a transformative listening experience, Berlioz agnostics among them, should make this release a priority purchaseClassic FM Magazine The contrapuntal intricacy of Berlioz's choral writing is done with precision and firm accents, the haunted atmosphere of the 'Quid sum miser' interpreted with restrained, eloquently inflected choral singing and poignant instrumental interjectionsGramophone Berlioz’s 1837 Grande Messe has rarely sounded so thrilling or transparentThe Independent on Sunday
  • Beowulf

    £12.00
    The story of Beowulf, although thousands of years old, is still loved by many all over the world. This recording of a new musical telling of the story, composed by Toby Young, blurs traditional sense of the genre of classical music by merging it with folk and popular music. This fusion is what makes Beowulf a fantastic story. The greatest versions of the story are not the simple good verses bad, but the ones which involve slight ambiguous points; ones which allow the reader/listener to mkae his/her mind up about what is exactly going on. The combination of Toby Young’s score and Jennifer Thorp’s libretto create this perfectly.
  • VOCES8 and Les Inventions shine a light on a hidden musical treasure in these world-premiere recordings of Charles Avison’s 1757 adaptation of Benedetto Marcello’s Estro-poetico armonico. A fresh and original collection, Marcello’s Psalm settings were composed in Venice and quickly found fame across Europe after their publication between 1724 and 1726. ★★★★★ The results are wholly delightful and absorbing, and the intimate forces of VOCES8 and Les Inventions are completely at home in this repertoire - Choir & Organ ★★★★ With their vivid word-setting and lively declamation, the English texts give a slightly homespun quality to the enterprise. Well sung, there's a striking triple canon with Latin text to finish - The Observer ★★★★ Marcello's masterpiece receives...world premiere recording here by VOCES8, accompanied by the organ, recorder and strings of French early-music ensemble Les Inventions - The Independent Very polished - BBC Radio 3 CD Review A nice variety of vocal colours and a lovely blend make for a convincing representation of Marcello's largely unknown masterpiece Estro poetico-armonico. More please - Early Music Review
  • Ben Parry: The Hours

    £8.00£14.00
    This recording made by the Royal Holloway Choir celebrates the music of Ben Parry. His compositions and arrangements include the popular Faber Carol Book and a burgeoning catalogue of choral music for Peters Edition and Oxford University Press. He has enjoyed commissions from, among others, St John’s College, Cambridge, The Cathedral Choral Society of Washington DC, VOCES8, the BBC Singers, Chelmsford, Ely, Norwich and Worcester cathedrals, and his music has been heard at the BBC Proms and on the TV and radio. In this recording, he sets the words of poems by Garth Bardsley, who says about Ben’s work “all of my poems stand alone but given the Parry treatment, I know that they take flight.” The Choir of Royal Holloway is considered to be one of the finest mixed-voice collegiate choirs in Britain. Their recordings on the Hyperion label have attracted top reviews from all major music publications. The choir gives 50-plus concerts a year with a particular specialism in collaborating with living composers. The choir has collaborated, performed and recorded with many prestigious ensembles, including The King’s Singers, BBC Singers, London Mozart Players, Tallinn Chamber Orchestra, Onyx Brass, Fretwork, and the Britten Sinfonia.   All downloads include booklets.
  • Beethoven’s euphoric Symphony No. 9, like his Symphony No. 5, is one of those pieces of classical music which transcends the barrier between musical genres – one of the few pieces of the classical canon in the popular consciousness. Few can fail to be uplifted and caught up in the joyous Ode to Joy finale. For this performance, recorded live at the Edinburgh International Festival in 1994, the Orchestra of the Age of Enlightenment were joined by the renowned conductor and long-time collaborator, Sir Charles Mackerras, a partnership between him and the OAE that lasted almost a quarter of a century. ★★★★★ One of the most thrilling Beethoven interpretations I have ever heard. It bristles with revolutionary spirit … The OAE play like gods and demons - The Financial Times ★★★★★ The slow movement is full of spiritual balm. The outer movements are elemental in proper revolutionary style; the finale’s found British soloists are excellent. Highly recommended - The Mail on Sunday Fine choral singing by the New Company, and Mackerras's masterly control, make the finale as electrifying as only it can be - The Times