• Acclaimed for their life-affirming virtuosity and irresistible charm, The King’s Singers are in global demand. Their work – synonymous with the best in vocal ensemble performance – appeals to a vast international audience. The Library is the name of a series of EP releases that celebrates our ‘close-harmony’ library, both historically and as it grows each year. Close-harmony is the phrase we have always used to describe its lighter repertoire, and we see The Library as our chance to make sure this rich vein of great song-writing and arranging gets the place of prominence it deserves. The Library recording series will involve regular releases which will come out alongside other touring and recording projects, giving us an output for revisiting some of these old favourites and commissioning brand new close harmony from recent releases. Every volume in The Library series will capture a variety of songs, celebrating the wonderful diversity of music in our world today.
  • The Temple Church is one of the most historic and beautiful churches in London. Situated between Fleet Street and the Thames Embankment, its recorded musical history extends back to its restoration in 1841, although a church has stood on the site for over 800 years.

    The modern choir is comprised of 18 boy choristers and 12 professional choirmen – an excellent opportunity for the choristers who receive singing and theory tuition as well as generous scholarships towards their education. The programme explores three fascinating and contrasting settings of the Te Deum: A stalwart of the church liturgy (first conceived as far back as AD 387), these settings span over 300 years of English music history, composed respectively in 1694 (Purcell), 1897 (Elgar) and 1944 (Howells).

    This disc is complemented by the release of James Vivian’s English Organ Music from the Temple Church. 

     

     

     
  • A stellar line-up of soloists, conductor, choir and orchestra combine forces in the re-mastered 2 CD set of Mozart's arrangement of Handel's much loved 'Messiah'. In April 1742, shortly after the first performance of Messiah in Dublin for the city's Charitable Musical Society, the Dublin Journal reported that the oratorio "was allowed by the greatest of Judges to be the finest Compostion of Musick that was ever heard". Sir Charles Mackerras continues the constantly evolving performance history of one of the world's most enduring masterpieces. Highly enjoyable - BBC Music Magazine  
  • As 2014 heralds the composer’s 80th year, Harrison Birtwistle remains one of the most popular voices in contemporary composition in the UK and beyond. This new collection of premiere recordings draws together recent commissions with older works to mark the occasion, with characteristically flawless performances from the BBC Singers under Nicholas Kok. They are joined on this disc by the Nash Ensemble and baritone Roderick Williams.

    Best Classical CDs of 2014 The Guardian ★★★★★ Recorded after a memorable Proms UK premiere last year, The Moth Requiem is one of Birtwistle's most austerely beautiful works ... The Ring Dance of the Nazarene, featuring a standout contribution from Williams, is similarly striking, as are performances and recording - Classical Music Magazine Birtwistle’s characteristic melodic angularity and rhythmic complexity are duly represented in six pieces written between 1965 and 2012, including two strikingly evocative recent triumphs — the buoyantly mystic Ring Dance of the Nazarene and the shadowy, haunting Moth Requiem — with all of it sung supremely well - The New York Times Birtwistle is scaling new heights just now, and the elegiacMoth Requiem transports us to a sonic world of beguiling mystery. These singers have his music in their bones, presenting it with precision and sensitivity, be it the stark, monumental Carmen Paschale, a glistening gem of a Lullaby or the dynamic Ring Dance of the Nazarene- BBC Music Magazine
  • This 3CD set comprises a selection of great albums by the Rodolfus Choir, made up of singers aged from 16 to 25 who have been chosen from past and present members of Eton College's summer choral courses for prospective choral scholars. The disc devoted to Francis Grier is an exceptionally fine one … The performances are generally excellent, so too the recordings - Musicweb International Recommended without reservation and, as they say, the further volumes are eagerly awaited - Musical Pointers
  • Former King's Singer Bob Chilcott conducts a stellar array of his choral music, in a collaborative performance with the Wroclaw Philharmonic Choir. Described by the Observer as “a contemporary hero of British Choral Music”, Bob Chilcott works tirelessly as a composer and choral conductor - August 2012 saw the first performance of The Angry Planet in the BBC Proms at the Royal Albert Hall, and he has recently completed commissions for The Bach Choir, BBC Singers and National Youth Choir of Great Britain.
  • The King's Singers' collaboration with Signum Records continues with this outstanding collection of madrigals from 23 composers including Thomas Morley, John Bennet, Michael Cavendish and Thomas Weelkes. A collection of 25 madrigals from 23 different composers - from the famous to the obscure - make up this Elizabethan curiosity, published in 1601 by Thomas Morley. A musical dedication to Queen Elizabeth I, The Triumphs of Oriana displays the talents of English songwriters, long overshadowed by their European counterparts, conjuring up an image of an idealised and mythical England of old. ★★★★ The King's Singers deliver these songs with insistent voices, the imitative pairs beautifully balanced across the stereo, the intonation faultless and the diction unmistakable - The Times This disc is a triumph of majestic vocal ensemble - Classic FM Magazine Long live the King's Singers - Goldberg Magazine  
  • William Byrd, favourite of Queen Elizabeth I, was a confirmed and practising catholic who worshipped in defiance of the Queen. His status and perhaps even his life was preserved thanks partly to the undeniable mastery of his music, and to the fact that he was careful to maintain an output of music appropriate for a Protestant Rite (simple and English) as well as a Catholic one (florid and Latin). Byrd was by no means the only major Catholic composer working in England during these years. Furthermore, there were English composers whose faith drove them to work abroad, as well as foreign composers who offered sympathy and encouragement to English catholics. Included in this latter category was the Flemish composer Phillipe De Monte who entered into a fascinating compositional correspondence with Byrd. Verses of Psalm 136 ‘Super Flumina Babylonis’ (containing many allegorical references to the plight of catholics unable to practice their faith openly) were set to music and exchanged, in what is now seen as an encoded message of mutual support and friendship between brothers in faith. Gallicantus are perfectly placed here to compare the works of William Byrd and Philippe de Monte - The Independent The singing is beyond exemplary: deeply felt, tenderly phrased, perfectly balanced, with the most profound understanding, seemingly bred in the bone - Choir & Organ The intensity of the music is reflected in Gallicantus's beautifully shaped performances - The Sunday Times In Mark Chambers, Gallicantus boast a countertenor 'lead' of near-flawless poise and eloquence - Gramophone
  • Jonathan Dove wrote There Was a Child as a tribute to a friend’s son who died tragically young. Filled with both joyous celebration and heartfelt emotion, it’s a big, warm-hearted modern masterpiece in the spirit of Britten and vaughan Williams – following in an evergreen english tradition and featuring the combined forces of the CBSO and CBSO Chorus, Youth Chorus and Junior Chorus with soloists Joan Rodgers and Toby Spence.

    [Dove] has thus achieved the near-impossible: a work that commemorates an event which is surely every parent's darkest fear but which at the same time truly and positively fulfils the commissioner's brief, 'to celebrate' this young, short lifeInternational Record Review Joyous, vibrant, passionate ... There Was a Child is a major addition to the choral repertoireFinancial Times Dove's adroit choice of poetry, orchestrated with imagination and humour, provides an endearing story of a boy through to adolescence, and although there is pathos it is never mawkish - Choir & Organ
  • The Choir of the West is the premier choral ensemble of the Department of Music at Pacific Lutheran University, located in Tacoma, Washington. The choir was founded in 1926, and was the third Lutheran college choir to tour extensively throughout the United States. Choir of the West has toured to Europe, Scandinavia, Japan and China, and has been selected to appear at several regional and national conferences of the National Association for Music Education and the American Choral Directors Association. In November of 2015 the choir was a featured ensemble at the National Collegiate Choral Organization Conference, held in Portland, Oregon, performing with renowned conductor Simon Carrington. During the summer of 2011, Choir of the West competed among choirs from 47 nations at the prestigious Harmonie Festival in Lindenholzhausen, Germany, winning two gold certificates and one silver. In 2015 the choir competed in the Anton Bruckner Choir Competition, held in Linz, Austria. This record celebrates the music of Latvian composer Ēriks Ešenvalds. One of the most sought-after composers of today, Ešenvalds studied both in Latvia and the UK. He has had works premiered by the Boston Symphony Orchestra and the City of Birmingham Symphony Orchestra, which have won him many awards.
  • Signum Records is delighted to announce the completion of Chapelle du Roi's recordings of the complete works of Thomas Tallis. This major project has taken seven years to complete. It was the brain child of Alistair Dixon and brought to fruition jointly by Chapelle du Roi and the engineering and production company Floating Earth.
  • This disc is the first in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). Not for nothing is Tallis known as the "father of church music" – with his colleagues at the Chapel Royal he created most of the church music genres that we take for granted today. Volume one in the series of nine contains much of the music that Tallis wrote during the reign of Henry VIII. The two early votive antiphons Ave Dei and Ave Rosa open the disc and it concludes with one of Tallis's masterpieces Salve Intemerata. Unusually for an English composer of the time, Tallis wrote a "parody" mass based on material from Salve Intemerata. Also included are two beautiful miniatures not previously recorded – Alleluia: Ora pro nobis and Euge celi porta. This was the first disc to be recorded by Chapelle du Roi and was Signum Records' debut disc in February 1997. The singing is of great distinction - Goldberg Magazine The quality of this disc will surely put these talented performers on the musical map - BBC Music Magazine
  • This disc is the second in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). As the 1540s developed, the Reformation began to take hold and the style of music required from composers such as Tallis altered radically. The large-scale melismatic votive antiphons (for example those on disc 1) were no longer required; the emphasis moved away from Marian devotion to a more syllabic and compact style and, eventually, to settings of English rather than Latin texts. Disc two traces this development from the Jesus antiphon Sancte Deus, to the mass for four voices, the three early English anthems including If ye love me, the Te Deum for meanes and the Elizabethan Magnificat and Nunc dimittis. A stimulating second volume in this distinguished series - Penguin Guide to Compact Discs A beautiful homogeneous quality and are pure and uncomplicated - Footloose Magazine
  • This disc is the third in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). Not for nothing is Tallis known as the "father of church music" – with his colleagues at the Chapel Royal he created most of the church music genres that we take for granted today. In chronological terms Volume 3 follows on quickly from the Edwardine music of Volume 2 with repertoire written for the Marian reversion to Catholicism in 1553. Here we meet Tallis the composer of music for the old English liturgy in both a modern “continental” style and a self-consciously old fashioned English style. The music includes the extraordinary seven part mass Puer natus est nobis of 1554 and the similarly-scored motet Suscipe Quaeso. A speculative reconstruction Beati immaculati opens the disc and it concludes with the monumental six part votive antiphon Gaude Gloriosa. Alistair Dixon, the conductor and founder of Chapelle du Roi, has shaped a remarkably beautiful CD here - Evening Standard The sound is finely honed and balanced, in the British tradition ... this is wonderful music, wonderfully sung - Goldberg
  • This disc is the fourth in a series of nine covering the complete works of Thomas Tallis (c.1505-1585). Not for nothing is Tallis known as the "father of church music" – with his colleagues at the Chapel Royal he created most of the church music genres that we take for granted today. Volumes 4 and 5 both focus on music written for the office hours – the daily services found mainly in the monasteries that eventually suffered at the hands of Henry VIII’s dissolution. Here we have a selection of hymns and Responds from the Henrician and Marian periods, each matched with their accompanying plainchant taken from contemporary sources.
  • This disc is the fifth in a series of nine that covers Thomas Tallis’s complete surviving output from his five decades of composition. In this disc we continue to explore the choral music of the Divine Office, progressing with the choral hymns and responories not found in volume 4. Music for the Divine Office  is completed with Tallis’s liturgical organ music: five hymns and three antiphons for the Divine Office, an Alleluia for the Lady Mass and an extended setting of the offertory Felix Namque. Tallis’s written music for the liturgy is modest in style, inventive and very appealing. His surviving output of written keyboard music is very small in light of his reputation. It is possible that much of this written music has been lost, and even more likely that the majority of his keyboard performances were improvised, and therefore not strictly notated. This CD offers reconstructions based on what is known of liturgical practice at the time when this music was most probably written (the later years of Henry VIII and those of Queen Mary I). Recording the organ works of Tallis involves a number of difficult decisions, not least the choice of organ, as there are no surviving English organs from the sixteenth century. The organ in the late medieval private chapel of Knole, a vast country house in Kent, is arguably the oldest playable organ in England. It’s joints can sound rather rattley, and it has some trouble breathing at times (although the regular creak of the bellows being pumped by foot is a reassuring link with the pre-electric past). However, the sound of this organ in the Knole chapel acoustic might not be far off from what Tallis knew from inside the Chapel Royal. Once again Chapelle du Roi presents an inspired and historically informed performance of the sacred renaissance repertoire for which they are celebrated. ★★★★★ The singing is shapely and serene with a satisfying edge, and the recorded sound is generous without obscuring detail - Choir & Organ ★★★★ Beautiful contemplative music - The Times ★★★★ [A] magnificent recording - Goldberg Magazine