• The four coronations of the twentieth century were enormous and extravagant. Replete with festive pageantry, these ceremonies were joyful celebrations of British music, employing tremendous forces. Choirs from across London and beyond were marshalled to provide a chorus of over 400 voices; a full-size symphony orchestra was squeezed into Westminster Abbey, whilst bands of fanfare trumpeters led the pomp and celebration. In the imposing surroundings of Ely Cathedral, Paul McCreesh and Gabrieli bring the history, ceremony and liturgy of these extraordinary events to life. With his renowned creative flair, McCreesh’s painstaking research provides the springboard for their latest ground-breaking recreation project. The result is a joyful celebration of five centuries of choral music, performed with the same vast forces as were heard at the coronation services. Alongside an orchestra of rare early-twentieth century instruments, an extended Gabrieli Consort is amplified by the energetic sound and fresh faces of several hundred young singers from Gabrieli’s choral training programme Gabrieli Roar. The music is interspersed by the coronation liturgy, with Simon Russell Beale speaking the part of the Archbishop of Canterbury. Performance ★★ Recording★★★★★ McCreesh at his considerable best - BBC Music Magazine ★ Paul McCreesh has magnificently recreated this unique coronation rite... truly heart-warming - Choir & Organ ★ An astonishing recording - The Times ★ McCreesh has conceived and executed a magnificent project - Classical Source ★ Palpable enthusiasm and engagement - Planet Hugill One can imagine the virtuosity required by every contributor, at every turn, to make this a reality, let alone a dazzling triumph - Gramophone A most recommendable treat - MusicWeb International This is something very special - Cross Rhythms
  • The Armonico Consort return to disc on Signum (following their highly-regarded Naked Byrd CD series) with a new disc celebrating the glorious combination of soprano and trumpet in baroque music – featuring the soaring talents of Elin Manahan Thomas and Crispian Steele-Perkins. Widely-praised for their imaginative and inventive programming, this disc features works by JS Bach (Jauchzet Gott in allen Landen), GP Telemann (Trumpet Concerto in D major), Alessandro Scarlatti (Su le sponde del Tebro) and a special compilation of works by Handel devised by Crispian Steele-Perkins. The tone is immediately set by Crispian Steele-Perkins' trilling trumpet on Bach's Jauchzet Gott in alien Landen, which also features quite thrilling counterpoints between him and soprano Elin Manahan ThomasThe Independent
    The whole thing seems suffused with light reflected from Manahan Thomas’ voice, and Steele-Perkins’ effortlessly projected trumpetBBC Radio 3 Record Review
  • Signum Records is delighted to release The King's Singers debut album on the Signum label. King’s Singers Christmas comprises 24 carols for each day of Advent, and a bonus 25th track which pays homage to one of their famous songs. Featured on the disc are such celebrated carols as Away in a Manger, specially arranged for the group and other traditional carols performed in their original versions. Even though nearly every piece on this disc could be heard in an English church carol service, the variety of musical styles covered is immense. Five centuries of music are represented here including works from various different countries. "As a group that spends much of its life on the road, we are fortunate to be able to gather music from many cultures and traditions beyond our own" says Gabriel Crouch. "Several pieces collected on our travels have found their way onto this playlist, including La Peregrinaçion by the Argentinian Ariel Ramirez, and the Polish-Ukranian song Szczo to za Prediwo, which we first heard performed by a choir from Warsaw at a King’s Singers workshop". In addition to the choice of traditional Christmas carols we have chosen pieces by Peter Warlock, John McCabe, John Rutter, Bo Holton and our own Philip Lawson, as representative of the living tradition amongst English institutions for commissioning new carols. A King’s Singers Christmas album would not be complete, however, without a little musical twist or two. These are delivered in the form of Tchaikovsky’s The Crown of Roses which has been arranged by the great jazz arranger Jeremy Lubbock and a new version with Christmas words by Philip Lawson of the perennial King’s Singer’s favourite You are the New Day, sung to the accompaniment of a String Quartet. Nothing fazes them, however tough the demands, and there is a combination of precision and warmth to the singing, captured in sympathetic acoustics - Daily Telegraph The King's Singers' style is beautifully detailed, and even the most familiar carols sound fresh - Classic FM Magazine If you love Christmas music recordings, well, what are you waiting for? This is one of the best ever - ClassicsToday.com Precise intonation, instinctive articulation, a downy, luxuriant tone, all captured in an excitingly lifelike recording - International Record Review  
  • 2018 Grammy Award nominees Tenebrae perform a new collection of choral works by Polish composer Paweł Łukaszewski.

    Born in southern Poland in 1968 in the city of Częstochowa and described by Gramophone as writing “enchanting choral music…beautifully measured phrases, immaculately tailored textures and ingenious use of light and shade to invoke light shining in darkness”, Łukaszewski has secured a place in the forefront of European sacred music with performances throughout the world and his works featuring on over one hundred recordings. He studied at the Fryderyk Chopin Academy of Music, where he still teaches, and is now the Artistic Director and Conductor of Musica Sacra Cathedral Choir in Warsaw.

    This collection of sacred choral works bears an easily-discernible cultural link with his Polish predecessors such as Lutosławski and Penderecki, but the influence of Henryk Górecki and the Estonian Arvo Pärt is evident too in the fervent but restrained spiritual aspect of Łukaszewski’s music, and his individual voice never stoops to mere imitation.

    There is always a sense of rhythmic and harmonic displacement about his work, which makes it not only difficult to deliver but curiously timeless  - Choir and Organ Very effectiveGramophone I would strongly recommend this as a CD of great interest, wonderfully well sung - Cathedral Music Magazine Moving and upliftingCross Rhythms I offer plaudits to Nigel Short and Tenebrae for their quality of singing and commitment - iClassical
  • 99 WORDS

    £12.00
    Voce Chamber Choir’s new disc is a moving tribute to Sir John Tavener, featuring a selection of works by him (many of which are previously unrecorded) and by Roxanna Panufnik. At the heart of the disc is the premiere recording of Panufnik’s 99 Words to my Darling Children, a moving setting of Tavener’s last message to his family. As well as the Voce Chamber Choir, the disc features performances from cellist Matthew Barley, organist James Sherlock and narration from Simon Russell Beale. ★★★★★ Voce Chamber Choir offer a well-balanced sound with a polished sheen to their singing. An unusual and most welcome disc - Choir and Organ The result – a lullaby that cradles its sung text with infinite tenderness – is exquisite, and beautifully handled… a strong, and very welcome, first outing - Gramophone It’s a really lovely programme… lovely moment of connection between the two, a lovely homageBBC Radio 3
  • The Choral Scholars of University College Dublin are Ireland’s leading collegiate choral ensemble, and for their first recording on Signum they perform an enchanting and ground-breaking collection of traditional and Celtic-inspired choral music, led by their director Desmond Earley.
    ★★★★ Blending 'folk' voices with choral precision and tight harmony isn't easy, but Desmond Earley has a passionate stake in both and doesn't put a foot wrong - Choir and Organ Bright young thingsThe Irish Times
     
  • Mass in Blue, performed by ‘one of the most accomplished small choral groups of our time’ (Gramophone), is a brilliant blend of driving jazz grooves and clear, strong, choral writing against which the solo piano and solo soprano voice weave and blend in a delightful aural tapestry. Leading young composer Will Todd performs a unique fusion of sacred choral music and jazz in his Mass in Blue. This central work is complemented by beautiful musical settings of religious texts, infused with a highly individual and melodic style, bringing the composer’s lifelong love of traditional choral music into the 21st century with spiritual sensitivity and a contemporary edge. The performances are excellent, as is the recording - Musical Opinion  The Vasari Singers deliver the irregular rhythms with great punch ... Will Todd’s music receives the strongest possible advocacy on this CD - MusicWeb International  
  • Supersize Polyphony is a celebration of large-scale choral works from the 16th century, performed here by the Armonico Consort and the Choir of Gonville and Caius College, Cambridge, under their musical directors Christopher Monks and Geoffrey Webber. The unique programme features epic motets, such as Thomas Tallis’ Spemin Alium and Alessandro Striggio’s Ecce Beatam Lucem, alongside his rarely performed 60 part Missa sopra Ecco Si Beato Giorno. Interspersed with the serene beauty of ethereal chants by Hildegard of Bingen, this new recording presents works of magnitude and polyphonic drama in stellar performances by two of the UK’s leading choral ensembles. The direction is clear and the results are exciting - MusicWeb International
  • Sale!

    Perpetual Twilight

    £12.00 £9.60
    The Choral Scholars of University College Dublin and Artistic Director Desmond Earley follow up their debut release with a programme of new choral music inspired by the evocative imagery of the natural world in traditional Irish and Scottish folksong and poetry. The disc includes a number of world-premiere recordings of new works and arrangements commissioned by the choir. The Choral Scholars of University College Dublin, under the artistic direction of Desmond Earley, is Ireland’s leading collegiate choral ensemble. With a large repertoire ranging from art to popular music, and stretching from the medieval to the contemporary in style, this choir gives many concerts throughout the academic year, both in Ireland and abroad. This whole project exudes quality - Gramophone Excellently sung - BBC Music Magazine Earley [shapes] a sequence of traditional Irish settings with contemporary material, [and his] setting of 'Danny Boy' [is] quite beautiful - Choir & Organ
  • The Gabrieli Consort and Players return to the programme that put them on the musical map when it was originally recorded and released in 1990: A Venetian Coronation 1595 is a musical re-creation evoking the grand pageantry of the Coronation Mass for Venetian Doge Marino Grimani. His love of ceremony and state festivals fuelled an extraordinary musical bounty during his reign and formed the background to the musical riches of the period, especially to the works of Giovanni Gabrieli. With cornetts, sackbuts and an all-male consort, Paul McCreesh fully exploits the dazzling polyphony of Andrea and Giovanni Gabrieli’s music and captivates the audience in a theatrical and ceremonious performance. Two decades later, the Gabrieli's New Venetian Coronation takes advantage of huge developments in early instruments, performance techniques and research into the pieces that were on the original (as well as advances in recording techniques). Even if you own the classic Virgin disc, this new version is a must-buy - The Sunday Times Never less than enthralling - The Independent McCreesh's new take on his classic recording is a triumph … Highly recommended to both first- and second-time buyers, and on track to inspire yet another generationBBC Radio 3 Record Review
  • Four CDs for £20 Four early discs from the professional chamber-choir Tenebrae, who since their formation by former King's Singer Nigel Short have become one of the finest choral-groups in the UK. The combined experiences of the choirs members (who between them have worked with The Monteverdi Choir, the choirs of Westminster Abbey and Cathedral,  King’s College, Cambridge, I Fagiolini, The Tallis Scholars, The Swingle Singers, The King's Singers Gallicantus, Covent Garden, English National Opera) allows an extraordinary range of depth and precision to their performances and interpretations. These four discs are the first they released on Signum - covering music by Rachmaninov, Karl Jenkins, Howells and many others. The Dream of Herod features music for Advent, anthems for the Mother & Child, music for Christmas, and The Dream of Herod, a semi-dramatic contemporary work with a particular resonance at Christmas. Mother and Child is a distinctive and distinguished collection of works by a number of living composers, many of whom have established themselves at the creative forefront of the choral scene in recent times. Includes premiere recordings of works by Sir John Tavener, Francis Pott, Alexander L’Estrange and Jeremy Filsell. Gaudete was arranged by Classic FM's Hall of Fame 2004 'top-ten-composer' Karl Jenkins, sung by crack professional choir - Tenebrae - Gaudete is released on Signum Classics both with drums and percussion and as a pure, unadulterated, a cappella version. This EP release also features works by Steve Reich, Alexander L'Estrange and Sir John Tavener. Rachmaninoff Vespers is a live recording of the stirring performance by Tenebrae of Rachmaninoff’s ‘All-Night Vigil’ (Vsenoshchnoye bdeniye, Op. 37).
     
  • Magnificat

    £12.00
    Magnificat & Nunc Dimittis was recorded to explore the breadth of imagination with which composers have approached the texts, which have been sung in Christian worship for over 1000 years. Stanford’s starting point was the Germanic symphonic tradition; Howells took his inspiration from the architecture and acoustics of the Cathedral in Gloucester; Tippett was inspired by the unique Spanish trumpet stop at St John’s. The Evening Cantincles chosen for this record relate to a particular period of music making in the life of St John’s conductor, Andrew Nethsingha; his time at the Royal College of Music; at Truro and Gloucester Cathedrals, and lastly his time at St John’s. Founded in the 1670s, The Choir of St John’s College, Cambridge, is one of the finest collegiate choirs in the world – known and loved by millions for its rich, warm and distinctive sound, expressive interpretations and ability to sing in a variety of styles.
  • BBC Music Magazine Award-winning choir Tenebrae perform a sumptuous selection of motets by Johannes Brahms and Anton Bruckner. Choral Recording of the Year: Performance ★★★★★ Recording ★★★★★ A beautifully balanced programmeBBC Music Magazine ★★★★★ Complex, rich and beautiful... performances are everything we have come to expect from Tenebrae, likewise Signum's recorded sound - Classical Music ★★★★ Richly Expressive - The Observer Tenebrae score on all counts. They submit with impressive stamina and unfailing intonation to Bruckner’s instrumental scoring and phrasing - Gramophone The dense harmonies suit this well-established professional choir perfectly - The Guardian Beautifully performed, seraphic sequence - The Sunday Times
  • The Choir of St John’s College, Cambridge’s advent service is a staple of the British choral world, and is broadcast on BBC Radio 3 almost every year. The service features much-loved favourites from the festive season alongside a variety of new works commissioned especially for the event. This disc of live recordings features performances by the choir from their four most recent services from 2014-17. ★★★★ This superbly programmed collection will take your Advent listening in unexpected, but entirely apposite, directions - BBC Music Magazine The choir has retained its renowned clarity, flamboyance and readiness to take risks - Gramophone The choir has retained its renowned clarity, flamboyance and readiness to take risks - The Guardian This disc gives a very good flavour of the excellent Advent music one can hear at St John’s - MusicWeb International
  • Based at Windsor Castle, the members of The Queen’s Six make up half of the Lay Clerks of St George’s Chapel, whose homes lie within the Castle walls. This rare privilege demands the highest musical standards, as they sing regularly for the Royal family at both private and state occasions. In 2018 this included the weddings of Princess Eugenie and Mr Jack Brooksbank, and Prince Harry and Ms Meghan Markle, both held in St George’s Chapel. Most significantly however, it is the familiarity of living and singing together in Chapel every day that lends this group its distinctive closeness and blend, as well as an irresistible informality and charm. Individually, members of The Queen’s Six have appeared in many of the most prestigious vocal ensembles on the circuit, including The Tallis Scholars, Tenebrae, and The Sixteen. Their repertoire extends far beyond the reach of the choir stalls: from austere early chant, florid Renaissance polyphony, lewd madrigalsand haunting folk songs to upbeat Jazz and Pop arrangements.
  • The Gabrieli Consort continue their series of award-winning collaborations with the National Forum of Music, Wrocław, Poland with a new version of Haydn’s great oratorio The Seasons. Using a new performing edition by Paul McCreesh this recording is the first to feature the large orchestral forces that Haydn called for, including a string section of 60, 8 horns and a choir of 70. As well as the combined forces of the Gabrieli Consort & Players, Wrocław Baroque Orchestra and National Forum of Music Choir, the recording features solo performances from British singers Carolyn Sampson, Jeremy Ovenden and Andrew Foster-Williams. All booklet texts are printed in both English and Polish translations.
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this A Cappella collection, you can hear a wide rage of works by The King's Singers, The Swingle Singers, BBC Singers, Tenebrae, Voces8 and many more all on one disc - all selected from titles across the Signum catalogue. The repertoire stretches from Monteverdi to Michael Jackson and is dispatched with consummate ease by all involved -  Choir & Organ
  • Path of Miracles, for a cappella choir, was commissioned by Tenebrae from Joby Talbot and premiered last year. The work is based on the most enduring route of Catholic pilgrimage - the great Pilgramage to Santiago. The four movements of Path of Miracles are titled with the names of the four main staging posts of the 'Camino Frances,' the central axis of a network of pilgrimage routes to Santiago. Talbot's music has been performed by, amongst others, the London Sinfonietta, The BBC Symphony Orchestra, The Brunel Ensemble, Evelyn Glennie and The Duke Quartet. In addtion, Talbot also writes for the big and small screen. Credits include, The League of Gentlemen and The Hitchiker's Guide to the Galaxy. Tenebrae, founded and directed by former King's Singer Nigel Short, is a professional vocal ensemble, whose motto is passion and precision. Tenebrae has built an impressive reputation for innovative and memorable performances throughout the UK and Europe This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. An evocative odyssey - The Times Joby Talbot's ambitious a cappella Path of Miracles is little short of a musical miracle in itselfNick Breckenfield It's an interesting musical journey for composer, performers and listeners alike - Classic FM Joby Talbot has been making quite a name for himself recently. Path of miracles can only add to that reputation: it's a real achievementInternational Record Review This a cappella work is very demanding of its singers and Tenebrae answer every question asked of them. It is a tour de force and absolutely stunning - Choir and Organ
  • Andrew Nethsingha and The Choir of St John’s College, Cambridge mark the centenary of the 1918 Armistice with a new recording of choral works by Ralph Vaughan Williams. Many of the works were composed in the years immediately following the event, including O clap your hands, Lord, thou hast been our refuge and the Mass in G minor which leads the programme.

    Vaughan Williams turned his attention to liturgical music following his service as a wagon orderly during the Great War. Ursula Vaughan Williams, his second wife and biographer, wrote that such work ‘gave Ralph vivid awareness of how men died’. It is perhaps unsurprising that in many of the texts to which he turned after the 1918 Armistice, the fragility and weakness of humanity becomes a recurrent theme. Despite being described as a ‘confirmed atheist’ by the philosopher Bertrand Russell, his heightened exploration of Christian texts, symbols, and images after the War might rather be understood both as an attempt to grapple anew with what might lie, as he put it, ‘beyond sense and knowledge’, and to search for consolation in religious and other inherited traditions amid a world irrevocably changed.

    I admire both the outstanding quality of the treble line and the excellent sense of ensemble - Cathedral Music Magazine The great virtues of the disc are the way it brings RVW's into a different focus yet also emphasises the transcendent mysticism which is the essential core to the music - Planet Hugill This is a very fine disc indeed. Andrew Nethsingha has chosen the music with great discernment and conducts it with evident commitment and understanding - Music Web International
  • Seasonal Music by Bob Chilcott

    Bob Chilcott’s compositions are beloved with choral societies around the world, and this album represents the fruits of his recent collaborations with the US choir Choralis and their conductor Gretchen Kuhrmann. Featuring festive works for solo choir as well as choir and brass ensemble, at the centre of the programme is Wenceslas, inspired by the legend of the Bohemian King who braved the winter weather with his Page to save the life of a poor peasant, and incorporating the melody of the famous carol into each of its 8 movements. The disc includes the premiere recordings of Chilcott’s Gloria, which was premiered by the choir to great critical acclaim in 2015. These musicians radiate all the warmth of the famous church scene in Home Alone… That underscores Chilcott’s gift as a songwriter and an arrangerGramophone Chilcott’s music undeniably sounds great when sung by a small scale professional chamber choir (such as here) but there’s something equally appealing in the inclusive joy of a performance by a larger group of amateurs. This is a tribute to them, as much as to the composer of the music they sing - MusicWeb International Incorporating the traditional carol Good King Wenceslas it’s a work rich in melodic invention… sung here with becoming warmth, the finale glowing with good tidings… Impeccably directed throughoutPrimephonic This effortlessly fluent, audience-friendly music is hard to dislike. The craft is impeccable, the tunes are memorable and the performers invariably sound as if they’re enjoying themselvesThe Arts Desk
  • In the centenary year of the Armistice of 1918, thoughts turn to the great human cost of the First World War and many subsequent armed conflicts. Released in support of the charity Combat Stress, this commemorative recording explores the themes associated with human conflict. The programme brings together texts and music pointing to the frailty that leads to the violence of war, but also to triumphs of the human spirit that so often arise from situations of the deepest desolation.

    The Choir of Chichester Cathedral are led by Charles Harrison in this collection of works by composers affected by the Great War, including Stanford, Bainton, Ireland, Howells, Parry and Elgar.

    Such understated yet beautifully moulded singing - Gramophone No other collection matches this - MusicWeb International Lest We Forget brings together eloquent pieces of music and text that reach remarkable depths of musical and artistic expression that still resonate in the modern day - Chichester Observer Both singing and playing are first class within the clear acoustic of Chichester Cathedral - Cross Rhythms Farrington's imaginative re-working of the orchestral score for organ should win it many devotees, especially in this fine performance - Planet Hugill
  • Tenebrae return to disc on Signum in performances exploring the Psalms in Music. With trumpets and well-tuned cymbals, the musical and prayerful richness of e Book of Psalms inspires vastly differing offerings from composers with a myriad of approaches to combining the two worlds of the symphonic and the choral. The results are works which defy categorisation and stand the test of time with audiences and performers alike. Joined by the BBC Symphony Orchestra under the choirs director Nigel Short, they perform iconic works by Stravinsky (Symphony of Psalms), Bernstein (Chichester Psalms), Zemlinsky (Psalm 23), as well as Schoenberg’s final significant tonal work Freide auf Erden. Described as “phenomenal” ( The Times) and “devastatingly beautiful” (Gramophone Magazine), award-winning choir Tenebrae, under the direction of Nigel Short, is one of the world’s leading vocal ensembles renowned for its passion and precision. ★★★★★ These contrasting views of how composers responded to psalm settings in the last century…add up to a highly desirable disc - Financial Times The parallel third harmonies at 'In wie mancher heil'gen Nacht' are as remotely beautiful as they are hard to achieveGramophone It lives up to Tenebrae’s stated core values of passion and precisionClassical Source An excellent disc full of admirable singing and playing - Cathedral Music Magazine You don‘t normally hear [Stravinsky’s Symphony of Psalms] traversed with a vocal group with the power, accuracy and security of Tenebrae - BBC Radio 3 Record Review The musical and prayerful richness of the Psalms inspires vastly different offerings from composers - Northern Echo This is a most interesting programme, superbly performed - Music Web International Tenebrae and the BBC Symphony Orchestra’s Symphonic Psalms is the most brilliant thing about 2018 so far - Thoroughly Good Blog
  • Around the time The King’s Singers was starting up, one of the most productive periods of song- writing in history was coming to a close in America, starting with composers such as Gershwin, Kern, Berlin and Porter in the early 1920s, and continuing through to the early 1960s.

    In this new 2-CD studio recording – featuring brand new a cappella arrangements by jazz composer and arranger Alexander L’Estrange, and swing-orchestra performances with the South Jutland Symphony Orchestra – The King’s Singers bring their own unique performance style to this wonderful music. The King’s Singers bring their unique style to some of the most beloved hits from the golden era of songwritingThe Lady
  • International award-winning octet Voces8 has established itself as the foremost young British a cappella vocal group. Performing a repertoire ranging from Renaissance polyphony to unique jazz and pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. A Choral Tapestry explores the rich vocal timbres of sacred vocal music spanning five centuries. Interweaving genres create an ethereal sonic tapestry that centres around the haunting beauty of William Byrd's Mass for Four Voices. The programme includes anthems and motets from the English Chapel Royal, the Sistine Chapel in Rome and St. Thomas' Church, Leipzig. VOCES8 are as good as any vocal ensemble I have heard for many a year and the material on this CD is well chosen and superbly sung - Cross Rhythms Following their Bach Motets, choral octet Voces8 branch further afield with A Choral Tapestry, programming devotional material from across the spectrumThe Independent
  • Few can argue with Tenebrae's international stature as one of the most competent, versatile, exciting and passionate vocal ensembles in the world today. The beauty of Tenebrae's perfectly blended sound coupled with near-flawless technique is showcased in this recording, featuring a selection of their favourite concert repertoire to create a performance worthy of anyone's collection. Allegri's haunting Miserere is the central point in a journey through music of longing and entreaty, hope and faith. These works spanning the centuries are chosen from the heart of Tenebrae's concert repertoire. Featuring works by Taverner, Holst, Rachmaninov, Lotti, Ireland, Harris, Briten and Kodály.  

  • After the triumphant success of the King’s Singers last Christmas Album released in 2003 entitled ‘Christmas’, this new disc sets an eclectic assortment of modern Christmas classics with special arrangements of some much loved favourites.
    Stand-out moments include Tchaikovsky's thoughtful The Crown of Roses, Lawson's gentle Lullay my Liking and Pierpont's hyperactively jolly jingle bells, which they whizz through as though the words 'technically challenging' had vanished from the dictionaryBBC Music Magazine An eminently enjoyable release that will please fans of The King’s Singers and lovers of Christmas music alikeMusicWeb International A delightful holiday releaseAll Music Guide
  • Locus Iste

    £12.00
    Locus Iste celebrates two milestones for the Choir of St John's College, Cambridge: as well as 2019 marking the 150th anniversary of the consecration of the college chapel, this release is coincidentally the choir's 100th recording – 60 years on from George Guest’s iconic first recording of ‘Hear my prayer’ for Argo, released in 1959. Directed by Andrew Nethsingha, the programme makes great use of the chapel's renowned acoustic, and celebrates the choirs past, present and future – including an anthem by a former director of music, a motet by one of their recent student composers and the cello-playing of a current undergraduate. The Choir of St John’s College, Cambridge is one of the finest collegiate choirs in the world – known and loved by millions from its broadcasts, concert tours and recordings. Founded in the 1670s, the Choir is known for its rich, warm and distinctive sound, its expressive interpretations and its ability to sing in a variety of styles. It would be hard to imagine a finer celebration of the 150th anniversary of St John’s College Chapel - MusicWeb International Leaves us wanting more - Cross Rhythms
  • This programme explores that vast twentieth-century secular English choral repertoire which goes under the generic title ‘partsongs’. It is an extraordinarily rich repertoire to which almost all the famous composers contributed. Buried amongst vast quantities of slightly twee pastoralism – the much-derided “cow-pat” school – are to be found many settings of glorious poetry, forming a corpus of sublime twentieth-century madrigals at least as fine as their famous renaissance forebears. However, this programme has another particular theme: how poets and composers reflect upon the natural world as a metaphor for our own emotional experience. At the heart of this programme is the complex relationship between man and nature, the bitter-sweetness of a radiant and beautiful dawn creating the same unbearable sadness of a ravishing song, and both with intimations of mortality. ★★★★★ This is a simply gorgeous CD, superbly executed - Choir and Organ ★★★★ The Gabrieli Consort, conducted by Paul McCreesh, sings Stanford’s The Blue Bird with such abstracted beauty that enchantment sets in from the opening minutes. Their collection of English part-songs mostly inhabits a dreamy, pastoral world, the home ground of Howells, Warlock and Vaughan Williams, though Elgar’s bleak Owls (loneliness or foreboding of death?) goes further. Outgoing narrative settings by Jonathan Dove and Grainger add story-telling and a dash of bold colours - Financial Times ★★★★ The effect is arresting, and typical of the attention to text and score demonstrated by Paul McCreesh and his singers. These miniatures are rich, each in need of proper savouring - The Observer ★★★★ The selection of pieces is evocative and thoughtful… Stanford’s The Blue Bird is concentrated and controlled, with a lovely clarity of line and a fine-grained elegance of sound. This song exemplifies the many virtues of the performances on this disc - Planet Hugill The result is a clever mixture of moods – a disc that takes the part-song into the 21st century not only in repertoire but also in style - Gramophone Successful and very cherishable… The key to its success is the gorgeous attention to detail which draws the most exquisite sounds from the choir - Music Web International
  • Postcards

    £12.00
    The King’s Singers explore the folk songs and melodies of the world in a new programme entitled Postcards. In their own words: “In our travels we have amassed a wonderful collection of folksongs and popular songs from numerous countries, many of which we use as encores when we visit. The influences and sources are extraordinarily far-ranging, and each song has its own local characteristics. To celebrate the diversity of music that we perform and the numerous countries we visit each concert season, we have recorded an album of some of our favourite folksongs from around the world.”  Typically immaculate performances of songs collected by the King's Singers on their global travels, and used as encores. Velvet vocal blending is a given, and mellifluous arrangementsBBC Music Magazine
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this A Cappella collection, you can hear a wide rage of works by The King's Singers, The Swingle Singers, BBC Singers, Tenebrae, Voces8 and many more all on one disc - all selected from titles across the Signum catalogue. This is a disc that can surely claim to have something for every taste and temperament - Choir & Organ
  • The King's Singershave combined one of the greatest vocal compositions of all time with modern recording technology and customary style to produce a truly stunning recording of Thomas Tallis' Spem in alium. This is a unique opportunity to hear every part in Spem sung and recorded to perfection, with the six King's Singers dividing the forty parts of Spem in alium between them, in this multi-track recording the disc is in full surround sound, and is a CD/SACD hybrid. This disc can be played on any standard CD or SACD player. In addition, there is a 4.0 surround-sound mix on the SACD layer. A bold and fascinating performance - Classic FM So impressive - Choir & Organ
  • On their premiere recording, the Old Royal Naval College Trinity Laban Chapel Choir, directed by celebrated choral conductor Ralph Allwood, perform the works of British Choral Award winner Roderick Williams. Based in Greenwich, East London the choir is comprised of both students from the conservatoire (including several choral scholars) as well as outstanding volunteer singers. It is unique amongst cathedral, church and collegiate choirs in the UK in that it has ready access to the wide range of musical resources at the Conservatoire, collaborating frequently in a wide variety of genres as well as performing for services at the beautiful 18th Century Chapel of St Peter & St Paul. As well as being renowned as a singer Roderick Williams is also well-respected as a composer, and his works have been premiered at the Wigmore and Barbican Halls, the Purcell Room and live on national radio. ★★★★ This is a well presented introduction to a contemporary composer of whom I hope and expect to hear more - Cross Rhythms This vivid choral anthology has given continued pleasure throughout the year, filled as it is with an astonishing versatility of moods and styles - Gramophone This disc shows another equally distinguished side to one of the UK’s leading singers. It’s very well worth hearing - MusicWeb International
  • Christmas presents a golden opportunity to present brand new music to wide audiences, and the role played by St John’s College Choir in this area has been significant, as demonstrated by new recording of traditional and contemporary choral works. The recording features Michael Finnissy’s John the Baptist, written for the Choir for its BBC Advent broadcast in 2014. The programme begins with Bob Chilcott’s The Shepherd’s Carol commissioned by Stephen Cleobury (a former St John’s organ scholar) for King’s College Choir, and also includes Creator of the Stars of Night, composed by another former St John’s organ scholar, John Scott. The Choir of St John’s College, Cambridge is one of the finest choirs of men and boys in the world, known and loved by millions from its recordings, broadcasts and concert tours. A cornerstone of the great English choral tradition since the 1670s, the Choir is recognised for its distinctive, rich and expressive sound and is today directed by Andrew Nethsingha.
    An evocatively sung collection from the Cambridge choir glowing with devotional joy - Choir and Organ
  • The King’s Singers return with a new early-music recording that features 12 of Giovanni Pierluigi da Palestrina’s beautiful polyphonic choral settings of the ‘Canticum Canticorum’ – better known as ‘The Song of Songs’ or Canticles, a collection of poetry in the Hebrew Bible on the theme of the joy and ecstasy of human love. These settings are framed by four of Palestrina’s Marian motets, works in honour of the Virgin Mary which he composed throughout his life. This recording is the first to feature performances from the group’s new tenor Julian Gregory. An admirably cool approach - The Observer
    At it's best - The King's Singers' sweetness of tone seems perfectly to match the sense of the textGramophone Wonderful music beautifully deliveredThe Northern Echo They sing in a beautifully blended style with individual voices often subsumed into the overall sound image. These performances have a significant amount of surface polish, poise and style, technically they are very impressivePlanet Hugill Admirers of The King's Singers will certainly not be disappointed -MusicWeb International
  • Russian Treasures is the twentieth album from award-­winning professional choir, Tenebrae, and the first release on new label Bene Arte, established exclusively to record the choir and associated artists. Russian choral music has been a feature in Tenebrae’s concert performances since the choir’s inception and over the years they have worked extensively with Russian language coaches whilst nurturing their own characteristics of passion and precision to deliver a special and heartfelt tribute to the music of these great composers.

    This disc was inspired by the rare manuscripts collected by director Nigel Short during his travels around Russia.

    The exquisite collection includes some little-­known gems, rarely heard outside Russia and never before recorded in the UK, as well as some familiar favourites from this vast area of choral repertoire.

     
  • A new album bringing classic carols to life under the expert direction of conductor and author Andrew Gant, marking the release later this year of his new book “Christmas Carols, from Village Green to Church Choir.” Everyone loves a carol - in the end, even Scrooge. They have the power to summon up a special kind of midwinter mood, like the aroma of mince pies and mulled wine and the twinkle of lights on a tree. It’s a kind of magic. In this new accompanying recording, Andrew Gant’s choir, Vox Turturis, bring these carols to life with captivating performances of classics such as The Angel Gabriel, Adeste fideles and Hark! The Herald Angels Sing, as well as less-known gems like Célébrons la naissance, Les anges dans nos campagnes and Tempus adest floridum. The CD booklet also includes a short essay by Gant highlighting some of the fascinating stories behind these works. Christmas Carols brims with anecdote, expert knowledge and Christmas spirit. It is a fittingly joyous account of one of our best-loved musical traditions. The recording debut of Gant's youthful professional choir is a spirited one - The Sunday Times The acoustic of St Peter's College Chapel serves these singers well, and the recorded sound is glorious - The Arts Desk This is another well-planned and splendidly performed CD, eminently recommendable - International Record Review
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist, Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres, featuring a number of world-class artists including:
    • A Cappella and Choral Music (The King's Singers, Tenebrae, VOCES8, The Swingle Singers, Rodolfus Choir)
    • Orchestral and Chamber Music (Philharmonia Orchestra, London Sinfonietta, Gabrieli Consort & Players, OAE, LCO, Smith Quartet),
    • Instrumental Soloist Recitals (Jamie Walton, Alessio Bax, Matthew Barley, Llyr Williams, James Rhodes)
    • Art song and Lieder (Iain Burnside, Malcolm Martineau, John Mark Ainsley, Mark Padmore, Ailish Tynan, Felicity Lott, Sarah Connolly, Jonathan Lemalu)
    In our new anniversary series we have drawn on this extensive catalogue to form six collectable releases, assembled around the themes of A Cappella, Early Music, Organ Music, Choral Music, Art Song, and Piano Music. Buy all 6 together for just £20
  • Tomás Luis de Victoria's requiem mass for six voices, written in 1603 and published in 1605, is a masterpiece. It is one of a handful of large-scale works which enjoys mainstream appeal in the 21st century. For many, it represents what Renaissance polyphony is, what it sounds and feels like, and how expressive it can be. The disc also features two well-known works by Victoria's contemporary Alonso Lobo. ★★★★ Victoria’s Requiem Mass is one of the acknowledged masterpieces of Renaissance choral polyphony, and Tenebrae here exquisitely conveys the flowing relationships between its six voices - The Independent ★★★★ Tenebrae’s performance, directed by Nigel Short, is gently sustained, immaculately balanced and wrapped in a luminous acoustic … If you have ever developed a resistance to Renaissance polyphony, this could be the disc to make you think again - The Financial Times This recording does justice both to the genius of Victoria and to the musicality of Tenebrae - BBC Music Magazine  
  • Signum Records are pleased to welcome a new ensemble to the catalogue: The Elysian Singers perform choral works by composer James MacMillan. MacMillan characteristically draws inspiration for his vocal works from recurring themes such as the Catholic Church and Scottish traditional culture. The most substantial work on this recording is Cantos Sagrados ("Sacred Songs"). MacMillan takes the poems of Latin American poets Ariel Dorfman and Ana Maria Mendosa, and combines their settings of political repression with traditional religious texts to create a powerful combination of liberation theology. The result is at times delicate, and then terrifying. The composer’s intentions were to create a work both sacred and secular, being timeless yet contemporary. Of the other works on this disc, the majority are settings of Latin or English religious texts often written for particular occasions or places. A Child’s Prayer, for instance, was dedicated to the victims of the Dunblane tragedy of 1996, where one teacher and sixteen of her pupils were shot dead whilst in class. One of the two secular works on this recording, The Gallant Weaver is a setting of that most Scottish of poets, Robert Burns, to a nostalgic evocation of Celtic folk-music. The Elysian Singers were founded in 1986. Since 1999 they have been directed by Sam Laughton and have established a national reputation as a young and lively chamber choir, winning awards for commissioning new music.
  • SIX

    £5.00
    Signum Records present a special CD release from the King’s Singers, celebrating over 35 years of popular repertoire that has left audiences delighted across the globe. Formed in 1968 by six Choral Scholars from King’s College, Cambridge, the King’s Singers quickly became a prominent musical force in the UK. The rest of the world soon followed so that today the group’s engagements are spread throughout the four corners of the globe. The ensemble are renowned for their commitment to blend balance and intonation in their performances, but above all it is their simple enjoyment of what they do that has captured the imagination of the public, and kept the King’s Singers at the top of their game for over three and a half decades. This album presents six pieces performed by the six vocalists over the years. The titles were selected to span the life of the group so far: After the explosive rock decade of the 1960s in which the group was founded, you can almost hear the hair lengthen in Neil Young’s 1970 song After the Goldrush. This was originally sung by the group with Nana Mouskouri on her BBC TV show, and has remained popular ever since; Irving Berlin’s much-loved jazz classic Blue Skies is here sung in a cool and reflective arrangement by Richard Rodney Bennett; the Beatle’s Blackbird is one of the most requested encores happily sung to ecstatic audiences, and Daryl Runswick’s arrangement perfectly maintains the feel of the original song. The remaining three tracks are all newly recorded pieces from the 21st century. Down to the River to Pray, a spiritual, appeared in the Coen brothers movie “O Brother Where art Thou?”; Billy Joel’s Lullaby Goodnight My Angel is an example of the songwriter at his lyric best. Finally, The Wishing Tree was commissioned by the King’s Singers and the BBC for the 2002 Proms, celebrating the present Queen’s Golden Jubilee. Joby Talbot, formerly of The Divine Comedy, was asked to compose a work in which to reflect Queen Elizabeth II’s life, as well as incorporating a 16th century madrigal-element, in reference to the reign of the first Queen Elizabeth. Six new tracks from the lads with the voices of spun gold. The irresistible verve of this much-changed group's mid-1970s peak is less evident, but for sheer polish and style these singers are truly 'kings' - BBC Music Magazine Think gorgeous close harmony, think crossover-with-integrity, and enjoy - Classic FM Magazine  
  • Sale!

    One Equal Music

    £12.00 £9.60
    The Elysian Singers of London celebrate the enormous and varied contribution of Sir James MacMillan (b. 1959) to the choral repertoire over the last 20 years. Beginning with MacMillan’s blazing 2016 ‘choral fanfare’ Blow the trumpet in the new moon, the programme explores the spiritual and secular texts that have influenced MacMillan, also including his monumental setting of Psalm 51 Miserere. The Elysian Singers of London is one of the UK’s leading chamber choirs. Known for its adventurous programming, the choir performs in and around London and has recorded many widely acclaimed CDs. This is the choir’s second recording of works by James MacMillan, following their critically-acclaimed first disc with Signum Cantos Sagrados.
  • Tenebrae mark their 15th anniversary season with a celebratory re-release of Joby Talbot’s Path of Miracles, as well as the premiere recording of a new work by Owain Park. Inspired by the Camino Frances pilgrimage route to Santiago de Compostela in Spain, Path of Miracles has quickly become a contemporary classic amongst choral music fans. To mark their anniversary year Tenebrae commissioned British composer Owain Park to compose his new work Footsteps as a companion piece to Path of Miracles. A shorter work, Footsteps is themed on similar concepts of travel, solitude and journeying, and blends texts by eight different authors to structure a narrative that cycles the seasons through the view of a lonely traveller.
  • DEO

    £12.00
    The Choir of St John’s College Cambridge launch their new series of recordings with Signum by exploring the close connections between the college and celebrated British composer Jonathan Harvey (1939-2012), in a disc of works for choir and organ. Harvey’s music has influenced a generation of composers, described by The Guardian’s Tom Service as being “at once vividly contemporary and timeless”. The Choir’s director Andrew Nethsingha reflects on his own experiences and work with the Jonathan Harvey in CD’s programme note, in particular as the choir collaborated on what would be Jonathan Harvey’s final work for the choir, The Annunciation (2011).
  • Lux et Veritas (Light and Truth) is the new album from Will Todd with the professional chamber choir Tenebrae. Todd’s music has a universal appeal and he has been hailed as “one of the UK’s most sought-after, versatile composers” (Tempo Magazine). For this collection of sumptuous new choral works Tenebrae are accompanied by the English Chamber Orchestra, conducted by the choir’s director Nigel Short. This new release follows Will Todd’s last choral album The Call of Wisdom, featuring music commissioned for HRH The Queen’s Diamond Jubilee service in St Paul’s Cathedral in 2012. Throughout, the excellent Tenebrae under Nigel Short's sensitive direction deliver the sequence of 14 short pieces with commitment and great beauty of tone - Choir & Organ One of this year's finest releases - Classic FM Don't miss this movingly accessible and genuinely sensitive choral collection - MusicWeb International Sumptuous, soothing and reflective music for all occasions - Northern Echo
  • An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review

  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this Early Music collection, you can hear a wide rage of works by Gallicantus, the OAE, Gabrieli Consort, Chapelle du Roi and many more all on one disc - all selected from titles across the Signum catalogue.
    Extracts from 26 discs of composers ranging from Tallis to Telemann provide Signum Classics with a colourful shop window from which we can pick and chooseBBC Music Magazine
  • Signum Classics are proud to release a LIVE recording of the stirring performance by Tenebrae of Rachmaninoff’s ‘All-Night Vigil’ (Vsenoshchnoye bdeniye, Op. 37). The recording was made live at the North Wales International Music Festival in conjunction with Boosey & Hawkes, Music Publishers Ltd. The roots of the Russian Orthodox Church are traceable back into the Third Century A.D. Whilst Western forms of Christianity continued to evolve, the Orthodox tradition has been preserved largely intact since the 11th Century, despite persecution of the Church under an intolerant Communist regime in Russia. The music of the Russian Orthodox Church features vocal chants, the oldest of which is known as znamenny (from the Slavonic znamia meaning “sign”). The melody of this chant is extremely simple, and whilst other composers added their characteristic harmonic effects, Rachmaninoff consciously preserved the modal purity of the original in his setting of the Vespers. The all-night vigil is celebrated on the eve of the main feasts of the Orthodox Church. Originally it lasted all night and consisted of three separate services to celebrate the beauty of the setting sun, and to reflect on the spiritual light of Christ as the new light of the coming day and the eternal light of heaven. Rachmaninoff’s setting of the vigil was written in 1915, in the middle of the First World War. He has used authentic znamenny chant in seven movements, with two movements employing Greek chants. “Even in my dreams I could not have imagined that I would write such a work” Rachmaninoff told the singers at the first performance in March 1915. The work is dedicated to the scholar Stephan Vasilevitch Smolensky who introduced Rachmaninoff to the repertoire of the church, however the composer’s inspiration was as much politically motivated as spiritually – the composition was a powerful affirmation of nationalism during the war. Nigel Short and Tenebrae have just the right balance of control and passion, reverence and exuberance that makes for such a superb performance - The Organ Intimate and powerfully atmospheric, shedding new and memorable light on what usually comes across as a massive choral spectacular - Classic FM Magazine
  • Tenebrae is a professional chamber choir, founded and directed by Nigel Short in 2001. Often performing by candlelight, the choir creates an atmosphere of spiritual and musical reflection, where medieval chant and renaissance works are interspersed with contemporary compositions. The carefully selected team of singers use the acoustic and atmostphere of the building to enable the audience to experience the power and intimacy of the human voice. Tenebrae has an exceptionally wide repertoire from early, through renaissance, baroque and classical music, to romantic and twentieth century works, plus a range of specially commissioned pieces, the most recent of which is Joby Talbot’s Path of Miracles. What Sweeter Music is a real festive treat, with a sumptuous collection of songs and carols for Christmas - touching on traditional favourites (Silent Night, Away in a Manger), modern classics (The Lamb, What Sweeter Music) and some new light-hearted arrangements (Jingle Bells, We Wish You a Merry Christmas). ★★★★ An exquisite account of Rutter’s There is a flower - Classical Music Magazine Superbly sung and plenty of fun - The Gramophone A jazzy Jingle Bells launches this varied and seductively sung programme - The Telegraph