• An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review

  • Formed in 1992, the British percussion quartet ensemblebash has forged a reputation as one of the world’s most innovative and groundbreaking chamber ensembles. Using the music of West Africa as both core repertoire and a guiding spiritual influence, ensemblebash mixes contemporary classical, jazz and music theatre into unforgettable performances. This new recording marks 20 years since the formation of the group, with the programme made up of some of their best commissions from the 2002 to 2012. ensemblebash [make] playing percussion the coolest, noisiest and funniest occupation on earthThe Times A marvellous CD from the Bashers to show off your newest playing equipment. Most of it is not loud; intricate subtleties from these multi-instrumentalists dominate the listening experienceMusical Pointers  
  • Above the opening notes of The Protecting Veil, John Tavener wrote Transcendent With Awesome Majesty, communicating the scale of this universal, timeless, structurally perfect and emotionally powerful work. In the composer’s words, “the cello represents The Mother of God and never stops singing.” Indeed, the cello sings without stopping for the entire 46 minutes of the piece, requiring huge mental and physical stamina. Matthew Barley leads Sinfonietta Rīga in this exploration of Tavener’s musical works and inspirations, interspersing performances with readings of WB Yeats and Frithjof Schuon by renowned actors Julie Christieand Olwyn Fouéré. The influence Tavener drew from Indian music in The Protecting Veil is also explored further in Barley’s performance with tabla player Sukhvinder ‘Pinky’ Singh in The Song of Separation and Waiting by Pandit Sultan Khan. Matthew Barley is known internationally as a cellist, improviser, arranger, music animateur, and as Artistic Director of Between The Notes. His musical world is focused on projects that connect people in different ways, blurring the boundaries that never really existed between genres and people.
  • An exhilarating new album of contemporary music shaped by the collaborative musical collective Powerplant, featuring performances from percussionist Joby Burgess in collaboration with sound designer Matthew Fairclough and visual artist Kathy Hinde. 24 Lies Per Second combines works by contemporary British composers – Graham Fitkin, Max de Wardener and Dominic Murcott – with two pieces by compositional icons Conlon Nancarrow and Steve Reich, including the Reich work My Name Is (for audience and tape recorder) which has never before been released commercially. This release includes a bonus CD Plus video performance of Max de Wardener's Im Dorfe, which can be viewed when playing the CD on a PC. [Joby Burgess] is a 21st Century explorer at the edge ... Riveting! - Musical Pointers
  • Signum Classics are proud to release the fourth disc from The King's Singers on Signum Classics - 1605: Treason and Dischord. On 5 November 1605 Guy Fawkes was caught preparing to detonate 36 barrels of gunpowder under the House of Lords unveiling an act of attempted treason that shocked the whole of Europe. What led a group of young Catholic men to risk their lives for their faith? 400 years later the King’s Singers and Concordia illuminate the dangers of hearing Mass in secret, of conspiracy and downfall, and of protestant relief and celebration, through a project of music and prose. The music, structured around Byrd’s perfect 4-part Mass, contains motets by Catholic composers, balanced with protestant anthems celebrating the downfall of the plot, and a commission from the British composer, Francis Pott. Master Tresham: His Ducke reflects on the ‘9/11’ of its day - 5/11/1605. The script, drawing on historic texts and written by Deborah Mackay for the quatercentenary concert series related to this CD, uses the dramatised persona of William Byrd, the most famous composer of his age, to recreate the atmosphere of change and hope in the Jacobean court. ★★★★ The performers bring verve and forceful emotional fervour to these works of protest - Classic FM Magazine A brilliant fusion of Renaissance and contemporary idioms - The Scotsman Strongly recommended - International Record Review There is never a question of technical polish and precision with the King’s Singers - American Record Guide