• Signum Classics is delighted to present Charivari  Agreable's tenth disc: Caprice and Conceit in Seicento Italy. This disc explores the overlap of repertory for the cornett and the violin (occasioned by their frequent interchangeability), and in the marriage of both instruments. Of the two, the cornett’s particular appeal, according to Girolamo Dalla Casa (1584), lies in its tonal similarity to the human voice, an attribute poetically likened by Marin Mersenne (1636) to ‘a brilliant ray of sunshine piercing the shadows’. The juxtaposition of wind and strings is most vividly enhanced by the pairing of a violin with a cornett in small-scale vocal and instrumental works. The most beautiful is arguably the sonata by Cima, one of the earliest trio sonatas. It is hoped that our conceit of re-lighting the cornett’s gleam will find favour among those who delight in the capriciousness of the music of the Seicento. An outstanding disc... this is a recital to shaft any shadow - BBC Music Magazine [A] delectable programme of 17th-century Italian chamber music - Daily Telegraph A ray of sunshine piercing the shadows’ – which is the subtitle for a delightful new disc from Charivari Agréable, who say they’re ‘trying to re-light the cornett’s gleam - BBC Radio 3 Record Review
  • A prolific composer and organist, Naji Hakim is truly one of the most versatile performer-composers working today, garnering praise from his numerous organ and composition competition prizes as well as an award from Pope Benedict XVI for his musical work in benefit of the church. This new recording with the Danish Chamber Players explores some of Hakim's works for chamber ensemble and organ, with performances from the Th. Frobenius & Sonner Organ of Vangede Kirke, Gentofte, Denmark. The Sakskoebing Praeludier are vigorously entertaining chorale arrangements. Concerto No. 4 stars the composer, firing off an explosively active finaleBBC Music Magazine
    By far the strongest, leanest work is the vividly scored Concerto No 4 for organ and chamber ensemble ... The finale is a riot of joyous dancing - Gramophone
  • Tamsin Waley-Cohen and Huw Watkins continue their duo partnership with a new recording of works by two trailblazing composers from France and Poland respectively - Reynaldo Hahn and Karol Szymanowski. Waley-Cohen's playing is radiant and soaring, and Watkins's pianism a model as always of sensitivity - The Sunday Times An intelligent recital disk...all played with verve and style - The Guardian It is the sheer melting beauty in the opening pages of the final movement that makes Hahn's sonata so affecting, especially with Waley-Cohen's hushed tone... an enjoyable recital - BBC Music Magazine Tamsin Waley-Cohen produces a beautiful, soft, creamy tone in the lyrical passages, and throughout the recital we're treated to a remarkable palette of tone colours. Huw Watkins is able to match this range most effectively - Gramophone [Waley-Cohen] has a potent rhetorical style, moving neatly from dramatic flourishes and cadenzas into gentle lyricism... a fine performance - The Strad
  • The Sacconi Quartet record the string quartets of British composer Graham Fitkin, The Composer writes in the introduction to this disc: “ The string quartet medium seems to me to thrive in contexts of both poignant intimacy or extrovert forceful information overload. (And indeed all those delicate shades in between.) I feel it has a strength of purpose that I relish, an honest homogeneity to it, a good wide pitch range and quite frankly the ability to play decent long sustained notes or short pizzicati. It’s been all too tempting.” Composed between 1992 and 2007, this disc compiles Fitkin’s complete works for String Quartet, performed by one of the UK’s most dynamic and versatile string quartets. The Sacconi Quartet, for whom the medium-length String was composed, play throughout with élan and what sounds like a complete understanding of the ebb and flow of each of these quite diverse pieces… A terrific disc that I encourage everyone to buyGramophone All weaved with his trademark rhythmic complexity - Northern Echo
  • Following the release of their critically acclaimed recording of Reich’s Different Trains on Signum, Britain’s leading contemporary string ensemble, The Smith Quartet, perform the works of five diverse British composers. The music is inspired by the ancient English landscape, 9th century Irish poetry, 20th century human tragedy and the passing of friends. As versatile as the Kronos Quartet, and smoother than the Brodskys, The Smith Quartet have edged ahead of their competitors in contemporary chamber musicThe Independent on Sunday [A] compelling blend of live ensemble and electronics - Journal for Music in Ireland
  • Gesualdo

    £12.00
    Signum Records is proud to announce the release of the latest recording by The King's Singers: Gesualdo's Tenebrae Responsories for Maundy Thursday. The Italian Prince, Carlos Gesualdo, is probably most famous for the obsessive double murder of his first wife along with her lover, but his music is not always accredited with the same sense of celebrity. Gesualdo is known in traditional history books as an amateur composer. His music is characterised by wild gesticulation and abrupt starts and stops, particular to a composer who just didn’t know what he was doing. However, the 20th century has now uncovered our composer’s place in history as part of a larger movement of Neapolitan artists, and as perhaps the most forward-thinking, expressive and sensual composer of his time. The King’s Singers were fascinated by the naked honesty that is heard within this 400 year old music. It is so startling that it keeps its freshness of surprise even on many repeated hearings. The music portrays a desperate and wretched, but also passionate and loving person who is set on composing "further out" than anyone else. Gesualdo moved in the highest circles of Italy and was extremely wealthy. His decadent lifestyle allowed him to do and write exactly as he pleased, and at the tender age of 19 it brought him into close contact with one of the most attractive and admired women in Naples. Maria d’Avalos was twice widowed by the age of 25. Her marriage to Gesualdo was initially promising. However, Maria’s rich social life soon dominated the relationship and a profound and constant jealousy took possession of the young and highly sensitive composer. After four years of turmoil he hired professional murderers to assist him in killing wife and lover while they were in bed together. The violence and rage of the act is well-documented. After the murder of Maria, Gesualdo suffered from severe and increasing feelings of guilt. Penitence never left him and he was moved to compose church music of a most black and self-reproachful nature. The programme on this CD represents part of the liturgy for the Matins Offices on the final three days of Holy Week, the Triduum Sacrum. Each of the Matins services is divided into three nocturns, each containing psalmody, three lessons and three responsaries. The attention given to word-painting is exemplary - The Times A no holds barred, immaculately sung performance from the King's Singers. Unmissable - Classic FM Magazine
  • Gesangbuch

    £12.00
    Edward Cowie’s unique compositional voice stems from his wide-ranging interdisciplinary interests in both the sonic and visual arts, with many of his works inspired by ideas and concepts from artworks and from the natural world. The opening piece of this recording – a 2011 commission for BBC Radio 3 – creates a complex musical tapestry and soundscape from the call of the Australian bell-bird, opening with translations of choruses of several species of Australian frogs. In 2002 Cowie become the BBC Singers’ first ‘Associate Composer’, marking a relationship between the composer that began in the mid-1970s and continues to this day. A fine tribute to an underrated composer - The Guardian The BBC Singers are joined by the Endymion ensemble for the lengthy “Gesangbuch”, a four-part choral work whose wordless vocals and darting, sprite-like musical tones create a work of suitably elemental spirits animated by the changing seasonal round - The Independent
  • Originating as a sexy dance in South America, the ‘chacona’ crossed the Atlantic and established itself in Spain as an irresistible temptation. In 1615, it was banned from Spanish theatres for being ‘lascivious, dishonest, offensive to pious ears’, but the attractions of the chaconne held sway. From the Ground Up traces its allure from early Spanish chaconnes, through the worlds of Purcell and Piccinini, to Bach’s magisterial example for solo violin. Reanimating the ‘lascivious’, Purcell’s ground basses furnish a harmonic groove for readings from Shakespeare by British actor Samuel West, accompanied by New York rapper Baba Israel.
  • Flux

    £12.00
    Formed in 2002, the award winning Lunar Saxophone Quartet has developed a reputation for their commitment to composer/performer collaborations, leading to dozens of commissions from a variety of different composers. Performances have spanned a wide range of occasions, from Bryn Terfel's 'Faenol Festival' and the Welsh BBC Proms, to live broadcasts on BBC TV and Radio. This new disc features a programme of newly commissioned works by some of Wales's youngest and most gifted composers together with those of more established figures. James Williamson’s In Memoriam is achingly contemplative, while the title of Lucy Pankhurst’s Diaphanousphere suggests the delicate webs of sound created by the quartet - The Independent Phenomenally talented saxophonists - Clarinet and Saxophone Society Magazine
  • Signum Records is pleased to present the first of a series of three discs by Music Antiqua of London, featuring the music of three Italian cities. In the late 15th century, Italy was divided between the independence of the mighty Venetian Republic and tiny Dukedoms such as Ferrara and Mantua. Music and literature were patronised by the ruling classes as statements of power and local identity. However the most revered European composers were from the north, and their musical style owed little to Italian culture. In northern Italy an educated classicist, Isabella Marchioness of Mantua, devised the frottola where text was set to a simple melody following speech rhythms, and accompanied by 2 or 3 instruments. The frottola is a Cinderella of Renaissance song and has suffered in comparison with the English and Italian Madrigal and the French Chanson in the 2oth century revival of interest in Renaissance music. On Fire and Ice we present frottole taken from a Venetian manuscript, compiled around 1520, to argue the case for a re-evaluation of this repertoire. The collection is notable for the quality of both the poetry and the music. The texts deal frequently with emotional extremes - the “fire and ice” of our title! Modelled on the court bands of the 16th century, Musica Antiqua is the only group in Great Britain to play on specially commissioned matched sets of viols and recorders, copied from 16th century originals. This CD offers a rare opportunity to hear the very different sound these instruments make compared to their "modern" counterparts from the 17th and 18th centuries. These performances.... communicate an infectious sense of enjoyment and enthusiasm (and) make thoroughly satisfying listening - Daily Telegraph The instrumental pieces are beautiful and are played excellently - Seen and Heard There are many imaginative touches, and interpretative subtlety in abundance - Early Music  
  • The New release from one of Armenia’s leading and most popular music groups. Following their prior success this year with their first release of Expressia - Armenian Fantasy, Cadence Ensemble expand their recording ventures to Expressia - Tangos and Fantasies. This new release explores the Tango at its best including works from some of the great Tango writers including Astor Piazzolla and fellow Armenian Narine Zarifian. With innovative arrangements of works by Carlos Gardel, Hector Stampioni and the Fantasy on Themes of Porgy and Bess by George Gershwin. Under the leadership of pianist Armen Babakhanian, they play Piazzolla's wildly infectious music with style and hauteur and introduce us to more tangos by lesser-known masters (including an Armenian) before winding up with a delightful arrangement of themes from Gershwin's Porgy and Bess. Refreshingly differentThe Guardian
  • Since the Cadence Ensemble’s premiere performance in 2004, the group has quickly become one of the leading and most popular music groups of Armenia. Initially performing the works of Argentine composer, Astor Piazzolla the ense mble has expanded its repertoire to encorporate contemporary European and Armenian composers. Under the leadership of pianist, Armen Babakhanian, the ensemble have enjoyed international success. Most recently the ensemble have given concerts in Paris, London and Brussels.
  • Eric Whitacre, normally known for his choral compositions and arrangements, personally requested Joby Burgess arrange some of his well-known works for Marimba quartet. This unique recording shows the warm, earthly tones of the marimba, beautifully playing the lush harmonies of Whitacre's choral works.
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this Early Music collection, you can hear a wide rage of works by Gallicantus, the OAE, Gabrieli Consort, Chapelle du Roi and many more all on one disc - all selected from titles across the Signum catalogue.
    Extracts from 26 discs of composers ranging from Tallis to Telemann provide Signum Classics with a colourful shop window from which we can pick and chooseBBC Music Magazine
  • The Albion Quartet continue their Dvořák series with Signum. This is their second release on the label, featuring Dvořák's 8th & 10th string quartets.
  • Formed in 2016, the Albion Quartet brings together four of the UK’s exceptional young string players who are establishing themselves rapidly on the international stage. This disc marks the first release in a new Dvořák cycle with Signum Records, as well as future releases of Walton and Britten plus the premiere recording of Richard Blackford’s Kalon with the Czech Philharmonic Orchestra later in 2019. Having made their debuts last season at the Concertgebouw Amsterdam as well as the Auditorium du Louvre in Paris, the 2018/19 season sees the Albion Quartet’s debuts at the Wigmore Hall and at Town Hall/Symphony Hall Birmingham. They also continue their residency at London’s Kings Place, become quartet-in residence at the Stratford Festival of Words and Music and perform at the Oxford Lieder Festival. 'Their attention to the smallest detail reaps dividends' - Gramophone