• Following the release of their critically acclaimed recording of Reich’s Different Trains on Signum, Britain’s leading contemporary string ensemble, The Smith Quartet, perform the works of five diverse British composers. The music is inspired by the ancient English landscape, 9th century Irish poetry, 20th century human tragedy and the passing of friends. As versatile as the Kronos Quartet, and smoother than the Brodskys, The Smith Quartet have edged ahead of their competitors in contemporary chamber musicThe Independent on Sunday [A] compelling blend of live ensemble and electronics - Journal for Music in Ireland
  • Gesualdo

    £12.00
    Signum Records is proud to announce the release of the latest recording by The King's Singers: Gesualdo's Tenebrae Responsories for Maundy Thursday. The Italian Prince, Carlos Gesualdo, is probably most famous for the obsessive double murder of his first wife along with her lover, but his music is not always accredited with the same sense of celebrity. Gesualdo is known in traditional history books as an amateur composer. His music is characterised by wild gesticulation and abrupt starts and stops, particular to a composer who just didn’t know what he was doing. However, the 20th century has now uncovered our composer’s place in history as part of a larger movement of Neapolitan artists, and as perhaps the most forward-thinking, expressive and sensual composer of his time. The King’s Singers were fascinated by the naked honesty that is heard within this 400 year old music. It is so startling that it keeps its freshness of surprise even on many repeated hearings. The music portrays a desperate and wretched, but also passionate and loving person who is set on composing "further out" than anyone else. Gesualdo moved in the highest circles of Italy and was extremely wealthy. His decadent lifestyle allowed him to do and write exactly as he pleased, and at the tender age of 19 it brought him into close contact with one of the most attractive and admired women in Naples. Maria d’Avalos was twice widowed by the age of 25. Her marriage to Gesualdo was initially promising. However, Maria’s rich social life soon dominated the relationship and a profound and constant jealousy took possession of the young and highly sensitive composer. After four years of turmoil he hired professional murderers to assist him in killing wife and lover while they were in bed together. The violence and rage of the act is well-documented. After the murder of Maria, Gesualdo suffered from severe and increasing feelings of guilt. Penitence never left him and he was moved to compose church music of a most black and self-reproachful nature. The programme on this CD represents part of the liturgy for the Matins Offices on the final three days of Holy Week, the Triduum Sacrum. Each of the Matins services is divided into three nocturns, each containing psalmody, three lessons and three responsaries. The attention given to word-painting is exemplary - The Times A no holds barred, immaculately sung performance from the King's Singers. Unmissable - Classic FM Magazine
  • Gesangbuch

    £12.00
    Edward Cowie’s unique compositional voice stems from his wide-ranging interdisciplinary interests in both the sonic and visual arts, with many of his works inspired by ideas and concepts from artworks and from the natural world. The opening piece of this recording – a 2011 commission for BBC Radio 3 – creates a complex musical tapestry and soundscape from the call of the Australian bell-bird, opening with translations of choruses of several species of Australian frogs. In 2002 Cowie become the BBC Singers’ first ‘Associate Composer’, marking a relationship between the composer that began in the mid-1970s and continues to this day. A fine tribute to an underrated composer - The Guardian The BBC Singers are joined by the Endymion ensemble for the lengthy “Gesangbuch”, a four-part choral work whose wordless vocals and darting, sprite-like musical tones create a work of suitably elemental spirits animated by the changing seasonal round - The Independent
  • Originating as a sexy dance in South America, the ‘chacona’ crossed the Atlantic and established itself in Spain as an irresistible temptation. In 1615, it was banned from Spanish theatres for being ‘lascivious, dishonest, offensive to pious ears’, but the attractions of the chaconne held sway. From the Ground Up traces its allure from early Spanish chaconnes, through the worlds of Purcell and Piccinini, to Bach’s magisterial example for solo violin. Reanimating the ‘lascivious’, Purcell’s ground basses furnish a harmonic groove for readings from Shakespeare by British actor Samuel West, accompanied by New York rapper Baba Israel.
  • Flux

    £12.00
    Formed in 2002, the award winning Lunar Saxophone Quartet has developed a reputation for their commitment to composer/performer collaborations, leading to dozens of commissions from a variety of different composers. Performances have spanned a wide range of occasions, from Bryn Terfel's 'Faenol Festival' and the Welsh BBC Proms, to live broadcasts on BBC TV and Radio. This new disc features a programme of newly commissioned works by some of Wales's youngest and most gifted composers together with those of more established figures. James Williamson’s In Memoriam is achingly contemplative, while the title of Lucy Pankhurst’s Diaphanousphere suggests the delicate webs of sound created by the quartet - The Independent Phenomenally talented saxophonists - Clarinet and Saxophone Society Magazine
  • Signum Records is pleased to present the first of a series of three discs by Music Antiqua of London, featuring the music of three Italian cities. In the late 15th century, Italy was divided between the independence of the mighty Venetian Republic and tiny Dukedoms such as Ferrara and Mantua. Music and literature were patronised by the ruling classes as statements of power and local identity. However the most revered European composers were from the north, and their musical style owed little to Italian culture. In northern Italy an educated classicist, Isabella Marchioness of Mantua, devised the frottola where text was set to a simple melody following speech rhythms, and accompanied by 2 or 3 instruments. The frottola is a Cinderella of Renaissance song and has suffered in comparison with the English and Italian Madrigal and the French Chanson in the 2oth century revival of interest in Renaissance music. On Fire and Ice we present frottole taken from a Venetian manuscript, compiled around 1520, to argue the case for a re-evaluation of this repertoire. The collection is notable for the quality of both the poetry and the music. The texts deal frequently with emotional extremes - the “fire and ice” of our title! Modelled on the court bands of the 16th century, Musica Antiqua is the only group in Great Britain to play on specially commissioned matched sets of viols and recorders, copied from 16th century originals. This CD offers a rare opportunity to hear the very different sound these instruments make compared to their "modern" counterparts from the 17th and 18th centuries. These performances.... communicate an infectious sense of enjoyment and enthusiasm (and) make thoroughly satisfying listening - Daily Telegraph The instrumental pieces are beautiful and are played excellently - Seen and Heard There are many imaginative touches, and interpretative subtlety in abundance - Early Music  
  • The New release from one of Armenia’s leading and most popular music groups. Following their prior success this year with their first release of Expressia - Armenian Fantasy, Cadence Ensemble expand their recording ventures to Expressia - Tangos and Fantasies. This new release explores the Tango at its best including works from some of the great Tango writers including Astor Piazzolla and fellow Armenian Narine Zarifian. With innovative arrangements of works by Carlos Gardel, Hector Stampioni and the Fantasy on Themes of Porgy and Bess by George Gershwin. Under the leadership of pianist Armen Babakhanian, they play Piazzolla's wildly infectious music with style and hauteur and introduce us to more tangos by lesser-known masters (including an Armenian) before winding up with a delightful arrangement of themes from Gershwin's Porgy and Bess. Refreshingly differentThe Guardian
  • Since the Cadence Ensemble’s premiere performance in 2004, the group has quickly become one of the leading and most popular music groups of Armenia. Initially performing the works of Argentine composer, Astor Piazzolla the ense mble has expanded its repertoire to encorporate contemporary European and Armenian composers. Under the leadership of pianist, Armen Babakhanian, the ensemble have enjoyed international success. Most recently the ensemble have given concerts in Paris, London and Brussels.
  • Eric Whitacre, normally known for his choral compositions and arrangements, personally requested Joby Burgess arrange some of his well-known works for Marimba quartet. This unique recording shows the warm, earthly tones of the marimba, beautifully playing the lush harmonies of Whitaker's choral works.
  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this Early Music collection, you can hear a wide rage of works by Gallicantus, the OAE, Gabrieli Consort, Chapelle du Roi and many more all on one disc - all selected from titles across the Signum catalogue.
    Extracts from 26 discs of composers ranging from Tallis to Telemann provide Signum Classics with a colourful shop window from which we can pick and chooseBBC Music Magazine
  • Formed in 2016, the Albion Quartet brings together four of the UK’s exceptional young string players who are establishing themselves rapidly on the international stage. This disc marks the first release in a new Dvořák cycle with Signum Records, as well as future releases of Walton and Britten plus the premiere recording of Richard Blackford’s Kalon with the Czech Philharmonic Orchestra later in 2019. Having made their debuts last season at the Concertgebouw Amsterdam as well as the Auditorium du Louvre in Paris, the 2018/19 season sees the Albion Quartet’s debuts at the Wigmore Hall and at Town Hall/Symphony Hall Birmingham. They also continue their residency at London’s Kings Place, become quartet-in residence at the Stratford Festival of Words and Music and perform at the Oxford Lieder Festival. 'Their attention to the smallest detail reaps dividends' - Gramophone
  • The Albion Quartet continue their Dvořák series with Signum. This is their second release on the label, featuring Dvořák's 8th & 10th string quartets.
  • Following her debut release of Baroque works by Vivaldi and Handel earlier this year, Grace Davidson returns to disc on Signum with an intimate disc of Dowland’s first book of lute songs, accompanied by David Miller. Blending melancholy with wit in his writing for both lute and voice, John Dowland’s songs have continued to enchant audiences and singers for nearly 400 years. The ‘First Booke’ includes some of Dowland’s less well-known works, and was recorded in the sensitive acoustic of Ascot Priory in Berkshire, UK.

    Performance ★★★★ Recording ★★★★★ Dowland's [works] find elegant interpreters here in Grace Davidson and David Miller - BBC Music Magazine These are beautiful, musical performances - Gramophone
  • Signum Classics are proud to release the Smith Quartet's debut disc on Signum Records - Different Trains. The disc contains three of Steve Reich's most inspiring works: Triple Quartet for three string quartets, Reich’s personal dedication to the late Yehudi Menuhin, Duet, and the haunting Different Trains for string quartet and electronic tape. The Smith Quartet's intense sound re-emphasises the rhapsodic ending of the work. Duet and Triple Quartet are also featured here and are played to perfection - The Independent on Sunday The Smith Quartet on the admirable Signum label is beautifully clear, and played with a rather touching delicacy which brings out the subtle poetry of the ending - BBC Music Magazine This five-star Signum issue [conveys] the emotional power or Reich's uncompromising writing - Music Week The Smiths are impressive in both pieces - The Guardian
  • Dance

    £12.00
    The Smith Quartet return on Signum with a new album of commissions and world premiere recordings, all centered on the theme of ‘Dance’. The featured programme is a veritable ‘whos-who’ of contemporary composition, including works from Michael Nyman, Graham Fitkin, Jon Lord, Michael Finnissy and Django Bates.  ★★★★★ Infectious enthusiasm and spirited playing - Classic FM Magazine An exuberant collection of 14 short pieces, each by a different composer. All are played with vim and technical brillianceThe Times Editor's Choice: A diverse collection of 14 works is bound together by quality of composition and performance … like a box of excellent chocolates, inviting frequent tastingClassical Music Magazine
  • CPE Bach

    £24.00
    Born in Weimar, Carl Philipp Emanuel (1714-88) was the fifth child and second surviving son of JS Bach and his first wife Maria Barbara. By his own account he had no other teacher for composition and keyboard except his father. Nevertheless, the majority of Emanuel’s earliest works owe more to the influence of Telemann and other exponents of the new galant style, while already suggesting his own progressive instinct. At the age of twenty-four, after seven years studying law, Emanuel decided to devote himself to music. In 1738 he accepted the position of keyboard player at the court of the Prussian crown prince – the future Frederick the Great. After nearly thirty years of royal service he left Berlin and moved to Hamburg, where he occupied the positions of Music Director and Cantor until his death. Described by the Guardian as a performer of “fearless intensity”, former ECHO Rising Star Tamsin Waley-Cohen has established herself as one of the most insightful and versatile young British violinists. Described by The Daily Telegraph as ‘in a class of his own’ James Baillieu has been the prize-winner of the Wigmore Hall Song Competition, Das Lied International Song Competition, Kathleen Ferrier and Richard Tauber Competitions. He plays these C.P.E. Bach compositions on a modern piano.
  • Alexander’s music has become known for its striking beauty and originality. Described by Positive News as “not jazz, not classical, not improvised, but a glimpse of something new”, and by ClassicFM as “refreshingly original”, it isn’t easily described or placed into a genre. Born into a family of artists, Alexander moved at the age of nineteen to northern Scotland and the windswept shores of the Moray Firth, where he completed his debut collection for solo piano, Sketches Of Light. Discovered by ClassicFM in 2013 and placed as Album of the Week, the Sketches became instantly popular and have since been aired extensively across the station. The album was re-released by Decca Records in 2014 and has featured widely across TV and Radio. In 2016 he released Portraits of Earth, his second collection for solo piano, ‘dedicated’, in Alexander’s own words, ‘to the beautiful place we all share; the living world we call Earth’. This was followed in April 2018 by the release of his third album Journey to Nidaros, composed during a 650km solitary pilgrimage across Norway and written down when he returned home. Offering a remarkable musical journal of his experiences, the album went to No.1 in the UK Specialist Classical Charts, and No.5 in the ClassicFM chart.   Alexander now lives and composes in the North-East Highlands of Scotland.
  • “This curious conglomeration of concertos is a celebration of contrasts”. Thus begins Kah-Ming Ng's introduction to this collection of works from the 18th century. Although none of the composers featured may be familiar, each work has been picked for it's fine technical skill and illuminating sound, taking inspiration from the 18th century definition of 'curious'' as being 'rare, excellent and fine'. Includes works by Paradis, Reichenauer, Berlin, Pepusch, Hertel, Croft and Baldassari. For those who know Pachelbel only through the Canon, this disc will be revelatory ... Each piece is beautifully served by the ensembleThe Sunday Times
    The title of the ensemble and their new disc are both pertinent, it’s an agreeable collection full of curiosities … Ng’s notes do a decent job of describing the impact of Vivaldi and his fellow Italians on the music scene in EnglandBBC Radio 3 Record Review The highlight is Pietro Domenico Paradies' aptly-titled A Favourite Concerto, a delightful harpsichord piece that affords the ensemble's director Kah-Ming Ng full rein to display his keyboard prowessThe Independent This is a disc for adventurous music-lovers who like to extend their horizon and are not satisfied with listening to the same masterpieces over and over again. Charivari Agréable deserve our congratulations with this 20th volume in their impressive discography. May many more followMusicWeb International
  • Two works from very different composers: Chopin’s works for cello were few and far between, but these two straddle his compositional life: the Introduction and Polonaise was written in 1829 when he was just 19, and the cello sonata in (1845-6) is his last work published during his lifetime (all latter works with opus numbers being published posthumously, against his wishes). In contrast, Saint-Saëns published a great many works for the cello (as well as works in almost every genre of the classical canon), with the Cello Sonata No.2 composed during his travels in Biskra, Algeria. Jamie Walton and Daniel Grimwood are performers who have proven themselves in both concert and recordings such as these to be formidable and enthralling interpreters of the classical canon.
    ★★★★★ There’s a combination of youthful energy and well-seasoned musicality that Jamie Walton and Daniel Grimwood thrive on here and it’s a real partnership ... Fine playing - BBC Radio 3 Record Review ★★★★★  Jamie Walton's new coupling of Saint-Saens' Second Cello Sonata and Chopin's only sonata for the instrument restores faith in a too often maligned composerNew Zealand Herald Jamie Walton’s mature cello timbre and perceptiveness in matters of interpretation and winningly applied to this coupling of two 19th-century sonatas … Finely honed stylistic judgment here goes hand in hand with re-creative panacheThe Daily Telegraph
  • Also available on DVD

    Joining several discs from Signum celebrating 2013's Britten Centenary Year comes a new collection of the three Suites for Solo Cello, performed by star UK cellist Jamie Walton. Recorded in the Britten Studio at Snape Maltings, Aldeburgh, the three suites were dedicated to Mstislav Rostropovich, with the passionate third in particular inspired by Rostropovich’s rich and romantic performances of Bach’s unaccompanied suites.

    Britten’s suites for solo cello are not perhaps an easy listen any more than they are easy to play, but Jamie Walton’s absorbing performances of all three seem to expose and explore the emotional heart and soul that went into the writing of them - The Daily Telegraph

    None of this music holds terrors for Walton, with his big, bold tone and formidable technique - The Sunday Times

    A musical triumph, captured in first-rate sound - Sinfini Music

     
  • Bohemia

    £12.00
    Tamsin Waley Cohen is joined by pianist Huw Watkins for a new disc exploring folk- inspired Bohemia from before the First World War – featuring works by Antonin Dvořák, Josef Suk and Leoš Janáček. Waley-Cohen captures the score’s spirit of infectious bonhomie to perfection… this gifted duo refreshingly exchanges the percussive tendency and angular introspection of some recent accounts for a spiritually intense espressivo reminiscent of Yehudi Menuhin in his primeThe Strad Just fresh, thoughtful and committed interpretations shot through with poetry and alertnessGramophone The performances are all well prepared, well integrated, well-conceived and beautifully played. Altogether a cherishable discMusicWeb International
  • The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue. Future releases include Mozart’s Symphony No. 1 and Beethoven’s ‘Ah Perfido!’
     
  • Early-music pioneers Charivari Agreable perform an engaging collection of overtures from the Italian Baroque Opera, best described by Kah- Ming Ng as being “lucidly crafted for the purpose of turning heads”. In a decadent era when the antics of theatre-goers was often as intriguing as the performances taking place on stage, these works were composed with the express intention of thrilling, beguiling and engaging an often hard-to-impress audience.
    This disc is full of insight and revelation, and to be highly recommendedEarly Music Review An inspired piece of programming ... a sense of sheer delight that brings these enticing scores resplendently to life - International Record Review [The disc] is very enjoyable and the music is brilliantly played... another gem [in an] already impressive discographyMusic Web International
  • Matthew Barley adds to his reputation as one of the UK's most innovative and creative performers with the new programme and CD Around Britten – celebrating the centenary of Britten's birth with a selection of his works, including the Third Cello Suite and pieces by Sir John Tavener and Gavin Bryars. As always, Barley's playing is fearless. The disc is a voyage around the cello as well as around Britten, and one that never becomes relentless - Gramophone The performance of the Suite is a very fine one - International Record Review This engrossing recital is a defining statement in modern cello playing - Sinfini Music
  • Arcadia

    £12.00
    Oliver Davis graduated from the Royal Academy of Music in 1994 and has since composed numerous concertos, ballet scores, albums, soundtracks and television scores working with many of the major London orchestras. The Infinite Ocean was composed for choreographer Edwaard Liang and was commissioned by San Francisco Ballet for the Unbound festival, 2018. Liang requested the work to be in six sections and to feature a solo violin. The aim of Aracdia was to create a piece which evoked an idyllic serene place. Gemini was specifically composed for violinist Kerenza Peacock and was designed to explore the contrasting styles of her playing. The Suite for piano and orchestra was written for Huw Watkins on piano and heavily involves thematic development throughout. Inferno began life as a short orchestral sketch, which gradually evolved into a full, single-movement piece. Lastly, The Elements was commissioned by The Hanke Brothers, who specifically wanted a piece describing the four elements. The ensemble containing piano, viola, recorder and tuba, produces a unique timbre, and the piece explores the possible various aspects of this timbre.
  • Signum Records is delighted to announce  the release of Gail Hennessy (baroque oboe) and Nicholas Parle (organ and harpsichord)'s second collaborative disc on Signum Records.

    Pellegrina’s Delight celebrates Vivaldi’s contribution to oboe repertoire in the early eighteenth century. Vivaldi wrote at least 16 concerti for solo oboe, but in this recording we offer an overview of Vivaldi’s prominent use of the solo oboe in his chamber music. The disc also provides a fascinating illustration of Vivaldi’s stylistic development between c.1705 and c.1720. The Quartet Sonata in C major (RV 779) was written during the first decade of Vivaldi’s activity as a composer, when he was serving as a violin teacher at the Ospedale della Piet in Venice. Selected girls were admitted - after audition - to the musical establishment. Vivaldi made a note in this manuscript of the names of the four female musicians who were chosen to perform the sonata. They are Pellegrina (oboe), Prudenza (violin), Lucietta (organ) and Candida (chalumeau). Other works featured on this disc are the Sonata for oboe and continuo in C minor, RV 53, the Sonata in G minor, RV 28 the Trio-sonata in E minor, Op. 1 no. 2, RV 67, the Concerto for flute, violin and bassoon in G minor, RV 106 (presented with the oboe taking the part of first treble instrument, the Sonata in B-flat major, RV 34 and the Sonata a 4 in C major, RV 801.
  • Iain Burnside and Ailish Tynan return to Signum with their second disc of Irish Songs and arrangements – this time from a range of different 20th Century composers. Although all of the sung texts stem from Irelands rich heritage of literature (including poems from W.B. Yeats, Thomas Moore and James Joyce), the composers featured here have a more transatlantic feel, with works by John Cage and Samuel Barber programmed alongside others by Benjamin Britten and Herbert Hughes.
    Ailish Tynan’s singing [is] totally compellingBBC Radio 3 Record Review
    Editor's Choice: The disc is full of interest. There are lovely, unknown tunes, seductively sung and hauntingly harmonised. It has pathos and wild joy in equal measure. An excellent recital -  Classic FM Magazine
    Iain Burnside is a dream of an accompanistLa Scena Musicale
  • Recreating the exciting sound of swing from the 30’s and 40’s, Julian Bliss’s dynamic virtuosity leads his sextet through some of the great tunes of the swing era, staying true to the authentic feel but naturally with a modern twist. Julian Bliss says: "I decided in the summer of 2010 that I wanted to start my own Jazz group. I enlisted the help of Neal Thornton (Piano) to help make this dream a reality. We spent months listening to every version of each tune we could find, and putting together our own versions while still being mindful of the light and fun feel Goodman captured all those years ago. We then had the task of putting the rest of the band together. We were specifically looking for musicians that had a great interest in the Swing era, and I must say we couldn’t have picked a better set of players."  
  • Signum Records is delighted to announce the release of A Songbook for Isabella. Isabella d’Este was brought up in the midst of an extremely active musical court. After her marriage in 1490 to Francesco Gonzaga Duke of Mantua she began to remodel the Duke's relatively modest musical establishment in imitation of that of her father, Hercule. She was herself a gifted musician and favoured above all the viol. Not only was the viol the favourite vehicle for aristocratic instrumental performance, but it was the ideal accompaniment to the voice. Under Isabella’s patronage the tradition of improvised song accompanied by the singer on a lira da braccio developed into the frottola, shared between two, three or even four viols. In employing Italian composers, and herself performing their music, Isabella played a key role in the development of this new music, and of the consort of viole which developed alongside it. This disc presents a selection of music from the circle of Isabella. The repertoire is centred around the Milliare Songbook - a hand written songbook compiled in 1502 by, or for, one Ludovico Milliare. This contains a wonderfully rich cross section of the vocal and instrumental repertoire loved by the d’Este family of Mantua. An attractive feature of the collection is the inclusion of sacred pieces, mostly non-liturgical and apparently intended for private devotional use. The instruments used for this recording have been thoroughly researched by examining documented and iconographic evidence - for example contemporary paintings of the period. The custom-made viols are cannot be called "copies"; they are recreations using the best information and scholarship available. This CD offers a rare opportunity to hear the very different sound these instruments make - rather different from their more modern counterparts from the seventeenth and eighteenth centuries. A very satisfying compilation combining scholarship with sensuous pleasureMusical Pointers A very civilized disc with music to charm and excitementLudwig Van Web Pleasurable and abundant discoveries await the more adventurous listenerMusicWeb International
  • An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review

  • Formed in 1992, the British percussion quartet ensemblebash has forged a reputation as one of the world’s most innovative and groundbreaking chamber ensembles. Using the music of West Africa as both core repertoire and a guiding spiritual influence, ensemblebash mixes contemporary classical, jazz and music theatre into unforgettable performances. This new recording marks 20 years since the formation of the group, with the programme made up of some of their best commissions from the 2002 to 2012. ensemblebash [make] playing percussion the coolest, noisiest and funniest occupation on earthThe Times A marvellous CD from the Bashers to show off your newest playing equipment. Most of it is not loud; intricate subtleties from these multi-instrumentalists dominate the listening experienceMusical Pointers  
  •   Discover some of the greatest pieces of minimalist music ever written, performed here by Signum artists including Tenebrae, Tamsin Waley-Cohen, Julian Bliss and the Armonico Consort.