• Signum Classics are proud to release the fourth disc from The King's Singers on Signum Classics - 1605: Treason and Dischord. On 5 November 1605 Guy Fawkes was caught preparing to detonate 36 barrels of gunpowder under the House of Lords unveiling an act of attempted treason that shocked the whole of Europe. What led a group of young Catholic men to risk their lives for their faith? 400 years later the King’s Singers and Concordia illuminate the dangers of hearing Mass in secret, of conspiracy and downfall, and of protestant relief and celebration, through a project of music and prose. The music, structured around Byrd’s perfect 4-part Mass, contains motets by Catholic composers, balanced with protestant anthems celebrating the downfall of the plot, and a commission from the British composer, Francis Pott. Master Tresham: His Ducke reflects on the ‘9/11’ of its day - 5/11/1605. The script, drawing on historic texts and written by Deborah Mackay for the quatercentenary concert series related to this CD, uses the dramatised persona of William Byrd, the most famous composer of his age, to recreate the atmosphere of change and hope in the Jacobean court. ★★★★ The performers bring verve and forceful emotional fervour to these works of protest - Classic FM Magazine A brilliant fusion of Renaissance and contemporary idioms - The Scotsman Strongly recommended - International Record Review There is never a question of technical polish and precision with the King’s Singers - American Record Guide
  • An exhilarating new album of contemporary music shaped by the collaborative musical collective Powerplant, featuring performances from percussionist Joby Burgess in collaboration with sound designer Matthew Fairclough and visual artist Kathy Hinde.
    24 Lies Per Second combines works by contemporary British composers – Graham Fitkin, Max de Wardener and Dominic Murcott – with two pieces by compositional icons Conlon Nancarrow and Steve Reich, including the Reich work My Name Is (for audience and tape recorder) which has never before been released commercially.
    This release includes a bonus CD Plus video performance of Max de Wardener's Im Dorfe, which can be viewed when playing the CD on a PC. [Joby Burgess] is a 21st Century explorer at the edge ... Riveting! - Musical Pointers
  • Formed in 1992, the British percussion quartet ensemblebash has forged a reputation as one of the world’s most innovative and groundbreaking chamber ensembles. Using the music of West Africa as both core repertoire and a guiding spiritual influence, ensemblebash mixes contemporary classical, jazz and music theatre into unforgettable performances. This new recording marks 20 years since the formation of the group, with the programme made up of some of their best commissions from the 2002 to 2012. ensemblebash [make] playing percussion the coolest, noisiest and funniest occupation on earthThe Times A marvellous CD from the Bashers to show off your newest playing equipment. Most of it is not loud; intricate subtleties from these multi-instrumentalists dominate the listening experienceMusical Pointers  
  • An invitation to stroll through the world of one of England’s greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble ‘Les Inventions’, the group explores Purcell’s astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England’s greatest composers.

    If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guisesChoir and Organ

    You won't hear Purcell sung better - Planet Hugill

    This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review

  • Signum Records is delighted to announce the release of A Songbook for Isabella. Isabella d’Este was brought up in the midst of an extremely active musical court. After her marriage in 1490 to Francesco Gonzaga Duke of Mantua she began to remodel the Duke's relatively modest musical establishment in imitation of that of her father, Hercule. She was herself a gifted musician and favoured above all the viol. Not only was the viol the favourite vehicle for aristocratic instrumental performance, but it was the ideal accompaniment to the voice. Under Isabella’s patronage the tradition of improvised song accompanied by the singer on a lira da braccio developed into the frottola, shared between two, three or even four viols. In employing Italian composers, and herself performing their music, Isabella played a key role in the development of this new music, and of the consort of viole which developed alongside it. This disc presents a selection of music from the circle of Isabella. The repertoire is centred around the Milliare Songbook - a hand written songbook compiled in 1502 by, or for, one Ludovico Milliare. This contains a wonderfully rich cross section of the vocal and instrumental repertoire loved by the d’Este family of Mantua. An attractive feature of the collection is the inclusion of sacred pieces, mostly non-liturgical and apparently intended for private devotional use. The instruments used for this recording have been thoroughly researched by examining documented and iconographic evidence - for example contemporary paintings of the period. The custom-made viols are cannot be called "copies"; they are recreations using the best information and scholarship available. This CD offers a rare opportunity to hear the very different sound these instruments make - rather different from their more modern counterparts from the seventeenth and eighteenth centuries. A very satisfying compilation combining scholarship with sensuous pleasureMusical Pointers A very civilized disc with music to charm and excitementLudwig Van Web Pleasurable and abundant discoveries await the more adventurous listenerMusicWeb International
  • Recreating the exciting sound of swing from the 30’s and 40’s, Julian Bliss’s dynamic virtuosity leads his sextet through some of the great tunes of the swing era, staying true to the authentic feel but naturally with a modern twist. Julian Bliss says: "I decided in the summer of 2010 that I wanted to start my own Jazz group. I enlisted the help of Neal Thornton (Piano) to help make this dream a reality. We spent months listening to every version of each tune we could find, and putting together our own versions while still being mindful of the light and fun feel Goodman captured all those years ago. We then had the task of putting the rest of the band together. We were specifically looking for musicians that had a great interest in the Swing era, and I must say we couldn’t have picked a better set of players."  
  • Iain Burnside and Ailish Tynan return to Signum with their second disc of Irish Songs and arrangements – this time from a range of different 20th Century composers. Although all of the sung texts stem from Irelands rich heritage of literature (including poems from W.B. Yeats, Thomas Moore and James Joyce), the composers featured here have a more transatlantic feel, with works by John Cage and Samuel Barber programmed alongside others by Benjamin Britten and Herbert Hughes.
    Ailish Tynan’s singing [is] totally compellingBBC Radio 3 Record Review
    Editor's Choice: The disc is full of interest. There are lovely, unknown tunes, seductively sung and hauntingly harmonised. It has pathos and wild joy in equal measure. An excellent recital -  Classic FM Magazine
    Iain Burnside is a dream of an accompanistLa Scena Musicale
  • Signum Records is delighted to announce  the release of Gail Hennessy (baroque oboe) and Nicholas Parle (organ and harpsichord)'s second collaborative disc on Signum Records.

    Pellegrina’s Delight celebrates Vivaldi’s contribution to oboe repertoire in the early eighteenth century. Vivaldi wrote at least 16 concerti for solo oboe, but in this recording we offer an overview of Vivaldi’s prominent use of the solo oboe in his chamber music. The disc also provides a fascinating illustration of Vivaldi’s stylistic development between c.1705 and c.1720. The Quartet Sonata in C major (RV 779) was written during the first decade of Vivaldi’s activity as a composer, when he was serving as a violin teacher at the Ospedale della Piet in Venice. Selected girls were admitted - after audition - to the musical establishment. Vivaldi made a note in this manuscript of the names of the four female musicians who were chosen to perform the sonata. They are Pellegrina (oboe), Prudenza (violin), Lucietta (organ) and Candida (chalumeau). Other works featured on this disc are the Sonata for oboe and continuo in C minor, RV 53, the Sonata in G minor, RV 28 the Trio-sonata in E minor, Op. 1 no. 2, RV 67, the Concerto for flute, violin and bassoon in G minor, RV 106 (presented with the oboe taking the part of first treble instrument, the Sonata in B-flat major, RV 34 and the Sonata a 4 in C major, RV 801.
  • Matthew Barley adds to his reputation as one of the UK's most innovative and creative performers with the new programme and CD Around Britten – celebrating the centenary of Britten's birth with a selection of his works, including the Third Cello Suite and pieces by Sir John Tavener and Gavin Bryars. 

    The release coincides with the start of a tour of 100 events taking Britten's music to a kaleidoscopic variety of venues around the UK, reaching a huge cross section of British society. As well as concerts in conventional concert halls, Matthew will play in galleries, a cafe, a woodland in Devon, a number of cathedrals (including Canterbury), around 12 different National Trust properties and Britten's library at the Red House in Aldeburgh. The events will be featured across the year in BBC Music Magazine, and one concert will be broadcast on BBC Radio 3. Find out more about the events near you here.

  • Early-music pioneers Charivari Agreable perform an engaging collection of overtures from the Italian Baroque Opera, best described by Kah- Ming Ng as being “lucidly crafted for the purpose of turning heads”. In a decadent era when the antics of theatre-goers was often as intriguing as the performances taking place on stage, these works were composed with the express intention of thrilling, beguiling and engaging an often hard-to-impress audience.
    This disc is full of insight and revelation, and to be highly recommendedEarly Music Review An inspired piece of programming ... a sense of sheer delight that brings these enticing scores resplendently to life - International Record Review [The disc] is very enjoyable and the music is brilliantly played... another gem [in an] already impressive discographyMusic Web International
  • The London Chamber Orchestra, the UK’s oldest chamber orchestra, has nurtured the new and paid homage to the traditional since 1921. Since 1988 Principal Conductor and Music Director Christopher Warren-Green has brought together the inspirational musicians and repertoire for which LCO is renowned. The remarkable acoustic and intimate ambience of St. John’s, Smith Square, its London home, enable the LCO - the only chamber orchestra resident in London - to give vibrant performances and establish a close rapport with its audiences. The recordings on the LCO Live label, in partnership with Signum Classics, are the result of this happy marriage of orchestra and venue. Future releases include Mozart’s Symphony No. 1 and Beethoven’s ‘Ah Perfido!’
     
    “We have been developing LCO Live with Signum Classics for just over two years. I believe these first three releases give a wonderful reflection of LCO’s concerts at St. John’s. I hope you enjoy them.” 
    Christopher Warren-Green, Music Director, LCO
     
    “The concerts of Warren-Green and the London Chamber Orchestra at St John’s, Smith Square aren’t often noticed in the press, but their large regular audience knows that they are some of the most exciting in London.”
    The Times
     
  • Bohemia

    £12.00
    Tamsin Waley Cohen is joined by pianist Huw Watkins for a new disc exploring folk- inspired Bohemia from before the First World War – featuring works by Antonin Dvořák, Josef Suk and Leoš Janáček. Waley-Cohen captures the score’s spirit of infectious bonhomie to perfection… this gifted duo refreshingly exchanges the percussive tendency and angular introspection of some recent accounts for a spiritually intense espressivo reminiscent of Yehudi Menuhin in his primeThe Strad Just fresh, thoughtful and committed interpretations shot through with poetry and alertnessGramophone The performances are all well prepared, well integrated, well-conceived and beautifully played. Altogether a cherishable discMusicWeb International
  • Also available on DVD

    Joining several discs from Signum celebrating 2013's Britten Centenary Year comes a new collection of the three Suites for Solo Cello, performed by star UK cellist Jamie Walton. Recorded in the Britten Studio at Snape Maltings, Aldeburgh, the three suites were dedicated to Mstislav Rostropovich, with the passionate third in particular inspired by Rostropovich’s rich and romantic performances of Bach’s unaccompanied suites.

    Jamie Walton has established a reputation as a performer who deeply engages with the works he performs and records. Earlier this year he released a new recording of cello concertos by Schumann and Dvorak with the Philharmonia Orchestra under Vladimir Ashkenazy (SIGCD322):

    "What has impressed me so much with regard to this account of the Dvorak is the oneness of conception between soloist and conductor. I am sure much preparation went into this performance: they are fully integrated, so we hear the work as a totality, not as a piece for virtuoso solo cello with orchestral accompaniment. This is, of its kind, a masterly performance” International Record Review

  • Two works from very different composers: Chopin’s works for cello were few and far between, but these two straddle his compositional life: the Introduction and Polonaise was written in 1829 when he was just 19, and the cello sonata in (1845-6) is his last work published during his lifetime (all latter works with opus numbers being published posthumously, against his wishes). In contrast, Saint-Saëns published a great many works for the cello (as well as works in almost every genre of the classical canon), with the Cello Sonata No.2 composed during his travels in Biskra, Algeria. Jamie Walton and Daniel Grimwood are performers who have proven themselves in both concert and recordings such as these to be formidable and enthralling interpreters of the classical canon.
    ★★★★★ There’s a combination of youthful energy and well-seasoned musicality that Jamie Walton and Daniel Grimwood thrive on here and it’s a real partnership ... Fine playing - BBC Radio 3 Record Review ★★★★★  Jamie Walton's new coupling of Saint-Saens' Second Cello Sonata and Chopin's only sonata for the instrument restores faith in a too often maligned composerNew Zealand Herald Jamie Walton’s mature cello timbre and perceptiveness in matters of interpretation and winningly applied to this coupling of two 19th-century sonatas … Finely honed stylistic judgment here goes hand in hand with re-creative panacheThe Daily Telegraph
  • “This curious conglomeration of concertos is a celebration of contrasts”. Thus begins Kah-Ming Ng's introduction to this collection of works from the 18th century. Although none of the composers featured may be familiar, each work has been picked for it's fine technical skill and illuminating sound, taking inspiration from the 18th century definition of 'curious'' as being 'rare, excellent and fine'. Includes works by Paradis, Reichenauer, Berlin, Pepusch, Hertel, Croft and Baldassari. For those who know Pachelbel only through the Canon, this disc will be revelatory ... Each piece is beautifully served by the ensembleThe Sunday Times
    The title of the ensemble and their new disc are both pertinent, it’s an agreeable collection full of curiosities … Ng’s notes do a decent job of describing the impact of Vivaldi and his fellow Italians on the music scene in EnglandBBC Radio 3 Record Review The highlight is Pietro Domenico Paradies' aptly-titled A Favourite Concerto, a delightful harpsichord piece that affords the ensemble's director Kah-Ming Ng full rein to display his keyboard prowessThe Independent This is a disc for adventurous music-lovers who like to extend their horizon and are not satisfied with listening to the same masterpieces over and over again. Charivari Agréable deserve our congratulations with this 20th volume in their impressive discography. May many more followMusicWeb International
  • Dance

    £12.00
    The Smith Quartet return on Signum with a new album of commissions and world premiere recordings, all centered on the theme of ‘Dance’. The featured programme is a veritable ‘whos-who’ of contemporary composition, including works from Michael Nyman, Graham Fitkin, Jon Lord, Michael Finnissy and Django Bates.  ★★★★★ Infectious enthusiasm and spirited playing - Classic FM Magazine An exuberant collection of 14 short pieces, each by a different composer. All are played with vim and technical brillianceThe Times Editor's Choice: A diverse collection of 14 works is bound together by quality of composition and performance … like a box of excellent chocolates, inviting frequent tastingClassical Music Magazine