-
British soprano Sarah Fox makes her solo recording debut with songs by Broadway songwriting legend Cole Porter. Accompanied by pianist and arranger James Burton, highlights include ‘In the Still of the Night’ from Rosalie; ‘I’ve got you Under My Skin’ from Born to Dance, and ‘I get a Kick out of You’ from Anything Goes. ★★★★ Sarah Fox and James Burton [give] lovely relaxed performances - Planet Hugill [Sarah Fox] lends a classic feel to all the favourite, including I've Got You Under My Skin, I Get a Kick Out Of You and Anything Goes - The Lady A wholly delightful disc - MusicWeb International -
Award-winning Vibraphonist Lewis Wright returns to Signum following the success of his recording ‘Duets’ in 2018, with a selection of new compositions this time performed with Matt Brewer (Double-Bass) and Marcus Gilmore (Drums). “The Colour of Intention refers to the creative process itself: that in order to express yourself honestly in music, you have to generate clear intentions developed from thoughts and emotions which then colour the work rather than explaining every aspect of it. In the moment of performance, the goal then becomes to put all these previous investigations out of mind and exist in the present. The colour of intention is describing everything except performance; the slower processes of development, reflection and refinement and how they’ll seep, often unpredictably, into everything that ends up being realised. Working with Matt (Brewer) and Marcus (Gilmore) adds the last and most engaging dimension. How they interpret the music, interact and bring their own highly developed languages to bare, creates something that’s both a reflection of my intentions and also infinitely more sophisticated than it’s possible for me to conceive of. I think in this sense, human connection is the greatest element of what it is we do as musicians.” - Lewis Wright -
This first volume of The Complete Alkan Organ Works presents Joseph Nolan’s recording of Charles-Valentin Alkan’s major works for organ and pedal-piano, performed on the restored Stahlhuth–Jann organ of St Martin’s Church, Dudelange. The release includes the 11 Grands Préludes and Handel transcription Op. 66, the Petits Préludes sur les huit gammes du plainchant, and the Impromptu on Luther’s “Ein feste Burg”, Op. 69. The booklet outlines Alkan’s background, his distinctive position in 19th-century French music, and the technical demands of these rarely recorded pieces. It also documents the instrument’s history and Nolan’s long-term commitment to the project. ★★★★★ - The Guardian 100% - "Nolan is an organist with a mind of his own and this record is in a class of its own ... Nothing else like it on record." - Norman Lebrecht / Slipped Disc -
Following her acclaimed Brahms release on Signum Classics in May 2021, Leeds International Piano Competition Winner (2015), Anna Tsybuleva, releases a new album of Debussy’s 24 Preludes pour solo piano. Tsybuleva has been described by as embodying “superb pianism and intelligent musicianship” (Gramophone Magazine) and “A pianist of rare gifts: not since Murray Perahia’s triumph in 1972 has Leeds had a winner of this musical poise and calibre” (International Piano Magazine). Praise for Tsybuleva on Signum Classics “One is speechless. As far as their performance is concerned, the German Symphony Orchestra Berlin, the soloist and the conductor Ruth Reinhardt are an extremely eloquent team that realizes their musical ideas together. You can hear a direct and gripping Brahms, without any airs, without frills – music that speaks to you directly” – Piano News ★★★★ Performance ★★★★ Recording - "Anna Tsybuleva interprets fluently and continuously" - Fono Forum 7/10 Performance, 10/10 Recording - "Beauty of tone, sensitivity and spaciousness permeate her Debussy Preludes" - ClassicsToday "There is plenty to enjoy in terms of sensitivity, grace and nimbleness. The opening 'Danseuses and Delphes' is appropriately statuesque and sensitively weighted, while the frank simplicity of 'Bruyères' is a good example of her no-frills naturalness. She is also capable of storytelling, as in her cheekily whimsical 'Danse de Puck'." - Gramophone "From Anna Tsybuleva you hear playing of a special finesse and evocation…enchanted with what I find available I find myself longing for more Debussy from Tsybuleva…she has been excellently recorded…She is at the heart of the Debussian world" - The Art of Pianists "[She brings] Debussy's lucid and fragrant sound to life…A magnificent interpretation of Debussy's Préludes" - Piano News Recorded in utterly glorious sound this is a worthy addition to the great sets that have gone before. - Music Web International -
Malcolm Martineau follows up his acclaimed complete song collections of Poulenc and Faure with an album celebrating the solo songs of Henri Duparc, performed by an acclaimed roster of British singers – Dame Sarah Connolly, Huw Montague Rendall, Nicky Spence & William Thomas. An iconic figure in the world of French music – his songs described as being ‘imperfect...but works of genius’ by Ravel and ‘perfect’ by Debussy – Duparc only composed a handful of works during the first half of his life: following a nervous disorder in 1885 at age 37 he lived for a further 48 years, orchestrat- ing and tinkering with his songs, but publishing nothing new. Scottish pianist Malcolm Martineau is recognised at the highest international level as one of the UK’s leading accompanists, performing worldwide alongside the world’s greatest singers and with a discogra- phy of over 100 albums, including a number of award-winning recordings. ★★★★★ "Martineau and the four singers all bring a thoughtfulness and profound consideration to the performances, we very rarely simply luxuriate in the simple beauty of sound. And whilst there is plenty of that, each song is a profoundly expressive microcosm, bringing alive the composer's complex and fascinating interior life" - Planet Hugill ★★★★ "The best single performance comes from the young and splendidly named baritone Huw Montague Rendall, who really captures the way Phydilé begins in calm radiance, seems to end ecstatically, and then surges to a whole new level of passion. Pianist Malcolm Martineau is hyper-alert to all the little details in the super-refined piano parts that change the emotional colour…Overall these are wonderful recordings, which shine a bright light on these lonely eminences in French art song" - The Telegraph ★★★★ Performance ★★★★ Recording "Four singers are involved, together with the expertly collaborative pianist Malcolm Martineau…a high standard is attained by all participants" - BBC Music Magazine Editors Choice ★★★★ "Complete collection proves Duparc a master of the art song…What a lovely release this is, and one to revisit for endless listening pleasure…It’s an ideal introduction to the composer’s sophisticated sound world. Pianist Malcolm Martineau is in superb partnership with each singer, his playing unstintingly refined and expressive." - Limelight Magazine Top albums of 2022 - VOICE "Martineau on piano really knows how to draw the best from each artist on this recording and his spirited performance in Phidyelé shows that he is a talented pianist in his own right." Art Muse London "The present offering, masterminded by the indefatigable Malcolm Martineau, can definitely be the starting point for the curious…truly excellent" - Musicweb International "This is very much a recording in which we're aware of Duparc's edginess as well as his beauty…There's a terrific and consistently persuasive grandeur and sweep in much of Martineau's playing…This is a fine and fascinating addition to his discography" - Gramophone ★★★★ "[Martineau] works extremely well with each of the four singers…Sarah Connolly, who is doubtless luxuriant but also adds a wonderful world-weariness in several of her songs. There's a nice division between established singers and up-and-comers here, and rising tenor Nicky Spence is just right in the ardent Sérénade Florentine, which is just what the title implies. This is a Duparc recital that brings out the composer's Wagnerian qualities and one that showcases a quartet of singers in an unusually effective way" - AllMusic.com "One can only admire too the generous musicianship of Malcolm Martineau, himself a Prince among accompanists, whose ever-sensitive collaborations make this disc an essential addition to the Duparc discography." - Opera Today ★★★★ - CLASSICA "This is very much a recording in which we're aware of Duparc's edginess as well as his beauty…There's a terrific and consistently persuasive grandeur and sweep in much of Martineau's playing here…this is a fine and fascinating addition to his discography" - Gramophone -
Pianist Malcolm Martineau brings together some of the UK’s finest singers for the first release in a new series charting the complete songs of French composer Gabriel Fauré. This series follows Martineau’s well-received series of The Complete Poulenc Songs.
-
Pianist Malcolm Martineau brings together some of the UK’s finest singers for the second release in a new series charting the complete songs of French composer Gabriel Fauré.★★★★ Another lovely evening in an imaginary salon… Connolly is at her best, capturing the controlled, yet rapturous passion of this achingly beautiful cycle - BBC Music Magazine Malcolm Martineau, the mastermind behind the project, is, as always, the ideal accompanist. Readers who bought the first volume need not hesitate, and those who didn’t are well advised to try this second instalment before buying volume one - MusicWeb International -
The final volume in the acclaimed series with Malcolm Martineau, charting the complete songs of French composer Gabriel Fauré and performed by a selection of the world’s finest singers. This series follows Martineau’s heralded 5-CD series of The Complete Songs of Francis Poulenc. "By the time one has read Roger Nichols' notes, there is not much more that one needs to know about this extraordinary collection; four hours of sheer pleasure" - Present Arts -
Malcolm Martineau follows up his acclaimed complete song collections of Duparc, Poulenc and Faure with a double album celebrating the complete songs of Maurice Ravel, performed by a bumper roster of singers: Lorna Anderson, Julie Boulianne, John Chest, Sarah Dufresne Dafydd Jones, Simon Keenlyside, Paula Murrihy, Nicky Spence and William Thomas. French composer Maurice Ravel known for his musical craftsmanship and clear style drew on elements of baroque, neoclassicism, modernism and later on, jazz in his compositions. His vocal works span 4 decades, from 1893 to 1933. Scottish pianist Malcolm Martineau is recognised at the highest international level as one of the UK’s leading accompanists, performing worldwide alongside the world’s greatest singers and with a discography of over 100 albums, including a number of award-winning recordings. ★★★★★ - "The homogeneity of the result is striking" - Spanish Classical Music Magazine ★★★★★ - "Martineau's pellucid pianism holds the project gloriously together" - BBC Music Magazine§ ★★★★ - "For many, it will be the one-off songs, those not part of a cycle, that are the big discoveries. But among the better-known numbers there are some fine performances" - The Guardian ★★★★ - "Beautifull recorded, with voices and piano well balanced" - Limelight -
The legacy of the celebrity castrato Senesino has endured for centuries. He is known to us today primarily as Handel’s leading man for 13 seasons in London, and he was recognised the world over for his moving dramatic interpretations, fiery singing, and singular, over-the-top divo personality. Yet, Handel’s music for Senesino only shows us a fraction of the numerous virtuosic roles written for the castrato. Here, for the first time, are arias by seven overlooked composers who also wrote showpieces for the (in)famous Senesino. All but one of the arias on this album are modern-day premieres and heard together, they illuminate the talents of an 18th-century operatic icon. Each of the composers on this album was a genuine musical talent, greatly admired for the refinement and skill of their compositions, but they are almost entirely forgotten today. What a fascinating bunch! One was a part-time spy for the future King of France, another a workaholic recluse, one was accused of plagiarism and banished from London entirely, and another worked a side-gig composing music for Italian comedians. The countertenor Randall Scotting’s debut album on Signum Records with Orchestra of the Age of Enlightenment, conducted by Laurence Cummings. ★★★★ Performance ★★★★ Recording "In this debut solo album, seven years in the making, countertenor Randall Scotting lets loose a ravishing vocalism…this recording captures his dramatic artistry" - BBC Music Magazine ★★★★ "The American countertenor sings his Senesino program with great commitment, feeling, drama and, above all, versatility, finding the right character for each character. Much affetto and, above all, color characterize the warm, flexible, full-sounding singing, which is supported by a no less expressive orchestra under the inspired direction of Laurence Cummings" - Pizzicato "It’s a really rich voice with a good range of dramatic colours, and Scotting writes very well about the start castrato in the notes. It’s an effective reminder of the range and combustible temperament of an extraordinary performer in Handel’s London" - BBC Radio 3 Record Review -
The Crown of Life continues the Choir of The Queen’s College, Oxford’s exploration of overlooked treasures in twentieth-century English choral music under Owen Rees. At its centre is the first recording of Kenneth Leighton’s Missa Christi (1988), the composer’s final large-scale sacred work, commissioned by Christ Church Cathedral, Indianapolis. Alongside it are world premiere recordings of Harold Darke’s Blessed is the man that endureth temptation and Imogen Holst’s Out of your sleep arise and wake. Works by Rebecca Clarke and Gustav Holst complete the programme, offering a richly varied portrait of composers linked by study with Stanford and united in sacred expression. “Glorious music making from start to finish” - Gramophone 8/10 - CrossRhythms “characterised by a remarkable sonic cohesion and a careful balance between sections” - Sonograma -
After the success of their debut release, Voyages, Mary Bevan and Joseph Middleton present their second recital disc exploring Lieder in German and Italian by Schubert, Haydn and Wolf. The programme is woven around songs inspired by the ‘muses’ of the day, both mythological and divine. It begins with Schubert’s dramatic and reverential settings of sacred German poetry, set alongside his lush emotional portrayals of female characters in the Italian settings. The central section of the disc is then devoted to Haydn’s epic ‘scena’ depicting the famously cruel abandonment of Arianna by her lover Teseo, ‘Arianna a Naxos’. Haydn’s beautiful prayer ‘Geistliches Lied’ takes us back into the world of German poetry and the religious fervour that arose from the collective belief in Christianity which pervaded most art forms of the age. The disc then moves into works by Hugo Wolf, whose stunning settings of devotional texts take the listener right to the heart of the characters; a few of these songs were in fact inspired by paintings. The early moments of Jesus Christ’s life are vividly portrayed here, particularly in songs such as ‘Die ihr Schwebet’, ‘Auf ein Altes Bild’ and ‘Schlafendes Jesuskind’, while the haunting ‘Gesang Weylas’ invites the listener into the world of the mysterious goddes Weyla who wistfully dreams of the shores of her distant homeland. From Ganymed to Christ, Dido to the Virgin Mary, Arianna to St Peter, this recital disc richly illustrates the lives and events surrounding the ‘divine muses’ who inspired these composers. All downloads include booklets. "This recital is sometimes stormy, sometimes prayerful, and occasionally full of rapture…The recording quality on the album is outstanding…For the variety of colors, outstanding drama, and emotive singing, this is a highly recommended recital". - The Classic Review "Mary Bevan is not just an exceptionally fine soprano. She's also a superb actress, whether performing on the operatic stage or on the recital platform. Those dramatic qualities - and her keen care for diction - shine in her latest album, 'The Divine Muse' "- Gramophone "A singer with real dramatic power, much loved on the opera stage…An absorbing recital" - The Observer -
The Choir of Jesus College Cambridge’s new release on Signum blends a selection of ancient and modern works from the 16th and 20th Centuries, all centred on the theme of evening. A gorgeous blended sound... the atmospheric singing of the choristers is of a high standard - Early Music Review The choir have a delicacy and a musical responsiveness that's particularly suited to this softer-edged programme of evening music - Gramophone As an unguent to tired limbs, is this gorgeously dreamy recital to the soul: calorific with comfort, it pleases with delightful contrasts, sensitive, sustained singing and shapely interpretations - Choir & Organ Most enjoyable - Cross Rhythms -
The First Child is a narrative that is much larger than the characters themselves. A work that reveals itself incrementally and cuts between the normal and the mythic. Passing through the strange minds of the central characters. Moving sharply from darkness to comedy. Shaped by obsession and an unstoppable quest for revenge. ★★★★ - Opera Now Magazine ★★★★ - BBC Music Magazine Praise for INO on Signum Classics: “This CD set is evidence of the company’s high quality” – Classical Music Daily “An infinite amount of orchestral detail, vocal sprezzatura, and joie de vivre which all contribute in making “La Bohème” one of the best opera recordings of the past decade” – Opera Wire “The recording is spectacular...We hear everything, and in beautiful perspective” – Classical Explorer -
David Price and the Choir of Portsmouth Cathedral present a selection of traditional and contemporary Christmas carols. They are joined by organists Sachin Gunga, Kim Chin and The Band of His Majesty’s Royal Marines Collingwood. “The music of Advent and Christmas is rich and deep in the Anglican tradition and here on this album we give you a flavour of a Portsmouth Christmas. We have drawn on all the varied and wonderful events that Portsmouth Cathedral contributes to - from Christmas tours to Antwerp, Carol Services on board HMS Victory for The Second Sea Lord, live broadcasts on BBC TV and Radio as well as our regular round of services here in the Cathedral... We hope you enjoy this snapshot of a Portsmouth Cathedral Christmas” - David Price 9/10 - “If you have ever enjoyed a carol concert then wherever you come from, I am confident that many if not most of the songs on this enjoyable release will meet with your approval.” - CrossRhythms "The Band of the Royal Marines Collingwood sound fabulous with Portsmouth Cathedral’s choristers" - Gramophone Carries the listener in 18 tracks of spiritual authenticity, with lovely tone from both boy and girl trebles and tenderly shaped interpretations. - Choir and Organ -
An exciting new disc from one of the UK’s leading exponents of contemporary saxophone.Welsh performer Lara James commissioned a group of well-known and emerging UK composers to build this programme of contemporary works for saxophone, string quartet and jazz trio, starting with the simple brief of combining jazz concepts, sounds and harmonies with classical forms and structures. The result is a beguiling disc of premiere performances that showcases the talents of the performers and composers alike.
Featured composers include: Will Todd, Graham Lynch, Tim Garland, Ian Lawson, Mike Hall, Tim Barnes, Dave Stapleton & Huw Warren.
This is Signum’s second disc with Lara James, following 2009’s ‘Façades’ (SIGCD158) – a disc of contemporary saxophone works for classical trio and orchestra:
“The saxophone is in, and there's no better performer than Lara James. From shades of jazz to thrilling expressionism, this recital earns your attention.”
Classic FM Magazine